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ImportanceofFestivals_Multicultural_DyversityCommunications_2012
ImportanceofFestivals_Multicultural_DyversityCommunications_2012
ImportanceofFestivals_Multicultural_DyversityCommunications_2012
ImportanceofFestivals_Multicultural_DyversityCommunications_2012
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ImportanceofFestivals_Multicultural_DyversityCommunications_2012
ImportanceofFestivals_Multicultural_DyversityCommunications_2012
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ImportanceofFestivals_Multicultural_DyversityCommunications_2012

  1. Dyversity Communications: Issue 2 (2012) (taken from www.dyversity.com) This Week's South Asian Holi Reminds us of Brand Loyalty Potential of Recognizing cultural Festivals Written by: Shetil Rastogi, Manager Market Strategies, Dyversity Communications (2012) The fervour with which Hindus in South Asia will be celebrating Holi this week exemplifies the importance of festivals to all South Asians. Indeed, festivals are of equal importance to the Chinese and in fact to most cultures around the world. With the South Asian and Chinese cultures in Canada, festivals have even more emotional meaning because of how much they remind them of home. Brands that recognize this meaning not only build customer bonds and generate goodwill but they also create a market opportunity for themselves. This piece provides marketers with some top-of-mind suggestions when using festivals to reach Canada’s growing Chinese and South Asian communities. The main Chinese festivals, Chinese New Year (mid-January to early February)(1) and the Mid- Autumn or Moon Festival (mid-September to early October)(2) ,are derived from the agricultural harvest season. Chinese New Year represents the beginning of spring and the aspiration of a good harvest while the Mid-Autumn/Moon Festival expresses a celebration of and a gratitude for the achievement of a good harvest. South Asian festivals, on the other hand, are more
  2. religiously-oriented. While the origin and purpose of South Asia’s festivals vary, they are certain to be elaborate, regardless of whether it’s Hindu Diwali, Sikh Baisakhi, or Muslim Eid. Both the Chinese and South Asians will spend to celebrate. So, festivals can equate to economic opportunity for brands that are mindful of the following, among others: 1. Be judicious. Festivals are special to all cultures and especially to the Chinese and South Asian. As an overarching rule, brands need to use discretion to effectively capitalize on the festival’s commercial side. Particular sensitivity must be shown to South Asians, whose deep- seeded faith manifests itself most strongly during festival time. Work with your cultural agency partner to ensure that the necessary sensitivities are shown without compromising the impact of your brand’s message. 2. Speak their language. Cultural consumers, especially those that have immigrated to Canada, long for the traditions of their homeland. One of these traditions is the warm greetings that they exchange with one another during festival time. In festival-oriented communications, speak their language wherever possible, but especially when conveying your good wishes. The emotional impact will be deeper and your message more likely to be remembered. So, it’s more about ‘Zhong Qiu Jie Kuai Le’ than ‘Happy Mid-Autumn Festival’ and ‘Eid Mubarak’ than ‘Happy Eid.’ By the way, it is helpful to specify the target you are speaking with to reach them effectively. Case in point: with the Chinese-Canadian community, be mindful that it now contains more of a blend of mainland Chinese (who speak Mandarin and read simplified Chinese) than in the past when it was dominated by Hong Kong people (who speak Cantonese and read
  3. traditional Chinese). 3. Depending on brand strategy and objectives, consider skipping the ‘product sell.’ While festivals are times of commercial opportunity, depending on the target and the particular festival, brands are advised to consider using a softer approach focused on the celebration as opposed to a harder one focused on the product. Don’t worry; they’ll remember the brand that conveyed the message. RBC is particularly known for conveying these wishes as a brand without a specific product sell. While an ‘in your face’ product sell approach might not be optimal, a healthy alternative may be a blend of festival well wishes and a product sell. Case in point: Unilever’s Brooke Bond tea. In its 2011 Diwali campaign, Brooke Bond featured Diwali diyas (candles) created from the tea stains of cups. The ad captured the essence of the festival (light) and provided a link back to the product, capitalizing on the reality that when Hindus congregate with family and friends, they often drink tea. 4. Where appropriate, sell the product. There are certain product categories that are naturally consumed at festival time. During this time, Brands within those categories will incur an opportunity cost if they don’t feature sell their products. Just as Cadbury does not miss the opportunity to sell its Easter Eggs at Easter, Carnation should not miss Chinese New Year, where its evaporated milk products add a richness to many cherished Chinese dishes. Nor should Brooke Bond tea miss the Diwali and Eid opportunities, a time when South Asians consume tea heavily. Assess your product category’s usage at festival time and adjust your product sell accordingly.
  4. . 5. Stick to the motifs and use them effectively. Pictures are worth a thousand words. To this end, each festival has a set of symbols or motifs that are mnemonics for the festival. Your agency should be aware of these motifs and know how to use them effectively. They can also help you define the cultural boundaries for your messaging and imagery. During Chinese New Year, the general use of the lion dance figure and the specific use of the zodiac animal of the year (2012 is the dragon) is acceptable (e.g. the Tridel example below). In addition, RBC’s 2011 Baisakhi campaign adeptly applied grains of wheat as symbolic of the arrival of spring as opposed to using the Sikh gurus (prophets) from whom the festival originated.
  5. 6. Understand the colours and use them generously. As Diwali is a festival of light, the use of yellow is appropriate. For Eid, the use of dark green (symbolic of abundance and prosperity) is acceptable as is red (celebration) and gold (wealth) for both Chinese festivals. Be generous in using these colours (within brand guidelines and campaign themes) as both cultures are inherently colourful. The vibrancy with which red, white and green is used at Christmas is a good parallel. Case in point: Holi is a South Asian Hindu celebration of colour in which the use of fluorescent pink, lime green, and fuchsia (among many, many others) is common. Rogers’ 2010 ad respects this colourful celebration. Check in with your agency’s creative team to ensure that your ads effectively leverage colour to stand out from the crowd. 7. Festivals are social congregations. Leverage the opportunity to generate multiple brand impressions. By nature, both the Chinese and South Asian cultures are social, especially at festival time. Aside from religious places (that have inconsistent rules on brand placement), South Asians flock to banquet halls. Chinese malls are the destination of choice for the Chinese. These venues provide lush opportunity for brands to generate impressions to large crowds, newcomers and more tenured Chinese and South Asian Canadians alike. That both cultures are known for relying on recommendations of more tenured members of their community makes it particularly valuable to be top-of-mind at these events where this group can readily recall your brands and discuss, even support, them with newcomers. Chinese and South Asian Canadians view festivals as a link back to the land that they have left behind. Festivals are also key events by which the first generation passes on its traditions to the second generation. Becoming relevant to a current and future consumer base is yet another
  6. reason, among many, that festival marketing is a wise investment for brands wishing to build and sustain a presence within cultural markets. 2012 Chinese and South Asian Festival Calendar (major festivals) (1 ) January in the Chinese Lunar Calendar (2) August in the Chinese Lunar Calendar (3) As opposed to cultural consumers born in Canada (these are deemed 2nd generation cultural consumers). Culture Festival 2012 Date Chinese Chinese New Year Dragon Boat Festival Mid-Autumn/Moon Festival January 23 June 23 September 30 South Asian Holi (Hindu) Diwali (Hindu) Baisakhi (Sikh) Guru Nanak Jayanti (Sikh) Eid ul-Fitr (Islam) Eid ul-Adha (Islam) Easter Sunday (Christianity) Christmas Day (Christianity) March 7-8 November 13 April 14 November 28 August 19 October 26 April 8 December 25
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