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Making metadata effective
Tools Of Change For Publishing, Frankfurt, October 11, 2012
Overview of this section
✤   Ensuring product discovery

✤   Managing metadata for physical and digital products

✤   Managing metadata across global markets

✤   Clearly communicating rights
Ensuring product discovery
Four different types of metadata


             Bibliographic   Commercial    Transactional   Merchandising




                                                                           Consumers
Publishers




             Basic book      Tax codes      Inventory       Descriptive
             information                                    content
                             Proprietary    Location
             Classic         fields                          Marketing
                                            Order and
             understanding                                  copy
                                            billing
             of metadata
                                                            Consumer-
                                            Royalty and
                                                            generated
                                            accounting
                                                            content
Many different sources
✤   Publisher-prepared files

✤   Publisher requests (typically e-mail)

✤   Data aggregators (e.g., Bowker, Ingram, Baker & Taylor, BookNet
    Canada, Nielsen)

✤   Social reading sites

✤   Retailers (online and offline)
Keys to product discovery: today
✤   ISBNs (Google actively looks for & prioritizes these)

✤   BISAC categories and Amazon keywords

✤   SEO your descriptions (test in Google Adwords)

✤   Update metadata as products move through their life-cycles
Physical, digital and metadata
Why do workflows matter?
✤   Price changes and collapsing cycle times

✤   Significant manual intervention

✤   Errors, rework and duplication

✤   Comparative works (consumer benefit)

✤   Growing downstream product complexity
Complicating digital metadata
✤   Differential timing (physical 6 months prior, digital upon publication)

✤   (Some) different attributes

✤   More frequent price changes

✤   Conversions are often outsourced

✤   In relative terms, a new process
Current metadata practices
✤   Created in four primary departments (editorial/ME, marketing,
    production and creative services)

✤   Management responsibility varies by sender

✤   Most publishers treat publication as the “end date” for updates
    (changing somewhat)

✤   “Complete” is not “accurate”; inspection limited

✤   Preparing eBook metadata somewhat “ad hoc”
Metadata as a functional map

     Acquisition/           Editorial                  Production/           Marketing
     P&L                                               Design

         •  Assign              •  Assign                  •  Create            •  Create
            ISBNs to               BISAC                      cover image          market-
            tradable               categories              •  Assign page          specific
            products            •  Create initial             counts               product
         •  Assign title/          product                 •  Assign               descriptions
            author/price           descriptions               format types      •  Aggregate
                                                                                   advance
                                                                                   reviews
                                                                                •  Confirm pub
                                                                                   date




                                            Metadata repository
Best practice:
organizing metadata

✤   “Single source of truth”

✤   Multiple contributors

✤   Multiple recipients

✤   Designated/defined roles

✤   Real-time updates
Managing
across global
markets
Territorial advantages
✤   Additional income while managing cost, risk

✤   Tap into local market knowledge

✤   Meet demand in other markets

✤   Extend the life of certain titles
Issues with territorial rights
✤   Time to market
✤   Lost sales, risk of piracy
✤   No consistent communications methods
✤   Competition from similar content
✤   Competition from other, non-book media
Digital markets are evolving
✤   U.S., U.K. are the primary digital markets; Brazil growing

✤   Slowing rate of digital growth in the U.S.

✤   Digital demand now moving to fixed-price markets

✤   Stronger growth expected in markets like France, Germany, others

✤   Differential VAT rates may play a role
Trends affecting product metadata
✤   Acquisition (print and digital together)

✤   Licensing and pricing (common for print and digital)

✤   Marketing - a mix of local art and science

✤   Rights and royalties

✤   Production and operations

✤   User-generated metadata increasingly important (reviews, lists, etc.)
So what does this mean?
✤   Digital is breaking out in lots of places, but not all at once

✤   Increased visibility = transparency on availability, price awareness

✤   Inconsistent print and digital metadata is visible and may hurt sales

✤   Digital is putting pressure on traditional models for territorial rights
Clearly communicating rights
Communicating rights clearly

Contracts   With author and agent
            With distributors
            With retailers



Feeds       “Available for sale”
            “Not available for sale”
            Price (tax inclusive, tax exclusive)
            Limitations (may vary by markets)
Problems with rights descriptions

✤   Contracts typically start as documents, not databases

✤   There is no “standard” application

    ✤   Worldwide (or worldwide “excluding ...”)
    ✤   Specific markets
    ✤   Specific languages
    ✤   Usage and exceptions

✤   “Handshake” agreements: formats required vary by recipient

✤   No one has a full, easily accessible view of rights
Moving forward ...

