SlideShare a Scribd company logo
1 of 12
SMILE
A Virtual Museum: Sharing
   European Identities

 Gavin Baldwin, Middlesex University
SMILE
• Schools
• Museums
• Internet
• Learning
• Europe
The origins of SMILE
•   Bruges seminar: December 1998 to consider ways of involving young
    people in Active European Citizenship

•   The members of SMILE are now
         Arkitekturmuseet, Stockholm, Sweden (Co-ordinator)
                  Middlesex University, London, UK
                  Katholieke Hogeschool Kempen, Herentals, Belgium
                  Wojewodski Osorodek Metodyczny Dolnoslazki Osrodek
                          Doskonalenia Nauczycieli , Wroclaw, Poland
                  Bildungsanstalt fur Kindergartenpadagogik, Feldkirch,
    Austria

•   SMILE at yourself
The major principles of SMILE

• What values underpin SMILE?
• What is European Identity?
• What are the roles of the built environment
  and museums in exploring and expressing
  identity?
What values underpin SMILE?
•   to enable young people to explore Europe through their own eyes and
    their own experiences.

•   we are not trying to teach about Europe directly, to give information,
    or to impose an identity that can be described as European.

•   to avoid stereotypes

•   the project is also committed to inclusion: involving a wide range of
    schools, rural and urban, especially those with a high percentage of
    ethnic minority children so that European Identity is seen as a
    pluralist, multicultural identity and not one restricted to the traditional
    cultures of the member states.
What is European Identity?
•   a fluid and complex phenomenon which can vary depending on the
    context in which it is explored. In this sense it may be akin to ‘role’.

•   identity is closely linked to perception. Identity is not only concerned
    with how you see and present yourself but is also about how others see
    and interpret you. It is also, therefore, about how you see others.

•   There are social, cultural and political pressures that may limit our
    choice, or subconsciously influence our espoused identity and the
    identities we ascribe to others.

•   Many of these influences on our identity formation are historical
Identity Exploration
• self identity:
    – How do I see myself and choose to present myself to others?
• group identity:
    – Which groups do I belong to? My family, my ethnic group, my
      religion, my class (both social and at school!), the area in which I
      live. Which societies do I choose to join that represent my
      interests?
• national identity:
    – How do I identify with ‘my country’? How do I see the countries
      of others?
• the identities expressed in Europe?
    – How do my identities compare with others that I can find out
      about?
What is the role of the built environment and museums in
           exploring and expressing identity?
•    to develop an understanding of the way in which the spaces people
    occupy are designed and how this may influence the lives that they
    lead;
•   to increase awareness of environmental quality and the develop a
    sense of responsibility for the environment;
•   through working critically to learn how the past is constructed and
    communicated through the material culture that has survived and
    which curators choose to value and display;
•   to share identities with others through the presentation of where and
    how people live;
•   to show what is significant to those that live in a place and not what a
    ‘foreigner’ should see.
How does SMILE work?
•   Stage 1
•   Carrying out a wide range of activities selected from a bank which
    lead to pieces of work representing various aspects of the identity of a
    group of children (usually a school class) which can then be published
    in a virtual museum.

•   Stage 2
•   The exploration of this museum through a range of comparative
    activities (possibly involving communication between schools)
    whereby young people develop an understanding of the lives of others
    living elsewhere in Europe. From this they can explore what it is like
    to be a European Citizen.
The Cabinet of Curiosities
•   Row one
        • .Exploring myself and my family
        • .Exploring my home
        • .Exploring my neighbourhood
•   Row two
        • .Exploring Museums
        • .Exploring Europe
        • .Making a museum
•   Row three
        • .Using digital cameras and publication
        • .The explorer’s ruck sack of additional ideas
        • .Notes for teachers
SMILE TOOLS

• The translating tool

• The publishing tool
Conclusion

• By undertaking the SMILE activities we hope to
  enable young people to explore European identity
  through their own eyes and experiences and to
  play an active role as European citizens.

