SlideShare une entreprise Scribd logo
1  sur  8
This is the list of rating categories
that the BBFC use to rate films
depending on the content. Each
rating has its own criteria, and
the BBFC look at each one when
rating a film. They see whether or
not a film has, for example, bad
language, bloody violence, adult
humour, sexual references or
moderate horror. They then
check to see which category the
film is suitable for depending on
what it has.
It is impossible to predict what
might upset any particular child.
But a ‘U’ film should be suitable
for audiences aged four years and
over. ‘U’ films should be set
within a positive moral
framework and should offer
reassuring counterbalances to
any violence, threat or horror.

If a work is particularly suitable
for a pre-school child to view
alone, this will be indicated in the
Consumer Advice.

- BBFC WEBSITE
General viewing, but some
scenes may be unsuitable for
young children.
Unaccompanied children of
any age may watch. A ‘PG’ film
should not disturb a child aged
around eight or older.
However, parents are advised
to consider whether the
content may upset younger or
more sensitive children.

- BBFC WEBSITE
Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are
awarded where the material is suitable, in general, only for those aged 12 and over. Works
classified at these categories may upset children under 12 or contain material which many
parents will find unsuitable for them.
The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in
a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for
a child below 12. An adult may take a younger child if, in their judgement, the film is suitable
for that particular child. In such circumstances, responsibility for allowing a child under 12 to
view lies with the accompanying adult.
The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’
rated video work.

– BBFC WEBSITE
No-one younger than
15 may see a ‘15’ film
in a cinema. No-one
younger than 15 may
rent or buy a ‘15’
rated video work.

- BBFC WEBSITE
No-one younger than 18
may see an ‘18’ film in a
cinema. No-one younger
than 18 may rent or buy
an ‘18’ rated video
work.

- BBFC WEBSITE
The ‘R18’ category is a special and legally restricted classification primarily for
explicit works of consenting sex or strong fetish material involving adults. Films
may only be shown to adults in specially licensed cinemas, and video works may
be supplied to adults only in licensed sex shops. ‘R18’ videos may not be
supplied by mail order.

- BBFC WEBSITE

Contenu connexe

Tendances

Film classifications
Film classifications Film classifications
Film classifications Sandy Raii
 
Bbfc guidelines
Bbfc guidelinesBbfc guidelines
Bbfc guidelinesMon Mon
 
Audience age classification
Audience age classificationAudience age classification
Audience age classificationZaraWolf
 
Audience Research and Classification
Audience Research and Classification Audience Research and Classification
Audience Research and Classification carrotsticks
 
Presentation on age in film
Presentation on age in filmPresentation on age in film
Presentation on age in filmolliedwyer
 
Age ratings details
Age ratings detailsAge ratings details
Age ratings detailssajinamedia
 
Age ratings details
Age ratings details Age ratings details
Age ratings details sajinamedia
 
Audience Age Restrictions
Audience Age RestrictionsAudience Age Restrictions
Audience Age Restrictionsrolosumm
 
British board of classification
British board of classificationBritish board of classification
British board of classificationkayayleigh
 
Joshua film ratings presentation
Joshua film ratings presentation Joshua film ratings presentation
Joshua film ratings presentation haverstockmedia
 
Age classifications
Age classificationsAge classifications
Age classificationsherrg003
 
Certification ratings
Certification ratingsCertification ratings
Certification ratingsthuheen
 
Certification ratings
Certification ratingsCertification ratings
Certification ratingsthuheen
 

Tendances (20)

Film classifications
Film classifications Film classifications
Film classifications
 
Bbfc guidelines
Bbfc guidelinesBbfc guidelines
Bbfc guidelines
 
Audience age classification
Audience age classificationAudience age classification
Audience age classification
 
Audience Research and Classification
Audience Research and Classification Audience Research and Classification
Audience Research and Classification
 
Bbfc research
Bbfc researchBbfc research
Bbfc research
 
Presentation on age in film
Presentation on age in filmPresentation on age in film
Presentation on age in film
 
Age ratings details
Age ratings detailsAge ratings details
Age ratings details
 
Age ratings details
Age ratings details Age ratings details
Age ratings details
 
Audience Age Restrictions
Audience Age RestrictionsAudience Age Restrictions
Audience Age Restrictions
 
Film certification
Film certificationFilm certification
Film certification
 
British board of classification
British board of classificationBritish board of classification
British board of classification
 
The bbfc
The bbfcThe bbfc
The bbfc
 
Bbfc research
Bbfc research Bbfc research
Bbfc research
 
Joshua film ratings presentation
Joshua film ratings presentation Joshua film ratings presentation
Joshua film ratings presentation
 
