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Video Mastery
    June 20 – 27 , 2012
   Texas State University
Round Rock Higher Education Center
Orientation & Overview


Introductions: Hosts & Presenters
Class Concept & Structure
Introductions: Participants
Orientation & Overview

Why Video for Small Business?
   • Global Reach
   • Search Optimization
   • Engagement Thru Story
Orientation & Overview

Uses of Video for Small Business 
   The Talking Head                        Interviews
   Product Demo                            Instruct/Educate
   Profiles                                Testimonials
   Branding/Promotion                      News/PR
   Revenge (Cust_Service)                  Kickstarter/Bus_Plan
   Content Blogging                        Entertain/Humor
   Hiring                                  Brainstorming
Juxtaposed Examples
Self-Made -> http://www.youtube.com/watch?v=_8r6ReAA_Zs&feature=g-upl
Professional -> http://www.youtube.com/watch?v=gTKOG41xYZQ
Orientation & Overview

Before You Start – The Challenges of Video …
   • No Luxury of Time
   • End-to-End: Purposes Rule !!!
   • Tradeoffs in The Path of Bits & Bytes
   • DIY, Hire Someone, Do Nothing
Orientation & Overview
Current Trends (Steve):
     Educate your customer, sell an idea    Selling Real Estate in Spain
     Get to know the CEO / the Product      Kiwi Beer
     Video Blogging
     Product Demos                          Anushka Handbags
     Member profiles                        An artist on Etsy
     Kickstarter for crowd source funding   Author of Graphic Novel
     Interview                              Author of Duct-tape Marketing
     Animation                              Commusoft
     Product demo                           BBQ Guys
     Business plan                          Student at Full Sail
     Seeking employees                      Trucking company
Pre-Production



Where Marketing Begins !!!
 Things to know before you shoot your Video
Pre-Production
Project Planning 
   • What is the Purpose of your video ?
       Brand Development or Brand Promotion ?
   • Who is Your Audience ?
       Know your Audience by knowing your Customer ?
   • What is Your Message ?
       What do you want your Audience to hear ?
   • What is The Take-Away ?
       What Conclusion do you want to Develop ?
   • What is Your Call-to-Action ?
       When the Video is over, What should happen ?
Pre-Production



Now You Can Start
  Oh, One More Thing …
Pre-Production



      Now You Can Start
           Oh, One More Thing …

  DIGITAL RIGHTS: Just because it is on the
internet, does not give you the right to use it.
Pre-Production



Budget & Cost Considerations
          How much does it cost?
    How much should you expect to spend?
Pre-Production



      Video Length
This only matters if you want people
         to watch your video
Pre-Production



Styles of Video-Making
              Talking Head
         Branded Entertainment
           Product Promotion
              Testimonials
Pre-Production



          Video Length
This only matters if you want people to watch
                  your video
Pre-Production



   Kickstarter
         What is it?
Is it Worth Learning About?
Pre-Production



   Tips & Tricks
 If you were your audience,
Would you want to watch this?
Production

Getting Started:
        Production is where the action is
        A lot of planning happened in Pre-Production
        You already have a script, team, and budget
        You decided if you will DIY or Pay someone
        Either way, you will need to understand:
           - The basic production process
           - The common terms
           - The relative costs
           - Your resources
Production

Cameras:
  Cameras now shoot video, audio, and stills:
  1. HD Pocket Camcorders (Many Flavors)
      •    Sony MP4 Bloggie , Kodak Playsport, Flip Video
      •    List of the 10 best from PC Magazine
  2. Webcams (Desktop, Laptop)
  3. Smart Phones, Tablets, Point+Shoot
         iPhone, Android, Blackberry, WindowsPhone
         The iPad & Apps for shooting video
          Native Apps, 8mm Vintage Camera, etc.
Production

Cameras:
  DSLRs (Trend is toward shooting video with DSLR’s)
    Digital Single Lens Reflex
    Started out as still cameras
    Canon Rebel T3i is extremely popular
    Interchangeable lenses
    Depth of field
    Limited audio capabilities
    Records to SD/SDHC/SDXC memory cards
    Shoot only approx. 12 minutes on a card
    Not for “run and gun” shooting
    Audio alternatives compared on a DSLR
Production

Cameras:
  Consumer/Prosumer/Pro
    Canon HFS100
    Canon XA10
    Sony HVR-Z7U

  Hybrids
      Merging DSLRs with camcorders
      Interchangeable lenses, DOF
      Shoots about 2-6 hours
      Example: Sony NEX-VG20
Production