✤   Digitize contracts: obtain rights information from a database, not an
    interpretation

✤   Push for more standard, widely used definitions, working with
    IFRRO, Editeur (ONIX 3.0), BISG, ISO

✤   Internal to your organization: “Rights Central”, a core part of a
    publisher’s added value

✤   While you are doing this: talk to your supply-chain partners
“Making metadata effective”
✤   Metadata is the key to online and digital product discovery

✤   Metadata should be harmonized for comparable products (physical
    and digital)

✤   Metadata is visible everywhere; plan accordingly

✤   Rights (a digital mess) need near-term care and feeding
Making metadata effective

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Making metadata effective

  • 1. Making metadata effective Tools Of Change For Publishing, Frankfurt, October 11, 2012
  • 2. Overview of this section ✤ Ensuring product discovery ✤ Managing metadata for physical and digital products ✤ Managing metadata across global markets ✤ Clearly communicating rights
  • 4. Four different types of metadata Bibliographic Commercial Transactional Merchandising Consumers Publishers Basic book Tax codes Inventory Descriptive information content Proprietary Location Classic fields Marketing Order and understanding copy billing of metadata Consumer- Royalty and generated accounting content
  • 5. Many different sources ✤ Publisher-prepared files ✤ Publisher requests (typically e-mail) ✤ Data aggregators (e.g., Bowker, Ingram, Baker & Taylor, BookNet Canada, Nielsen) ✤ Social reading sites ✤ Retailers (online and offline)
  • 6. Keys to product discovery: today ✤ ISBNs (Google actively looks for & prioritizes these) ✤ BISAC categories and Amazon keywords ✤ SEO your descriptions (test in Google Adwords) ✤ Update metadata as products move through their life-cycles
  • 8. Why do workflows matter? ✤ Price changes and collapsing cycle times ✤ Significant manual intervention ✤ Errors, rework and duplication ✤ Comparative works (consumer benefit) ✤ Growing downstream product complexity
  • 9. Complicating digital metadata ✤ Differential timing (physical 6 months prior, digital upon publication) ✤ (Some) different attributes ✤ More frequent price changes ✤ Conversions are often outsourced ✤ In relative terms, a new process
  • 10. Current metadata practices ✤ Created in four primary departments (editorial/ME, marketing, production and creative services) ✤ Management responsibility varies by sender ✤ Most publishers treat publication as the “end date” for updates (changing somewhat) ✤ “Complete” is not “accurate”; inspection limited ✤ Preparing eBook metadata somewhat “ad hoc”
  • 11. Metadata as a functional map Acquisition/ Editorial Production/ Marketing P&L Design •  Assign •  Assign •  Create •  Create ISBNs to BISAC cover image market- tradable categories •  Assign page specific products •  Create initial counts product •  Assign title/ product •  Assign descriptions author/price descriptions format types •  Aggregate advance reviews •  Confirm pub date Metadata repository
  • 12. Best practice: organizing metadata ✤ “Single source of truth” ✤ Multiple contributors ✤ Multiple recipients ✤ Designated/defined roles ✤ Real-time updates
  • 14. Territorial advantages ✤ Additional income while managing cost, risk ✤ Tap into local market knowledge ✤ Meet demand in other markets ✤ Extend the life of certain titles
  • 15. Issues with territorial rights ✤ Time to market ✤ Lost sales, risk of piracy ✤ No consistent communications methods ✤ Competition from similar content ✤ Competition from other, non-book media
  • 16. Digital markets are evolving ✤ U.S., U.K. are the primary digital markets; Brazil growing ✤ Slowing rate of digital growth in the U.S. ✤ Digital demand now moving to fixed-price markets ✤ Stronger growth expected in markets like France, Germany, others ✤ Differential VAT rates may play a role
  • 17. Trends affecting product metadata ✤ Acquisition (print and digital together) ✤ Licensing and pricing (common for print and digital) ✤ Marketing - a mix of local art and science ✤ Rights and royalties ✤ Production and operations ✤ User-generated metadata increasingly important (reviews, lists, etc.)
  • 18. So what does this mean? ✤ Digital is breaking out in lots of places, but not all at once ✤ Increased visibility = transparency on availability, price awareness ✤ Inconsistent print and digital metadata is visible and may hurt sales ✤ Digital is putting pressure on traditional models for territorial rights
  • 20. Communicating rights clearly Contracts With author and agent With distributors With retailers Feeds “Available for sale” “Not available for sale” Price (tax inclusive, tax exclusive) Limitations (may vary by markets)
  • 21. Problems with rights descriptions ✤ Contracts typically start as documents, not databases ✤ There is no “standard” application ✤ Worldwide (or worldwide “excluding ...”) ✤ Specific markets ✤ Specific languages ✤ Usage and exceptions ✤ “Handshake” agreements: formats required vary by recipient ✤ No one has a full, easily accessible view of rights
  • 22. Moving forward ... ✤ Digitize contracts: obtain rights information from a database, not an interpretation ✤ Push for more standard, widely used definitions, working with IFRRO, Editeur (ONIX 3.0), BISG, ISO ✤ Internal to your organization: “Rights Central”, a core part of a publisher’s added value ✤ While you are doing this: talk to your supply-chain partners
  • 23. “Making metadata effective” ✤ Metadata is the key to online and digital product discovery ✤ Metadata should be harmonized for comparable products (physical and digital) ✤ Metadata is visible everywhere; plan accordingly ✤ Rights (a digital mess) need near-term care and feeding

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