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Post‐Perspective

Albrecht
Dürer,
Draughtsman
Drawing
a
Recumbent
Woman,
from
The
Art
of

Measurement,
Nuremberg,
1538

Albrecht
Dürer,
Perspective
Machine,
1525

Hans
Holbein,
The

Ambassadors,
1533

Eadweard
Muybridge,
A
Woman
Getting
into
a
Bed,
1887

Etienne‐Jules
Marey,
Study
of
an
Acrobat
Jumping
over
an
Obstacle,
1884

Etienne‐Jules
Marey,
Analysis
of
the
Flight
of
a
Seagull,
1887

Giacomo
Balla,
Dynamism
of
a
Dog
on
a
Leash,
1912

Marcel
Duchamp,
Nude
Descending
a
Staircase,
1912

Picasso,
Le
Torero,
1912


Marcel
Duchamp,
Nude
Descending
a
Staircase,
1912

Marcel
Duchamp,

Rotorelief
No.
1

Corolles,
1935





http://
www.youtube.com/
watch?
v=G7y20VFOuY0&fea
ture=related


Techniques
of
post‐perspective:


• 
the
multiplication
of
views
and
viewpoints


• 
the
adoption
of
a
non‐human
viewpoint


• 
doubling
and
repetition


• 
historical
perspective,
or
perspectives
on

perspective

1.
The
multiplication
of
views
and
viewpoints





Clive
Head,
Rebekah,
2008

Clive
Head,
Rebekah,
2008

Clive
Head,
Leicester
Square
Tube
Station,
2011

Clive
Head,
Leicester
Square
Tube
Station,
2011

Franz
Ackermann,
City
Planning
4,
2006

Franz
Ackermann,
Transit:

Again/Always/Forever,
2008

Je
Baak,
We
Laughed
Together,
2009

Therese
Oulton,
Untitled
8,
2008



2.
Adopting
a
non‐human
viewpoint

Therese
Oulton,
Untitled
14,
2008

Therese
Oulton,
Untitled
17,
2009

Therese
Oulton,
Untitled
19,
2009

John
Constable,
Flatford
Mill,
1817

Andreas
Gefeller,
Panel
Building,
2004

Andreas
Gefeller,
Panel
Building,
2004

Andreas
Gefeller,
Panel
Building,
2004

Marilene
Oliver,
Family
Portrait,
2003

and
detail
(right)

J
M
W
Turner,
Cross
Sections
of
the
Human
Body,
Lecture
diagram
c.1810

Marilene
Oliver,
Iceman

Scanned
and
Plotted,
2007

Angela
Palmer,
Cow’s
Head,
2003

Angela
Palmer,
Cow’s
Head,
2003
   Leonardo
da
Vinci,
Study
for
the

                                   Virgin
and
St.
Anne,
1503‐10

Angela
Palmer,
Self
Portrait,

2004





http://www.youtube.com/
watch?v=exQGtnRV7ro


Angela
Palmer,
Self
Portrait
laser
cut
sections,
2007

Andrea

Mantegna,

Dead

Christ,

c.1480

3.
Doubling
and

repetition





Gerhard
Richter,

Sea

Sea,
1970

Charles
Avery,
Eternal
Forest,
2008

Hiroshi
Sugimoto,
Hall
of
the
33
Bays,
1995

Statues
of
Thousand
Armed
Kannon
from
temple
of
Sanjusangen‐dō,
12th‐13
centuries

Vija
Celmins,
To
fix
the
image
in
memory
I‐XI,
1977‐82

Vija
Celmins,
To
fix
the
image
in
memory
XIII,
1977‐82

4.
Historical

           perspectives





Hiroshi
Sugimoto,
From
the

    Portraits
series:

Diana,

    Princess
of
Wales,
1999

Hiroshi
Sugimoto,
from
the
Portraits
series:
   Rembrandt,
Self‐Portrait,
1661

Rembrandt,
1999

Ernst
Van
Alphen,
Art
in
Mind,
701.15
ALP
   Hans
Belting,
Looking
through
Duchamp’s

                                             Door,
701.82
BEL


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