Buying Vs Renting:
     Buying …. Expensive (hope you use it more than once)
     Sources for Buying …
           Precision Camera, B&H, Amazon

     Renting … Pros, No Eqpt Learning Time, High Day Rates
     Sources for Renting …
           Gear Rental
           Texas Media Systems
Production

Shooting Video                               Interviews &
 • Cameras on tripod to stabilize              Multiple
                                               Cameras
 • Hand held for informal effect
 • Fluid head tripod to pan or tilt-pan

                            • Avoid zooming; instead, “dolly”
                            • DSLR for slow moving or still shots
                            • Camcorder for “run and gun” style
                            • Shoot pre-roll and post-roll
Production

File Formats:
     Codec = Compress/Decompress
       H.264 is the best codec
     Formats for youtube or vimeo:
      .mov
      .mp4/mpeg4
     Aspect Ratios & Resolutions (SD & HD):
      16:9 aspect ratio = Widescreen
      Youtube or Vimeo uses1920x1280, 1280x720, etc.
Production

Audio:
      Most cameras have 'on-board audio'
      Off-board mics are used for better quality
      Multiple mics / Mixers enhance quality
      Audio alternatives Compared on a DSLR
Distance ???
      Mics close to the subject
      Audio monitored on headphones
      Room noise, fans, are an issue
      If an interview, mic is acceptable
       Otherwise, use a boom or hide mic
      Option: wireless lav, but expensive
Production

Audio (Cont’d):
 Microphones
   Dynamic
     Rugged, for voice Shure SM57
   Condenser
     Sensitive
   Lavalier lapel mic:
     Shure lavalier
   Shotgun:
     Rode NGT2
Production

Lighting (Sources):
      Natural light from sun
      Available light from a room
      Lights on stands or attached
      Poor lighting
       backlight, flat,
       lacking contrast
       flourescents
      Light needs to not look green or yellow
      Usually done with AWB (Automatic
       White Balance)                          Trend alert: LED lights are
      On Camera Lighting vs                      cool, inexpensive, and last.
       stands/umbrellas
      Reflectors
Production

Lighting (Proper):
      3 point lighting
      Key light, Fill light or
       bounce/reflector
      A back light aka rim, kicker
      Provide contrast
      Avoid black shadows and
       blown-out highlights
      Green screens need distance
Production

Using Actors:
     Friends or Professional (Austin Actors)
            Provide a script
            Fill in on directions: where to stand, etc.
            Provide them with props
            Shoot takes over until successful
            Take your time
     You want passion to shine through
         • The message should be clear
         • Do repeated takes
         • Engage the actor from behind the camera
         • Help them understand your message
Production

Voice-Over Narration:
       Friend vs Pro (Acclaim)
       Have a clearly written script
       Record in a quiet location
       Use a teleprompter or on a stand
       Turn pages when in between lines
       Use headphones to monitor
       Watch the gain control, avoid clipping
Production

Sets, Props, Location:
  Set/Location …
      Where is it? Can your crew find it?
      Could your shoot be interrupted?
      Do you have permission to shoot there?
      Permits required in the streets, etc.
      Is the available lighting useful?
      Is there electricity?
  Props …
       They should be noted from the script
       Organized and easy to find
       Returned if borrowed, etc.
       Places to get props:
            Austin Props
            Second hand stores
Production

Teleprompters & Scripts:
      Have Clear Script Ready
      Practice, Practice, Practice
      Interpret the script into
       spoken language
      Demonstrate Energy, and Smile!
      Have a friend to speak to, to connect
      Tips for using a teleprompter
      iPad teleprompter apps
      Tel Max Teleprompters
Production

Wires, Power, Ham Sandwiches:
      Murphy's law, so prepare
      Make lists; pack things in an organized way
      Back-up batteries for cameras and lights
      Bring re-chargers
      Extension cords, basic tools,
       gaffer's tape
      A spirit of adventure, and ...
      Ham sandwiches!
Production

Conclusion:
   Either DIY or Pay Someone 
     Know the basic steps of Production
     Talk the language
     Know your options
     Keep it fun
     Keep communication with your team
     Coming up next: Post-Production
Wrap Up
Day Two
Day Two -- Ron
Day Two – Steve
Post-Production / Editing
Day Two – Gilbert
  Distribution
Now What Do I do with it?


