1. Arts
EastAsia

2. EasttAsianMap

3. Painttingin
China,Japan
andKorea

5. In East Asia, the objects or
items that are usually put into
paintings are called subjects,
themes or motifs. These may
be about animals, people,
landscapes, and anything
about the environment.

6. PAINTINGSUBJECTSORTHEMES
CHIN
A 1.Flowersandbirds
2. Landscapes
3. Palacesand T
emples
4. HumanFigures
5. Animals
6. Bamboosand Stones

8. PAINTINGSUBJECTSORTHEMES
J
AP
AN 1.Scenesfrom
everyday life
2.Narrative scenes
crowdedwith
figures anddetails

10. PAINTINGSUBJECTSORTHEMES
K
OR
E
A 1.landscapepaintings
2. Minhwa
3.Four GraciousPlants
(plumblossoms,orchids
or wildorchids,
chrysanthemums)
4. bamboo
5.portraits

12. Importtanttaspecttsin
EasttAsian Paintting
• Landscape painting was regarded
as the highest form of Chinese
painting.
• They also consider the three
concepts of their arts: Nature,
HeavenandHumankind (YinY
ang).

14. • Silk was often used as the
medium to paint upon, but it
wasquiteexpensive.
• Cai Lun, invented the paper in
the 1st Century A
D it provided
not only a cheap and
widespread medium for writing
but painting became more
economical.

16. The history of Korean painting
dates to 108 C.E., when it first
appears as an independent form.
It is said that until the Joseon
dynasty the primary influence of
Korean paintings were Chinese
paintings.

17. Mountainand
Water are
important
features in
Koreanlandscape
paintingbecause
it isasite for
buildingtemples
andbuildings.

18. Whatdailyactivitiesareseeninthe
painting below?

19. Painting is
closely related
to calligraphy
among the
Chinesepeople.

20. Calligraphy
• is the
art
handwriting.
of
beautifu
l
Traditional
painting involves essentially
the same techniques as
calligraphy and is done with a
brush dipped in black or
coloredink; oilsarenot used.

22. Enrichyour knowledgeabout
Chinesecalligraphy:
Did you know that the earliest
known Chinese logographs (ancient
writing symbols) are engraved on
the shoulder bones of large
animalsandontortoise shells?

23. • The script found on these objects
is commonly called jiaguwen, or
shell-and-bone script.
• Cangjie, the legendary inventor of
Chinese writing, got his ideas from
observing animals’ footprints and
birds’ claw marks on the sand as
wellasother naturalphenomena.

25. East Asian temples and houses
have sweeping roofs because
they believe that it will protect
them from the elements of
water, wind and fire. Buddhists
believed that it helped ward off
evil spirits which were deemedto
bestraight lines.

26. Thefigures at thetips arecalledroof guards.

27. There are three main types of
roofs in traditional Chinese
architecture that influenced
other Asianarchitecture:
1. Straight inclined
2. Multi-inclined
3. Sweeping

28. 1
.Straight inclined- more
economicalfor commonChinese
architecture

29. 2. Multi-
inclined- Roofs
withtwoor
moresections
of incline.
These roofs
areused for
residences of
wealthy
Chinese.

30. 3.Sweeping– hascurvesthat rise
at thecornersof theroof. These
areusuallyreservedfor temples
andpalaces
althoughit
mayalsobe
found inthe
homesof the
wealthy
.

31. Woodblock printing is a
technique for printing text,
images or patterns used
widelythroughout East Asia.
It became one of their oldest
and most highly developed
visual arts.

32. WoodblockPrinting

33. JapaneseUkiyo-e
Thebest knownandmost popular
style of Japaneseart is Ukiyo-e,
which is Japanese for "pictures
of the floating world” and it is
related to the style of
woodblock print making that
shows scenes of harmony and
carefree everyday living.

34. art
wa
s in
a
of
Ukiyo-e
produce
d
diversity
different
media,
including painting
and became an art
domain of the upper
classes and royalty
but later was also
produced by the
commonpeople.

36. Paintings in East Asia
do not only apply on
paper, silk and wood.
Performers of Kabuki
in Japan and Peking
Opera in China use
their faces as the
canvas for painting
while mask painting is
donein Korea.

37. Pekingoperaface-painting or Jingju
Lianpuisdonewithdifferent colors
inaccordancewiththeperforming
characters’
personality
and
historical
assessment.

38. The hero type characters are
normally painted in relatively
simple colors, whereas enemies,
bandits, rebels and others have
more complicated designs on
their faces.

39. It is a traditional special way of
make-up in Chinese operas in
pursuit of the expected effect of
performance. Originally, Lianpu is
calledthefalse mask.

40. GuanJu- Red
indicates
devotion,
courage,
bravery,
uprightness
andloyalty.

41. HuangPang-
Y
ellow
signifies
fierceness,
ambitionand
cool-
headedness.

42. ZhuWen- A
greenfacetells
theaudience
that the
character isnot
onlyimpulsive
andviolent, he
alsolacksself-
restraint.

43. ZhangFei- Black
symbolizes
roughnessand
fierceness.The
blackfaceindicates
either arough and
boldcharacter or
animpartialand
selfless
personality.

44. LianPo- Purple
stands for
uprightness and
cool- headedness.
Whileareddish
purple face
indicatesajust
andnoble
character.

45. CaoCao- white
suggests
treachery,
suspiciousness
and craftiness.
It iscommonto
see the
face of
powerful
white
th
e
villain
onstage.

