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Topic: Dryden’s view on three
unities
Paper: 3 ( Literary theory and criticism )
Name: Bhatt Urvi P.
Roll no. 36
Class: sem-1
P.G.Enrollment No. : PG13101004
Seat No. : 1130036
Email id: bhatt.urvi22@gmail.com
Submitted to: Smt S.B.Gardy
Department of English Maharaja
Krishnakumarsinhji Bhavnagar University
Bhavnagar
(Gujarat-India)
THREE UNITIES
OF DRAMA

TIME

PLACE

ACTION
Introduction:

Dryden(1631-1700)
An English poet, dramatist and
critic.
Literary figure of restoration age.
‘ An Essay of Dramatic Poesy ’(1668)
Father of literary English criticism.
Battle of the ancients
and moderns-the
critical comparison of
Greek and Roman
authors more resent
once was fought.
The two sides as a
debate among four
friends.
Prefers the lively
English Drama to
lifeless French tragedy
Believes to write
without regard for the
prescription for good
writing.
Dryden’s defense on the violation
of three unities:
Gives copiousness and variety to the
English plays
French plays are often betrayed into
absurdities from which English plays
are free.
Disregarded of unities enable them to
give ‘just’ and ‘lively’ picture of human
nature.
French plays are regular but not live.
Shakespeare’s plays are close to
human life.

English observes the rules as Ben
Jonson did in ‘Silent Woman’
Shows better skill than French
playwrights.
Observing rules depends upon
‘genius’ or ‘skill’ of the writer.
‘Sub-plot’ brings
variety, richness and
liveliness.
French had narrow and
cramped plays.

Results in improbability.
Gives strain on the
imagination of the
spectators.
Lisideius argues :
“ we cannot so speedily
recollect ourselves after a
scenes of great passion
and concernment to pass
to another of mirth and
humor and to enjoy it
with any relish.”
Neander replied :
“ why should he imagine
the soul of man more
heavy than his senses?
Does not the eye pass
from an unpleasant object
to a pleasant in a much
shorter time?
“gratification of senses is
primary, secondary that
of soul”
Conclusion:
Dr. Johnson writes “the stage is a stage
and the play is a play.”
Dryden believes that if the ends of
drama are better fulfilled by a violation
of the unities
There is no harm in violating them.
Shakespeare has produced more ‘just’
and ‘lively’ plays
Though he has utterly disregarded the
unities.
John Dryden's vi8ew on Three Unities

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John Dryden's vi8ew on Three Unities

  • 1.
  • 2. Topic: Dryden’s view on three unities Paper: 3 ( Literary theory and criticism ) Name: Bhatt Urvi P. Roll no. 36 Class: sem-1 P.G.Enrollment No. : PG13101004 Seat No. : 1130036 Email id: bhatt.urvi22@gmail.com Submitted to: Smt S.B.Gardy Department of English Maharaja Krishnakumarsinhji Bhavnagar University Bhavnagar (Gujarat-India)
  • 3.
  • 5. Introduction: Dryden(1631-1700) An English poet, dramatist and critic. Literary figure of restoration age. ‘ An Essay of Dramatic Poesy ’(1668) Father of literary English criticism.
  • 6. Battle of the ancients and moderns-the critical comparison of Greek and Roman authors more resent once was fought. The two sides as a debate among four friends.
  • 7. Prefers the lively English Drama to lifeless French tragedy Believes to write without regard for the prescription for good writing.
  • 8. Dryden’s defense on the violation of three unities: Gives copiousness and variety to the English plays French plays are often betrayed into absurdities from which English plays are free. Disregarded of unities enable them to give ‘just’ and ‘lively’ picture of human nature. French plays are regular but not live.
  • 9. Shakespeare’s plays are close to human life. English observes the rules as Ben Jonson did in ‘Silent Woman’ Shows better skill than French playwrights. Observing rules depends upon ‘genius’ or ‘skill’ of the writer.
  • 10. ‘Sub-plot’ brings variety, richness and liveliness. French had narrow and cramped plays. Results in improbability. Gives strain on the imagination of the spectators.
  • 11. Lisideius argues : “ we cannot so speedily recollect ourselves after a scenes of great passion and concernment to pass to another of mirth and humor and to enjoy it with any relish.”
  • 12. Neander replied : “ why should he imagine the soul of man more heavy than his senses? Does not the eye pass from an unpleasant object to a pleasant in a much shorter time? “gratification of senses is primary, secondary that of soul”
  • 13. Conclusion: Dr. Johnson writes “the stage is a stage and the play is a play.” Dryden believes that if the ends of drama are better fulfilled by a violation of the unities There is no harm in violating them. Shakespeare has produced more ‘just’ and ‘lively’ plays Though he has utterly disregarded the unities.