Age classifications
Age classificationsAge classifications
Age classifications
 
Film Certification
Film CertificationFilm Certification
Film Certification
 
Certification ratings
Certification ratingsCertification ratings
Certification ratings
 
Bbfc guidelines
Bbfc guidelinesBbfc guidelines
Bbfc guidelines
 
Bbfc
BbfcBbfc
Bbfc
 
Certification ratings
Certification ratingsCertification ratings
Certification ratings
 

Similaire à BBFC Ratings

Similaire à BBFC Ratings (20)

Bbfc catergories
Bbfc catergoriesBbfc catergories
Bbfc catergories
 
Bbfc
BbfcBbfc
Bbfc
 
Bbfc
BbfcBbfc
Bbfc
 
Bbfc
BbfcBbfc
Bbfc
 
Unit 4 bbfc work Amad
Unit 4 bbfc work AmadUnit 4 bbfc work Amad
Unit 4 bbfc work Amad
 
Certificates and audience
Certificates and audienceCertificates and audience
Certificates and audience
 
Certification of films
Certification of filmsCertification of films
Certification of films
 
Age Rating Presentation
Age Rating PresentationAge Rating Presentation
Age Rating Presentation
 
Classification
ClassificationClassification
Classification
 
Bbfc research
Bbfc researchBbfc research
Bbfc research
 
Age rating
Age ratingAge rating
Age rating
 
Regulations and censorship
Regulations and censorship Regulations and censorship
Regulations and censorship
 
BBFC Guideline Classification
BBFC Guideline ClassificationBBFC Guideline Classification
BBFC Guideline Classification
 
Bbfc research
Bbfc researchBbfc research
Bbfc research
 
gBbfc research
gBbfc researchgBbfc research
gBbfc research
 
The bbfc
The bbfcThe bbfc
The bbfc
 
BBFC
BBFCBBFC
BBFC
 
BBFC Certifications research
BBFC Certifications researchBBFC Certifications research
BBFC Certifications research
 
Bbfc
BbfcBbfc
Bbfc
 
Bbfc age ratings (1)
Bbfc age ratings (1)Bbfc age ratings (1)
Bbfc age ratings (1)
 

Plus de Holly Masters

Photographer Research - Duane Michaels
Photographer Research - Duane MichaelsPhotographer Research - Duane Michaels
Photographer Research - Duane MichaelsHolly Masters
 
Photographer Research - Brassai
Photographer Research - BrassaiPhotographer Research - Brassai
Photographer Research - BrassaiHolly Masters
 
Photographer Research - John Coplans
Photographer Research - John CoplansPhotographer Research - John Coplans
Photographer Research - John CoplansHolly Masters
 
Photographer Research - Jill Greenburg
Photographer Research - Jill GreenburgPhotographer Research - Jill Greenburg
Photographer Research - Jill GreenburgHolly Masters
 
Photographer Research - Sam Taylor Wood
Photographer Research - Sam Taylor WoodPhotographer Research - Sam Taylor Wood
Photographer Research - Sam Taylor WoodHolly Masters
 
Final Accompanying Images
Final Accompanying ImagesFinal Accompanying Images
Final Accompanying ImagesHolly Masters
 
Subject 9 - Contact Sheets
Subject 9 - Contact SheetsSubject 9 - Contact Sheets
Subject 9 - Contact SheetsHolly Masters
 
Subject 8 - Contact Sheets
Subject 8 - Contact SheetsSubject 8 - Contact Sheets
Subject 8 - Contact SheetsHolly Masters
 
Subject 7 - Contact Sheets
Subject 7 - Contact SheetsSubject 7 - Contact Sheets
Subject 7 - Contact SheetsHolly Masters
 
Subject 5 - Contact Sheets
Subject 5 - Contact SheetsSubject 5 - Contact Sheets
Subject 5 - Contact SheetsHolly Masters
 
Subject 3 - Contact Sheets
Subject 3 - Contact SheetsSubject 3 - Contact Sheets
Subject 3 - Contact SheetsHolly Masters
 
Subject 2 - Contact Sheets
Subject 2 - Contact SheetsSubject 2 - Contact Sheets
Subject 2 - Contact SheetsHolly Masters
 
Subject 1 - Contact Sheets
Subject 1 - Contact SheetsSubject 1 - Contact Sheets
Subject 1 - Contact SheetsHolly Masters
 
Subject 6 - Contact Sheets
Subject 6 - Contact SheetsSubject 6 - Contact Sheets
Subject 6 - Contact SheetsHolly Masters
 
