The Fine Line Between Honest and Evil Comics by Salty Vixen
Tribeca Hacks Racontr keynote on Interactive Storytelling
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26. recurring features:
• multiple-choices interfaces
• multimedia content
• non-linear narrative structure
main challenges:
Hollow (Elaine McMillion) | Interactive documentary
• going non-linear without sacrificing
narration
• keeping a balance between interactivity
and author’s intention
• making the interaction the story
frequent mistakes:
• content tsunami
• narrative maze
• non-contributing interactivity
• ergonomical nightmare
Gaza Sderot (ARTE) | Webdocumentary | Documentary
27. recurring features:
• serious intentions combined with
playful mechanisms
• «classic gaming» features : levels, rules,
rewards...
main challenges:
Type:RIder (ARTE) | Mobile & social game | Interactive installation
• not letting the information delivery ruin
the gaming experience
• not letting the gaming experience hinder
the information delivery
• being really fun and challenging to play
frequent mistakes:
• overly simplistic game design
• confusion between gaming and
gamification
• forgetting to tell a story
SPENT | News game
28. recurring features:
• TV or cinema-centered
• long-lasting experiences
• special content for hardcore fans
• strong ties with marketing campaigns
main challenges:
Defiance (SyFy) | TV Show | MMORPG
• preserving some distinction between
transmedia and marketing
• spending more time for the 5% of
hardcore fans than for the other 95%
• keeping the whole experience coherent
frequent mistakes:
• lack of resources for platforms other
than the main medium
• some parts of the experience don’t
stand alone
The Spiral (ARTE) | TV Show | ARG
29. recurring features:
• thin line between reality and fiction
• players embodying fictional characters,
much as in role playing
• results of the ARG shaping the
unfolding of the transmedia experience
Alt-Minds (ARTE) | Mobile game | ARG | Webseries
main challenges:
• dealing with the logistics
• keeping the player’s community coherent
and interactive
• drawing links with the rest of the
experience
frequent mistakes:
• lack of social features
• forgetting rewards for a very
demanding activity
Why So Serious | ARG
30. recurring features:
• offering users to co-create the project
• content also available for noncontributors
• UGC or contributions shaping the
whole transmedia experience
Une Contre-Histoire des Internets (ARTE)
main challenges:
• editorialization of contributions or UGC
• incentives for participation
• legal status of UGC content
frequent mistakes:
• lack of recognition or rewards for
participants
• unclear impact of participation on the
project
Life in a Day (National Geographic & YouTube) | Feature film
31. • gamedocs
• mobile apps
• digital publishing
• social games
• second screen apps
• long-form articles
• interactive webseries
• role-playing on social
Fort McMoney (ARTE/ONF) | Gamedoc | Documentary
networks
• tweetterature
• and whatever we’ll do
with Google glasses...
Snow Fall (New York Times) | Long-form interactive article
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73. Thank you for your immersion
in this keynote!
#TribecaHacks
@racontr
Content, ideas and material partly stolen from
Florent Maurin, Gerald Holubowicz, David Dufresne, Ian Schreiber and probably others I forget.
