How can we ensure that the journalists receiving our press releases are getting what they want? What constitutes a good press release in the age of twitter? Director of Media at MHP and former Political Editor of the News of the World Iain Kirby will guide you through some key techniques to ensure you gain maximum impact.
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What does a journalist really look for in a press release
1. What does a
journalist really lookjournalist really look
for in a press release?
Ian Kirby, Director, MHP Communications
2. The Press Release is dead
“The press release is dead. We will
have to dip into the tool box and
broadcast now and again, but it is
no longer ‘SOS’ (Send Out Stuff).”
09/10/2013 2
Alex Aiken, executive director, government comms
4. These newslines won’t sell
• Slight relaunches
• Stories in a vacuum – why is this relevant?
• Low prices, great service, wide selection
09/10/2013 4
• Stories in a vacuum – why is this relevant?
• Obvious product placement
• Bad jokes and poor hooks
5. What will turn OFF a reporter?
Cheesy jokes
/ technical
language
Obvious
corporate
messaging
“A spokes-
person said”
09/10/2013 5
MISTAKES
One fact
stories
Gaps – why
should I do
the work for
you?
6. Rejection is hard to get over
09/10/2013 6
But it doesn’t need to happen!
7. Before you write
What does the journalist want?
Which language do they speak?
Get your facts straight
09/10/2013 7
Get your facts straight
What’s your top line?
Is this new?
8. What will turn ON a reporter?
Direct quotes
Punchy
headlines
A clear and
significant
story
09/10/2013 8
Direct quotes
from the
boss
Context and
comparisons
Digital links,
images and
video
9. The headline is the hook
• Sum up the story in eight words
• Most memorable headlines are never “Trains run on
time and are clean” or “No staff losses this year”
09/10/2013 9
• Don’t get technical
• Put the big numbers in the sub-deck
• Super Cally Go Ballistic, Celtic are Atrocious
11. Flog your story
• This is a world first!
• Put the big numbers at the top
• Get a quote high up in the story
• Put the client at the bottom,
but make them essential to the
09/10/2013 11
but make them essential to the
story
• Write like you speak
• Seventeen words in a sentence
• One piece of punctuation
• Avoid caveats
• Short is sweet
12. Get your boilerplate right
• Check your numbers add up
• Avoid caveats – they look like you’re lying
• Hand over the data
• Check web links are live
• Photos, graphics, shiny stuff
09/10/2013 12
• Photos, graphics, shiny stuff
• Let the hack speak to a human being
• Give them your numbers and your e mail
13. Selling it in
• Identify your targets
• Check again
09/10/2013 13
• Call them first
• Be adaptable
• DON’T BE A STALKER