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Nordic Painting 1.0

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Nordic Painting 1.0

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This slideshow takes a very brief look at the Nordic paintings – Denmark, Norway, Sweden, Finland, Iceland etc. The majority of the paintings are from the early 19C to early 20C. As far as Nordic paintings are concerned, Denmark plays a leading role in the scope and the breadth of the artistic movement. A dominating institution was the Royal Academy in Denmark, where most of the well-know painters were trained. Many of these painters travelled to the art capitals like Paris, Rome etc to gain experience and fame before returning to the Nordic country. Nordic paintings tradition are realism, attention to details and rigorous clarity of composition. This is in contrast to the Impressionist approach for many parts of Europe. 18.3.21

This slideshow takes a very brief look at the Nordic paintings – Denmark, Norway, Sweden, Finland, Iceland etc. The majority of the paintings are from the early 19C to early 20C. As far as Nordic paintings are concerned, Denmark plays a leading role in the scope and the breadth of the artistic movement. A dominating institution was the Royal Academy in Denmark, where most of the well-know painters were trained. Many of these painters travelled to the art capitals like Paris, Rome etc to gain experience and fame before returning to the Nordic country. Nordic paintings tradition are realism, attention to details and rigorous clarity of composition. This is in contrast to the Impressionist approach for many parts of Europe. 18.3.21