Fears and Phobias Shoot Locations
Fears and Phobias Shoot LocationsFears and Phobias Shoot Locations
Fears and Phobias Shoot LocationsHolly Masters
 
Subject 4 Final Accompanying Images
Subject 4 Final Accompanying ImagesSubject 4 Final Accompanying Images
Subject 4 Final Accompanying ImagesHolly Masters
 
Subject 5 Final Accompanying Images
Subject 5 Final Accompanying ImagesSubject 5 Final Accompanying Images
Subject 5 Final Accompanying ImagesHolly Masters
 
Subject 4 - Accompanying Images Contact Sheets
Subject 4 - Accompanying Images Contact SheetsSubject 4 - Accompanying Images Contact Sheets
Subject 4 - Accompanying Images Contact SheetsHolly Masters
 
Subject Portrait Contact Sheets
Subject Portrait Contact SheetsSubject Portrait Contact Sheets
Subject Portrait Contact SheetsHolly Masters
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3Holly Masters
 

Plus de Holly Masters (20)

Photographer Research - Duane Michaels
Photographer Research - Duane MichaelsPhotographer Research - Duane Michaels
Photographer Research - Duane Michaels
 
Photographer Research - Brassai
Photographer Research - BrassaiPhotographer Research - Brassai
Photographer Research - Brassai
 
Photographer Research - John Coplans
Photographer Research - John CoplansPhotographer Research - John Coplans
Photographer Research - John Coplans
 
Photographer Research - Jill Greenburg
Photographer Research - Jill GreenburgPhotographer Research - Jill Greenburg
Photographer Research - Jill Greenburg
 
Photographer Research - Sam Taylor Wood
Photographer Research - Sam Taylor WoodPhotographer Research - Sam Taylor Wood
Photographer Research - Sam Taylor Wood
 
Final Accompanying Images
Final Accompanying ImagesFinal Accompanying Images
Final Accompanying Images
 
Subject 9 - Contact Sheets
Subject 9 - Contact SheetsSubject 9 - Contact Sheets
Subject 9 - Contact Sheets
 
Subject 8 - Contact Sheets
Subject 8 - Contact SheetsSubject 8 - Contact Sheets
Subject 8 - Contact Sheets
 
Subject 7 - Contact Sheets
Subject 7 - Contact SheetsSubject 7 - Contact Sheets
Subject 7 - Contact Sheets
 
Subject 5 - Contact Sheets
Subject 5 - Contact SheetsSubject 5 - Contact Sheets
Subject 5 - Contact Sheets
 
Subject 3 - Contact Sheets
Subject 3 - Contact SheetsSubject 3 - Contact Sheets
Subject 3 - Contact Sheets
 
Subject 2 - Contact Sheets
Subject 2 - Contact SheetsSubject 2 - Contact Sheets
Subject 2 - Contact Sheets
 
Subject 1 - Contact Sheets
Subject 1 - Contact SheetsSubject 1 - Contact Sheets
Subject 1 - Contact Sheets
 
Subject 6 - Contact Sheets
Subject 6 - Contact SheetsSubject 6 - Contact Sheets
Subject 6 - Contact Sheets
 
Fears and Phobias Shoot Locations
Fears and Phobias Shoot LocationsFears and Phobias Shoot Locations
Fears and Phobias Shoot Locations
 
Subject 4 Final Accompanying Images
Subject 4 Final Accompanying ImagesSubject 4 Final Accompanying Images
Subject 4 Final Accompanying Images
 
Subject 5 Final Accompanying Images
Subject 5 Final Accompanying ImagesSubject 5 Final Accompanying Images
Subject 5 Final Accompanying Images
 
Subject 4 - Accompanying Images Contact Sheets
Subject 4 - Accompanying Images Contact SheetsSubject 4 - Accompanying Images Contact Sheets
Subject 4 - Accompanying Images Contact Sheets
 
Subject Portrait Contact Sheets
Subject Portrait Contact SheetsSubject Portrait Contact Sheets
Subject Portrait Contact Sheets
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 

Dernier

HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...Nguyen Thanh Tu Collection
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptxmary850239
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptxmary850239
 
Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Seán Kennedy
 
Measures of Position DECILES for ungrouped data
Measures of Position DECILES for ungrouped dataMeasures of Position DECILES for ungrouped data
Measures of Position DECILES for ungrouped dataBabyAnnMotar
 
