3. CLASS CONNECT
SESSIONS
CODE OF CONDUCT:
Arrive promptly at the scheduled time of the session.
All WB & Mic privileges will be assigned at the discretion of the teacher.
Chat Box conversations should be limited to the content of the lesson.
No sharing of personal information (phone numbers, emails, address, etc.)
Respectful and courteous behavior towards others is expected at all times.
Stepping away /non participation without the teacher’s approval will be seen as an
absence from the session.
Students & parents are expected to follow all classroom protocol as described.
Any disruptions to learning during class connect sessions , including the use of
inappropriate language, posting pictures or images to whiteboard, disrespect of
teachers or other students will not be tolerated. If a disruption occurs student(s) will
be placed in a breakout room for reflection and/or removed from class connect
session and parents
4. GCA MISSION AND
VISION
GCA VISION: GCA students will emerge as confident leaders in the
21st century global community through a holistic approach of
rigorous academic standards, a commitment to individualized learning
paths, and attention to the growth of each student as a civic minded
contributor both within their local communities and beyond.
GCA MISSION: Our mission is to provide an exemplary
individualized and engaging educational experience for all students by
incorporating school and community/family partnerships coupled
with a rigorous curriculum within a data-driven and student-centered
instructional model. Student success will be measured by valid &
reliable assessment data, parent and student satisfaction, and
continued institutional growth within the academic community.
5. Monday, you went over LOTS of literary terms!
These are terms that you’ll need not only for this unit but
for the rest of the semester—and probably in your lit
class, too!
Make sure you check out the resources in the OHS or the
file transfer, if you haven’t already!
REVIEW: LITERARY TERMS
6. LET’S REVIEW!
The best definition of fiction is?
A. imaginative narration, especially in prose form; something feigned, invented, or
imagined; a made-up story; an imaginary thing or event, postulated for the purposes
of argument or explanation
B. Literature that is based on fact
C. Literature that is based mostly on fact and is about real people, real
events, and/or real places
D. All of the above
E. None of the above
7. LET’S REVIEW!
The best definition of fiction is?
A. imaginative narration, especially in prose form; something feigned, invented, or
imagined; a made-up story; an imaginary thing or event, postulated for the purposes
of argument or explanation
B. Literature that is based on fact
C. Literature that is based mostly on fact and is about real people, real
events, and/or real places
D. All of the above
E. None of the above
8. WHAT EVERY STORY NEEDS:
Plot
Theme
Characters
Setting
Conflict
Spotlight: Elements of Plot
9. ELEMENTS OF THE SHORT STORY
The short story emerges from the writer’s careful
manipulation of various formal elements, which will usually
include:
Plot (Action and Conflict)
Characterization
Setting (Time and Place)
Point of View
Tone
Symbolism
Theme
Style/diction
Spotlight: Elements of Plot
10. WHAT IS PLOT?
Plot concerns the organization of
the main events of a work of
fiction.
Most plots will trace some process
of change in which characters are
caught up in a conflict that is
eventually resolved.
12. 1. EXPOSITION
This usually occurs at the beginning of a short story.
Here the characters are introduced. We also learn
about the setting of the story. This section also
presents other facts necessary to understanding the
story
13. IMPORTANT PARTS OF THE
EXPOSITION
Setting
Time
Place
Characters
Protagonist: The
main character; the
hero
Antagonist: The
character who is in
conflict with the
protagonist in some
way; the “bad guy”
Static: Character stays the same
Dynamic: Character changes in
some way
14. 2. RISING ACTION
The rising action includes all the
events that lead to the climax. It
also presents some type of conflict
15. 3. CLIMAX
The “high point”. This is the turning point
of the story. Usually the main character
comes face to face with a conflict. The
main character will change in some way.
16. CONFLICT:
Conflict is at the heart of fiction. If there is no conflict,
readers are less likely to care about the outcome.
Conflicts fall into one of a variety of types.
