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ADVENTURES IN CROSS-MEDIA
VISION & MEDIA
Presented by: Liz Rosenthal
Founder & Managing Director, Power to the Pixel




MAY 2010
www.powertothepixel.com
CROSS-MEDIA CASE STUDIES

/ Four Eyed Monsters
/ Rage
/ Gaza Sderot
/ Tulse Luper Suitcases
/ The Dark Knight
/ Head Trauma
/ The Truth About Marika
POWER TO THE PIXEL


Events and Training:
/ The Pixel Lab, Wales, 4 to 10 July 2010
/ The Cross-Media Forum in association with BFI London Film Festival, 12-15 October
2010

Online/ Publishing:
/ The Pixel Report - Ta site focused on cross-media forms of film-making, storytelling and
distribution, providing analysis, information and debate about the changing environment
for the financing, production and distribution around the world.

Consulting:
Some of our clients to date are:
/ UK Film Council,
/ Film London
/ BAFTA,
/ Berlinale
/ Rotterdam Film Festival
/ Individual Film Companies




                         www.powertothepixel.com
TRANSFORMING MODEL
 TRADITIONAL MEDIA               DIGITAL/INTERACTIVE MEDIA

      Gatekeeper Model              Creator & Consumer Led Model

   Restricts Audience Access         Enables Audience Access
        Limited Space                    Unlimited Space

       Suits Blockbusters             Suits Niche & Specialist
       Expensive Delivery                 Low Cost Delivery

    One-Size-Fits-All Strategy           Tailored Strategies

         One Version             Unlimited Versions/ New Formats

      Territorial Release                Global Release
                                   Multiple Platforms/ Fragmented
   Limited Delivery Platforms
                                             Audiences
        Value = Unit Sales         Value = Data, non-copiable items

Little Connection to Audiences    Direct Relationship With Audience
NEW RELATIONSHIPS WITH AUDIENCES
THE INTERNET HAS TRANSFORMED THE RELATIONSHIP
BETWEEN THE CREATOR, THE AUDIENCE & THE DISTRIBUTOR



/ DIRECT CONNECTION BETWEEN CREATORS AND AUDIENCES
/ BUILD A COMMUNITY/ FANBASE AROUND YOUR WORK

/ AUDIENCES ARE NO LONGER PASSIVE
/ REMIXING AND COLLABORATING

/ A CHANGING ROLE OF CURATORS/ CRITICS/ COMMISSIONERS
/ NEW MEASURES OF QUALITY AND RELEVANCE

/ FRAGMENTED AUDIENCES ACROSS PLATFORMS
/ CREATE STORIES ACROSS MEDIA TO ENGAGE AUDIENCES
CROSSMEDIA STORYTELLING




/ extends the creative form
/ reaches and engages extended audiences
/ increases potential types of finance
/ new opportunities to exploit and extend IP
CROSS-MEDIA CASE STUDIES

/ Four Eyed Monsters
/ Rage
/ Gaza Sderot
/ Tulse Luper Suitcases
/ The Dark Knight
/ Head Trauma
/ The Truth About Marika
FOUR EYED MONSTERS/ Susan Buice & Arin Crumley




                  www.foureyedmonsters.com
FOUR EYED MONSTERS/ Susan Buice & Arin Crumley
Trailer




                  www.foureyedmonsters.com
COLLABORATIVE CURATION
FOUR EYED MONSTERS/ Susan Buice & Arin Crumley




                  www.foureyedmonsters.com
MAKING STORIES AVAILABLE ACROSS MULTIPLE PLATFORMS
RAGE / Sally Potter




                  www.ragethemovie.com
MAKING STORIES AVAILABLE ACROSS MULTIPLE PLATFORMS
RAGE / Sally Potter




                  www.ragethemovie.com
GAZA SDEROT, LIFE IN SPITE OF EVERYTHING/
ARTE/ UPIAN/ BO TRAVAIL




