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CREATED BY-
ANURAG YADAV
B.Voc Interior Design 1st Year
Dezyne E’cole College
www.dezyneecole.com
INTERIOR ASSIGNMENT
PROJECT
Project Report
On
Interior Assignment Project
At
Dezyne E’cole College
Ajmer
Submitted To
Dezyne E’cole College
Towards The
Partial Fulfilment of
1st Year Residential Design
Diploma (NSQF Level-5)
By
Anurag Yadav
Dezyne E’Cole College
106/10, Civil Lines, Ajmer
Tel.: 0145 – 2624679
www.dezynecole.com
2017 – 2018
SYNOPSIS
This Project Report On Assignment Work Has Been Created, Developed
And Designed By Me, During My Study Of Residential Spaces Confirming
To NSQF Level 5 Of NSDC. In This Project I Have Discussed That Various
Subject Such As ; Construction Studies, Interior Material And Method
,Digital Tools , Scale Drawing And Modeling , History Of Art And Design
And Anthropometrics' Which Helps Me To Learn About Interior
I, Anurag Yadav , Student Of Dezyne E'cole College, Am Extremely Grateful
To Each And Every Individual Who Has Contributed In Successful
Completion Of My Project. I Would Like To Express My Special Thanks Of
Gratitude Towards Dezyne E’cole College And Its Mentors For Their
Guidance And Constant Supervision As Well As For Providing Me The
Necessary Information And Support Regarding The Completion Of Project. I
Also Want To Thank My Parents And My Friends Who Helped Me A Lot In
Finalizing This Project Within A Limited Time Frame.
Thank You.
Due Regards Anurag Yadav
AKNOWLEDGEMENT
GRADE SHEET
This Project Of Mr Anurag Yadav , A Student 1st Year Interior
Design Project , B.Voc Interior Design 1st Year, Has Been
Checked And Is Graded As ___________
Thank You
______________
Principal
(Seal & Sign)
Content
Introduction
Construction Study - I
Interior Material And Method
Digital Tool - II
Scale Drawing And Modelling
History Of Art And Design
Anthropometrics In Residential Space
Conclusion
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Introduction
Interior Design Is The Art And Science Of Enhancing The Interior ,
Sometimes Including The Exterior, Of A Space Or Building , To
Achieve A Healthier And More Aesthetically Pleasing Environment
For The End User.
An Interior Designer Is Someone Who Plans , Researches ,
Coordinates And Manage Such Projects . Interior Design Is A
Multifaceted Profession That Includes Conceptual Development ,
Space Planning, Site Inspection, Programming Research
Communication With The Stakeholders Of A Project Construction
Managements , And Execution Of The Design.
Interior Designer ,Implies That There Is More Of An Emphasis On
Planning , Functional Design And The Effective Use Of Space , As
Compared To Interior Decorator An Interior Designer Can
Undertake Projects That Includes Arranging The Basic Layout Of
Spaces Within A Building As Well As Projects That Require An
Understanding Of Technical Issues Such As Window And Door
Positioning , Acoustics And Lighting . Although An Interior Designer
May Create The Layout Of A Space , They May Not Alter Load
Bearing Walls Without Having Their Designs Stamped For Approval
Often Work Directly With Architects , Engineers And Contractors .
Interior Designer Must Be Highly Skilled In Order To Create Interior
Environment That Are Function , Safe , And Adhere To Building
Codes ,Regulation And Requirements . They Selection Of Colours
Palettes And Furnishings And Apply Their Knowledge Ton The
Developments Of Construction Documents , Occupancy Loads ,
Healthcare Regulation And Sustainability Design Principle , As Well
As The Managements And Coordinates Of Professional Services
Including Mechanical , Electrical Plumbing And Life Safety – All To
Ensure That People Can Live , Learn Or Work In An Innocuous
Environment That Is Also Aesthetically Pleasing .
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P
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Introduction
Residential Design Is The Design Of The Interior Of The Interior Of
Private Residences, As This Type Design Is Very Specific For
Individual Situations, The Needs And Wants Of The Individual Are
Paramount In This Area Of Interior Design. The Interior Designer
May Work On The Project From The Initial Planning Stage Of May
Work On The Remodeling Of An Existing Structure. It Is Often A
Very Involved Process That Takes Months To Fine-tune And Create A
Space With The Vision Of The Client.
Residential Interior Design And Livability
Residential Interior Designers Coordinate The Interiors Of Homes,
Which Means That Their Job Is Very Different. Interior Design Is
Always A Matter Of Balancing Aesthetic And Function, So We Need
To Consider The Primary Function Of A Residence: It’s A Place
Where People Live. Therefore, A Residential Designer’s Primary
Focus Is Creating A Livable Space.
This Means That Residential Designs Needs To Be Comfortable And
Useable. Residential Needs Tend To Be Focused On Smaller Groups
And Relaxed Atmospheres Then You’d Find In A Commercial
Building, And The Interior Designers Needs To Ensure That The
Colors, Lighting, Furniture, Appliances, Temperature, And General
Layout Meet These Needs.
Designers And Architects
Since Residential Interior Design Is Focused On Livability, Designers
And Architects Must Work Closely Together. Occasionally, The
Architect Will Take Charge Of Interior Design (Frank Lloyd Wright
Was Famous For Doing This), But More Frequently The Architect
Works Closely With A Designer Whose Sole Job Is Planning The
Interior Aesthetic. In Fact, A Single Residence May Utilize Multiple
Designers Who Each Specialize In One Area Of Living The Kitchen,
The Bedrooms, Offices, Etc.
Division Of Space
The Balance Of Private And Public Spaces Means That Interior
Designers Need To Know How To Divide Space Within A Residence.
This Is Often Done With Architectural Features Like Walls And
Windows, But Just As Frequently Is A Matter Of Aesthetic Design.
Imagine A House With A Central Kitchen That Opens Into A Dining
Room, A Living Room And A Foyer Without Adding Additional
Architectural Features, We Can Completely Change The
Relationship Between These Spaces.
In Terms Of Architecture, However, There Are A Few Major Things
That The Designer Will Often Add Of Change To The Architect’s
Plan. Does The Designer Envision A More Open Interior Feel? Then
They May Suggest Removing Nonessential Walls And Adding More
Windows For Natural Lighting. Does The Designer Want A More
Intimate Feel? Lower Ceilings, Fewer Windows, And Tighter Spaces
May Do The Trick. The Designer’s Job Is To Manage Architectural
Features So As To Ensure The Appropriate Balance Of Private Versus
Public Space. All Residence Require Both. Public Spaces, Like
Bedrooms, Tend To Be More Intimate And Enclosed. Interior
Designers Work With Architects To Ensure That The Physical
Building Balances Needs Of Living.
Construction Studies - I
In This We Get Knowledge on Different Structural Systems,
Different Types of Doors And Windows, Stairs, How to Construct
Wall, Floor, Stone And Brick Masonry.
1Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
DetachedHouse
ProjectReport
ConstructionStudies
Itisusualtendencyofanyfamilyto
haveahousesurroundedbyitsown
land.Thishasledtotheformationof
detachedhouses.Thedesignofa
detachedhousecanbemadeby
consideringtheindividual
requirementsofthefamilytobe
accommodatedinthathouse.
Sufficientmarginsareleftonsides,
frontandrear.Itmayalsoinclude
amenitiessuchasprivategarden,
swimmingpool,etc.adetached
housepermitsthehighestformof
residenceanditisapplicableat
placeswherelandpricesare
comparativelylow.
DetachedHouses
ProjectReportDrawingTitle
DetachedHouseConstructionStudies
ProjectReport
IsometricviewofDetachedHouses
TopviewofDetachedHouses
Plot
Road
DetachedHouse
Road
2Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Semi-DetachedHouse
ProjectReport
ConstructionStudies
Acommonboundarywallintheformof
structuralbarrierdividesanindependent
plotintotwounits.Suchaconstruction
helpsinsecuringmanyadvantagesofthe
detachedtypeofhousesandinaddition,
economymaybeachievedbysharing
expensesofcommonamenitiessuchas
waterlines,drainagelines,electrical
cables,etc.