22. QUESTION 1
A STATIC character
a. Remains the same at the end
of the story
b. Changes by the end of the
story
c. Is the main character
23. QUESTION 1
A STATIC character
a. Remains the same at the end
of the story
b. Changes by the end of the
story
c. Is the main character
24. QUESTION 2
The main character of the story is:
a. The antagonist
b. The protagonist
c. The exposition
25. QUESTION 2
The main character of the story is:
a. The antagonist
b. The protagonist
c. The exposition
26. QUESTION 3
The part of the story where the
main character comes face to face
with a conflict
a. The climax
b. The falling action
c. The resolution
27. QUESTION 3
The part of the story where the
main character comes face to face
with a conflict
a. The climax
b. The falling action
c. The resolution
28. QUESTION 3
The part of the story that ties up all
the loose ends and takes care of the
conflict
a. The climax
b. The falling action
c. The resolution
29. QUESTION 3
The part of the story that ties up all
the loose ends and takes care of the
conflict
a. The climax
b. The falling action
c. The resolution
30. QUESTION 4
The setting is made up of:
a. Protagonist and antagonist
b. Place and characters
c. Time and Place
31. QUESTION 4
The setting is made up of:
a. Protagonist and antagonist
b. Place and characters
c. Time and Place
32. TEST YOUR PLOT
KNOWLEDGE!
The 3 Little Pigs
You will now watch a short version
of the story to refresh your
memory. After you will need to
answer questions about the plot,
characters, and setting.
https://www.youtube.com/watch?v=G5hI9U
19-m0
33. Jot down some notes…
What is the setting?
Who is the Protagonist?
Who is the Antagonist?
What is the point of view?
What is the type of conflict?
34. What is the setting?
The beautiful clearing where the 3 Little Pigs build their homes
Time: Not exactly known. The time their mother thought it was
appropriate they leave the home.
Who is the Protagonist?
Pig # 3
Who is the Antagonist?
The Big Bad Wolf
What is the point of view?
3rd person omniscient
What is the type of conflict?
Character vs. Character
35. DRAW ARROWS FROM THE
EVENTS TO THEIR
APPROPRIATE PLOT
ELEMENTS Exposition
Rising Action
Climax
Falling Action
Resolution
Three little pigs leave
home to find adventure in
the big world.
Pig #1 builds a house of straw,
Pig #2 builds a house of sticks,
and Pig # 3 builds a house of
bricks.
Big Bad Wolf blows
the straw house down
and pig #1 escapes to
Pig #2’s house.
The pigs come across a
beautiful clearing they think
will be a perfect spot to build
their homes.
Big Bad Wolf blows the stick
house down and Pig #1 and #2
escape to Pig # 3’s house.
The Big Bad Wolf tries
several times, but he can’t
blow down brick house.
Wolf decides to sneak down the
chimney to get the pigs.
Wolf falls into boiling
pot of soup.The Big Bad Wolf is so scared of
the 3 Pigs that he runs off in the
woods never to be seen again.
The 3 little pigs live happily ever
after.
36. CHECK IT
Event #2
Pig #1 builds a house of straw,
Pig #2 builds a house of sticks,
and Pig # 3 builds a house of
bricks.
Event #3
Big Bad Wolf blows
the straw house down
and pig #1 escapes to
Pig #2’s house.
Event #1
The pigs come across a
beautiful clearing they think
will be a perfect spot to build
their homes.
Event #4
Big Bad Wolf blows the stick
house down and Pig #1 and #2
escape to Pig # 3’s house.
Event #5
The Big Bad Wolf tries
several times, but he can’t
blow down brick house.
CLIMAX: Wolf decides to
sneak down the chimney to get
the pigs.
Wolf falls into boiling
pot of soup.
RESOLUTION: The Big
Bad Wolf is so scared of the 3
Pigs that he runs off in the
woods never to be seen again.
The 3 little pigs live happily ever
after.
EXPOSITION: Three
little pigs leave home to
find adventure in the big
world.
38. 1. WHICH WOULD NOT BE A
PART OF THE SETTING?
A. Two teenagers arguing
B. A thunderstorm
C. 3pm on a winter day
D. New York city
39. 1. WHICH WOULD NOT BE A
PART OF THE SETTING?
A. Two teenagers arguing
B. A thunderstorm
C. 3pm on a winter day
D. New York city
40. 2. BEING LOST IN A
SNOWSTORM WOULD BE
WHAT KIND OF CONFLICT?