  Again – What are your objectives?
  Hosting (Vimeo & Youtube)
  SEO Tagging & Transcribing
Execute, Evaluate, Repeat

  Social Media Channels & Syndication Engines
  Your Newsletter,
  Press Releases, and Ezyme
  Video Blogging, Geo-Marketing, Google News,
  Etc.
Return on Investment

    Calls to Action
    Measuring Impacts
                  Analytics
The Power of Video

Conversation & Engagement
Speed of Trust (know, like, trust)
Wrap Up

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Video mastery 2012 series1_corrected links

  • 1. Video Mastery June 20 – 27 , 2012 Texas State University Round Rock Higher Education Center
  • 2. Orientation & Overview Introductions: Hosts & Presenters Class Concept & Structure Introductions: Participants
  • 3. Orientation & Overview Why Video for Small Business? • Global Reach • Search Optimization • Engagement Thru Story
  • 4. Orientation & Overview Uses of Video for Small Business  The Talking Head Interviews Product Demo Instruct/Educate Profiles Testimonials Branding/Promotion News/PR Revenge (Cust_Service) Kickstarter/Bus_Plan Content Blogging Entertain/Humor Hiring Brainstorming Juxtaposed Examples Self-Made -> http://www.youtube.com/watch?v=_8r6ReAA_Zs&feature=g-upl Professional -> http://www.youtube.com/watch?v=gTKOG41xYZQ
  • 5. Orientation & Overview Before You Start – The Challenges of Video … • No Luxury of Time • End-to-End: Purposes Rule !!! • Tradeoffs in The Path of Bits & Bytes • DIY, Hire Someone, Do Nothing
  • 6. Orientation & Overview Current Trends (Steve):  Educate your customer, sell an idea Selling Real Estate in Spain  Get to know the CEO / the Product Kiwi Beer  Video Blogging  Product Demos Anushka Handbags  Member profiles An artist on Etsy  Kickstarter for crowd source funding Author of Graphic Novel  Interview Author of Duct-tape Marketing  Animation Commusoft  Product demo BBQ Guys  Business plan Student at Full Sail  Seeking employees Trucking company
  • 7. Pre-Production Where Marketing Begins !!! Things to know before you shoot your Video
  • 8. Pre-Production Project Planning  • What is the Purpose of your video ? Brand Development or Brand Promotion ? • Who is Your Audience ? Know your Audience by knowing your Customer ? • What is Your Message ? What do you want your Audience to hear ? • What is The Take-Away ? What Conclusion do you want to Develop ? • What is Your Call-to-Action ? When the Video is over, What should happen ?
  • 9. Pre-Production Now You Can Start Oh, One More Thing …
  • 10. Pre-Production Now You Can Start Oh, One More Thing … DIGITAL RIGHTS: Just because it is on the internet, does not give you the right to use it.
  • 11. Pre-Production Budget & Cost Considerations How much does it cost? How much should you expect to spend?
  • 12. Pre-Production Video Length This only matters if you want people to watch your video
  • 13. Pre-Production Styles of Video-Making Talking Head Branded Entertainment Product Promotion Testimonials
  • 14. Pre-Production Video Length This only matters if you want people to watch your video
  • 15. Pre-Production Kickstarter What is it? Is it Worth Learning About?
  • 16. Pre-Production Tips & Tricks If you were your audience, Would you want to watch this?
  • 17. Production Getting Started:  Production is where the action is  A lot of planning happened in Pre-Production  You already have a script, team, and budget  You decided if you will DIY or Pay someone  Either way, you will need to understand: - The basic production process - The common terms - The relative costs - Your resources
  • 18. Production Cameras: Cameras now shoot video, audio, and stills: 1. HD Pocket Camcorders (Many Flavors) • Sony MP4 Bloggie , Kodak Playsport, Flip Video • List of the 10 best from PC Magazine 2. Webcams (Desktop, Laptop) 3. Smart Phones, Tablets, Point+Shoot  iPhone, Android, Blackberry, WindowsPhone  The iPad & Apps for shooting video Native Apps, 8mm Vintage Camera, etc.
  • 19. Production Cameras: DSLRs (Trend is toward shooting video with DSLR’s)  Digital Single Lens Reflex  Started out as still cameras  Canon Rebel T3i is extremely popular  Interchangeable lenses  Depth of field  Limited audio capabilities  Records to SD/SDHC/SDXC memory cards  Shoot only approx. 12 minutes on a card  Not for “run and gun” shooting  Audio alternatives compared on a DSLR
