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Kodak, Disruptive Innovation
   and the Stock Market
The graph above suggests that Kodak’s
  stock hasn’t done very well since the
         rise of digital imaging.
From 1999 to
 2009, it went
 down from 88
USD to around
    3 USD.
Film was a
high margin
  business
that Kodak
   used to
 dominate.
Digital imaging removed the need for film and
      thus, Kodak’s profits faded away.
Therefore
 Kodak had
to both use
  existing
capabilities
    and
  develop
new ones in
  order to
  survive.
It’s been a tough journey for Kodak and as
 stated before, the stock has reached new
             bottoms every year.
Standard & Poor’s Equity Research Analyst
   Erik Kolb commented on the results:
“They were late to the game in
their shift to digital and they have
  been playing catch-up since.”
Kolb also said in 2009 about Kodak that “They were
 late in their transition to digital business, namely
          digital cameras and accessories.”
In fact, Kodak wasn’t late, Kodak
     entered at an early point.
Wouldn’t it be interesting to see the
comments that analysts like Kolb have made
   before the technological shift, before
 everyone suddenly ’knew’ that this would
happen and started to say that all companies
  which suffered did so because they were
                    late?
Mary Benner at Wharton has done some great
 research regarding how securities analysts
 had looked at Kodak and its business from
           the early 1990s and on.
The results are very interesting and will be
 summarized briefly on the coming slides.
Benner basically shows that analysts did not
 care about and scarcely commented Kodak’s
investments in digital imaging that were made
            during the early 1990s.
On the other hand, the analysts praised film-
based and hybrid products, which would later
           on collapse in revenues.
The
  ignorance
  cannot be
explained by
   industry
  secrecy or
 that no one
knew about
    digital
  imaging…
… Photo
Magazines and
   industry
 publications
     wrote
  extensively
 about digital
imaging in the
 early 1990s.
But the
 analysts did
 not give any
  attention to
digital imaging
in its infancy.
Benner also showed that analysts were
significantly more positive regarding film-based
 initiatives than those which were based upon
Kodak introduced 13 digital cameras in 1990-96
 and two ’hybrid products’ – the Photo CD and
The Photo CD was mentioned 38 times in the
 analysts’ reports and Advantix 144 times.
Kodak’s first filmless camera, the DCS 100
         wasn’t mentioned at all!
In total, there are only ten mentions of
  Kodak’s digital cameras in the 196
      securities analysts’ reports.
Given that those reports total 2653 pages it’s
 obvious that they ignored the initiatives that
were essential for the long-term survival of the
                   company.
The photo community seemed to be
more interested in Kodak’s efforts:
“[Kodak]…appears to have found a way
  to reconcile the respective places of
  conventional and digital imaging in its
  strategy… If Kodak is going to lose film
  customers to digital imaging, it would
  rather lose them to Kodak…Kodak’s
  digital camera product line is now as
  extensive as it is impressive…”
        // Future Image, Volume 2, Issue 6,
                            October, 1994
Initiatives that sustained the film
business were widely regarded as
               positive.
“There are excellent
  opportunities for Kodak
  and other film
  manufacturers to develop
  hybrid systems that
  combine the best
  characteristics of chemical
  and electronic imaging. The
  Photo CD is a good
  example of a hybrid system
  that we believe will extend
  the life of 35mm film
  substantially.”
   // Smith Barney, August 14,
                           1991
“The Advanced
Photo System…will
    be the most
     important
development in the
    photography
   industry in 20
      years.”
 // Smith Barney,
   January 1996
Here’s my favorite:
“….Shareholders will revolt once the meager (and
distant) potential returns from electronic imaging
become clear…we are eager to see shareholders’
  reactions when they realize how much of their
  money is squandered on ‘digital nonsense’”.
                             // Prudential, April 1994
History tells us
   that if you
should survive
a technological
 shift you have
  to start at an
  early point…
… You have to
  explore it, develop
 prototypes, recruit
people with different
   knowledge and
remain committed to
 something that will
not boost the bottom
line in many years…
… Kodak did the
 right thing and at
   best, analysts
   ignored these
activities, at worst –
they were ridiculed
    and critized.
(By the way,
   both the
  Photo CD
and Advantix
     were
discontinued
 shortly after
     their
introduction.)
During the period 1997-2001 it became
increasingly clear that digital imaging had a
 future after all and wasn’t only ‘nonsense’.
Kodak’s
early work
on digital
 imaging
   now
started to
  pay off.
In these years, Kodak launched 32 digital
 camera products and 3 hybrid cameras.
Many of them were very competitive, they
received several awards and Kodak obtained
         significant market shares.
3 products get 70
times more attention
  than 32 products!
Bear in mind that the
 ignored products all
  had in common that
they had a future while
  the other ones were
   going to die soon.
Frightening.
Over time, the
   analysts became
increasingly positive
  to digital imaging.
The next mistake was to underestimate the
dynamics associated with a technological shift.
“In our opinion, Kodak has the potential to dominate
     digital photography in the same way it has
        dominated traditional photography.”
                       // CSFB, December 8, 1999
A Smith Barney analyst said in March, 1997:
  “…we believe the penetration by digital
   cameras of the installed base will be
     moderate for the next 10 years.”
Wrong.
30