Semi-DetachedHouses
IsometricviewofSemi-DetachedHouses
TopviewofSemi-DetachedHouses
PlotRoadPlot
Semi-detached
house
Semi-detached
house
3Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
RowofHouse
ProjectReport
ConstructionStudies
RowofHouses
Forprovidingreasonableaccommodation
tothelabourersorworkers,arowof
houseswithminimumrequirementssuch
aslivingroomandkitchen,maybe
constructed.Itmaybesinglestoreyedor
twostoreyed.Therowhousingyields
morenetresidentialdensityanditis
preferredforthelowincomegroupof
families.
3DviewofRowHouses
TopviewofRowHouses
Plot
Plot
12345
12345
Commonwall
Road
4Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Apartmentsorflats
ProjectReport
ConstructionStudies
Duetotendencyofmigrationbyvillage
populationtocities,thereisconsiderable
riseinthepriceofthecitylandand
hence,ithasbecomepractically
impossibleevenforthehigherclassof
thesocietytohaveadetachedhouseina
thicklypopulatedcityarea.Thishasledto
theconceptionofapartmentsorflats.
Anapartmentoraflatconsistsofthreeor
tenstoreysandeachfloororstoreymay
accommodatetwotosixflatsor
apartments.Theideaofownershipflatsis
becomingpopulardaybydayinbigcities.
Thelandandothercommonamenities
appurtenanttoflataresharedbythe
occupants.Theindividualflatownerhas
nofuturescopeeitherofverticalor
horizontalexpansion.
Apartmentsorflats
TopviewofApartmentsorFlats
Plot
Flat1Flat2Flat3Flat4
Road
IsometricviewofApartmentsorFlats
5Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Duplexapartments
ProjectReport
ConstructionStudies
Duplexisanapartmenthavingroomson
twoadjoiningfloorsconnectedbyan
internalstaircase.Itisaonetypeof
modernlifestylehavingsplitlevels.In
suchhouseslivingroom,familyroom,
kitchen,diningroomsandbedroomsare
locatedatdifferentlevels.Inmulti-
storeyedbuildings,thesecanbeso
arrangedthatthecorridorsfallon
alternatefloororevenbeyond.Along
withgoodelevationsplitlevelhas
advantagesofprivacy,moreairandlight
andmoreinternalspacewiththevertical
movementfromadjacentlevelsofonly
halftheheightoffloortoceiling.
Duplextypeapartments
Road
TopviewofDuplextypeApartments
Road
Plot
Ground
Floor
1stFloor
6Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudies
ImportantBuildingComponents
Usuallyabuildingdividedintothreeparts:
1)Foundation
2)Plinth
3)Superstructure
1)Foundation:itisthepartofabuildingconstructedbelowgroundlevelandwhichisindirectcontactwithsub-strataandtransmitsall
theloadstothesub-soil.
2)Plinth:itisthepartabovethegroundlevelanduptothefloorlevelimmediatelyabovetheground.Thebuilt-upareameasuresatthe
plinthlevelisknownasplintharea.
3)Superstructure:itisthepartofthebuildingconstructedabovetheplinthlevel.
Followingarethestructuralcomponentsofabuilding:
I.Foundation
II.Plinth
III.MasonryorR.C.C.wallsandcolumnsinsuperstructure
IV.Basement,Groundfloorandupperfloors
V.Sills,lintelsandweathersheds
VI.Doors,windowsandventilators
VII.Roofs
VIII.Stairs,liftsramps,etc.
IX.Buildingfinisheslikeplastering,painting,whitewashing,flooring,etc.
X.Utilityfixtures
BuildingComponent
7Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudies
MasonryOrRCCWallsAndColumnsInSuperstructure:
Wallsareusedtoencloseordividethefloorspace.Loadbearingwallsshouldenoughtotakeitsownweight,superimposedweightand
lateralpressureofwind.Theyshouldprovidestability,privacy,securityandweatherresistance.
Basement,GroundFloorAndUpperFloor:
Thefloorprovidessupporttotheoccupants,furnitureandfixtures.Differentfloorsdividethebuildingintodifferentlevelstoprovide
moreaccommodationontheplotofland.
Sills,LintelsAndWeatherSheds:
Windowsillsareprovidedbetweenthebottomofwindowframeanabovethetopofthewallbelow.Thelintelisprovidedabovethe
openingofwindow,doorandventilatorsinthewalltosupporttheweightofwallabovetheopening.Weathershedsorchhajjasare
generallycombinedwithlintelstoprotectdoors,windowsorventilatorsfromrain,snow,etc.
Doors,WindowsAndVentilators:
Doorsareprovidedinabuildingtoallowthefreemovementoutsideandtotheinternalpartofbuilding.Itisanopenablebarrier
securedinanopeningleftinawall.Windowsandventilatorsaregenerallyprovidedforproperlight,ventilationsandvisions.
Roof:
Aroofistheuppermostpartofthebuildingwhichisconstructedinaformofaframeworktogiveprotectiontothebuildingagainstrain,
heat,snow,wind,etc.
Stairs,Lifts,Ramps,Etc.:
Thesearethemeansofverticaltransportationbetweenthefloors.Outofthesethestairsisthemostcommon.Itisdefineassequence
ofstepssuitablyarrangedforthepurposeofascentanddecentbetweenthefloors.
UtilityFixtures:
Thesearebuiltinitemsinthebuilding.Theyareimmovableinnature.WoodencupboardsmadeIwallsareutilityfixtures.Generally
theyareprovidedbymakingrecessesinwalls,whichthestructureweak.Soinmodernconstructiontheseareavoided.
BuildingComponent
8Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
BuildingComponent
ProjectReport
ConstructionStudies
Blockingcourse
Toothing
Frieze
Reveal
Cornice
Weathershed
sill
Windowframe
Foundation
depth
Doorframe
Steps
Stringcourse
wall
Flooringofterrace
R.C.C.slab
Parapetwall
Corbel
Firstfloorslab
Firstfloor
R.C.C.lintel
Groundfloor
Plinth
levelfloor
Plinth
Foundation
VerticalD.P.C.
Concretebed
Superstructure
Substructure
9Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudiesBuildingComponent
Parapetwall
Weatheringcourse
Weathershed
R.C.C.slab
R.C.C.lintel
Windowframe
Dampproofcourse
Brickwall
Substructure
Foundation
Concretebed
Plinth
10Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudiesBuildingComponent
Bylaws:Abyelawsisalocallawframedbyasubordinateauthority.Thebuildingcodesisbyelawsasthestandardsandspecificationdesigned
togreatminimumsafeguardstotheworkersduringconstruction;tothehealthandcomfortofusers;andtoprovideenoughsafetytothepublic
ingeneral.
Anorderprescribedisknownastheregulation,whilethelawofalocalauthorityisknownasbyelawsorregulation.
S
E
T
B
A
C
K
S
E
T
B
A
C
K
SETBACK
Builtuparea
Garden
Parking
Topplan
60’
50’
15’
10’
15’
60’
50’
11Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudiesBuildingComponent
Thebyelawsandregulationsgovern
thefollowingbuildingaspects:
1)Setbackorbuildingline
2)Floorspaceindexorbuiltuparea
3)Openspacerequirementsaround
thebuilding.
4)Sizeoftheroom.
5)Heightofroomandbuilding.
6)Lightingsandventilationofroom
7)Watersupplyandsanitary
provides.
8)Structuredesignorsizesand
section.
Lightings&ventilation
Setback
OpenspaceHeight
Road
12Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
Astairisdefinedasasequenceofstepsanditisprovidedtoaffordthemeansofascentanddescent
betweenthefloorsorlandings.
Technicalterms
Bluster:Thisistheverticalmember
whichisfixedbetweenstringand
handrailtogivesupporttothe
handrail
Handrail:Theinchedrailoverthe
stringisknownashandrail.
Landing:Thehorizontalplatform
betweentwoflightsofastairis
knownaslanding.
NewelPost:Thisisthevertical
memberwhichisplacedattheends
oftheflightstoconnecttheendsof
stringsandhandrails.
Riser:Theverticalorfrontmember
ofthestep,whichisconnectedtothe
itincludesthelengthsoflandings
also.
Soffit:Theundersurfaceofastairis
knownasthesoffit.