             GAZA SDEROT, LIFE IN SPITE OF EVERYTHING | 2008
                      http://gaza-sderot.arte.tv
THE TULSE LUPER SUITCASES
PETER GREENAWAY




              www.tulselupernetwork.com
THE TULSE LUPER SUITCASES
PETER GREENAWAY




              www.tulselupernetwork.com
THE DARK KNIGHT/ 42 ENTERTAINMENT




                 www.batman.wikibruce.com/Home
THE DARK KNIGHT/ 42 ENTERTAINMENT




                 www.batman.wikibruce.com/Home
HEAD TRAUMA/ LANCE WEILER




                                    www.headtraumamovie.com
slide courtesy of Seize the Media
HEAD TRAUMA/ LANCE WEILER




slide courtesy of Seize the Media
The Truth About Marika
/ The Company P




24/7 ‘Ractor
                         Slide - courtesy of The company P
CROSSMEDIA STORYTELLING

        / extends the creative form
        / reaches and engages extended audiences
        / increases potential types of finance
        / new opportunities to exploit IP




“If the cinema intends to survive, I believe, it has to make a
   pact and a relationship with concepts of interactivity,
   and it has to see itself as only part of a multimedia
   cultural adventure.”

                      Cinema Militans Lecture
                   Peter Greenaway, 28th Sept, 2003
THE PIXEL LAB:
                 The Cross-Media Film Workshop




      Residential Workshop: 4 to 10 July 2010, Cardiff
          Distance learning: July to October 2010
      Presentation to Industry: October 2010, London

With the support of the Media Programme of the European Union and Skillset, TorinoFilmLab and ARTE




                                    www.powertothepixel.com
THE CROSS-MEDIA FORUM:
In association with The BFI London Film Festival
             12-15 October 2010




    PIXEL CONFERENCE SUMMIT: 12 October
     PIXEL PITCH COMPETITION: 13 October
    PIXEL MARKET: 14 October (new for 2010)
            THINK TANK: 15 October

           www.powertothepixel.com

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Liz Rosenthal V&M presentation May 2010