More Related Content

What's hot

2012 sit flyer final
2012 sit flyer final2012 sit flyer final
2012 sit flyer final
schulm76
 
Fold, Staple, Share: The Brooklyn College Library Zine Collection
Fold, Staple, Share: The Brooklyn College Library Zine CollectionFold, Staple, Share: The Brooklyn College Library Zine Collection
Fold, Staple, Share: The Brooklyn College Library Zine Collection
Alycia
 
The Youth Organization Falanster
The Youth Organization FalansterThe Youth Organization Falanster
The Youth Organization Falanster
zabej
 
Narrative writing – unit plan
Narrative writing – unit planNarrative writing – unit plan
Narrative writing – unit plan
nickchristathakis
 

What's hot (18)

Final Presentation Rita
Final Presentation RitaFinal Presentation Rita
Final Presentation Rita
 
GLS Freshmen Presentation: Passport to a Global Future
GLS Freshmen Presentation: Passport to a Global FutureGLS Freshmen Presentation: Passport to a Global Future
GLS Freshmen Presentation: Passport to a Global Future
 
My Vote My Voice
My Vote My VoiceMy Vote My Voice
My Vote My Voice
 
Branding a Library
Branding a LibraryBranding a Library
Branding a Library
 
2012 sit flyer final
2012 sit flyer final2012 sit flyer final
2012 sit flyer final
 
1 syuzanna final presentation (1)
1 syuzanna   final presentation (1)1 syuzanna   final presentation (1)
1 syuzanna final presentation (1)
 
Ppp why do they come experincing & learning
Ppp why do they come experincing & learningPpp why do they come experincing & learning
Ppp why do they come experincing & learning
 
Fold, Staple, Share: The Brooklyn College Library Zine Collection
Fold, Staple, Share: The Brooklyn College Library Zine CollectionFold, Staple, Share: The Brooklyn College Library Zine Collection
Fold, Staple, Share: The Brooklyn College Library Zine Collection
 
Project activities khato from Fundacja Rozwoju Społeczeństwa Przedsiębiorczeg...
Project activities khato from Fundacja Rozwoju Społeczeństwa Przedsiębiorczeg...Project activities khato from Fundacja Rozwoju Społeczeństwa Przedsiębiorczeg...
Project activities khato from Fundacja Rozwoju Społeczeństwa Przedsiębiorczeg...
 
Jerusalem Mosaic 31 12
Jerusalem Mosaic 31 12Jerusalem Mosaic 31 12
Jerusalem Mosaic 31 12
 
Italy: Intercultural Dialogue
Italy: Intercultural DialogueItaly: Intercultural Dialogue
Italy: Intercultural Dialogue
 
The Impact on Education. Wimmer, 2009.
The Impact on Education. Wimmer, 2009.The Impact on Education. Wimmer, 2009.
The Impact on Education. Wimmer, 2009.
 
Zurab Final presentation
Zurab Final presentationZurab Final presentation
Zurab Final presentation
 
Mind the Gap!
Mind the Gap!Mind the Gap!
Mind the Gap!
 
Project presentation
Project presentationProject presentation
Project presentation
 
Global Citizenship, graduate attributes & learning outcomes
Global Citizenship, graduate attributes & learning outcomesGlobal Citizenship, graduate attributes & learning outcomes
Global Citizenship, graduate attributes & learning outcomes
 
The Youth Organization Falanster
The Youth Organization FalansterThe Youth Organization Falanster
The Youth Organization Falanster
 
Narrative writing – unit plan
Narrative writing – unit planNarrative writing – unit plan
Narrative writing – unit plan
 

Viewers also liked (7)

íNdios
íNdiosíNdios
íNdios
 
Índios brasileiros
Índios brasileirosÍndios brasileiros
Índios brasileiros
 
Povos indigenas brasil
Povos indigenas brasilPovos indigenas brasil
Povos indigenas brasil
 
Arte indígena
Arte indígenaArte indígena
Arte indígena
 
Índios no Brasil
Índios no BrasilÍndios no Brasil
Índios no Brasil
 
Cultura indígena
Cultura indígenaCultura indígena
Cultura indígena
 
Arte Indígena Brasileira
Arte Indígena BrasileiraArte Indígena Brasileira
Arte Indígena Brasileira
 

Similar to Smile Powerpoint

Lale, final bachelor project
Lale, final bachelor projectLale, final bachelor project
Lale, final bachelor project
tove1304
 
Cartoons and films
Cartoons and filmsCartoons and films
Cartoons and films
Inès Rosado
 

Similar to Smile Powerpoint (20)

