Bienvenido Bones Bañez, Jr., Life and Work/ John Milton and Surrealmageddon, Selected Exhibitions, Reviews and Publications and References on the art world documentary contextual. Purpose for Wikipedia, WikiProject, Wikidata, Wikimedia, Everipedia, Infogalactic, Prabook Encyclopedia, Britannica Encyclopedia, EverybodyWiki, Wikibooks, Wikiversity, Wikinews, Wikisource (library), Common (media), Wikitionary (dictionary). This

1. Bienvenido “Bones” Banez, Jr.
Life and work[edit]
Bienvenido "Bones" Banez, Jr. was born on June 7, 1962 in Davao City, Philippines.[3] He studied
at the Learning Center of the Arts (now Ford Academy of the Arts) in that city, where one of his
tutors was Victorio C. Edades, Jr.[4]
In 2002 he won the Asian Fellowship Painting Competition of the Vermont Studio Center in
Vermont, USA.[1]:47
In 2004, Bañez went to New York where he now lives. In 2010, he was included in Lexikon der
phantastischen Künstler.[1]:47
He is a Board Member of the Williamsburg Circle of International Arts and Letters.
Between 2009 and 2014 several drawings and paintings were acquired for the Robert J.
Wickenheiser John Milton collection at the University of South Carolina.
In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and he was
named to the editorial board of Emanations, a print anthology of poetry, fiction and essay
published by International Authors.
John Milton and “Surrealmageddon”
Following the model of his colleague and sometime collaborator Terrance Lindall, Bañez has
devoted considerable energies to projects inspired by poet John Milton. While there is much to
commend, the philosophical relationship between Bañez and Milton is weakened by the popular
influence of William Blake and his lensed reading of Milton, which is clearly flawed. The
influence of Blake is not unusual, however, among artists and poets, to whom Blake is awarded
the status of “prophet”, as if artistic and poetic enthusiasm is more important than a careful and
accurate reading of poetic texts emphasizing the careful identification of historical and
philosophical contexts. Among inspired poets and painters, Bañez’s amplification of the
“heroic” status of Milton’s Satan is among the more intriguing and detailed expressions of such
“Beatnik” misreadings. Of course, such misconception is arguably appropriate to our times, and
is itself an enactment of Bañez’s hermeneutical technique.
An intriguing theme in Bañez’s work is his protean notion of “Surrealmageddon”. A fusion of
early-20th
Century Surrealistic theorizing, satire, faux-occult posturing, Blakean readings of John

2. Milton, Terrance Lindall’s outspoken criticism of the politics of the contemporary art “scene”,
and apocalyptic Jewish and Christian eschatology, the concept of “Surrealmageddon” lends
hermeneutic coherence to the dynamic and unsettling figures that populate Bañez’s canvases.
Obscure, ironic, and horrific, the notion of Surrealmageddon underscores a manifold vision of
globalism, contemporary fascism, ecological devastation, cultural decline, and provocative
species of existential and theological skepticism. Drawing unevenly on Bañez’s concept, the
collaborative Introduction appearing in the third volume of International Authors’ arts anthology,
Emanations: Third Eye amply dilates on the idea to remarkable (and humorous) effect.
Selected exhibitions[edit]
 Dinner with the Devil [5] Williamsburg Art & Historical Center, Brooklyn, New York,
USA, Sept 19, 2014
 Satanic Verses Reading [6] Williamsburg Art & Historical Center, Brooklyn, New York,
USA, Sept, 2014
 The first presentation of The Satanic Verses of Bones Bañez Williamsburg Art &
Historical Center, Brooklyn, New York, USA, Jan 25, 2014
 Satan’s Peculiar Grace[7] 14th Annual WAH Salon Art Club Show, Williamsburg Art &
Historical Center, Brooklyn, New York, USA, Jan 26-Feb 24, 2013
 The Society For Art Of Imagination Exhibition,[8] Phantasten Museum
(Phantastenmuseum Wien), Palais Palffy; Vienna, Austria 2012
 WAH's 16th Anniversary, The Grand Harvest:[9] International Juried Show with Awards,
WAH Center, Brooklyn, NY, USA, Oct 27-Dec 9, 2012
 The Visionaries Show at the QCC Art Gallery,[10] Queensborough Community College,
New York, USA. "Visionaries: The Art Of The Fantastic" July 12, 2012 - to September
20, 2012
 Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit,[11] WAH
Center, Brooklyn, NY, USA, April 14–15, 2012
 WAH Salon Art Club,[12] WAH Center, Brooklyn, NY, USA: 2011, 2010, 2009, 2008,
2007, 2006
 Fifty Year Fantastic,[13] The Society for Art of Imagination, United Kingdom, London,
2010
 Great Artists Exhibit,[14] Museo Dabawenyo, Davao, Philippines, 2010
 Selected Contemporary Works From The Permanent Collection, PART 2 (2002–
Present),[15] Williamsburg Art & Historical Center, Brooklyn, New York, USA
 Paradise Lost Festival and Exhibit Celebrating Milton's 400th Birthday,[16] 2008
 Brave Destiny Exhibit,[17] WAH Center, Brooklyn, NY, USA, 2003
Reviews and publications[edit]
 Poetry: “The Electric Tree of Knowledge”, “Diabolyric #1”, “Diabolyric #2”, pp. 230-
283; illustrations: 28, 281, 282. Kaplan, Carter, Ed. (2021). Emanations: When a Planet
was a Planet. p. xvi. Brookline, Massachusetts: International
Authors. ISBN 9798473980073 Search this book on ..
 Illustration: p. 138. Kaplan, Carter, Ed. (2020). Octo-Emanations. Brookline,
Massachusetts: International Authors. ISBN 9798668854769 Search this book on ..