  • 1. ADVENTURES IN CROSS-MEDIA VISION & MEDIA Presented by: Liz Rosenthal Founder & Managing Director, Power to the Pixel MAY 2010 www.powertothepixel.com
  • 2. CROSS-MEDIA CASE STUDIES / Four Eyed Monsters / Rage / Gaza Sderot / Tulse Luper Suitcases / The Dark Knight / Head Trauma / The Truth About Marika
  • 3. POWER TO THE PIXEL Events and Training: / The Pixel Lab, Wales, 4 to 10 July 2010 / The Cross-Media Forum in association with BFI London Film Festival, 12-15 October 2010 Online/ Publishing: / The Pixel Report - Ta site focused on cross-media forms of film-making, storytelling and distribution, providing analysis, information and debate about the changing environment for the financing, production and distribution around the world. Consulting: Some of our clients to date are: / UK Film Council, / Film London / BAFTA, / Berlinale / Rotterdam Film Festival / Individual Film Companies www.powertothepixel.com
  • 4. TRANSFORMING MODEL TRADITIONAL MEDIA DIGITAL/INTERACTIVE MEDIA Gatekeeper Model Creator & Consumer Led Model Restricts Audience Access Enables Audience Access Limited Space Unlimited Space Suits Blockbusters Suits Niche & Specialist Expensive Delivery Low Cost Delivery One-Size-Fits-All Strategy Tailored Strategies One Version Unlimited Versions/ New Formats Territorial Release Global Release Multiple Platforms/ Fragmented Limited Delivery Platforms Audiences Value = Unit Sales Value = Data, non-copiable items Little Connection to Audiences Direct Relationship With Audience
  • 5. NEW RELATIONSHIPS WITH AUDIENCES THE INTERNET HAS TRANSFORMED THE RELATIONSHIP BETWEEN THE CREATOR, THE AUDIENCE & THE DISTRIBUTOR / DIRECT CONNECTION BETWEEN CREATORS AND AUDIENCES / BUILD A COMMUNITY/ FANBASE AROUND YOUR WORK / AUDIENCES ARE NO LONGER PASSIVE / REMIXING AND COLLABORATING / A CHANGING ROLE OF CURATORS/ CRITICS/ COMMISSIONERS / NEW MEASURES OF QUALITY AND RELEVANCE / FRAGMENTED AUDIENCES ACROSS PLATFORMS / CREATE STORIES ACROSS MEDIA TO ENGAGE AUDIENCES
  • 6.
  • 7. CROSSMEDIA STORYTELLING / extends the creative form / reaches and engages extended audiences / increases potential types of finance / new opportunities to exploit and extend IP
  • 8. CROSS-MEDIA CASE STUDIES / Four Eyed Monsters / Rage / Gaza Sderot / Tulse Luper Suitcases / The Dark Knight / Head Trauma / The Truth About Marika
  • 9. FOUR EYED MONSTERS/ Susan Buice & Arin Crumley www.foureyedmonsters.com
  • 10. FOUR EYED MONSTERS/ Susan Buice & Arin Crumley Trailer www.foureyedmonsters.com
  • 11. COLLABORATIVE CURATION FOUR EYED MONSTERS/ Susan Buice & Arin Crumley www.foureyedmonsters.com
  • 12. MAKING STORIES AVAILABLE ACROSS MULTIPLE PLATFORMS RAGE / Sally Potter www.ragethemovie.com
  • 13. MAKING STORIES AVAILABLE ACROSS MULTIPLE PLATFORMS RAGE / Sally Potter www.ragethemovie.com
  • 14. GAZA SDEROT, LIFE IN SPITE OF EVERYTHING/ ARTE/ UPIAN/ BO TRAVAIL GAZA SDEROT, LIFE IN SPITE OF EVERYTHING | 2008 http://gaza-sderot.arte.tv
  • 15. THE TULSE LUPER SUITCASES PETER GREENAWAY www.tulselupernetwork.com
  • 16. THE TULSE LUPER SUITCASES PETER GREENAWAY www.tulselupernetwork.com
  • 17. THE DARK KNIGHT/ 42 ENTERTAINMENT www.batman.wikibruce.com/Home
  • 18. THE DARK KNIGHT/ 42 ENTERTAINMENT www.batman.wikibruce.com/Home
  • 19. HEAD TRAUMA/ LANCE WEILER www.headtraumamovie.com slide courtesy of Seize the Media
  • 20. HEAD TRAUMA/ LANCE WEILER slide courtesy of Seize the Media
  • 21. The Truth About Marika / The Company P 24/7 ‘Ractor Slide - courtesy of The company P
  • 22. CROSSMEDIA STORYTELLING / extends the creative form / reaches and engages extended audiences / increases potential types of finance / new opportunities to exploit IP “If the cinema intends to survive, I believe, it has to make a pact and a relationship with concepts of interactivity, and it has to see itself as only part of a multimedia cultural adventure.” Cinema Militans Lecture Peter Greenaway, 28th Sept, 2003
  • 23. THE PIXEL LAB: The Cross-Media Film Workshop Residential Workshop: 4 to 10 July 2010, Cardiff Distance learning: July to October 2010 Presentation to Industry: October 2010, London With the support of the Media Programme of the European Union and Skillset, TorinoFilmLab and ARTE www.powertothepixel.com
  • 24. THE CROSS-MEDIA FORUM: In association with The BFI London Film Festival 12-15 October 2010 PIXEL CONFERENCE SUMMIT: 12 October PIXEL PITCH COMPETITION: 13 October PIXEL MARKET: 14 October (new for 2010) THINK TANK: 15 October www.powertothepixel.com