The document summarizes ancient Middle Eastern art and architecture from 3500 BCE to 500 BCE, spanning Sumerian, Akkadian, Babylonian, Assyrian, Hittite, and Persian civilizations. It describes artistic achievements like the Standard of Ur, cylinder seals, and the Code of Hammurabi. Architectural highlights included ziggurats at Ur, Sargon II's palace, the Ishtar Gate and Hanging Gardens of Babylon, and the massive palaces at Persepolis built by Persian kings. Visual art honored rulers and gods through victory steles, statues of leaders like Gudea, and protective lamassu figures.
6. "Ziggurat at Ur: Viewed from the East."
Library of Congress. Prints and Photographs Division. G. Eric and Edith Matson
Photograph Collection. Ancient and Medieval History Online. Facts On File,
Inc. http://www.fofweb.com/activelink2.asp?
ItemID=WE49&iPin=AMH168&SingleRecord=True (accessed September 11, 2012).
8. Cylinder
Seals
The seals were used to "sign"
clay tablet documents--in the
case of the Spurlock seals,
commercial receipts--with
the unique seal of an
individual such as the seller.
They can be compared to a
notarized signature today.
The impression gave visual
proof of the genuineness of
the object. They could also be
used on the clay "envelope"
containing the receipt or
letter to prove no one had
tried to open it since it had
left the merchant’s hand
16. Babylonians
1792 - 1198
• Empire comparable to Roman in size.
• Hammurabi 1792-1759, Babylon’s Golden Age.
• Code of Law most famous accomplishment
and art.
17. Code of Hammurabi
• His law code, which was part of an even
earlier tradition, was a means of imposing
order over the territories he conquered, much
as the gods Anu (An) and Enlil oversaw the
organization of heaven and earth. The
codification of responses to certain—and
probably recurring— problems would also
have served the purpose of simplifying and
standardizing the administration of justice in
his empire.
18. Hammurabi justifies his position as ruler of
Babylon by describing it as a consequence
of the divine ordering of the world, and
boasts of his achievements as a conqueror
and restorer of temples.
19.
20. Neo Babylonian
aka
Chaldean Empire
• 626 BC and ended in 539 BC
• Nebuchadnezzar II
• Tower of Babel
• Ishtar Gate
21. Gilgamesh
• A series of tales knit into
one epic poem.
• Based on a historical
Sumerian king
• The Epic is from the
original Babylonian era. It
was written in Akkadian.
22. Hittites
• Used huge boulders in construction
• Large fortification
• Guardian lions
24. Assyrian
• Very masculine, idealizes king
• Emotion shown in animals. Domination over
wild beast expressed the authority of the king
over his people and the powerful forces of
nature.
25. Assyrian 9-7th c
• Build palaces to express power. 14 ft tall.
• Decorated palaces with large panels
showing king’s military exploits.
28. Lamassu
Protective spirit or deity.
Winged bull
Usually male face
At city gates so everyone
would see it on entering.
From the front it is standing
and from the side walking.
Achieve this by placing 5 legs
on the lamassu.
In 1850 speculation begins about the possibility of a Pre-Akkadian civilization. Building materials not long lasting.
Standard of Ur
Stone slabs carved with low reliefs and pierced in the center are typical of the art of the archaic Sumerian Dynasties. They were usually carved from soft stone such as limestone and decorated with a sculpted narrative, arranged in superimposed registers. The central perforation was probably intended to peg the slab to the wall in the votive part of the shrine. Of the 120 slabs of this kind that have been found, mostly in the large cities of the Sumerian cultural area, this is one of the most remarkable in terms of its size and the quality of the execution, as well as for the wealth of iconographic detail it offers.
it would be interesting if we could establish a link between the Asian bull-man lamassu and the Greek bull-man Minotaur, although the first one has a man's head and a bull's body, and the Minotaur has a man's body and a bull's head. However, there are Greek coins that show lamassu's, like those of the Siciliancities of Gela and Panormus. The latter, modern Palermo, may, as a Phoenician colony, have had artistic ties with the east.