Lighting the cauldron - Young people and cultural organisations
Lighting the cauldron - Young people and cultural organisationsLighting the cauldron - Young people and cultural organisations
Lighting the cauldron - Young people and cultural organisations
 
6 Alex Burch tour of denmark 2014
6 Alex Burch tour of denmark 20146 Alex Burch tour of denmark 2014
6 Alex Burch tour of denmark 2014
 
Intercultural education belousa_kravale_lisboa_2012
Intercultural education belousa_kravale_lisboa_2012Intercultural education belousa_kravale_lisboa_2012
Intercultural education belousa_kravale_lisboa_2012
 
You love the museum, don’t deny
You love the museum, don’t deny You love the museum, don’t deny
You love the museum, don’t deny
 
Intangible cultural heritage in education
Intangible cultural heritage in educationIntangible cultural heritage in education
Intangible cultural heritage in education
 
The role of the youth in cultural heritage - supporting engagement and partic...
The role of the youth in cultural heritage - supporting engagement and partic...The role of the youth in cultural heritage - supporting engagement and partic...
The role of the youth in cultural heritage - supporting engagement and partic...
 
Eadim graz 2011 here we are everywher
Eadim graz 2011 here we are everywherEadim graz 2011 here we are everywher
Eadim graz 2011 here we are everywher
 
diverSEEty
diverSEEtydiverSEEty
diverSEEty
 
Telecollaborative Exchange and Intercultural Education
Telecollaborative Exchange and Intercultural EducationTelecollaborative Exchange and Intercultural Education
Telecollaborative Exchange and Intercultural Education
 
Non-traditional visitors' skills and expectations in museums
Non-traditional visitors' skills and expectations in museumsNon-traditional visitors' skills and expectations in museums
Non-traditional visitors' skills and expectations in museums
 
Nom storytelling-icomrus
Nom storytelling-icomrusNom storytelling-icomrus
Nom storytelling-icomrus
 
Your Story in a Bottle
Your Story in a BottleYour Story in a Bottle
Your Story in a Bottle
 
Lale, final bachelor project
Lale, final bachelor projectLale, final bachelor project
Lale, final bachelor project
 
Week 2 343
Week 2 343Week 2 343
Week 2 343
 
Cartoons and films
Cartoons and filmsCartoons and films
Cartoons and films
 
Global + Personal: Undergraduate Study Abroad Experiences through the Len...
Global + Personal: Undergraduate Study Abroad Experiences through the Len...Global + Personal: Undergraduate Study Abroad Experiences through the Len...
Global + Personal: Undergraduate Study Abroad Experiences through the Len...
 
Webinar 2: Celebrating Diversity
Webinar 2: Celebrating DiversityWebinar 2: Celebrating Diversity
Webinar 2: Celebrating Diversity
 
Cultural awareness
Cultural awarenessCultural awareness
Cultural awareness
 
Navigating the Labyrinth of Constant Change
Navigating the Labyrinth of Constant ChangeNavigating the Labyrinth of Constant Change
Navigating the Labyrinth of Constant Change
 
Globalisation and education innovation in the classroom cc project local gl...
Globalisation and education innovation in the classroom   cc project local gl...Globalisation and education innovation in the classroom   cc project local gl...
Globalisation and education innovation in the classroom cc project local gl...
 

Recently uploaded

Making and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdfMaking and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdf
Chris Hunter
 
Gardella_Mateo_IntellectualProperty.pdf.
Gardella_Mateo_IntellectualProperty.pdf.Gardella_Mateo_IntellectualProperty.pdf.
Gardella_Mateo_IntellectualProperty.pdf.
MateoGardella
 
Gardella_PRCampaignConclusion Pitch Letter
Gardella_PRCampaignConclusion Pitch LetterGardella_PRCampaignConclusion Pitch Letter
Gardella_PRCampaignConclusion Pitch Letter
MateoGardella
 
An Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdfAn Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdf
SanaAli374401
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
PECB
 

Recently uploaded (20)

Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptx
 
This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.
 
PROCESS RECORDING FORMAT.docx
PROCESS      RECORDING        FORMAT.docxPROCESS      RECORDING        FORMAT.docx
PROCESS RECORDING FORMAT.docx
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Making and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdfMaking and Justifying Mathematical Decisions.pdf
Making and Justifying Mathematical Decisions.pdf
 
Gardella_Mateo_IntellectualProperty.pdf.
Gardella_Mateo_IntellectualProperty.pdf.Gardella_Mateo_IntellectualProperty.pdf.
Gardella_Mateo_IntellectualProperty.pdf.
 
