Dr. Dagmar Preising, Curator Suermondt – Ludwig - Museum Aachen
A Neo-Gothic Carver's Collection of Gothic Sculptures. Meaning and Function
Collecting Medieval Sculpture - Ards Study Day Paris
November 23rd-24th
Musée du Louve – Paris
www.ards.be
2. Richard Möst (Moest)
(Horb/Swabia 1841 – 1906 Cologne)
Carver, Restorer, Collector
The widower Möst with his
three children
Möst‘s portrait and letterhead
3. Möst as a carver
two reliefs (90 x 77 cm), from the
former retable on the highaltar of St
John Baptist in Cologne
4. Iustitia and Prudentia, oak, non-
polychromed, 39,3 x 13 cm,
Cologne City Museum
Signature of Möst at
the plinth of Prudentia
5. Möst as a restorer
Antwerp altarpiece, c. 1520
Cologne Cathedral, purchased in
1840/42, restored by Möst‘s
workshop
Antwerp altarpiece, c. 1520/30,
Aldenhoven (Rhineland), parish church St
Martin, 1898/99 restored by Möst‘s
workshop
6. Möst as a collector
The sculpture collection in
his private home, Cologne
7. Views of the sculpture collection in his
private home, Cologne
8. Sculptures of the Möst coll.,
since 1907 in the S(L)M Aachen
I. Cologne:
- 14th
- early 16th century (Master
Wilhelm von Arborch)
9. II. The Low Countries:
- Antwerp, c. 1500, with quality mark
- Mechelen, c. 1500-1510, with quality mark
- Northern Netherlands, 1520-1530
10. III. Ulm
- Master Hartmann, c. 1430, 117 x 48,7 cm
- Hans Multscher, c. 1430/40, 38,8 x 14,8 cm
- Michel Erhart (workshop), c. 1490, 54 x 27,5 cm
12. Möst‘s manipulation on medieval sculptures: carved additions
North Brabant ‚ ‘s-Hertogenbosch?,
St Catherine, c. 1525/30,
119,9 x 38,5 cm, SLM Aachen
Position of later added
components
(drawing: Ulrike Villwock)
14. Upper Swabia (Biberach?) Saint Anne, limewood, polychromy stripped off, details
Copy of the angel/putto Original angel/putto
15. Sculptures of the collection as inspiration
for new sculptural inventions
Kneeling Virgin
Cologne (?), walnut, c. 1400/30,
39,1 x 27,5 cm, SLM Aachen
St. Joseph, Möst, 1870-1900,
oak, 41,6 x 30,3 cm, Cologne
City Museum
16. Carved additions with polychromy
Decapitation of St John
the Baptist,
South Germany
(workshop master of
Rabenden, Munich),
c. 1520,
50 x 49,4 cm,
SLM Aachen
17. Decapitation of St John the Baptist, details
showing Möst‘s additions (both arms of
the executioner, head of St John, plate and
Salome‘s forearms)
18. Mouldings and carved copies
Kneeling Virgin
Cologne (?), walnut, c. 1400/30,
39,1 x 27,5 cm,
SLM Aachen
two mouldings
Cologne City Museum
19. Panel depicting Fides,
c. 1890 (?)
oak, 37,6 x 18,8 cm,
SLM Aachen
Moulding of the panel,
Cologne City Museum
20. Relief of the former altarpiece on
the highaltar of St John the Baptist
in Cologne,
Birth of St John, Möst, 1893
Moulding
Cologne City Museum
21. Example for a late 19th century collection of mouldings:
the atelier of the neogothic sculptor Peter Fuchs, Cologne Cathedral
22. Scaled/downsized copies
Original, c. 1500, oak, 81
x 26,9 cm, SLM Aachen
Copy, 1890ies, oak, 40,2 x 14,2,
Cologne City Museum
Angel with
Arma Christi,
Lower Rhine
23. St Magdalen, Middle Rhine (?),
c. 1500-1510, H 67 cm, ex-coll.
Rautenstrauch Trier, present
location unknown
Copy, Möst, oak, 36,2 x 18,5
cm, Cologne City Museum
24. Reversed/ mirror-inverted copies
Copy, 1898/99 (?), Möst, oak,
17,2 x 8,2 cm
Parish church Aldenhoven,
Antwerp altarpiece
Copy, 1898/99 (?), Möst,
oak, 15,2 x 7,6 cm
Cologne City Museum
Prophet of an
Antwerp altarpiece,
formerly SLM
Aachen, present
location unknown
25. Replacing the original with a copy
Soldier of a crucifixion
scene, Antwerp, from
the retable in
Aldenhoven
(Rhineland),
previously SLM
Aachen, present
location unknown
Original
Copy, c. 1898/99, Möst, oak,
Antwerp retable in Aldenhoven
26. Antwerp altarpiece in Merl
(Moselle), c. 1520
Carved tendrils with prophets
and Jesse are copies.
Fragments of a tendril with prophets, part
of a Tree of Jesse, probably from the Merl
Antwerp altarpiece, c. 1520
Cologne City Museum
27. Ferdinand Langenberg in
Goch / Lower Rhine
as a carver and collector
Langenberg collection in Goch
Draft of an altarpiece as an
example for Langenberg as a
carver
28. The Kramer Brothers in Kempen /Lower Rhine
as carvers and collectors.
Presentation of the Kramer Museum in Kempen by Konrad Kramer himself in 1912