Tread:Thehorizontalupperportion
ofastepisknownastread.
Waist:Thethicknessofstructural
slabincaseofanR.C.C.stairisknown
asawaist.
TopPlaneofStairFrontElevationPlanofStair
SideElevationPlanofStairs3DViewofStairs
Tread
Riser
Soffit
Waist
Tread
Landing
Handrail
Riser
NewelPost
Landing
Tread
13Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
Steps:
Acombinationoftreadandriser
isknownasastep.
BullnoseStep:Thehorizontal
upperportionofastepis
knownastread.
CommodeStep:Thestephas
acurvedriserandtread.
Dancingorbalancingstep:
Thesestepsdonotradiate
fromacommoncenter.
Flier:Thisisanordinarystep
ofrectangularshapeinplane.
Winder:Thisisataperingstep
anditisusedtochangethe
directionofaflight.
TopPlaneofBullnoseStep3DViewofBullnoseStep
Winder
DancingStep
BullnoseStep
Flier
14Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
Round–EndedStep:Thisis
similartoabullnosestep
exceptthatitsorendsare
semi–circularinplan.
SplayedStep:Thisstephas
oneendorbothendssplayed
inplan.
Round–EndedStep
Flier
SplayedStep
3DViewofSplayedStepTopPlaneofSplayedStep
TopPlaneofRound-EndedStep3DViewofRound-EndedStep
15Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
TopPlaneofStair
SideElevationPlanofStairs
3DViewofStairs
Up
Tread
Landing
Landing
Tread
StraightStairs:
Instraightstair,allstepsleadin
onedirectiononly.
Thistypesofstairmayconsistsof
oneormoreflightsandtheyare
usedwhenthespaceavailablefor
staircaseislongnarrowinwidth.
16Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
Up
TopPlaneofQuarter-TurnStair
ElevationofQuarter-TurnStair
3DViewofQuarter-TurnStair
Quarter-TurnStairs:
Astairturningonerightangleis
knownasQuarter–TurnStair.If
itisbranchedintotwoflightsata
landing,itisknownasBifurcated
Stair.
Tread
Landing
First
Floor
GroundFloor
17Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Stairs
ProjectReport
ConstructionStudies
TopPlaneofOpenNewelStair
ElevationofOpenNewelStair
3DviewofOpenNewelStair
Landing
Up
Over
GroundFloor
OpenNewelStair:
Astairturningthroughtworight
angledisknownashalfturnstair.
Ahalf-turnstairmayeofdog-
leggedtypeoropenneweltype.
Inpennewelstir,thereisawell
orholeoropeningbetweenthe
flightsinplan.
Landing
First
Floor
18Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Doors
ProjectReport
ConstructionStudies
LedgedAndBracedDoorEnlargedPart-plan
LedgedDoors:
Hinge
Frame
Head
TopLedge
MiddleLedge
BottomLedge
Batten
Head
Hinge
PadLock
Hinge
WallFrame
Ledge
Inside
Outside
Batten
Brace
Inside
Outside
Ledge
Frame
LedgedDoorElevationLedgedAndBracedElevationDoor
LedgedDoorEnlargedPart-plan
ALedgedDoorIsFormedOfThe
VerticalBoardsKnownAsTheBatten.
WhichAreSecuredByHorizontal
SupportAsKnownAsTheLedged.
TheBattenAre100mmTo150Mm
WideAnd20mmTo30mmThick.The
LedgesAreGenerally100mmTo
200mmWideAnd30mmThick.The
BattensAreSecuredByMeanOf
SuitableJointsAndTheShutterIs
HungOnT-hingesWhichAreFixedOn
Ledges.
LedgedAndBracedDoors:
ThereAreSimilarToLedgeDoors
ExceptThatTheDiagonalMembers.
KnownAsTheBraces,AreProvided.
TheBracesAreGenerally100mmTo
150mmWideAd30mmThick.The
BraceGiveRigidityToTheDoorAnd
AreUsefulForWideOpenings.Braces
AreUsuallyHousedInTheLedges.
BracesMustSlopeUpwardsFromThe
HangingSideAsTheyHaveToWorkIn
Compression.
19Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Doors
ProjectReport
ConstructionStudies
Thisisthemostusualvarietyofdoor
anditconsistofaframeworkinwhich
panelarefixed.Thethicknessof
panelsisabout20mm.Thepanelsare
securedinpositionbygroovesmade
insidetheedgesoftheframework.
Thenumberandsizeofpanels
dependuponthearchitect’sdesign
andowner’sdesirebutthenumber
variesfromonetosixandpanelsand
moundedtoaddtothebeautyofthe
door.Fromsmallopenings,the
shuttersareofsingleleafwhile
double-leafedareusedforlarge
openings.
StyleStyle
FrameFrameMeeting
StylePanelPanel
Frame
Panel
Style
Frame
StyleMeeting
Style
Frame
Style
Inside
Outside
Double-LeafedDoorWithSixPanelElevation
Panel
TopRail
Style
Frame
Lock
Rail
Bottom
Rail
Double-LeafedDoorWithSixPanel
Elevation
Framedandpaneleddoor
DetailA
DetailB
20Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Doors
ProjectReport
ConstructionStudies
Inthistypeofdoors,theshutter
slidesontheslideswiththehelpof
runnersandguide.
Theshuttermaybeofoneorseveral
leavesandcanslideeitheronone
slideorboththesides.Thecavities
maybeprovidedinthewalltoreceive
thedoorinanopenpositionoritmay
simplylietouchingthewall.
Itdoesnotcauseanyobstruction
duringmovementandisusedfor
entranceofgodowns,shedsshops,
showroom,etc.itisprovidewith
handles,lockingarrangementstopper
etc.
Wall
Opening
Frame
DoorOpening
Frame
Channeltrack
Floor
Guidelevel
Shutter
Handle
Runner
Wall
Opening
Frame
Wall
Opening
Frame
Slidingdoors
21Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Windows
ProjectReport
ConstructionStudies
Thesewindowsareprovidedatthe
cornerofaroom.Theyareplacedatthe
cornerofaroomandthustheyhave
twofacesintwoperpendicular
directions.Duetosuchsituation,there
isentryoflightandairfromtwo
directionsandinmanycauses,the
elevationofthebuildingisalso
improved.Howeverspeciallintelwill
havetobecastatthecornerandthe
jambpostofthewindowatthecorner
willhavetobemadeofheavysection.
Baywindow:
Thesewindowprojectoutsidethe
externalwallsoftheroom.Theymaybe
square,splayed,circular,polygonor
anyshape.Asquarebaywindowanda
splayedwindow.Theprojectionofbay
windowmaystartfromfloorlevelorsill
level.
Cornerwindow:
Frame
Shutter
Glazing
Buildingfaceline
Squarebaywindow
windowsill
Cornerwindow
Splayedbaywindowplanwindowsill
Shutter
Frame
Shutter
Frame
FrameFrame
Buildingfaceline
22Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Windows
ProjectReport
ConstructionStudies
Panelled
shutters
FrameOutside
Inside
Wiregauge
shuttersSpringhinge
Metalwindow
Rotomechanism
Wiregaugein
steelframe
Frame
Outside
Inside
Wiregaugein
woodenframe
Window
shutters
Outside
Inside
Frame
Mosquito-proofing:
Toavoidthenuisanceofmosquitoesand
files,itbecomesnecessarytomake
mosquitoes–proofshuttersofdoors,
windowsandventilators.Suchtypeof
contractionisverymuchusefulfordoors,
windowsandventilatorsofrefreshment
roomssweetshopskitchen,hotels,etc.
Doors-incaseofdoors,theordinary
panelisedshuttersareprovidedonthe
frontsideandtheyopenoutside.Ininside
shuttersareprovidedwithwiregaugeand
anautomaticarrangement.Intheformof
aspringhingesisalsoprovided.
Windows-Infigureitsshowsthe
arrangementofmosquitoproofingwhich
isopeningoutside.Inordertoopenthe
shuttersofwindowfrominsidetheroot
mechanismisprovided.Thefixedwire-
gaugeisprovidedontheoutsideand
parliamentaryhingesareprovidedtothe
shuttersofwindowsotheirbydonot
formanyobstructioninsidetheroom.
23Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudies
Beadedpointing:Itisformedby
steelandorironrodwithaconcave
edge.Thebeadedpointingisgood
inappearance.
Flushpointing:Itisformedby
removingtheexcessmortarfromthe
joint.Thejointismadeflushwithface.
3DviewFrontelevationSideelevation
3Dview
FrontelevationSideelevation
Brickmasonry
24Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudies
Recessedpointing:Thefaceofthe
pointingiskeptverticalanditis
pressedinsidethewallsurface.
Rubbedorkeyedorgroovedpointing
:Itthistypeofpointing,agrooveis
formedatthecentreofheightbya
pointer.
3DviewFrontelevationSideelevation
3DviewFrontelevationSideelevation
Brickmasonry
25Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitleProjectReport
ConstructionStudies
Struckpointing:Thefaceofpointingiskept
inclinedasshown.Theupperdegreeedge
ofjointisabout10mminsidethefaceof
masonry.
Truckpointing:Inthistypeofpointinga
grooveisformedatthecentreofjoint.The
widthanddepthofgroovearerespectively
5mmand3mm.
3DviewFrontelevationSideelevation
3DviewFrontelevation
Sideelevation
Brickmasonry
26Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Brickmasonry
ProjectReport
ConstructionStudies
Veepointing:inthistypeof
pointing,aVee-shapedgroove
isformed.
Weatheredpointing:inthistypeof
pointing,aprojectionintheformofa
vee-shapedisformedasshown
3DviewFrontelevationSideelevation
3DviewFrontelevation
Sideelevation
27Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Orientation
ProjectReport
ConstructionStudies
Orientationofthesite:
Firstofallweneedtopayattention
tothedirectionofthesunandits
movementsinthefourdirection.
Ifwepayattentiontothediagramof
sun’smovementsweseethesun
risesfromtheeastAndthecolourof
thesun’slightatthattimeistender
yellow,thewholesouthdirectionis
completelylightedupthroughoutthe
dayandisthemosthotdirectionbut
atthesametimethecoolwinds
blowsfromwestdirectiontoo.Soit
isveryimportanttohavethebuilding
thenthehousewillhavemore
sunlightandair.
Preferredzonefor
windoworientation
Preferredzonefor
buildingorientation
Wintersun
Intensesun
Nosunlight
Summersun
North
South
WestEast
28Construction
Studies
AnuragYadav
B.VocInteriorDesign2ndSemester
DezyneE’coleCollege
DrawingTitle
Buildingorientation
ProjectReport
ConstructionStudies
North:
1.Storage
2.Otherarea
3.Gardenarea
4.Bedroom
5.Libraryarea
6.Shorttrees
East:
1.Bedroom
2.Guestbedroom
3.Bathroom
4.Livingroom
5.Balcony
6.Kitchen
West:
1.Staircase
2.Corridors
3.Storage
South:
1.Livingroom
2.Kitchen
3.Dining
4.Studyroom
5.Otherarea
6.Longtrees
Setback
Setback
S
e
t
b
a
c
k
S
e
t
b
a
c
k
Main
entrance
South
North
WestEast
1.Storage
2.Otherarea
3.Gardenarea
1.Bedroom
2.Guestbed
3.Bathroom
1.Staircase
2.Corridors
3.Storage
1.Livingroom
2.Kitchen
3.Dining
Covered
area
Storagegarage
North
EastWest
South
Elevationexposed
toweather
condition.High
temperature
duringsummer
Livingroom
mainentrance
playroom
Elevationofthehousewithmostadvantages
morningsunpleasant
temperatureduring
summercoldduringwinter
Livingroom
diningroom
childrenB/R
Staircase
corridors
storage
w.c.
kitchen
mainentrance
Centralheating
Interior Material And Method
This subject help us to designed the interior space of a
house by the knowledge of curtain and there placement,
different types of rug, picture frames, Texture, wallpaper,
Object and accessory etc.
1
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole CollegeLiving room
Drawing Title
Interior Material & Method
Project Report
LIVING ROOM
 In a large room with a flooring seating
area the rug shoul contain all pieces of
furniture , including front and back legs
, with space around .
 Rug size to consider
10’. 14’ , 9’ . 12’
 If your sofa is up against that
at least the front legs of all
Furniture are on the rug
Rug sizes to consider:
8’.10’ , 5’.8’
 Skip to a small rug that is only
under the coffee table . Your feet
should always rest o the rug
when you’re seated .
 Rug size to consider:
5’.8’ ( if furniture large ) , 4’.6’.
The dos of
Rug size & placement
Do this
or this
not this
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole CollegeLiving room
Drawing Title
Interior Material & Method
Project Report
LIVING ROOM
 In a large room with a flooring seating
area the rug soul contain all pieces of
furniture , including front and back legs
, with space around .
 Rug size to consider
10’. 14’ , 9’ . 12’
 If your sofa is up against that
at least the front legs of all
Furniture are on the rug
Rug sizes to consider:
8’.10’ , 5’.8’
 Skip to a small rug that is only
under the coffee table . Your feet
should always rest o the rug
when you’re seated .
 Rug size to consider:
5’.8’ ( if furniture large ) , 4’.6’.
The dos of
Rug size & placement
Do this
or this
not this
INTERIOR MATERIAL & METHOD
2
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Dining room
Project Report
DINING ROOM
The dos of
Rug size & placement
Choose a rug that generously holds
your table and chairs even when they
are pulled out from the table
It should have at least 24’’ of extra
room on all sides.
Rug size to consider
9’* 12’ , 8’*10’
Avoid a too- small rug that barely
contains the table and chairs .
Rug size to avoid;
5’ 8’, 4’ 6’
The same rules apply with a round table . The rug
whether circular or rectangular should extend
well passed the dining chairs .
Rug size to consider
7’ 9’ in diameter
If a rug is too small you risk guests
tripping on it when pulling out their
chairs
Rug size to avoid ;
Any thing less than 2 * the diameter of
your table .
Not this
Do this
Do this
Not this
INTERIOR MATERIAL & METHOD
Interior Material & Method
3
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior Material & Method
Project Report
BED ROOM
The dos of
Rug size & placement
 For a spacious room . Choose a rug
large enough to hold the bed ,
provide extra width for walking on
either side AND at the end of this
bed ideally , it should go under all
furniture .
 Rug size to consider: 9’X12’ for
king , 8’X10’ for queen
 A slightly smaller
room that comes
just below the
nightstand is also a
“Do” .
 Rug sizes to
consider : 8’X10’
 Don’t use a smaller
rug around the foot of
the bed. That looks
like a postage stamp,
and way out of scale.
You want softness
under your feet when
you get out of bed.
 Rug sizes to avoid :
5’X8’
 Another smart solution is using two small rugs
on either side of the bed. This works
particularly well if you have a dresser or desk
on one side of your bed instead of a
nightstand.
 Rug size to consider: 4’X6’,3’X5’
 For a bedroom with a bed in
the corner, or in a room with
two twin bds. Choose a runner
for along the sides of the bed –
it works great.
 Rug size to consider: 2’6X7’
Bed room
INTERIOR MATERIAL & METHOD
4
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior Material & Method
Project Report
LIVING ROOM
The dos of
Rug size & placement
Living room
DO DO
DON’T
DON’T
11’
8’
5’
5’
8’
8’3’
8’
INTERIOR MATERIAL & METHOD
5
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
DINING ROOM
The dos of
Rug size & placement
Dining room
DO
DO
DON’T DON’T
11’
8’
8’
5’8’
8’
8’
8’
INTERIOR MATERIAL & METHOD
Project Report
Interior material & methods
6
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
BED ROOM
The dos of
Rug size & placement
Bed room
DO DO
DON’T
DON’T
11’
8’ 8
’
11’
8’
8’
5’
11’
INTERIOR MATERIAL & METHOD
Project Report
Interior material & methods
Quick Tricks For Good-Looking Windows
Make The Room Look bigger
• Hang Curtains Rod As Close
To Ceiling As Possible
• Extend Curtain Rod 10-12”
Past Window Frame On Each Side
Choosing The Right Length
Sill length
Just touches window sill
Treating Tiny Window Choosing The Right Length
• Keep it simple
• Use a plantation shutter
or inside-mount blinds
• For softness, add a single
panel swaged to the side
• Use stationary panels
• Use two short rods, instead of one long one
• For functional curtains , sew multiple panels
together
Submitted By
Apron Length
Falls 4-6 inches below
window frame
Floor Length
Dusts the floor
Window Width
Length Of Curtain Rod =20-24” wider than window
Submitted By
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
7 INTERIOR MATERIAL & METHOD
Drawing TitleProject Report
CurtainsInterior material & methods
Submitted By
WIDTH
To give your windows the illusion that they
are much wider , extend the curtain rod 3-6
inches beyond the window frame
HEIGHT
To give your windows the illusion of taller
ceilings , mount the curtain rod 4-6 inches
above the window frame
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
INTERIOR MATERIAL & METHOD
Drawing TitleProject Report
CurtainsInterior material & methods
Submitted By
How To Measure A Window For
Curtains
Here is what you need to get started
.
