1. Structuralism & Narratology

2. Born in 1950’s FranceArrived in 1970’s Britain

3. Ferdinand de SaussureLinguist

4. Claude Levi-StraussAnthropologist

5. Roland BarthesLiterary Critic

6. Structuralism in a nutshell:Things cannot be understood in isolation – they must be seen in the context of the larger structures that they are part of.

7. Unlike Liberal Humanism, a Structuralist approach takes you further and further from the text

9. The Liberal Humanist Approach We must look closely at the egg – we need not concern ourselves with the chicken!

10. The Structuralist Approach Determining the precise nature of the chicken is essential if we are to say anything intelligent about eggs!

11. Structuralism was a radical revisioning of literary studies and caused heated debate

12. Structuralists concern themselves with how meaning is established and maintained

13. And focus upon the patterns and functions of language

14. The meaning of words is ARBITARY and maintained by convention only – language is a separate system

15. Words are RELATIONAL and mutually defining Mansion Hut House Palace Shed Hovel

16. Words exist in ‘differencing networks’ and this is most apparent in ‘dyads’

17. Language CONSTITUTES our world rather than just labels and records itMeaning is ATTRIBUTED and is not already contained in the thing Terrorist or freedom fighter?

18. The natural cycles of the world are continuous – the division into 4 ‘seasons’ is constructed but as a consequence we see the world in these terms

19. The spectrum of colours is seamless and yet we contrive to suggest that there are 7 basic colours

20. Can you think of other examples of how language ‘constitutes’ reality rather than faithfully identifies something that is already in the world?

21. So, we come to see that language is:ArbitraryRelationalConstitutive

22. Structuralism broadens its scope to include other sign systems as well as literary texts – any of which can be ‘read’

23. Roland Barthes, in his 1957 text ‘Mythologies’ applied Structuralist analysis to combative arts in popular entertainment

24. The two forms of entertainment present very different codes and sets of meanings – consequently they are rarely mixed!

25. By placing each in a wider context, layers of significance are revealed that might not of otherwise been noticed – this is the basic principle of a Structuralist approach

26. Narratology is a branch of Structuralism that studies the nature of ‘story’ rather than individual tales in isolation

27. A distinction is made between:Story – the events as they happenedPlot – the edited, ordered, packaged and presented narrative

28. We look for:ParallelsEchoesReflectionsRepetitionsContrastsPatterns

29. And we find them in: PlotStructureSettingCharacterImageryThemesLanguage

30. Looking for patterns between stories was not something new but Narratologists developed and extended the study.

31. Aristotle (Poetics) Hamartia (sin / Fault) Peripeteia (reversal) Anagnorisis (realisation of truth) These are all notably ‘inner events’

32. Vladimir Propp(The Morphology of the Folktale 1928) 31 Functions Spheres of Action Concerned with events, not character

33. Gerard Genette(Narrative Discourse 1972) 6 Questions of plot Concerned with the process of telling itself

34. 1 – Narrative mode Mimetic or Diegetic?

35. 2 – Focalization External Internal Zero focalization

36. 3 – Authorial Persona Covert Non intrusive Non dramatised Overt Intrusive Dramatised Heterodiegetic Homodiegetic

37. 4- Control of time Analepsis Prolepsis Chronological

38. 5 – Packaging & Frames Primary / Frame narrative Secondary / Embedded narrative Single ended (() Double ended (()) Intrusive ((((()...

39. 6- Speech and Thought Representation Direct & tagged Direct & selectively tagged Indirect tagged Indirect free

40. “Why,” John asked her. “I am in love,” she replied. “Why,” John asked. “I am in love.” John asked her to explain herself and she told him that she was in love. Why had she behaved like that? Perhaps she was in love.

41. So, to summarise...

42. Narratology involves the study of:Recurrent structuresThe process of telling over what is toldAffinities between texts

43. By combining the models of study employed by a range of Structuralists, we may uncover new meanings inherent in text

44. We do not need to reject close textual analysis in order to take advantage of Structuralist practices!

45. Use all the tools at your disposal to explore text