25

20

15

10

 5

 0
 1994   1995   1996   1997   1998   1999   2000   2001   2002   2003   2004   2005



     Number of film and digital cameras sold in the
      United States (guess which one is digital!)
Somewhere around 1999-2000, many analyst’s
      started to become aware of the revolution.

30

25

20

15

10

 5

 0
 1994   1995   1996   1997   1998   1999   2000   2001   2002   2003   2004   2005
“Despite our more positive stance, we still hold that
longer-term fundamentals are shaky. Digital imaging
  is and will continue to cannibalize Kodak’s highly
   profitable film business…we do not believe that
    profitability will match Kodak’s film business”
                          // Morgan Stanley, April 1999
"For Eastman Kodak to become a stronger
   investment, it has to make a seamless
   transition from its analog photography to
   digital photography business…"
"I haven't seen it make a smooth transition yet,
   but we have to take individual projects like
   these today and group them into their whole
   strategy before changing the forecast for the
   company.”
        Gary Schneider, analyst at Bear Stearns.
Schneider is right, but I guess the problem is that
technological shifts do not tend to be very smooth.
The analysts’ role becomes even more
questionable when they later on explain
Kodak’s decline by stating that the firm
   overslept the technological shift.
“They were late to the game in
their shift to digital and they have
  been playing catch-up since.”
They ignored all efforts related to digital
   imaging up until the avalanche came into
motion, and when it happened some analyst’s
started to make comments like the one above.
… Who had actually overslept the shift?!
If Kodak had followed the analysts’ way of
reasoning, the company would have been
    bankrupt around 2001 like Polaroid.
Hence, if you would
 have given attention
  to the opposite of
 what they looked at
you would have been
much closer to a good
analysis (there are of
 course exceptions).
Why?
We can’t exclude that
 analysts are biased
 and have their own
agenda (the good old
  pump-and-dump
      strategy).
Another possible explanation is the ’sheep
behaviour’ among people doing the same job.
But those
explanations
  are not
 sufficient.
I think this spectacular ignorance is related to the
 way many financial analyst’s look at companies.
They discount cash flows, look at market shares,
   profitability on different products and use
          sophisticated data analysis…
… without reflecting about the fundamental
business that they are actually trying to understand.
If you juggle with numbers without thinking about
  what the numbers represent you end up like the
          analysts did in the Kodak case.
For stable and predictable businesses such a
static analysis usually works reasonably well.
But under turbulent conditions
    you’d end up like this:
Film
     =
   Huge
profits and
  market
dominance
Digital
   Imaging
       =
  Uncertain,
 low profits,
low volumes
 at the given
     time
=> Keep investing in
the film business and
    wait with digital
 imaging, would have
   been the obvious
conclusion from this.
And financially speaking, all digital imaging
initiatives up until the 2000s only generated
  insignificant revenues compared to film.
In the short term, it’s just a cost.
In the long term, it’s absolutely essential.
It wouldn’t be an overstatement to say that financial
  analysts need to study and understand economic
       history and the dynamics of capitalism.
Image attributions
Sources:

Benner, M.J. (2007). Securities analysts
   and incumbent response to radical
technological change: The case of digital
      technology in photography.

