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Chapter 3
Theatre and Cultural Diversity
Critical Mirror:
Art and Entertainment Reflect Culture
● Culture – the values, standards, and
patterns of behavior of a particular group
of people
● Enculturation – the process by which we
learn our culture
Theatre Outside the Dominant
Culture
Multiculturalism –
the endeavor to
overcome all forms of
discrimination,
including racism,
sexism, and
homophobia, so that
people can coexist
peacefully and
attempt to achieve a
pluralistic society.
MichalDaniel/Proofsheet
Basic Types
of
Theatre of the People
● Theatre of Identity
● Theatre of Protest
● Cross-cultural Theatre
Theatre of Identity
Promotes a
particular people’s
cultural identity and
invites members of
that culture and
others to experience
their joys, problems,
history, traditions,
and point of view.
©MarthaSwopePhotography
Yiddish Theatre
During the first half of
the 20th Century,
NYC’s Second Avenue
was known as the
“Yiddish Broadway”
because so many
Jewish theatres were
located there.
HultonArchive/GettyImages
African American Theatre
August Wilson’s plays have chronicled the
decades’ long struggle of Blacks in his native
Pittsburgh.
DonIpockPhotography/KansasCityRepertoryTheatre
African American Theatre
With Topdog/Underdog, Suzan-Lori Parks
became the first African American woman to win
the Pulitzer Prize for Drama.
MichalDaniel/Proofsheet
August Wilson: Fences
Asian American Theatre
In response to a
white British actor
playing the Asian lead
in Miss Saigon on
Broadway, actor B.D.
Wong asked, “If Asian
American actors
aren’t good enough to
play Asian roles, what
are we good for?”
JoanMarcus/Photofest
Theatre of Protest
Objects to the dominant culture’s control and
demands that a minority culture’s voice and
political agenda be heard.
Hispanic American Theatre
● El Teatro Camesino
(The Farmworkers
Theatre) was founded
in 1965 by Luis Valdez.
● Valdez’s play
concerning the Zoot
Suit riots in the 1940s
is Zoot Suit .
Universal/TheKobalCollection
Cross-cultural Theatre
Mixes different
cultures in an
attempt to find
understanding
or commonality
among them.
Denver Center for Michal Daniel/Proofsheet the Performing Arts
Cross-cultural Theatre
The play Black Elk Speaks , which was adapted
from an oral biography of a Sioux holy man, tells
the story of white America’s westward expansion
from the Native American perspective.
Japanese director Shozo Sato stages Western
classics such as Medea, Faust, and Macbeth in
Japanese Kabuki style.
Theatre as a Way of Seeing through
Another’s Eyes
Ethnocentrism – privileging how one sees other
cultures through the lens of one’s own
MichalDaniel/Proofsheet
Keeping Theatre of the People Alive
“A healthy state needs vigorous, lively, pluralistic debate,
not enforced acquiescence to a bullying majority.”
Tony Kushner, playwright
L.Mueller/Staff/TheCharlotteObserver
National Endowment for the Arts
● The NEA enriches
our nation and its
diverse cultural
heritage by
● supporting works of
artistic excellence
● advancing learning in
the arts
● strengthening arts in
the communities
throughout the
country
Jane Alexander, former head of the NEA,
testifies before Congress in the early
1990s.
TerryAshe/TimeLifePictures/GettyImages
Curtain Call
“Cultural diversity is as necessary for
humankind as biodiversity is for nature.”
UNESCO’s Universal Declaration
on Cultural Diversity

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Dram 1310 chapter 3 lecture

  • 1. Chapter 3 Theatre and Cultural Diversity
  • 2. Critical Mirror: Art and Entertainment Reflect Culture ● Culture – the values, standards, and patterns of behavior of a particular group of people ● Enculturation – the process by which we learn our culture
  • 3. Theatre Outside the Dominant Culture Multiculturalism – the endeavor to overcome all forms of discrimination, including racism, sexism, and homophobia, so that people can coexist peacefully and attempt to achieve a pluralistic society. MichalDaniel/Proofsheet
  • 4. Basic Types of Theatre of the People ● Theatre of Identity ● Theatre of Protest ● Cross-cultural Theatre
  • 5. Theatre of Identity Promotes a particular people’s cultural identity and invites members of that culture and others to experience their joys, problems, history, traditions, and point of view. ©MarthaSwopePhotography
  • 6. Yiddish Theatre During the first half of the 20th Century, NYC’s Second Avenue was known as the “Yiddish Broadway” because so many Jewish theatres were located there. HultonArchive/GettyImages
  • 7. African American Theatre August Wilson’s plays have chronicled the decades’ long struggle of Blacks in his native Pittsburgh. DonIpockPhotography/KansasCityRepertoryTheatre
  • 8. African American Theatre With Topdog/Underdog, Suzan-Lori Parks became the first African American woman to win the Pulitzer Prize for Drama. MichalDaniel/Proofsheet
  • 10. Asian American Theatre In response to a white British actor playing the Asian lead in Miss Saigon on Broadway, actor B.D. Wong asked, “If Asian American actors aren’t good enough to play Asian roles, what are we good for?” JoanMarcus/Photofest
  • 11.
  • 12. Theatre of Protest Objects to the dominant culture’s control and demands that a minority culture’s voice and political agenda be heard.
  • 13.
  • 14. Hispanic American Theatre ● El Teatro Camesino (The Farmworkers Theatre) was founded in 1965 by Luis Valdez. ● Valdez’s play concerning the Zoot Suit riots in the 1940s is Zoot Suit . Universal/TheKobalCollection
  • 15.
  • 16. Cross-cultural Theatre Mixes different cultures in an attempt to find understanding or commonality among them. Denver Center for Michal Daniel/Proofsheet the Performing Arts
  • 17. Cross-cultural Theatre The play Black Elk Speaks , which was adapted from an oral biography of a Sioux holy man, tells the story of white America’s westward expansion from the Native American perspective. Japanese director Shozo Sato stages Western classics such as Medea, Faust, and Macbeth in Japanese Kabuki style.
  • 18. Theatre as a Way of Seeing through Another’s Eyes Ethnocentrism – privileging how one sees other cultures through the lens of one’s own MichalDaniel/Proofsheet
  • 19. Keeping Theatre of the People Alive “A healthy state needs vigorous, lively, pluralistic debate, not enforced acquiescence to a bullying majority.” Tony Kushner, playwright L.Mueller/Staff/TheCharlotteObserver
  • 20. National Endowment for the Arts ● The NEA enriches our nation and its diverse cultural heritage by ● supporting works of artistic excellence ● advancing learning in the arts ● strengthening arts in the communities throughout the country Jane Alexander, former head of the NEA, testifies before Congress in the early 1990s. TerryAshe/TimeLifePictures/GettyImages
  • 21. Curtain Call “Cultural diversity is as necessary for humankind as biodiversity is for nature.” UNESCO’s Universal Declaration on Cultural Diversity