Gardella_PRCampaignConclusion Pitch Letter
Gardella_PRCampaignConclusion Pitch LetterGardella_PRCampaignConclusion Pitch Letter
Gardella_PRCampaignConclusion Pitch Letter
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
An Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdfAn Overview of Mutual Funds Bcom Project.pdf
An Overview of Mutual Funds Bcom Project.pdf
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Unit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxUnit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptx
 
Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..
 
Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104Nutritional Needs Presentation - HLTH 104
Nutritional Needs Presentation - HLTH 104
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and Mode
 

Smile Powerpoint

  • 1. SMILE A Virtual Museum: Sharing European Identities Gavin Baldwin, Middlesex University
  • 2. SMILE • Schools • Museums • Internet • Learning • Europe
  • 3. The origins of SMILE • Bruges seminar: December 1998 to consider ways of involving young people in Active European Citizenship • The members of SMILE are now Arkitekturmuseet, Stockholm, Sweden (Co-ordinator) Middlesex University, London, UK Katholieke Hogeschool Kempen, Herentals, Belgium Wojewodski Osorodek Metodyczny Dolnoslazki Osrodek Doskonalenia Nauczycieli , Wroclaw, Poland Bildungsanstalt fur Kindergartenpadagogik, Feldkirch, Austria • SMILE at yourself
  • 4. The major principles of SMILE • What values underpin SMILE? • What is European Identity? • What are the roles of the built environment and museums in exploring and expressing identity?
  • 5. What values underpin SMILE? • to enable young people to explore Europe through their own eyes and their own experiences. • we are not trying to teach about Europe directly, to give information, or to impose an identity that can be described as European. • to avoid stereotypes • the project is also committed to inclusion: involving a wide range of schools, rural and urban, especially those with a high percentage of ethnic minority children so that European Identity is seen as a pluralist, multicultural identity and not one restricted to the traditional cultures of the member states.
  • 6. What is European Identity? • a fluid and complex phenomenon which can vary depending on the context in which it is explored. In this sense it may be akin to ‘role’. • identity is closely linked to perception. Identity is not only concerned with how you see and present yourself but is also about how others see and interpret you. It is also, therefore, about how you see others. • There are social, cultural and political pressures that may limit our choice, or subconsciously influence our espoused identity and the identities we ascribe to others. • Many of these influences on our identity formation are historical
  • 7. Identity Exploration • self identity: – How do I see myself and choose to present myself to others? • group identity: – Which groups do I belong to? My family, my ethnic group, my religion, my class (both social and at school!), the area in which I live. Which societies do I choose to join that represent my interests? • national identity: – How do I identify with ‘my country’? How do I see the countries of others? • the identities expressed in Europe? – How do my identities compare with others that I can find out about?
  • 8. What is the role of the built environment and museums in exploring and expressing identity? • to develop an understanding of the way in which the spaces people occupy are designed and how this may influence the lives that they lead; • to increase awareness of environmental quality and the develop a sense of responsibility for the environment; • through working critically to learn how the past is constructed and communicated through the material culture that has survived and which curators choose to value and display; • to share identities with others through the presentation of where and how people live; • to show what is significant to those that live in a place and not what a ‘foreigner’ should see.
  • 9. How does SMILE work? • Stage 1 • Carrying out a wide range of activities selected from a bank which lead to pieces of work representing various aspects of the identity of a group of children (usually a school class) which can then be published in a virtual museum. • Stage 2 • The exploration of this museum through a range of comparative activities (possibly involving communication between schools) whereby young people develop an understanding of the lives of others living elsewhere in Europe. From this they can explore what it is like to be a European Citizen.
  • 10. The Cabinet of Curiosities • Row one • .Exploring myself and my family • .Exploring my home • .Exploring my neighbourhood • Row two • .Exploring Museums • .Exploring Europe • .Making a museum • Row three • .Using digital cameras and publication • .The explorer’s ruck sack of additional ideas • .Notes for teachers
  • 11. SMILE TOOLS • The translating tool • The publishing tool
  • 12. Conclusion • By undertaking the SMILE activities we hope to enable young people to explore European identity through their own eyes and experiences and to play an active role as European citizens.