 Metal tape measure
 Pencil and paper
 A level
Measuring for Curtains Length
TOP TO BOTTOM – Measure one to three inches above the top edge of the window frame down to
where you want your curtain end.
 Tab Curtains ? Includes the tabs in your
measurement .
 Clip rings ? Measure from top of clip , but don’t
include the ring .
MEASURE & ROUND – Measure at the top , middle
and bottom of the nearest 1/8 inch .
WHERE TO END IT ?
 Sill Length – Touches the windowsill
 Apron Length – Falls 4-6 inches below window
frame
 Floor Length – Dusts the floor . Want them to “
pool “ ? Add 3 inches to length .
MEASURECURTAINLENGTHFROMROD
POCKETTODESIREDLENGTH
FINALS
SILL LENGTH
APRON LENGTH
FLOOR
MEASURECURTAINLENGTHFROMROD
POCKETTODESIREDLENGTH
FINALS
SILL LENGTH
APRON LENGTH
FLOOR
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
INTERIOR MATERIAL & METHOD
Drawing TitleProject Report
CurtainsInterior material & methods
Submitted By
Measuring For Curtain Width
SIDE TO SIDE – Measure your width from bracket , usually 20-24 inches wider than the window’s
width .
GUIDE TO FULLNESS
 For general fullness , multiply the width
measurement by 1.5-2 inches .
 Sheers – Triple the width on sheer
panels for a luxe appearance and light
control .
 Lace – Add 12-24 inches to the window
width so the lace pattern will show .
 Pinch-pleated draperies – Only add 12
inches to the width .
MEASURE CURTAIN WIDTH
FROM FINALS TO FINALS
SILL LENGTH
APRON LENGTH
FLOOR
FINALS
MEASURE CURTAIN WIDTH
FROM FINALS TO FINALS
SILL LENGTH
APRON LENGTH
FLOOR
FINALS
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing TitleProject Report
Curtains
INTERIOR MATERIAL & METHOD
Interior material & methods
8
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & methods
Project Report
Curtains
HOW TO
HANG CURTAINS
( and how not to )
This rod is
too low ,
resting at
the same
level of
window
sill
Curtains bung
too close
together
making
window
appear smaller
and letting less
light in
WRONG
Curtain rod
should be bung
3-6 inches
outside of the
width of the
window .
Covering more
of the wall and
allowing more
of the window
to show and
allowing more
of the window
to show and
light to come
in
Rod should
be bung
ABOVE the
window sill –
anywhere
from 6” to as
high as the
ceiling
CORRECT
INTERIOR MATERIAL & METHOD
9
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Window treatment
Curtains
VALANCE SWAGS
BEST FOR BEST FOR
Old- school elegance Letting in natural light
SHUTTERS
GROMMET
Noise Control
CAFE
BEST FOR
TAP TOP
kitchens Catalog- worthy polish
BEST FOR BEST FOR
ROMAN CELLULAR VENETIAN
BEST FOR BEST FOR
Elongating windows Room darkening Noise Control
BEST FOR
INTERIOR MATERIAL & METHOD
10
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Hanging art
Hanging art
 Picture frame size- 2’× 3′
 Distance between sofa and picture frame
– 6’’
 Frame size – 2’ × 2’
 Distance between sofa and frame- 3’’
 Distance between one frame to another
– 1.5’’
 Total area of frames – 9’× 5′
8′′
 Main frame size – 2’ ×2’
 Small frame size 9’’ ×9’’
 Distance between sofa and picture frame
– 3’’
 Distance between one frame to another
– 1.5’’
2
’
2’
3’
’
3’
’
6’’
3’’
2’
INTERIOR MATERIAL & METHOD
12
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Guide to Hanging art
Hanging art
DON’T
DO
DON’T
DON’T
DO
DO
- Don’t Hang Artwork too Far Apart.
- Don’t Hang Artwork too High From
Furniture.
- Don’t Leave too Much Open
Space.
- Artwork Should be About 2/3
Width of Furniture.
- Hang Artwork 2-3 Inches Apart.
- Hang Artwork a Couple Inches
Above Sofa.
Act as One
Piece of
Art
60’’ From
The Floor
4-6inches
INTERIOR MATERIAL & METHOD
12
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Hanging art
Hanging art
Length of wall
INTERIOR MATERIAL & METHOD
13
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Accessories
PICTURE HANGING
Large Pictures Over a Fireplace,
Proportioned to Piece of Furniture,
Small Pictures Grouped to Make a
Large Unit, Pairs of Pictures in a
Symmetrical Arrangement are
Examples of a Simple Improvement
Which Your Eye Will Catch at Once.
Yes
No
No
No
Yes
Yes
Picture hanging
INTERIOR MATERIAL & METHOD
14
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Lighting Size & Placement
Guide
HOW LARGE SHOULD YOUR FIXTURE BE?
When large should your fixture, the primary factor to consider is THE AVAILABLE SPACE.
IN THE CENTER OF A ROOM OVER A TABLE
Measure the length and width of the
room and add those numbers together.
To achieve a balanced look in the
room, the diameter of your fixture
should be one-twelfth of that size.
The diameter of your fixture
should be 12 inches less than
the width of the table, to
avoid bumping heads.
1/12 -12 inches
Lighting
LIGHTING
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
LIGHTING
WHERE AND HOW HIGH SHOULD IT GO?
Not only will proper placement of your light fixture enhance the room
decor. It will allow maximum illumination of the room. The ideal location
for your fixture varies slightly according to the room it will occupy.
OVER THE DINING TABLE IN THE HALLWAY
Allow 28-32 inches of space between the
table surface and the lighting fixture.
The key is to keep the lighting in
one’s line or sight. Hallways with
higher ceilings should utilize a
lower- hanging light fixture. There
should be at least 7 feet clearance
between the floor and lighting
fixture.
28-32’’
7’
Lighting
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
ABOVE THE KITCHEN ISLAND IN THE STAIRWELL
Lighting over a kitchen island is imperative for
safety (in food preparation) as well as
aesthetics. A contemporary trends is to install a
trio of pendants over the island.
Fixtures should be placed 72 inches above the
floor or 28-34 inches above the countertop.
Lighting fixtures should be high enough so that
occupants of the area won’t have to stare
directly into the lights.
Clearance between the bottom of the
fixture and height of the tallest
occupant should be 18-24 inches.
7’
28-34’’
18-24’’
LIGHTING
Lighting
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
IN THE MIDDLE OF A ROOM
Most rooms call for a 7 feet clearance
between the light fixture and the floor.
However if placed above a coffee table
or other piece of furniture, a light
fixture can be hung lower because
them is no risk of walking into it..
Most rooms call for a 7 feet
clearance between the light fixture
and the floor. However if placed
above a coffee table or other piece
of furniture, a light fixture can be
hung lower because them is no risk
of walking into it.
IN THE BEDROOM
7’
7’
1’
LIGHTING
Lighting
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
IN THE BATHROOM
A popular choice for bathroom
lighting is sconces traditionally placed
on both sides of the mirror. A more
recent twist is to use pendants in much
the same way sconces. Since these
fixture will be used as task lighting for
daily grooming purposes rather then
ambient lighting, they should be
placed at eye level-at least 60’’ off the
floor and spaced at least 28’’ apart.