              CNET News
Christian Sandström is a
                PhD student at Chalmers
               University of Technology in
               Gothenburg, Sweden. He
                writes and speaks about
                disruptive innovation and
                  technological change.




  www.christiansandstrom.org
christian.sandstrom@chalmers.se

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Kodak, Disruptive Innovation And The Stock Market

  • 1. Kodak, Disruptive Innovation and the Stock Market
  • 2. The graph above suggests that Kodak’s stock hasn’t done very well since the rise of digital imaging.
  • 3. From 1999 to 2009, it went down from 88 USD to around 3 USD.
  • 4. Film was a high margin business that Kodak used to dominate.
  • 5. Digital imaging removed the need for film and thus, Kodak’s profits faded away.
  • 6.
  • 7. Therefore Kodak had to both use existing capabilities and develop new ones in order to survive.
  • 8. It’s been a tough journey for Kodak and as stated before, the stock has reached new bottoms every year.
  • 9. Standard & Poor’s Equity Research Analyst Erik Kolb commented on the results:
  • 10. “They were late to the game in their shift to digital and they have been playing catch-up since.”
  • 11. Kolb also said in 2009 about Kodak that “They were late in their transition to digital business, namely digital cameras and accessories.”
  • 12. In fact, Kodak wasn’t late, Kodak entered at an early point.
  • 13. Wouldn’t it be interesting to see the comments that analysts like Kolb have made before the technological shift, before everyone suddenly ’knew’ that this would happen and started to say that all companies which suffered did so because they were late?
  • 14. Mary Benner at Wharton has done some great research regarding how securities analysts had looked at Kodak and its business from the early 1990s and on.
  • 15. The results are very interesting and will be summarized briefly on the coming slides.
  • 16. Benner basically shows that analysts did not care about and scarcely commented Kodak’s investments in digital imaging that were made during the early 1990s.
  • 17. On the other hand, the analysts praised film- based and hybrid products, which would later on collapse in revenues.
  • 18. The ignorance cannot be explained by industry secrecy or that no one knew about digital imaging…
  • 19. … Photo Magazines and industry publications wrote extensively about digital imaging in the early 1990s.
  • 20. But the analysts did not give any attention to digital imaging in its infancy.
  • 21. Benner also showed that analysts were significantly more positive regarding film-based initiatives than those which were based upon
  • 22. Kodak introduced 13 digital cameras in 1990-96 and two ’hybrid products’ – the Photo CD and
  • 23. The Photo CD was mentioned 38 times in the analysts’ reports and Advantix 144 times.
  • 24. Kodak’s first filmless camera, the DCS 100 wasn’t mentioned at all!
  • 25. In total, there are only ten mentions of Kodak’s digital cameras in the 196 securities analysts’ reports.
  • 26. Given that those reports total 2653 pages it’s obvious that they ignored the initiatives that were essential for the long-term survival of the company.
  • 27. The photo community seemed to be more interested in Kodak’s efforts:
  • 28. “[Kodak]…appears to have found a way to reconcile the respective places of conventional and digital imaging in its strategy… If Kodak is going to lose film customers to digital imaging, it would rather lose them to Kodak…Kodak’s digital camera product line is now as extensive as it is impressive…” // Future Image, Volume 2, Issue 6, October, 1994
  • 29. Initiatives that sustained the film business were widely regarded as positive.
  • 30. “There are excellent opportunities for Kodak and other film manufacturers to develop hybrid systems that combine the best characteristics of chemical and electronic imaging. The Photo CD is a good example of a hybrid system that we believe will extend the life of 35mm film substantially.” // Smith Barney, August 14, 1991
  • 31. “The Advanced Photo System…will be the most important development in the photography industry in 20 years.” // Smith Barney, January 1996
  • 33. “….Shareholders will revolt once the meager (and distant) potential returns from electronic imaging become clear…we are eager to see shareholders’ reactions when they realize how much of their money is squandered on ‘digital nonsense’”. // Prudential, April 1994
  • 34. History tells us that if you should survive a technological shift you have to start at an early point…
  • 35. … You have to explore it, develop prototypes, recruit people with different knowledge and remain committed to something that will not boost the bottom line in many years…
  • 36. … Kodak did the right thing and at best, analysts ignored these activities, at worst – they were ridiculed and critized.
  • 37. (By the way, both the Photo CD and Advantix were discontinued shortly after their introduction.)
