Storyboard for culture in the digital age

1. -Digeticsound ( Netflix logoappearingontv
withfamoussoundeffect)
-Around5 seconds longandfrom a lowangle
to the TV- lookingupto the logoand givingit
a sense of poweroverthe audience- we
have to lookup tothe TV inthisshotwhich
issomwhatrepresentitiveof the
documentary’smeaning.
-Montage of differentNetflix showsfrom
theirtrailers
-Backgroundmusic“You’ve gottime”Regina
Spektor(theme fromOrange isthe New
Black- anotherNetflixoriginal)
-Voiceoverstartsintroducingthe
documentary
-Title sequence (name of documentary,
director,musiccredits)
-Musicincreasesandnarrationstopsfor
now.
-Montage of silenterafilm
-Displaysarange of filmbeingmade,silent
filmtextcards,Germanexpressionism
-Voiceoverexplainstrendsof the silentera
time
-‘Sidewalksof New work- NatShilkret
orchestra’playsas backgroundmusic- a
popularsongfromthese times.
-Montage of the rise of Hollywood
-Musicchangesto ‘Baby’sbirthdayparty’
Guy Lombrado- a popularsongfromthis
nextera
-NarrationexplainsTrendsof thistime
-Includesthingsuchasthe introductionof
colourusingclipfromWizard of Oz but

2. sloweddown asshe opensthe door- as a
representative thatthese timesintroduced
colour.
-Montage of the Goldeneraand showsthe
flexibilitybetweenblackandwhite and
colour.
-Musicchangesto ‘It’sa Wonderful Life’
soundtrack
-Narrationexplainstrendsof the time and
how the competitionwithTV affected
cinemasales
-Some clipsof advertisementsforhome
televisionsets,matchingthe narration.
-Montage of the start and currentmodern
film.
-Musicchangesto ‘You’re the one that I
want- Grease’
-Narrationexplainstrendsoverthe time,
such as the start of videoandDVDsales.
-Montage matchesup withnarrationsuchas
advertisementsforVideotapes,new atthe
time.
-Montage of modernera take over
-Narrationexplainstimelines,which is
backedup onscreensuch as the most
populargenre graph,zoominginoncomedy
and drama whichshowsdemandvsoutput.
-Musicchangesto ‘Changes- CharlesBradley’
fromthe Netflixshow ‘BigMouth’
-Binedit(ownfootage) showingthe change
insociety’sfilmwatchingtrends. Thiswas
made with an eyelinewiththe bincovering

3. -3 differentbitsof interview footageis
integratedintothe nextsection‘Dominance
of Netflix’
-NoNarrationbutInterview audiois
included,Musicisverysubtle underneath
-Questionsare shownastextbefore being
answered,Textbackgroundisthe interview
screengrab blurredunderthe text.
-Cameraanglesare eyelineforbothsubjects,
creatinga connectionbetweenthe audience
and the interviewee- someonewhois
reflectingonatrendtheyare involvedin.
-Montage betweeninterview footage for
‘dominance of netflix’
-Narrationexplainshow Streamingservices
are takingoverthe worldof film.
-Montage includesthingssuchastrailersand
the editI made withthe greenscreenclip
withpng‘no entry’signandanimations.
-Backgroundmusic:Breakfastclubtheme
song
-Montage alsoincludessome of myown
researchsuch as proof of my ownresearch
surveys/how filmsfromsome centuriesare
missedwhichare screengrabswithsome
editingoverthe top- forexample some of my
ownanimationssuchas the redcircles using
adobe stockgraphics.
-Narrationandmusicremains.
-Onscreeniswhat isbeingtalkedaboutin
narration,suchas the Netflixeffectonsome
actors such as interviewfootage with
VictoriaPedretti whoistalkedaboutinthe
‘Netflixeffect’narrationsection.
half of the screensothat disposalscan
clearlybe seen.Asthiswasn’tone bigtake,
editingthisisanattemptat replicatingthis-
movingthe videoaroundtothe screenand
dissolvingthemsoitwas asssubtle as
possible.

4. -Rollingcredits
-Narrationstops
-Musicincreasesoverthe topof credits.
-Companylogousingfadesin/out.