46. JiangGan- Theclownor
chouinChineseOpera
hasspecialmakeup
patterns called
xiaohualian(the petty
paintedface).
Sometimesasmallpatch
of chalkispainted
aroundthenoseto show
ameanandsecretive
character.

47. KabukiMake- upof Japan
Kabuki makeup or Kesho
is alreadyinitself an
interpretation
of the actor’s ownrole through
the
stage,
facial
this
the medium of
features. On
interpretation becom
es
a
in
temporalization of makeup
collaborationwiththe audience.

48. KabukiMakeupis
alsoanother wayof
facepaintingwhich
hastwo types:
1.standard makeup-
appliedto most
actors
2. kumadorimakeup
- appliedto villains
andheroes

49. - It iscomposedof very dramatic
linesandshapesusingcolorsthat
represent certain qualities.
• darkred =passionor anger
• darkblue=depressionor
sadness
• pink= youth
• light green= calm
• black= fear
• purple = nobility

51. Someexamplesof
facepaintingare
themukimi-guma
or suji-guma,
wherethelines
arepaintedonto
an actor’s face.
Thesearethen
smudgedto
soften them.

52. Kumadori—
ThePaintedFacesof
JapaneseKabuki Theatre.

53. K
O
R
E
A
NM
A
S
K
Koreanmasks,called
tal or t'al, originated
withreligiousmeaning
just likethemasksof
other countries which
alsohavereligiousor
artistic origins. Korea
hasarichhistory of
masks.

55. Theroles of colors inKoreanmasks:
1.Black,RedandWhite– Bright and
vibrant colorsthat helpestablishthe
ageandraceof the figure
2.Half RedandHalf Whitemask-
symbolizetheideathat thewearerhas
twofathers, Mr. RedandMr. White
3.Dark-faced mask- indicatesthat
the character wasborn of an
adulterous mother

57. PAPERA
R
T
SandK
N
O
TTYING
Paper was first invented by Cai
Lun of the Eastern Han Dynasty
in China. It is indeed one of the
greatest contributions of
ancient China in the development
of arts.

58. FOLKA
R
T
SOFCHINA:
1.P
APERC
U
T
2.CHINESEK
N
O
T
S
3.P
APERFOLDING
4.P
APERKITES

59. Theearliest documentshowing
paperfolding isapicture of a
smallpaperboat inaneditionof
TractatusdeSphaeraMundifrom
1490byJohannesde
Sacrobosco.

60. In China, traditional funerals
include burning yuanbao which is
a folded paper that look like gold
nuggets or ingots called Sycee.
This is also used for other
ceremonial practices. This kind of
burning is commonlydone at their
ancestors’ graves during the
Ghost Festival.

61. Asyceeisatype of silver or gold
ingot currencyusedinChinauntil
the20th century. Thenameis
derived
from the
Cantones
e words
meaning
"fine silk.”

62. Today,imitationgoldsyceesare
usedasasymbolof prosperity
byChineseandare frequently
displayedduringtheChineseNew
Y
ear
.
TheGold
Paper
foldedto
looklikea
Sycee

63. Origami
Theterm Origami camefrom “ori”
meaning "folding", and “kami”
meaning "paper". It is the
traditional Japanese art of
paper folding, which started in
the17thcenturyA
D

64. Origami butterflies were used
during the celebration of Shinto
weddings to represent the bride
and groom, so paper folding had
already become a significant
aspect of Japanese ceremonies
by the Heian period (794–1185) in
Japanesehistory.

65. Flowers,
animals,
birds,
fish,
geom
etri
c shapes
and dolls
are
the
com
m
on models
in
used
Japanes
e
Origami.

66. DecorativeChinesepapercuttings are
usuallysymmetricalindesignwhen
unfoldedandadapt the
12animalsof
theChinese
Zodiacas
themesand
motifs and
mostlychoose
thered color.

67. Theearliest useof paperwas
madeasa
pattern for
lacquers,
decoration
onwindows,
doors, and
walls.

68. Chinese Buddhists believe that
hanging “Window Flowers” or
decorative paper cuttings, like
pagodas and other symbols of
Good Luck, attract good luck and
drive away evil spirits. The
process of paper cutting is aided
by a pair of scissor or knife and
other sharpflat cutter.

69. Jianzhiisthe first type of paper
cutting design, sincepaperwas
inventedbytheChinese.Thecut
outs arealsousedto decorate
doors andwindows.Theyare
sometimesreferred to "chuāng
huā",meaningWindowFlower.

70. K
I
T
EMAKING
A kite is an assembled or joined
aircraft that was traditionally
made of silk or paper with a
bowline and a resilient bamboo.
Today
, kites can be made out of
plastic. Kites are flown for
recreational purposes, display of
one’s artistic skills.

71. Accordingto JosephNeedham,
oneof the
important
contributions
of Chinesein
scienceand
technologyto
Europeisthe
kite.

72. Chinese kites may be
differentiated into four main
categories:
1. Centipede
2. Hard-Winged Kites
3. Soft-Winged Kites
4. Flat Kites

74. K
N
O
TT
Y
I
N
G
InKorea,decorativeknotwork is
known as “Maedeup
or calledDorae”
or double
connectionknot,
often calledKorean
knotworkor
Koreanknots.

75. ZhongguoistheChinesedecorative
handicraft art that beganasa
form of
Chinesefolk
art inthe
T
angand
SongDynasty
(960-1279 AD)
in China.

76. InJapan,knottying iscalled
Hanamusubi.
It emphasizes
onbraidsand
focuses on
Individual
knots.