  • 38. During the period 1997-2001 it became increasingly clear that digital imaging had a future after all and wasn’t only ‘nonsense’.
  • 39. Kodak’s early work on digital imaging now started to pay off.
  • 40. In these years, Kodak launched 32 digital camera products and 3 hybrid cameras.
  • 41. Many of them were very competitive, they received several awards and Kodak obtained significant market shares.
  • 42. 3 products get 70 times more attention than 32 products!
  • 43. Bear in mind that the ignored products all had in common that they had a future while the other ones were going to die soon.
  • 45. Over time, the analysts became increasingly positive to digital imaging.
  • 46. The next mistake was to underestimate the dynamics associated with a technological shift.
  • 47. “In our opinion, Kodak has the potential to dominate digital photography in the same way it has dominated traditional photography.” // CSFB, December 8, 1999
  • 48. A Smith Barney analyst said in March, 1997: “…we believe the penetration by digital cameras of the installed base will be moderate for the next 10 years.”
  • 49. Wrong. 30 25 20 15 10 5 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 Number of film and digital cameras sold in the United States (guess which one is digital!)
  • 50. Somewhere around 1999-2000, many analyst’s started to become aware of the revolution. 30 25 20 15 10 5 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005
  • 51. “Despite our more positive stance, we still hold that longer-term fundamentals are shaky. Digital imaging is and will continue to cannibalize Kodak’s highly profitable film business…we do not believe that profitability will match Kodak’s film business” // Morgan Stanley, April 1999
  • 52. "For Eastman Kodak to become a stronger investment, it has to make a seamless transition from its analog photography to digital photography business…" "I haven't seen it make a smooth transition yet, but we have to take individual projects like these today and group them into their whole strategy before changing the forecast for the company.” Gary Schneider, analyst at Bear Stearns.
  • 53. Schneider is right, but I guess the problem is that technological shifts do not tend to be very smooth.
  • 54. The analysts’ role becomes even more questionable when they later on explain Kodak’s decline by stating that the firm overslept the technological shift.
  • 55. “They were late to the game in their shift to digital and they have been playing catch-up since.”
  • 56. They ignored all efforts related to digital imaging up until the avalanche came into motion, and when it happened some analyst’s started to make comments like the one above.
  • 57. … Who had actually overslept the shift?!
  • 58. If Kodak had followed the analysts’ way of reasoning, the company would have been bankrupt around 2001 like Polaroid.
  • 59. Hence, if you would have given attention to the opposite of what they looked at you would have been much closer to a good analysis (there are of course exceptions).
  • 60. Why?
  • 61. We can’t exclude that analysts are biased and have their own agenda (the good old pump-and-dump strategy).
  • 62. Another possible explanation is the ’sheep behaviour’ among people doing the same job.
  • 63. But those explanations are not sufficient.
  • 64. I think this spectacular ignorance is related to the way many financial analyst’s look at companies.
  • 65. They discount cash flows, look at market shares, profitability on different products and use sophisticated data analysis…
  • 66. … without reflecting about the fundamental business that they are actually trying to understand.
  • 67. If you juggle with numbers without thinking about what the numbers represent you end up like the analysts did in the Kodak case.
  • 68. For stable and predictable businesses such a static analysis usually works reasonably well.
  • 69. But under turbulent conditions you’d end up like this:
  • 70. Film = Huge profits and market dominance
  • 71. Digital Imaging = Uncertain, low profits, low volumes at the given time
  • 72. => Keep investing in the film business and wait with digital imaging, would have been the obvious conclusion from this.
  • 73. And financially speaking, all digital imaging initiatives up until the 2000s only generated insignificant revenues compared to film.
  • 74. In the short term, it’s just a cost. In the long term, it’s absolutely essential.
  • 75. It wouldn’t be an overstatement to say that financial analysts need to study and understand economic history and the dynamics of capitalism.
  • 77. Sources: Benner, M.J. (2007). Securities analysts and incumbent response to radical technological change: The case of digital technology in photography. CNET News
  • 78. Christian Sandström is a PhD student at Chalmers University of Technology in Gothenburg, Sweden. He writes and speaks about disruptive innovation and technological change. www.christiansandstrom.org christian.sandstrom@chalmers.se