A. Person vs. Self
B. Person vs. Fate, Nature, or Circumstances
C. Person vs. Person
D. Person vs. Society
41. 2. BEING LOST IN A
SNOWSTORM WOULD BE
WHAT KIND OF CONFLICT?
A. Person vs. Self
B. Person vs. Fate, Nature, or Circumstances
C. Person vs. Person
D. Person vs. Society
42. 3. A LAWYER DEFENDING A MAN
THAT THE COMMUNITY
BELIEVES IS GUILTY IS AND
EXAMPLE OF WHAT KIND OF
CONFLICT?A. Person vs. Self
B. Person vs. Person
C. Person vs. Society
D. Person vs. Fate, Nature, or Circumstances
43. 3. A LAWYER DEFENDING A MAN
THAT THE COMMUNITY
BELIEVES IS GUILTY IS AND
EXAMPLE OF WHAT KIND OF
CONFLICT?A. Person vs. Self
B. Person vs. Person
C. Person vs. Society
D. Person vs. Fate, Nature, or Circumstances
44. 4. THE MAIN CHARACTER
WHO FACES THE CONFLICT IN
THE STORY IS CALLED THE
A. antagonist
B. quest
C. protagonist
D. none of the above
45. 4. THE MAIN CHARACTER
WHO FACES THE CONFLICT IN
THE STORY IS CALLED THE
A. antagonist
B. quest
C. protagonist
D. none of the above
46. 5. THE CHARACTER WHO
CREATES PROBLEMS FOR THE
MAIN CHARACTER—AND OFTEN
CREATES THE CONFLICT—IS
CALLED THEA. antagonist
B. quest
C. protagonist
D. none of the above
47. 5. THE CHARACTER WHO
CREATES PROBLEMS FOR THE
MAIN CHARACTER—AND OFTEN
CREATES THE CONFLICT—IS
CALLED THEA. antagonist
B. quest
C. protagonist
D. none of the above
48. 6. DIALOGUE BY AND ABOUT A
CHARACTER, DESCRIPTION OF A
CHARACTER, AND A
CHARACTER’S ACTIONS ARE
ALWAYS TOA. develop character
B. develop setting
C. explain the plot
D. explain the theme
49. 6. DIALOGUE BY AND ABOUT A
CHARACTER, DESCRIPTION OF A
CHARACTER, AND A
CHARACTER’S ACTIONS ARE
ALWAYS TOA. develop character
B. develop setting
C. explain the plot
D. explain the theme
50. 7. COMPLICATIONS HELP
DEVELOP
A. the falling actions in the plot
B. the setting
C. the rising action in the plot
D. None of the above
51. 7. COMPLICATIONS HELP
DEVELOP
A. the falling actions in the plot
B. the setting
C. the rising action in the plot
D. None of the above
52. 8. THE CLIMAX IS
A. when we first find out about the conflict
B. when the setting is described
C. when we are introduced to the antagonist
D. when the main character is at the point of resolving
(or not resolving) the conflict
53. 8. THE CLIMAX IS
A. when we first find out about the conflict
B. when the setting is described
C. when we are introduced to the antagonist
D. when the main character is at the point of resolving
(or not resolving) the conflict
54. 9. THEME IS
A. the tone of the story
B. The central message
C. the culmination of characters' decisions
D. the central plot
55. 9. THEME IS
A. the tone of the story
B. The central message
C. the culmination of characters' decisions
D. the central plot
56. 10. GENERATIVE WRITING
ALLOWS A FICTION WRITER
TO:
A. generate new ideas for possible plots, characters, and
settings
B. develop characters into well-polished protagonists
and antagonists
C. review the plot, setting, and characters for revision
D. Write true accounts of characters’ lives.
57. 10. GENERATIVE WRITING
ALLOWS A FICTION WRITER
TO:
A. generate new ideas for possible plots, characters, and
settings
B. develop characters into well-polished protagonists
and antagonists
C. review the plot, setting, and characters for revision
D. Write true accounts of characters’ lives.
58. WHERE ELSE CAN YOU
STUDY??
By reviewing 2.00 Unit Warm up, slide 4.—
sub genres of fiction! (Yup, it’s on the
quiz, too!)