6. Minoan - Bull-Leaping, from the palace of Knossos/1450-1400 BCE/true fresco/women= fair skin, male youth= dark skin/ ceremony of bull-leaping/ elongated bulls shape to express charge of the animal/ movement, energy/stylized shapes/pinched waists/profile pose with full-view eye/curving lines= living and moving being
7. Landscape with swallows (Spring Fresco), Thera (Cyclades), ca. 1650 BCE, fresco, 7’6” high Cycladic Art – nature is the sole subject, captures the landscape’s essence and expresses joy in the surroundings/ 1 st known example of pure landscape painting, no narrative element
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10. MINOAN - Harvester Vase, Crete/ ca. 1500 BCE/ steatite/ finest surviving example of Minoan relief sculpture/ energy, movement/ riotous crowd singing and shouting as return from fields/ muscular & skeletal structure of human body shown, animation on human face (firsts)
11. MINOAN Left: Young god(?), Crete, ca. 1500-1475 BCE/Ivory, gold, serpentine, rock crystal/ early example of chryselephantine (gold and ivory) sculpture (costly)/ left foot advances/ fine detail shows muscles and veins- skilled artist/ god rather than mortal/ blackened state because of fire Right: Snake Goddess, Crete, ca. 1600 BCE, faience (glazed earthenware), 1’1” high/ may be mortal attendant or deity/ snakes and leopard-like feline= power over animal world/ costume distinctly Minoan/ exposed breasts= fertility image= divinity
12. MYCENAEAN (Helladic) Art and Architecture: Greek mainland/ citadel at Tiryns, Greece/ ca. 1400-1200 BCE/defensive walls (20 ft. thick) were made of huge, roughly cut stone blocks= cyclopean masonry (believed humans could not have built, only Cyclopes!/most important element in plan was the reception hall of king = megaron
13. Three methods of spanning a passageway: (a) post and lintel (b) corbeled arch (c) arch MYCENAEAN ARCHITECTURE – Corbeled gallery in the walls of the citadel, Tiryns, Greece, ca. 1400-1200 BCE. Gallery covered by corbeled vault, cantilevered blocks lean inward and met at pointed arch, no mortar used, smaller stones used as wedges and clay fills some empty spaces
14. MYCENAEAN ARCHITECTURE – Lion Gate, Mycenae, Greece, ca. 1300-1250 BCE, limestone, relief panel, 9’6” high Outer gateway: post and lintel doorway with corbeled arch above lintel = relieving triangle (two lions, high relief)/ guardian figures like Assyrian lamassu
15. MYCENAEAN - Treasury of Atreus, Greece/ca. 1300-1250 BCE/ wealthy buried outside of citadel walls in tholos tombs (beehive-shaped tombs covered with earthen mound)/ dead buried in grave shafts/ dromos (long passageway)/ circular base and dome/ relieving triangle/ largest known vaulted space without interior supports to this point in time Vault of the tholos of the Treasury of Atreus, Greece, ca. 1300-1250 BCE/ 43 feet high/no interior supports
16. MYCENAEAN- laid their dead to rest on the floors of deep shafts with masks covering their faces (like Egyptians). Men buried with weapons and golden cups, women with jewelry. Below, Left: Funerary mask, Mycenae, Greece/ca. 1600-1500 BCE/beaten gold, repousse/ more primitive, life-size, mature face= king Below: Female head, Mycenae, Greece, ca. 1300-1250 BCE, painted plaster, 6 1/2” high White flesh tone, facial paint or tatoos = female, might be example of monumental cult statue
20. Prehistoric African Art -Rock art mostly found in what is now dry desert regions -Rock artists were more often hunter- gathers or herders not farmers -Record of environment, human activity and animal species -Central Saharan painting/ shows movement, detail/ ritualistic body painting/ superimpositions of images make dating difficult -Overall meaning: references to ideas and rituals about the origin, survival, health and continuity of human populations.
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22. Lydenburg Art – Southern Africa - Nearly life-size -Inverted pot shape -Features created by adding clay -Scarification marks -Bands around neck: symbol of beauty -Most likely ritual function
23. Igbo-Ukwu Art – Lower Niger Region fly-whisk handle / bronze-casting tradition (lost-wax) developed in this area/ figure seated on animal, lower area embellished with beaded and threadlike patterns, facial stripes represent marks of titled status
24. African Art, ca. 1000-1800 Inland Niger Delta Art (Western Sudan) Jenne Terracottas -Jenne-Jeno (walled town) 800 CE -Hundreds of these sculptures are dated 1000-1500 from the Jenne region -Children here are really adults -Metaphorical or legendary mother/ group is not a common family
25. Sacred Kings Ile-Ife Art (West of the Lower Niger) -Ile-Ife is cradle of Yoruba civilization (place where gods created the universe) -Cast in zinc-brass alloy -Idealized naturalism in facial features -Proportions less lifelike -Head= wisdom, destiny, essence of being -Served in rituals of sacred kingship
26. Ruins of a Lost Empire Great Zimbabwe Art (Southern Africa) -Most famous southern African site -First occupied in 11 th century -Had evidence of wide trade network (prosperous trade center) -Complex was a royal residence -At its peak, as many as 18,000 people lived in surrounding area -Form of tower suggests a granary -Found soapstone bird monoliths at royal hill complex (figure 15-8)= shrines to ancestors/ bird and crocodile symbolize previous rulers who acted as messengers between living and dead, as well as between sky and earth
27. Lalibela Art and Architecture (Ethiopia) Christianity arrives in Ethiopia in early 4 th century/Lalibela: ruler of Zagwe dynasty 13 th century commissioned churches/ totally rock-cut!/ exterior is colonnade of square pillars, crowned, pitched roof with reliefs/ 1500 such sculpted churches exist in Ethiopia
28. Benin Art (Lower Niger) - Benin Kingdom established in 13 th century -British sacked palace and city in 1897 -Benin artists (guilds) work with cast copper alloys, ivory, wood, ceramics and wrought iron -Oba: sacred king- still use and dispense art objects as royal favors -Worn by Benin king at waist/ Sensitive naturalism of Idia, Queen Mother -Portuguese heads and mudfish: symbolic references to trade and relationship with Portugal and to Olokun (god of sea, wealth and creativity)
29. The Hand and Arm (Benin) -Ikegobo: cast-brass royal shrine -symmetrical hierarchical compositions centered on the dominant king (he is depicted twice) -proportions of king (large head= seat of his will and power) -other people and animals are smaller = symbolic of kings power over all creatures -at personal altars, kings made sacrifices to their own powers of success and accomplishments- symbolized by the hand and arm
30. Sapi Art (West Atlantic Coast) -Sapi carved stone, wood and ivory images during 15 and 16 th centuries -Between 1490 and 1540 Portuguese commissioned Sapi artists to create objects to export to Europe = earliest examples of African tourist art -Master of the Symbolic Execution: He was one of three major Sapi ivory carvers during 1500-1540 -Execution scene on saltcellar -European components: overall design of container, geometric patterns and clothing -African components: style of human heads and figure and their proportions