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Nordic Painting 1.0

  1. 1. Nordic Paintings Scandinavian Countries Children Skating Outside Faberg. 1901. Peter Hansen (1868-1928) Danes. Statens Museum for Kunst, Copenhagen 13 May 2006. First created 1 Feb 2021. Version 1.0 18 Mar 2021. Daperro. London.
  2. 2. Denmark
  3. 3. Abildgaard (Denmark) 1800 This is a Neoclassical paintings at the end of 18C. There is little Nordic style in this painting.
  4. 4. Blunck (Denmark-German) 1836
  5. 5. Eckersberg (Denmark) 1814 Christoffer Wilhelm Eckersberg (1783-1853) is a well-known Danish painter. His portraits dominated Danish painting to the end of 19C, with its seeming realism, coupled with details and rigorous clarity of composition, embedded in everyday ritual. He studied under Abildgaard at the Copenhagen Academy. During 1810-16, he worked in Paris and then 3 years in Rome and studied under Jacques Louis David from 1811-1812. Then went to Rome via Florence. He went on to lay the foundation for the period of art known as the Golden Age of Danish Painting. He is referred to as the Father of Danish painting.
  6. 6. Eckersberg (Denmark) 1841 When Eckersberg returned to Copenhagen from Rome, he became a professor at the Academy from 1816. At time, he painted historical subjects for the royal palace of Christiansborg and for some years dominated portrait in which he combined keen observation with austere Neoclassical composition. In the 1820s he turned to marine painting, including painting of ships. He also reformed the Academy’s, giving study from life a new important, and also wrote textbooks on perspective.
  7. 7. Eckersberg (Denmark) 1813
  8. 8. Hansen (Denmark) 1837
  9. 9. Juel (Denmark) 1870s Jens Juel (1745-1802) is a Danish painter. He is a contemporary of CW Eckersberg (1783-1853). In 1772, he travelled to Rome, where he worked between 1774- 76. He returned to Denmark in 1780 via Paris and a three years stay in Geneva. Trained in Hamburg, he was the most successful portrait and landscape painter in Denmark of his time. Juel painted sober and intimate likeness of townspeople and professional men in a manner derive from the Dutch 17C.
  10. 10. Kobke (Danish) 1832 Christen Kobke (1810-1848) was an early 19C Danish painter. He studies at the Royal Academy, in Copenhagen from an early age of 11 until 1832 and began as an outstanding painter of portraits, landscapes and seascapes and occasional genre scenes. His painting is mostly calm, luminous, factual presentation of unexceptional subjects tends to hide behind its nationalist pride and, through the inclusion of significant symbolic objects., his Romantic need to incorporate moral meaning.
  11. 11. Kobke (Denmark ) 1834
  12. 12. Kobke (Danish) 1833 Amazing gaze of eyes.
  13. 13. LA Ring (Denmark ) 1880 LA Ring (1854-1933) is a Danish Realist and Symbolist painter, around 1900. In recent years LA Ring is a key painter to have broken through internationally. His paintings is radical artistic and held an important place in Nordic painting at the turn of the 20th century.
  14. 14. LA Ring 1894
  15. 15. Kroyer (Denmark ) 1884 A lone little girl on the beach unable to join the naked boys playing in the sea. (full painting on next slide) Peder Severin Kroyer (1851-1900) was a Danish painter born in the fishing town of Stavanger, Norway. Today it is the Oil capital of Norway with over 11% of foreign population in the city. Kroyer was bought up Copenhagen, where he studied in the Royal Academy. He travelled wide and spent some time in Paris, before moving and settled down in Skagen. He became one of the Skagen group of artists. He was known internationally in his life time. His painting is lively, naturalistic and often painted about outdoor.
  16. 16. Kroyer (Denmark ) 1884
  17. 17. Kroyer (Denmark ) 1883
  18. 18. Kroyer (Denmark ) 1888
  19. 19. Michael Ancher (Denmark ) 1880
  20. 20. Michael Ancher (Denmark ) 1883
  21. 21. Michael Ancher (Denmark ) 1896
  22. 22. Anna Ancher nee Brondum (1859- 1935) was a one of Denmark’s greatest visual artist. She was a colourist and a character painter. An example of her work is this painting. Anna Ancher was married to Michael Ancher, (1859-1935), who was also a painter. Anna was associated with the Skagen Painters, an artist colony on the northern point of Jutland, Denmark. Anna Ancher (Denmark ) 1880
  23. 23. Anna Ancher (Denmark ) 1880 ‘The Funeral’ is a very unusual subject for a painting. Did the painter suggest that being a fisherman with a young family is a very dangerous ways of life?
  24. 24. Anna Ancher (Denmark ) 1883 The ‘girl’ wore a few simple garments. If you at her closer, you will see the folds on her neck. In front ou her was just a simple cloth used to curtain. The weather look sunny and the fisherman was still fishing before coming home for his dinner. The painting depicted a fisherman’s kitchen as suggested by the fishes on the stool. The kitchen was very bare. There were only a few utensils. It was a small kitchen and the door was opened to allow air to come into the kitchen, presumably for the boiling water in the kitchen behind us (not seen). The dividing wall between the window was close, suggesting it was also a small house. It was not the kitchen of a wealthy man.
  25. 25. Henningsen (Denmark ) 1888
  26. 26. Bache (Denmark) 1892
  27. 27. Engle (Denmark ) 1899
  28. 28. Hammershoi (Denmark ) 1901 Vilhelm Hammershoi (1864- 1916) was a Danish painter His is known for his poetic, subdued portraits and interiors. His paintings are best described as muted in tone. He refrained from employing bright colours, opting always for a limited palette consisting of greys, as well as desaturated yellows, greens, and other dark hues. His tableaux of figures turned away from the viewer project an air of slight tension and mystery, while his exteriors of grand building in Copenhagen Wikipedia on Hammershoi.
  29. 29. Willumsen (Denmark ) 1902 Jens Ferdinand Willumsen (1863-1958) has been called a liberator of Danish art and there is no doubt that he is one of its most ground breaking personalities. Yet although throughout his life he boldly challenged borders, both geographic and mental today he remains almost unknown outside Demark. https://Odrupgaard.dk
  30. 30. Norway
  31. 31. Dahl (Norway) 1829
  32. 32. Dahl (Norway) 1829 J C Dahl (1788-1857) a Norwegian landscape painter worked mainly in Dresden, as a professor at the Academy. The painting depicts an ancient burial tomb, marked by a circle of stones. The two trees, their trunks separate but their branches cradling each other with tenderness reminiscent an old couple, are clearly the main protagonists of the painting’s narrative. The tomb reminds us of the past, the trees and the birds are the present and spouting leaves yet to come.
  33. 33. Dahl (Norway) 1827
  34. 34. Tidemand (Norway) 1875
  35. 35. Thaulow (Norway) 1880
  36. 36. Thaulow (Norway) 1886
  37. 37. Munch (Norway) 1893 Edvard Munch (1863-1944), was a Norwegian Expressionist painter. His most formative years was in Paris and Berlin. His paintings sometimes powerful is also neurotic and frequently hysterical. The Scream possibly his most well-known work depicted a screaming agonized face on a stylized head. It was a study of self, an iconic images of art, seen as symbolizing the anxiety of human condition.
  38. 38. Sweden
  39. 39. Birger (Sweden) 1886
  40. 40. Zorn (Sweden) 1897 Ander Zorn (1860-1920), was a Swedish foremost painter who had achieved international fame for his portraits. He painted King Oscar II of Sweden and three US presidents Zorn painted ‘Midsummer Dance’ in the dark-light of the Nordic summer evening in which the sky seems to oscillate between dusk and daybreak. It shows a village in the background with a loose group of darkly clad men dancing on a grassy floor. At the age of 15 he entered the Swedish Academy. The he travelled widely throughout Europe, before return to Sweden.
  41. 41. Zorn (Sweden) 1906 Zorn lived in Mora, work repeatedly with models from the rural areas, In this painting, the lack of names and facial details, emphasizes the sexualized female body and their nakedness, as a sexual object. Girls from Dalama Having a Bath. 1906. Oil on canvas. 84x50.5 cm. Anders Zorn, Swedish. Nationalmuseum of Fine Art. Stockholm.
  42. 42. Brofeldt (Sweden) 1898
  43. 43. Bergh (Sweden) 1899
  44. 44. Larsson (Sweden) 1901
  45. 45. Jansson (Sweden) 1907
  46. 46. Finland
  47. 47. Gambogi (Finland) 1893
  48. 48. Bjerre (Finland) 1897
  49. 49. Halones (Finland) 1900
  50. 50. Gallen-Kallela (Finland) 1905
  51. 51. Kellokumpu (Finland) 1927 Kaisa Maija Kellokumpu (1892- 1935) was a Finnish painter. She painted landscape paintings representing him home region of Lapland. The reindeer in the painting appeared as a representative of the region. Kellokumpu appeared to reverse the painting back to romantic nationalist period on art development in Finland. The elevated viewpoint provided a sweeping view across the landscape.
  52. 52. Misc
  53. 53. Porlaksson (Icelandic) 1905
  54. 54. Waagstein (Faroese) 1918
  55. 55. Joensen-Mikines (Faroese) 1942
  56. 56. All rights reserved. Rights belong to their respective owners. Available free for non-commercial and personal use. The End Music – Ashokan Fairwellby Ungar Mason
  57. 57. Nordic

Notes de l'éditeur

  • This slideshow takes a very brief look at the Nordic paintings – Denmark, Norway, Sweden, Finland, Iceland etc. The majority of the paintings are from the early 19C to early 20C. As far as Nordic paintings are concerned, Denmark plays a leading role in the scope and the breadth of the artistic movement. A dominating institution was the Royal Academy in Denmark, where most of the well-know painters were trained. Many of these painters travelled to the art capitals like Paris, Rome etc to gain experience and fame before returning to the Nordic country. Nordic paintings tradition are realism, attention to details and rigorous clarity of composition. This is in contrast to the Impressionist approach for many parts of Europe. 18.3.21
  • Iver 1.0 initial version released on 12 Mar 21.

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