Generally, sconces and pendants are
not the only source of light.
AT THE FOYER
The optimal height for a foyer
chandelier is a minimum of 80-84’’
from the floor to the bottom of the
chandelier. If the foyer is two stones
high. The fixture should hang no lower
than the point of the second floor. If
there is a window above the two story
foyer. You should center the chandelier
in the window so you can see it from
the outside.
LIGHTING
Lighting
INTERIOR MATERIAL & METHOD
15
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
Guide to hanging lights
30’’-32’’ from
countertop to
bottom of pendent
At least 30’’
from center
of island
30’’-32’’
apart
30’’-32’’
from
countertop
to bottom
of pendant
At least 6’’
from edge of
island
LIGHTING
Lighting
INTERIOR MATERIAL & METHOD
Anurag Yadav
B.Voc Interior Design 2nd Sem.
Dezyne E’cole College
Drawing Title
Interior material & method
Project Report
33’’-34’’ from table top to bottom
of chandelier for on 8’ ceiling.
At least 6’’ from edge of
table on each side
Hang the chandelier on
extra 3’’ higher for each
additional foot at
ceiling.
For a 2 story
ceiling hang no
lower than paint of
the 2nd floor.
At least 7’ from floor to
bottom of pendant
At least 4’’ from any
surrounding wall.Add 2.5-3 inches of height for
each additional foot of ceiling
above 8’.
LIGHTING
INTERIOR MATERIAL & METHOD
Lighting
Digital tool - II
It is a kind of software through which we can clear our
concepts, practice our idea with measurements, placing all
objects and elements together to create a look we designed.
DrawingTitle
3DPrototypeAssignment-1
ProjectReport
Digitaltool
ProjectReportDrawingTitleProjectReport
PrototypeDevelopment
B.VocInteriorDesign2ndSemester
1DIGITALTOOLS-II
AnuragYadav
DrawingTitle
3DPrototypeAssignment-1
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PrototypeDevelopment
B.VocInteriorDesign2ndSemester
1DIGITALTOOLS-II
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Digitaltool
DrawingTitle
3DPrototypeAssignment-2
ProjectReportProjectReportDrawingTitleProjectReport
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B.VocInteriorDesign2ndSemester
2DIGITALTOOLS-II
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Digitaltool
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3DPrototypeAssignment-2
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B.VocInteriorDesign2ndSemester
2DIGITALTOOLS-II
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Digitaltool
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3DPrototypeAssignment-3
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3DIGITALTOOLS-II
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Digitaltool
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3DPrototypeAssignment-3
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3DPrototypeAssignment-3
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3DPrototypeAssignment-4
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3DPrototypeAssignment-5
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5DIGITALTOOLS-II
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3DPrototypeAssignment-5
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6DIGITALTOOLS-II
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Digitaltool
This subject help us to draw the technical part of space like
metric views, orthographic projections and perspective too
Scale Drawings & Modelling
History Of Art & Design
It makes us focus on the colour theory, colour schemes and
all the theory of colour with the effect of colour and also
elements and principles of design are included. Knowledge
of planes, elevation and cut sections are needed to make a
successful design.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Plane
primaryAnalogoushue
secondarycomplementarytints
intermediateSplitcomplementaryshades
Colorwheel
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Plane
V
BVRV
Y
RB
BVRV
RED+GREEN
RED-ORANGE+BLUE-GREEN
ORANGE+BLUE
YELLOW-ORANGE+BLUE-VOILET
YELLOW+VOILET
YELLOW-GREEN+RED-VOILET
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Plane
PRIMARY
Thethreecolorsfromwhichallcolorsarecreated:
SECONDARY
Createdbymixingequalproportionoftwoprimarycolors:
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Plane
V
BV
BV
COMPLEMENTRY
Colorsthataredirectlyoppositeeachotheronthecolorspectrum.
Whentwocomplementarycolorsaremixed,theyneutralizeeachother
bycreatingbrown.Forexample:
Y–yellow
YG–yellowgreen
G–green
BG–bluegreen
C–cyan
B–blue
VB–violetblue
V–violet
M–magenta
RM–redmagentaComplementarycontrastingcolor
Splitcomplementarycolor
Analogouscolor
Triadcolor
COMPLEMENTRYCOLURS
huesoppositethecolorwheel
Complementarycolorsaremore
intense,and“Vibrant”whenplaced
nexttoeachotherastheycompete
foryourattention.
SPLITCOMPLEMENTRYCOLORS
Oneofthecomplementary
colorsissplitoffintoapairof
neighboringhues.
Analogouscolors
colorsthatneighboroneonthecolorwheel
Huesappealto“push”ateachother,
creatinganopticalillusionwhereeachzone
appearslargerwhenithasyourattention.
TRIADCOLORS
Huesequidistantonthe
colorwheel
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
COLORSCHEMES
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Plane
V
BV
BV
COLOR
COOL/WARM/NEUTRAL
WARM
COLOR
COOL
COLOR
Neutralcolor
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Colour
Addinggrey
TONES
Addingblack
SHADES
Addingwhite
TINTS
COLOUR
Tints/Tones/Shades
Tones
Tints
Shades
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Colour
BV
BV
ThePsychologyof
Colour
REDORANGE
Red
Conveysbigness
drama,romance,
power,passionand
evendanger.
VIBRANT
Redscanheighten
senses.Whileearly
redtonescreate
warmnessand
comfort.
PERFECT
Foradiningareaan
accentcolouronare
wall,orasthemain
colorinasmallspace.
ORANGE
Conveysfriendliness,
happiness,
innovation,energy,
andfun.
Warm
Orangecolorsattract
attention,makinga
spacefeel
approachableand
welcoming.
PERFECT
Foranentryway,the
kitchenorasan
accentforbookcases
andshelves.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Colour
BV
BV
ThePsychologyof
Colour
BLUEPURPLE
BLUE
Conveysstrength,
thedependability
tranquility,calm,
freshnessand
serenity.
VERSATLE
Bluecancreatea
moodthatis
cheerfuland
refreshingor
reflectiveand
intellectual.
PERFECT
Forthemain
bedroom,ceilings
andmakingsmall
roomsfeellarger
{withpaleshades}.
PURPLE
Conveysmystery.
Regality,eccentricity,
luxury,exoticismand
sophistication.
ASA
combinationofred
andblue,purplecan
bedramaticorsubtle,
excitingorcaning.
PERFECT
Foranformalliving
room,bedroomoras
abackdropfor
antiquesilver.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Colour
BV
BV
ThePsychologyof
Colour
YELLOWGREEN
YELLOW
Conveysoptimism
Lameness,hose
ability,peacefulness,
andcreativity.
Sunny
Upliftingyellowcan
promote
communicationand
improve
communication.
PERFECT
Forabreakfastnook
ortobrightendark
waysandrooms
withoutwindows.
GREEN
Conveysgrowth
renewalrelaxation,
gentleness,
reassurance,and
safety.
SOOTHING
Greenarethecolors
ofnature,sothey
createacalming,feel-
goodatmosphere.
PERFECT
Foraspa-like
bathroomorlibrary.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic-Colour
BV
BV
BROWN
BROWN
Conveyssecurity,
warmth,stability,
earthiness,and
comfort.
ORGANIC
Invitingbrownsevoke
scenesofnature,
encouragingyouto
slowdownandrelax.
PERFECT
Forcounterbalancing
contrasting,
highlighting,ortoning
downothercolors.
ThePsychologyof
Colour
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–ColourSchemes
BV
BV
ColourSchemes
Analogous
Analogous
Onemightthinkofanalogouscolorsasneighborssincetheyareadjacent
toeachotheronthecolorwheel.Analogouscolorsinherentlylookgood
togethersincetheyhavesimilarorigins.Thisschemesisoftenfoundin
nature.
ANALOGOUS
Analogous
Orange/YellowOrange/YellowGreen
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–ColourSchemes
ColourSchemes
Complementary
Complementary
AnytwocolorslocatedoppositeofeachotherOnthe
colorwheelaretermedcomplementaryColors.As
implied,complementarycolorsenhanceEachother
andalmostalwayslookgreattogether.Youseethis
schemeinmanyaspectsofyoureverydayLife.For
example,theredsandgreensofChristmas.
