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High Speed Laryngeal Imaging
Saunders Symposium – 2012
Ryan M. Hendricker, M.D.
Laryngology and General Otolaryngology
Medical Director,Voice and Swallowing Disorders Center
Midwest Ear, Nose &Throat S.C.
8600 State Route 91
Peoria, IL 61615
Phone: 309-691-6616
Email: ryan.m.hendricker@osfhealthcare.org
Website: mw-ent.com
Disclosures
 None
Greetings from Peoria, IL
Objectives
 Briefly review the history of laryngeal
imaging
 Compare the parameters of stroboscopy to
high speed video
 Discuss the advantages and disadvantages of
high speed video imaging
Objectives
 Briefly review the history of laryngeal
imaging
 Compare the parameters of stroboscopy to
high speed video
 Discuss the advantages and disadvantages of
high speed video imaging
History of Laryngeal Imaging
 Mirror 1780s-early 19th century
 Glottoscope 1829
 Direct laryngoscopy 1850’s
 First stroboscopic descriptions 1895-1932
 Fiberoptics 1950’s
 Transnasal fiberoptic laryngoscopy 1970’s
 High speed video 1970’s
 Electrical stroboscope 1970
 Distal chip technology late 1990’s
Woo, P. Stroboscopy. Plural Publishing 2010.
Gold Standard: Stroboscopy
 Most widely available/used modality
 Collection of still images from subsequent
glottal cycles
 Stroboscopic light desynchronized to create
perception of glottal cycle
Woo, P. Stroboscopy. Plural Publishing 2010.
Gold Standard: Stroboscopy
Gold Standard: Stroboscopy
 Features typically analyzed
 Fundamental frequency
 Symmetry of motion
 Periodicity
 Mucosal wave
 Presence/absence
 Amplitude
 Glottic Closure
Woo, P. Stroboscopy. Plural Publishing 2010.
The Problem with Stroboscopy
 Cannot examine intra-cycle changes or cycle
to cycle variability
 Patient must be able to have some degree of
sustained phonation (pitch tracking)
 Difficult to examine onset/offset
 So…what about all our patients with…
 Aperiodic vibration/scar
 Muscle tension dysphonia
 Spasmodic dysphonia
 Voice breaks
 Diplophonia
Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and
Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152.
Other options?
 High speed videoendoscopy (HSV)
 Videokymography (VKG)
Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and
Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152.
Jiang, J. et al. “Mucosal Wave Measurement andVisualization Techniques.” JVoiceVol.
25, No 4, 395-405.
Videokymography
 Videokymography (VKG) is a high-speed
imaging modality that is often used to
supplement stroboscopy for irregular
vibratory patterns
Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and
Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152.
Jiang, J. et al. “Mucosal Wave Measurement andVisualization Techniques.” JVoiceVol.
25, No 4, 395-405.
High Speed Videoendoscopy (HSV)
 Advantages
 Overcomes limitations of stroboscopy
 Full visualization and objective measurement of
periodic/aperiodic vibration
 Can visualize unstable phonatory characteristics
 Can visualize transient behaviors
 Phonatory breaks
 Laryngeal spasms
 Cough
 Pitch onset/offset
 Throat-clearing
 Laughing
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
What about High Speed?
Problems with High Speed Video
 Insufficient frame rates
 Lack of meaningful practice guidelines
 Lack of “normals” for comparison
 Physical limitations
 Structures become invisible at higher velocities
due to temporal averaging (blurring)
 Different phonatory behaviors produce drastically
different glottal configurations (pressed, breathy,
normal, etc.)
 Gender differences
 3D world, 2D images; scope limitations
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
Mucosal Wave
 What is it?
 Superficial tissue displacement/propagation of the
epithelium and SLP from inferior to superior surface
 2d/3d
 What amount of lateral excursion is normal?
 What degree of asymmetry is expected?
 Different for HSV and stroboscopy?
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
Mucosal Wave: Normophonic Patients
 What is it?
 Superficial tissue displacement
 2d/3d
 What amount of lateral excursion is normal?
 What degree of asymmetry is expected?
 Different for HSV and stroboscopy?
 Gender**
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
*Shaw et al. Mucosal Wave: A Normophonic Study AcrossVisualization Techniques. JVoice
22, No. 1, 23-33.
The Required Speed of High-Speed
Videoendoscopy for Specific
Clinical Voice Assessment Protocols
 Compared frame rates from 16,000 fps to
2,000 fps
 1st noticeable difference
 When did it change clinical diagnosis (e.g.,
presence/absence of mucosal wave)
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
The Required Speed of High-Speed
Videoendoscopy for Specific
Clinical Voice Assessment Protocols
 Features examined
 Mucosal wave magnitude
 Mucosal wave extent
 Amplitude asymmetry
 Phase asymmetry
 Aperiodicity
 Glottal edge*
 Loss of glottal contact
 Mucous bridge breaking
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
The Required Speed of High-Speed
Videoendoscopy for Specific
Clinical Voice Assessment Protocols
 1st noticeable difference
 Minimum of 8,000 fps required
 Clinical change
 Minimum of 4,000 fps
 A rate of 8,000 fps is free from visually
perceivable feature degradation
 Rates greater than 5,333 fps have minimal
degradation
 Rates less than 2,667 fps should be clinically
interpreted with caution
Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
Summary
 High speed digital imaging is not new…but
technology is changing
 Practice parameters and flexible endoscopy
application are needed for widespread high-
speed utility
 Stroboscopy is still the work-horse, but there
are significant limitations in pathologic voices
High Speed Laryngeal Imaging Update

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High Speed Laryngeal Imaging Update

  • 1. High Speed Laryngeal Imaging Saunders Symposium – 2012 Ryan M. Hendricker, M.D. Laryngology and General Otolaryngology Medical Director,Voice and Swallowing Disorders Center Midwest Ear, Nose &Throat S.C. 8600 State Route 91 Peoria, IL 61615 Phone: 309-691-6616 Email: ryan.m.hendricker@osfhealthcare.org Website: mw-ent.com
  • 4. Objectives  Briefly review the history of laryngeal imaging  Compare the parameters of stroboscopy to high speed video  Discuss the advantages and disadvantages of high speed video imaging
  • 5. Objectives  Briefly review the history of laryngeal imaging  Compare the parameters of stroboscopy to high speed video  Discuss the advantages and disadvantages of high speed video imaging
  • 6. History of Laryngeal Imaging  Mirror 1780s-early 19th century  Glottoscope 1829  Direct laryngoscopy 1850’s  First stroboscopic descriptions 1895-1932  Fiberoptics 1950’s  Transnasal fiberoptic laryngoscopy 1970’s  High speed video 1970’s  Electrical stroboscope 1970  Distal chip technology late 1990’s Woo, P. Stroboscopy. Plural Publishing 2010.