  • 20. Production Cameras: Consumer/Prosumer/Pro  Canon HFS100  Canon XA10  Sony HVR-Z7U Hybrids  Merging DSLRs with camcorders  Interchangeable lenses, DOF  Shoots about 2-6 hours  Example: Sony NEX-VG20
  • 21. Production Buying Vs Renting: Buying …. Expensive (hope you use it more than once) Sources for Buying …  Precision Camera, B&H, Amazon Renting … Pros, No Eqpt Learning Time, High Day Rates Sources for Renting …  Gear Rental  Texas Media Systems
  • 22. Production Shooting Video Interviews & • Cameras on tripod to stabilize Multiple Cameras • Hand held for informal effect • Fluid head tripod to pan or tilt-pan • Avoid zooming; instead, “dolly” • DSLR for slow moving or still shots • Camcorder for “run and gun” style • Shoot pre-roll and post-roll
  • 23. Production File Formats:  Codec = Compress/Decompress H.264 is the best codec  Formats for youtube or vimeo: .mov .mp4/mpeg4  Aspect Ratios & Resolutions (SD & HD): 16:9 aspect ratio = Widescreen Youtube or Vimeo uses1920x1280, 1280x720, etc.
  • 24. Production Audio:  Most cameras have 'on-board audio'  Off-board mics are used for better quality  Multiple mics / Mixers enhance quality  Audio alternatives Compared on a DSLR Distance ???  Mics close to the subject  Audio monitored on headphones  Room noise, fans, are an issue  If an interview, mic is acceptable Otherwise, use a boom or hide mic  Option: wireless lav, but expensive
  • 25. Production Audio (Cont’d): Microphones  Dynamic Rugged, for voice Shure SM57  Condenser Sensitive  Lavalier lapel mic: Shure lavalier  Shotgun: Rode NGT2
  • 26. Production Lighting (Sources):  Natural light from sun  Available light from a room  Lights on stands or attached  Poor lighting backlight, flat, lacking contrast flourescents  Light needs to not look green or yellow  Usually done with AWB (Automatic White Balance) Trend alert: LED lights are  On Camera Lighting vs cool, inexpensive, and last. stands/umbrellas  Reflectors
  • 27. Production Lighting (Proper):  3 point lighting  Key light, Fill light or bounce/reflector  A back light aka rim, kicker  Provide contrast  Avoid black shadows and blown-out highlights  Green screens need distance
  • 28. Production Using Actors: Friends or Professional (Austin Actors)  Provide a script  Fill in on directions: where to stand, etc.  Provide them with props  Shoot takes over until successful  Take your time You want passion to shine through • The message should be clear • Do repeated takes • Engage the actor from behind the camera • Help them understand your message
  • 29. Production Voice-Over Narration:  Friend vs Pro (Acclaim)  Have a clearly written script  Record in a quiet location  Use a teleprompter or on a stand  Turn pages when in between lines  Use headphones to monitor  Watch the gain control, avoid clipping
  • 30. Production Sets, Props, Location: Set/Location … Where is it? Can your crew find it? Could your shoot be interrupted? Do you have permission to shoot there? Permits required in the streets, etc. Is the available lighting useful? Is there electricity? Props … They should be noted from the script Organized and easy to find Returned if borrowed, etc. Places to get props: Austin Props Second hand stores
  • 31. Production Teleprompters & Scripts:  Have Clear Script Ready  Practice, Practice, Practice  Interpret the script into spoken language  Demonstrate Energy, and Smile!  Have a friend to speak to, to connect  Tips for using a teleprompter  iPad teleprompter apps  Tel Max Teleprompters
  • 32. Production Wires, Power, Ham Sandwiches:  Murphy's law, so prepare  Make lists; pack things in an organized way  Back-up batteries for cameras and lights  Bring re-chargers  Extension cords, basic tools, gaffer's tape  A spirit of adventure, and ...  Ham sandwiches!
  • 33. Production Conclusion: Either DIY or Pay Someone   Know the basic steps of Production  Talk the language  Know your options  Keep it fun  Keep communication with your team  Coming up next: Post-Production
  • 36. Day Two -- Ron
  • 37. Day Two – Steve Post-Production / Editing
  • 38. Day Two – Gilbert Distribution
  • 39. Now What Do I do with it? Again – What are your objectives? Hosting (Vimeo & Youtube) SEO Tagging & Transcribing
  • 40. Execute, Evaluate, Repeat Social Media Channels & Syndication Engines Your Newsletter, Press Releases, and Ezyme Video Blogging, Geo-Marketing, Google News, Etc.
  • 41. Return on Investment Calls to Action Measuring Impacts Analytics
  • 42. The Power of Video Conversation & Engagement Speed of Trust (know, like, trust)