Complementary
VioletYellow
COMPLEMENTARY
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–BALANCE
BV
BV
PrinciplesofDesign
Balance
BalanceBalance
Balanceininteriordesignrefers
totheproperdistributionof
objectsinaroomtocreate
visualbalance.Balancerefersto
thedistributionofvisualweight
withinacomposition.Lackof
balancedisturbstheharmony
ofacomposition.Aworkthatis
unbalancedvisuallycreates
tensions.Balanceiscreated
whenthereisanequilibriumof
elementsthatneedeachother
andtogethertheycreateunity.
Everysingledesignelements
shouldcompilewithhome
interior.
Musthavesymmetricaland
asymmetricalbalance.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–Harmony
BV
PrinciplesofDesign
Harmony
HarmonyHarmony
TheNameImpliesStressesOn
TheFactThatThereShouldBe
ASenseOfUniformityOr
HarmonyAmongAllThe
ElementsUsed.InteriorDesign
ShouldServeAsAVisualGuide
ForAPersonToUnderstandA
LivingSpace,Without
Harmony,TheVisualGuide
WillOnlyEndUpConfusing
ThePerson.
Createasenseof
peace.
Elementshouldworktogether
withoutclashing.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–Rhythm
BV
PrinciplesofDesign
Rhythm
Rhythm
Rhythm
Thedesignprinciplethatsuggestsconnected
movementbetweendifferentpartsofa
designbyusingcolors,lines,forms,or
texturesalsoreferredtoascontinuity
rhythmsvisualflow:theeyeshouldbeableto
‘flow’smoothlyacrosstheroom.Regular
repetitionoflines,shapes,orcolorthat
createamovement.Patternshaverhythm.
Rhythmisreferstoawayofutilizingtheart
elementstoproducethelookandfeelof
rhythmicmovementwithavisualtempoand
heat.Rhythmisafeelingofstructure
movementcreatedbytherepetitionof
elements.Rhythmcanbeusedtocreatea
senseofmovementin,throughoraround
designrepeatedelementandthespaces
betweenthemmakepatternsthatwehave
experienceasrhythm.
Usedifferentshapesand
patternstocreatebestvisual
integration.
Usecombinationofcolors,
paintsorshapes.
AnuragYadav
1stYearResidentialDesignDiploma
DezyneE’coleCollege
www.dezyneecole.com
SubmittedByTopic–Proportion&Scale
BV
PrinciplesofDesign
ProportionAndScale
Proportion&Scale
Proportion
ThePrincipleOfScaleAnd
ProportionEnsureThatObjects
PlacedInASpaceLookLikeThey
BelongToEachOther.BeItThe
Size,Dimension,ShapeOrColour
OfTheObjects,AHarmony
ShouldBeEstablishedBetween
ThemAndAProportionHasTo
BeMaintained.ForExample,A
HighCeilingEnvironmentImplies
ThatHighRiseFurnitureShould
BePreferredOverLowRise
FurnitureShouldBeOttomans.
AlsoUnderStuffedPillowsWould
MakeAsSofaLookEmptyAnd
UnderAccessorized,Thus
DisruptingTheHarmonyAnd
ProportionThatIsSupposedTo
Exist.
Designelementsshould
matchwiththeproportionor
theresidentialarea.
Anthropometrics
It is to make a building architecturally designed, the link
between the person, space and activity is necessary. Interior
designing is all about the space and person without the
knowledge of human dimension, no design can be made or
designed. It includes Ergonomics – it focuses on the furniture
according to the human dimensions.
DigitalTools-1
AnthropometricforResidentialSpaces
SEATING
AnthropometricforResidentialSpaces
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1Seatingspaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriorDesign1stYear
Work/SecretarialChair
Inchcm.
A16-1743.2
B13.5-1533.6-38.1
C14-1935.6-48.2
D5-7.512.7-19.0
E4-810.2-20.3
SideView
D
E
C
Backrest
references
point
Seatreference
point
105
A
15
B
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriorDesign1stYear
GENRALPURPOSECHAIR
Inchcm.
A31-33
78.7-83.8
B15-16
39.4-40.6
C16-17
40.6-43.2
SideView
Backrest
references
point
Seat
reference
point
B
A
C
C
105
SeatDepth
DigitalTools-1Seatingspaces
Inchcm.
A23-2958.4-73.7
B1230.5
C16-1740.6-43.2
D17-2443.2-61.0
E0-60.0-15.2
F18-2045.7-50.8
G24-2958.4-73.7
I8-10230.3-25.4
J15.5-1839.4-45.7
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1SeatingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
EXECUTIVECHAIR
E
D
Backrest
reference
point
Seat
reference
point
105
15
C
SeatWidth
Seat
Height
Armrest
A
B
F
G
I
J
SeatDepth
Inchcm.
F6-915.2-22.9
G10adjust425.4adjust
H15.5-1639.4-40.6
I12max30.5max
J30adjust76.2adjust
K1538.1
L12-1430.5-35.6
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1SeatingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
DRAFTINGCHAIR/STOOL
16
105
F
G
H
15J
L
H
I
Seat
reference
point
Backrest
reference
point
footrest
K
H
Adjustable
Inchcm.
A18-24
45.7-61.0
B15.5-16
39.4-40.6
C16-17
40.6-43.2
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1SeatingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
BANQUETTESEATING
SeatDepth
Backrest
reference
point
Seat
reference
point
A
B
C
105
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-131-1-2019DezyneE’coleCollege
www.dezyneecole.com
ANURAGYADAV
B.Voc-InteriorDesign1styear
Seatingspaces
LowDensityHighDensity
BANQUETTESeating
A
A
A
A
B
B
B
Inchcm
A2461.0
B3076.2
LIVINGSPACES
Anthropometricfor
Inchcm.
A42-48106.7-
121.9
B6-915.2-22.9
C3-67.6-15.2
D2871.1
E90-96228.6-243.8
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1LivingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
SOFASEATINGMALES
DDD
DD
A
C
B
E
F
CUSHION
Armrest
CUSHION
Armrest
Inchcm.
A2666.0
B58147.3
C84-90213.4-
228.6
D40-46101.6-
116.8
E6-915.2-22.9
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1LivingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
SOFASEATINGFEMALES
AAA
AA
CUSHION
CUSHION
Armrest
Armrest
B
C
D
D
E
E
Inchcm.
A84-112213.
4-284.5
B13-1633.0-40.6
C58-80147.3-203.2
D16-1840.6-45.7
E14-1735.6-43.2
F12-1830.5-45.7
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1LivingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
LOUNGESEATING/CLEARANCES
A
CBB
Varies
DD
Eyelevel
E
F
E
CoffeeTable
Inchcm.
A84-112213.4-
284.5
B13-16
33.0-40.6
C12-16
30.5-45.7
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1LivingSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
LOUNGESEATING/CLEARANCERELATIONSHIPS
ABVaries
c
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-131-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriordesign1styear
IJ
EE
Back
Support
Foot
Support
Head
Support
Foot
Support
Back
Support
Head
Support
Inchcm.
E14-1735.6-43.2
I60-68152.4-
172.7
J54-62137.2-
157.5
RecliningChairWithFootrest/MaleAndFemale
LivingSpaces
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-131-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc-InteriorDesign1styear
Light
Source
Max.ViewingDistance
Min.ViewingDistance
Eyelevel
varies
Eyelevel
D
ASSUME MIN.&MAX.HEIGHT OF 96’’-120’’INCH
A
B
C
Inchcm.
A16-24
40.6-61.0
B60-78152.4-198.1
C30-4276.2-106.7
D3691.4
LivingSpaces
Inchcm.
A18-2445.7-61.0
B48-58
121.9-147.3
C36-4091.4-101.6
D46-52
116.8-132.1
E30-3676.2-91.4
F72182.9
G69175.3
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
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www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
WALLUNIT/ACCESSBYFEMALE
BCabinetwithdrawersA
CCabinetwithdoors
DCabinetwithdrawers
ECabinetwithdoors
Activity
Zone
Activity
Zone
WALLUNIT/ACCESSBYMALE
23
23
A
G
F
WallUnit
Inchcm.