TEACHER REFLECTION FORM (NEW SET........).docx
TEACHER REFLECTION FORM (NEW SET........).docxTEACHER REFLECTION FORM (NEW SET........).docx
TEACHER REFLECTION FORM (NEW SET........).docxruthvilladarez
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4JOYLYNSAMANIEGO
 
Dust Of Snow By Robert Frost Class-X English CBSE
Dust Of Snow By Robert Frost Class-X English CBSEDust Of Snow By Robert Frost Class-X English CBSE
Dust Of Snow By Robert Frost Class-X English CBSEaurabinda banchhor
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfVanessa Camilleri
 
Millenials and Fillennials (Ethical Challenge and Responses).pptx
Millenials and Fillennials (Ethical Challenge and Responses).pptxMillenials and Fillennials (Ethical Challenge and Responses).pptx
Millenials and Fillennials (Ethical Challenge and Responses).pptxJanEmmanBrigoli
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Celine George
 
AUDIENCE THEORY -CULTIVATION THEORY - GERBNER.pptx
AUDIENCE THEORY -CULTIVATION THEORY -  GERBNER.pptxAUDIENCE THEORY -CULTIVATION THEORY -  GERBNER.pptx
AUDIENCE THEORY -CULTIVATION THEORY - GERBNER.pptxiammrhaywood
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)lakshayb543
 
EMBODO Lesson Plan Grade 9 Law of Sines.docx
EMBODO Lesson Plan Grade 9 Law of Sines.docxEMBODO Lesson Plan Grade 9 Law of Sines.docx
EMBODO Lesson Plan Grade 9 Law of Sines.docxElton John Embodo
 
Textual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSTextual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSMae Pangan
 
Integumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptIntegumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptshraddhaparab530
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONHumphrey A Beña
 
Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parentsnavabharathschool99
 

Dernier (20)

HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx
 
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptxYOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
 
Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...
 
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptxLEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
 
Measures of Position DECILES for ungrouped data
Measures of Position DECILES for ungrouped dataMeasures of Position DECILES for ungrouped data
Measures of Position DECILES for ungrouped data
 
TEACHER REFLECTION FORM (NEW SET........).docx
TEACHER REFLECTION FORM (NEW SET........).docxTEACHER REFLECTION FORM (NEW SET........).docx
TEACHER REFLECTION FORM (NEW SET........).docx
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4
 
Dust Of Snow By Robert Frost Class-X English CBSE
Dust Of Snow By Robert Frost Class-X English CBSEDust Of Snow By Robert Frost Class-X English CBSE
Dust Of Snow By Robert Frost Class-X English CBSE
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdf
 
Millenials and Fillennials (Ethical Challenge and Responses).pptx
Millenials and Fillennials (Ethical Challenge and Responses).pptxMillenials and Fillennials (Ethical Challenge and Responses).pptx
Millenials and Fillennials (Ethical Challenge and Responses).pptx
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17
 
AUDIENCE THEORY -CULTIVATION THEORY - GERBNER.pptx
AUDIENCE THEORY -CULTIVATION THEORY -  GERBNER.pptxAUDIENCE THEORY -CULTIVATION THEORY -  GERBNER.pptx
AUDIENCE THEORY -CULTIVATION THEORY - GERBNER.pptx
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
 
EMBODO Lesson Plan Grade 9 Law of Sines.docx
EMBODO Lesson Plan Grade 9 Law of Sines.docxEMBODO Lesson Plan Grade 9 Law of Sines.docx
EMBODO Lesson Plan Grade 9 Law of Sines.docx
 
Textual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSTextual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHS
 
Integumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptIntegumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.ppt
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
 
Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parents
 

BBFC Ratings

  • 1.
  • 2. This is the list of rating categories that the BBFC use to rate films depending on the content. Each rating has its own criteria, and the BBFC look at each one when rating a film. They see whether or not a film has, for example, bad language, bloody violence, adult humour, sexual references or moderate horror. They then check to see which category the film is suitable for depending on what it has.
  • 3. It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror. If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice. - BBFC WEBSITE
  • 4. General viewing, but some scenes may be unsuitable for young children. Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children. - BBFC WEBSITE
  • 5. Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them. The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult. The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work. – BBFC WEBSITE
  • 6. No-one younger than 15 may see a ‘15’ film in a cinema. No-one younger than 15 may rent or buy a ‘15’ rated video work. - BBFC WEBSITE
  • 7. No-one younger than 18 may see an ‘18’ film in a cinema. No-one younger than 18 may rent or buy an ‘18’ rated video work. - BBFC WEBSITE
  • 8. The ‘R18’ category is a special and legally restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. ‘R18’ videos may not be supplied by mail order. - BBFC WEBSITE