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Documentary Research
• A documentary film is a film story concerning 
factual topics. These films have a variety of 
aims, to record important events and ideas; to 
inform viewers; to convey opinions and to 
create public interest. A number of common 
techniques or conventions are used in 
documentaries to achieve these aims..
Actuality in relation to documentary 
films 
• Actuality is the term for raw film footage of 
real life events, places and people as opposed 
to fictional films which use actors, scripted 
stories and artificial sets. Documentaries are 
not pure actuality films - rather they combine 
actuality with explanation, commentary, and 
perhaps even dramatisation.
Voiceover 
• The voice-over in a documentary is a 
commentary by the filmmaker, spoken while 
the camera is filming, or added to the 
soundtrack during the production. Through 
this the filmmaker can speak directly to the 
viewer, offering information, explanations and 
opinions.
Direct and Indirect Interviews 
• The interview is a common documentary technique. It 
allows people being filmed to speak directly about 
events, prompted by the questions asked by the 
filmmaker. An interview may take place on screen, or 
off screen, on a different set. Interviews in a 
documentary give the viewer a sense of realism, that 
the documentary maker’s views are mutually shared by 
another person or source, and thus more valid. To 
achieve this much detail from what may be a one-hour 
interview, clips of only a few minutes are shown. 
Interviews on opposing sides of an issue may be shown 
to give the viewer comprehensive information about a 
topic.
Archival Footage 
• Archival, or stock footage, is material obtained 
from a film library or archive and inserted into 
a documentary to show historical events or to 
add detail without the need for additional 
filming.
Reenactment 
• Reconstructions are also often used in 
documentaries. They are artificial scenes of an 
event which has been reconstructed and acted 
out on film based on information of the event. 
Reconstructions generally provide factual 
information, and give the viewer a sense of 
realism, as if the event really happened in front of 
them live. They often indicate that the footage is 
not real by using techniques such as blurring, 
distortion, lighting effects, changes in camera 
level, and color enhancement within the footage.
Montage 
• A montage sequence conveys ideas visually by putting them in a 
specific order in the film. Narrative montages involve the planning 
of the sequence of shots used to indicate changes in time and place 
within a film. Ideational montages link actions with words, and are 
often used in documentaries. 
• A different positioning of shots conveys different ideas to the 
viewer. For example, a montage containing a negative theme 
followed by a positive theme may give the viewer the idea that the 
positive theme is the main theme of the montage. 
• Montages in documentaries are usually linked with words that 
characters say. This visual representation of the characters thoughts 
helps position the viewer in the story, and helps the viewer better 
understand what the character is saying. It visually presents a 
progression of ideas on a screen.
Exposition 
• In a documentary, the exposition occurs at the 
beginning and introduces the important themes of the 
film. It is important because it creates the viewer’s first 
impression and introduces the viewer to the content. 
• Dramatic segments of the documentary are specially 
chosen in order to catch the viewer’s attention. These 
shots are specifically positioned, such that the 
montage positions us to believe a certain theme 
presented by the documentary and this the 
documentary presents its view much more 
persuasively to the viewer.

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Conventions of Documentaries

  • 2. • A documentary film is a film story concerning factual topics. These films have a variety of aims, to record important events and ideas; to inform viewers; to convey opinions and to create public interest. A number of common techniques or conventions are used in documentaries to achieve these aims..
  • 3. Actuality in relation to documentary films • Actuality is the term for raw film footage of real life events, places and people as opposed to fictional films which use actors, scripted stories and artificial sets. Documentaries are not pure actuality films - rather they combine actuality with explanation, commentary, and perhaps even dramatisation.
  • 4. Voiceover • The voice-over in a documentary is a commentary by the filmmaker, spoken while the camera is filming, or added to the soundtrack during the production. Through this the filmmaker can speak directly to the viewer, offering information, explanations and opinions.
  • 5. Direct and Indirect Interviews • The interview is a common documentary technique. It allows people being filmed to speak directly about events, prompted by the questions asked by the filmmaker. An interview may take place on screen, or off screen, on a different set. Interviews in a documentary give the viewer a sense of realism, that the documentary maker’s views are mutually shared by another person or source, and thus more valid. To achieve this much detail from what may be a one-hour interview, clips of only a few minutes are shown. Interviews on opposing sides of an issue may be shown to give the viewer comprehensive information about a topic.
  • 6. Archival Footage • Archival, or stock footage, is material obtained from a film library or archive and inserted into a documentary to show historical events or to add detail without the need for additional filming.
  • 7. Reenactment • Reconstructions are also often used in documentaries. They are artificial scenes of an event which has been reconstructed and acted out on film based on information of the event. Reconstructions generally provide factual information, and give the viewer a sense of realism, as if the event really happened in front of them live. They often indicate that the footage is not real by using techniques such as blurring, distortion, lighting effects, changes in camera level, and color enhancement within the footage.
  • 8. Montage • A montage sequence conveys ideas visually by putting them in a specific order in the film. Narrative montages involve the planning of the sequence of shots used to indicate changes in time and place within a film. Ideational montages link actions with words, and are often used in documentaries. • A different positioning of shots conveys different ideas to the viewer. For example, a montage containing a negative theme followed by a positive theme may give the viewer the idea that the positive theme is the main theme of the montage. • Montages in documentaries are usually linked with words that characters say. This visual representation of the characters thoughts helps position the viewer in the story, and helps the viewer better understand what the character is saying. It visually presents a progression of ideas on a screen.
  • 9. Exposition • In a documentary, the exposition occurs at the beginning and introduces the important themes of the film. It is important because it creates the viewer’s first impression and introduces the viewer to the content. • Dramatic segments of the documentary are specially chosen in order to catch the viewer’s attention. These shots are specifically positioned, such that the montage positions us to believe a certain theme presented by the documentary and this the documentary presents its view much more persuasively to the viewer.