  • 7. Gold Standard: Stroboscopy  Most widely available/used modality  Collection of still images from subsequent glottal cycles  Stroboscopic light desynchronized to create perception of glottal cycle Woo, P. Stroboscopy. Plural Publishing 2010.
  • 9. Gold Standard: Stroboscopy  Features typically analyzed  Fundamental frequency  Symmetry of motion  Periodicity  Mucosal wave  Presence/absence  Amplitude  Glottic Closure Woo, P. Stroboscopy. Plural Publishing 2010.
  • 10. The Problem with Stroboscopy  Cannot examine intra-cycle changes or cycle to cycle variability  Patient must be able to have some degree of sustained phonation (pitch tracking)  Difficult to examine onset/offset  So…what about all our patients with…  Aperiodic vibration/scar  Muscle tension dysphonia  Spasmodic dysphonia  Voice breaks  Diplophonia Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152.
  • 11. Other options?  High speed videoendoscopy (HSV)  Videokymography (VKG) Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152. Jiang, J. et al. “Mucosal Wave Measurement andVisualization Techniques.” JVoiceVol. 25, No 4, 395-405.
  • 12. Videokymography  Videokymography (VKG) is a high-speed imaging modality that is often used to supplement stroboscopy for irregular vibratory patterns Deliyski, D., and Robert Hillman. “State of the Art Laryngeal Imaging: Research and Clinical Implications.” Curr Opin Otolaryngol Head Neck Surg. 2010 June:147-152. Jiang, J. et al. “Mucosal Wave Measurement andVisualization Techniques.” JVoiceVol. 25, No 4, 395-405.
  • 13.
  • 14. High Speed Videoendoscopy (HSV)  Advantages  Overcomes limitations of stroboscopy  Full visualization and objective measurement of periodic/aperiodic vibration  Can visualize unstable phonatory characteristics  Can visualize transient behaviors  Phonatory breaks  Laryngeal spasms  Cough  Pitch onset/offset  Throat-clearing  Laughing Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 15. What about High Speed?
  • 16. Problems with High Speed Video  Insufficient frame rates  Lack of meaningful practice guidelines  Lack of “normals” for comparison  Physical limitations  Structures become invisible at higher velocities due to temporal averaging (blurring)  Different phonatory behaviors produce drastically different glottal configurations (pressed, breathy, normal, etc.)  Gender differences  3D world, 2D images; scope limitations Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 17. Mucosal Wave  What is it?  Superficial tissue displacement/propagation of the epithelium and SLP from inferior to superior surface  2d/3d  What amount of lateral excursion is normal?  What degree of asymmetry is expected?  Different for HSV and stroboscopy? Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 18. Mucosal Wave: Normophonic Patients  What is it?  Superficial tissue displacement  2d/3d  What amount of lateral excursion is normal?  What degree of asymmetry is expected?  Different for HSV and stroboscopy?  Gender** Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA *Shaw et al. Mucosal Wave: A Normophonic Study AcrossVisualization Techniques. JVoice 22, No. 1, 23-33.
  • 19. The Required Speed of High-Speed Videoendoscopy for Specific Clinical Voice Assessment Protocols  Compared frame rates from 16,000 fps to 2,000 fps  1st noticeable difference  When did it change clinical diagnosis (e.g., presence/absence of mucosal wave) Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 20. The Required Speed of High-Speed Videoendoscopy for Specific Clinical Voice Assessment Protocols  Features examined  Mucosal wave magnitude  Mucosal wave extent  Amplitude asymmetry  Phase asymmetry  Aperiodicity  Glottal edge*  Loss of glottal contact  Mucous bridge breaking Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 21. The Required Speed of High-Speed Videoendoscopy for Specific Clinical Voice Assessment Protocols  1st noticeable difference  Minimum of 8,000 fps required  Clinical change  Minimum of 4,000 fps  A rate of 8,000 fps is free from visually perceivable feature degradation  Rates greater than 5,333 fps have minimal degradation  Rates less than 2,667 fps should be clinically interpreted with caution Deliyski, et. al. In Press. Presented atTheVoice Foundation May 2012. Philadelphia, PA
  • 22. Summary  High speed digital imaging is not new…but technology is changing  Practice parameters and flexible endoscopy application are needed for widespread high- speed utility  Stroboscopy is still the work-horse, but there are significant limitations in pathologic voices