A42-50
106.7-127.0
B12-1630.5-40.6
C1845.7
D24-3261.0-81.3
E39-4299.1-106.7
F72182.9
G69175.3
H36-3991.4-99.1
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1Wall–MountedBar
Unit
31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1styear
Activityzone
Activityzone
A
BBC
FlipTop
D
F
E
A
BBC
FlipTop
D
G
H
WALL-MOUNTEDBARUNIT/MALEWALL-MOUNTEDBARUNIT/FEMALE
DINING
AnthropometricforResidentialSpaces
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1Diningspace31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriorDesign1stYear
Inchcm.
A2768.6
B1845.7
C922.9
D3076.2
E2153.3
F1640.6
G512.7
H2461.0
D
H
G
F
E
A
B
C
Optimum
placeSeating
zone
Minimumsharedaccess
zone
Minimum
placeSeating
zone
Optimumshared
accesszone
OPTIMUMPLACESeatingMINIMUMPLACESeating
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriorDesign1stYear
Inchcm.
A72182.9
B512.7
C1640.6
D3076.2
A
B
C
DDD
Minimum
placeSeating
zone
Minimumsharedaccess
zone
MINIMUMPLACESeatingFORTHREE
Inchcm.
A90228.6
B2768.6
C922.9
D3045.7
E2153.3
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
A
B
C
D
EEE
Optimumshared
accesszone
Optimum
placeSeating
zone
OPTIMUMPLACESeatingFORTHREE
Inchcm.
A42106.7
B2461.0
C922.9
D1025.4
E1640.6
I40101.6
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
A
BCC
DEE
F
E
B
Minimum
shared
access
zone
Minimum
placeSeating
zone
MINIMUMTABLEWIDTH
Inchcm.
A54137.2
B1230.5
C3076.2
D1845.7
E48121.9
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
A
BC
DDD
D
C
Optimum
sharedaccess
zone
Optimum
placeSeating
zone
B
E
OPTIMUMTABLEWIDTH
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-131-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.VocInteriorDesign1stYear
Diningspaces
A
BCC
FDD
ED
D
B
B
Minimum shared s
access zone
Minimum
placeSeating
zone
Inchcm.
A78-90198.1-
228.6
B2461.0
C1230.5
D1640.6
E42106.7
F1025.4
G116-128294.6-325.1
G
RECTANGLETABLE/MINIMUMLENTHANDWIDTH/DININGFORSIXPERSON
Inchcm.
A54137.2
B1230.5
C18-2445.7-61.0
D3076.2
E96243.8
F1.1845.7
G132-144335.3-365.8
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
A
BB
C
C
D
D
E
F
F
G
Optimumtablewidth
Optimum shared s access zone
Optimum
placeSeating
zone
RECTANGLETABLE/MINIMUM
LENTHANDWIDTH/DININGFOR
SIXPERSON
Inchcm.
A48min.121.9min.
B18-2445.7-61.0
C1230.5
D3076.2
E1845.7
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
BREAKFAST/KITCHENTABLEFORFOURPERSON
Minimumwidthof
breakfasttable
MaximumclearanceMinimumclearance
ACC
EBD
Minimum
clearance
Circulation
zone
Sharedaccess
zone
Lineofwall
Inchcm.
A1230.5
B615.2
C18-2445.7-61.0
D30min.72.6min.
E2461.0
F3691.4
G114-126289.6-320.0
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
PlaceSeating
zone
Shared
accesszone
Circulationzone
Seatin
gzone
A
B
C
D
F
E
G
Tablediameter
DIAMETERBREAKFAST/KITCHENTABLEFORFOURPERSON
Inchcm.
A1230.5
B30-3676.32-91.4
C60152.4
D18-2445.7-61.0
E96-108243.8-274.3
F3076.2
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
DIAMETERCIRCULARTABLEFORFOUR/OPTIMUMSeating
B
A
CD
E
SHARED
ACCESS
ZONE
PLACE
Seating
ZONE
Seating
ZONE
TableDiameter
F
Inchcm.
A30min.76.2min.
B48121.9
C18-2445.7-61.0
D1230.5
E30-3676.2-91.4
F84-96213.4-243.8
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
DIAMETERCIRCULARTABLEFORFOUR/MINIMUMSCHEME
SHARERD
ACCESS
ZONE
PLACESeating
ZONE
A
BCC
D
E
F
TableDiameter
Inchcm.
A1230.5
B18-2445.7-61.0
C60152.4
D3076.2
E132-144335.3-365.8
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
SHAREDACCESS
ZONE
PLACE
SETTING
ZONE
A
B
C
D
E
DIAMETERCIRCULARTABLEFORSIX/OPTIMUMSCHEME
Tablediameter
Inchcm.
A132-144335.3-365.8
B30-3676.2-91.4
C72182.9
D18-2445.7-61.0
E1230.5
F2461.0
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
A
CBB
DE
SHAREDACCESS
ZONE
PLACE
SETTING
ZONE
Tablediameter
DIAMETERCIRCULARTABLEFOREIGTH/MINIMUMSCHEME
Inchcm.
A90-96228.6-243.8
B54137.2
C86-106218.4-259.1
D50-60127.0-152.4
E50-54127.0-137.2
F30-3676.2-91.4
G18-2445.7-61.0
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
Circulationzone
Chairtobuffetclearance
Seating
zone
Buffet
Diningtable
STANDING
ACTIVITY
ZONE
A
BC
DG
E
FG
CLEARANCEREQUIREMENTSBETWEENDININGTABLEANDBUFFET
Inchcm.
A30-3676.2-91.4
B18-2445.7-61.0
C16-1740.6-43.2
D7.5min.19.1min.
E29-3073.7-76.2
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
MINIMUMCHAIRCLEARANCE/NOCIRCULATION
Lineof
wall
Seatingzone
A
B
C
D
Eyelevel
E
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
MINIMUMCLEARANCEBEHINDCHAIRINPALACE
Lineof
wall
Seating
zone
Circulationzone
A
BC
D
E
F
Inchcm.
A48-46121.9-152.4
B30-3676.2-91.4
C18-2445.7-61.0
D16-1740.6-43.2
E7.5min.19.1min.
F29-3073.7-76.2
Eyelevel
Inchcm.
A132-162335.3-411.5
B66-81167.6-205.7
C30-3676.2-91.4
D18-2445.7-61.0
E36-4291.4-106.7
F29-3073.7-76.2
G2768.6
H1948.3
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
CirculationzoneSeating
zone
Seating
zone
Circulationzone
Lineof
wall
Eyelevel
A
BB
CDDCE
F
G
MINIMUMDININGAREAWIDTH
Inchcm.
A60-72152.4-182.9
B30-3676.2-91.4
C36-4076.2-91.4
D1845.7
E36-4291.4-106.7
F29-3073.7-76.2
G29-3673.7-91.4
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
Lineof
wall
CirculationzoneChairin
extended
position
Servicezone
Overallclearancefrom
edgeoftable
Shelf
MINIMUMCLEARANCEBEHINDEXTENDEDCHAIR
A
BCB
ED
F
G
Inchcm.
A90-96228.6-243.8
B60152.4
C30-3676.2-91.4
D29-3073.7-76.2
E12-1830.5-45.7
ProjectReportDrawingTitleDateofSubmissionSubmittedtoSubmittedby
DigitalTools-1DiningSpaces31-1-2019DezyneE’coleCollege
www.dezyneecole.com
AnuragYadav
B.Voc–InteriorDesign1stYear
Lineof
wall
Circulationzone/TwopeopleChairin
extended
position
Shelf
A
BC
D
E
MINIMUMCLEARANCEFORTWOBEHINDEXTENTEDCHAIR
Conclusion
During My One Year Tenure Of B.Voc Interior Design , I Have Come
Across Many New Things And Have Learnt Many Things. I Have Gained
Knowledge Theoretically As Well As Practically. From Site Location To
Construction Till Designing, I Have Learnt A Lot.
These Are The Topics That I Have Learnt :
• Elements Of Design
• Space Planning
• Principles Of Design
• Anthropometrics
• Ergonomics
• Building Bye Laws
My Residential Plan Features All The Above Points, These Helped Me
In Improving My Skills.
THANK YOU

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