3.  Special section: Emanations: My Other Body is Something Else, “Lamentations of a
Junior Athenian”. Illustrations: pp. 68, 141; in Kaplan, Carter, Ed. (2018). Emanations:
Chorus Pleiades. p. xvi. Brookline, Massachusetts: International
Authors. ISBN 9781729772539 Search this book on ..
 Illustration. Kaplan, Carter, Ed. (2018). Echoes. Brookline, Massachusetts: International
Authors. ISBN 9781721136599 Search this book on ..


 Illustrations: pp. 45,135. Kaplan, Carter, Ed. (2017). Emanations: I Am Not a Number.
Brookline, Massachusetts: International Authors. ISBN 9781545422588 Search this
book on ..
 Illustration: p. 138. Kaplan, Carter, Ed. (2016). Emanations: Foray into Forever.
Brookline, Massachusetts: International Authors. ISBN 9781499703719 Search this
book on ..
 Bañez, Bienvenido Bones and Dr Horace Jeffery Hodges (2014) The Satanic Verses of
Bones Bañez - Signed by Authors and Artist, Paperback, Yuko Nii Foundation; 1ST
edition (2014). ISBN 1495117340 Search this book on .. ISBN 978-1495117343 Search
this book on ..
 Illustrations: 304, 305; “Statement and Confession”, p. 303; contribution to the
Introduction, “Surrelamageddon,” which includes the work of various scholars, poets and
visual artists. Kaplan, Carter, Ed. (2013). Emanations: Third Eye. p. xvi. Brookline,
Massachusetts: International Authors. ISBN 0615494404 Search this book on ..
 Illustration, p. 56. Kaplan, Carter, et al. (2012). Emanations: Second Sight. The second
anthology showcasing the work of thirty writers from around the world, with illustrations
by various artists. Brookline, Massachusetts: International
Authors. ISBN 9781491257081 Search this book on ..
 Visionaries: The Art of the Fantastic, 1st Edition. ISBN 1936658143 Search this book
on .. 2012: QCC Art Gallery Press.
 Lindall, Terrance (2012) with commentary by John Milton's Paradise Lost,
p. 53. ISBN 978-1-4675-6146-4 Search this book on .. 2012: Yuko Nii Foundation.
 Surrealism in the Philippines (An interview with multidisciplinary artist and writer
Danny Castillones Sillada).[18] 2012: ArtSlant, New York.
 Visionaries: the Art of the Fantastic,[19] a Queens Public Television review.
 Himmelblau, Ulrich Goette (2010). Who's Who in Visual Art 2010-2011: 100 Artists in
Painting, Graphic Arts, Digital Arts, Sculpture. 2010: Art Domain Whois
Verlag. ISBN 3981347404 Search this book on ..
 Rapp, Otto (2010). Visionary Art Yearbook 2010-2011;[20] Canada: Otto Rapp.
 Somozo, Phillip (Jan-Feb 2010). Mindanaoan Artist in Lexicon of Surrealism,[21] p. 48.
Manila: Filipinas Mag.
 Somozo, Phillip (2009). Mindanaoan Artist Visual Irony in Lexicon of
Surrealism,[22] Ang Dabawenyo.
 Habarta, Gerard (2009). Lexikon der phantastischen Künstler.[23] Encyclopedia of
Fantastic & Surrealistic & Symbolist & Visionary Artists. Germany: Books on Demand.
pp. 47–48. ISBN 3837084272 Search this book on ..

4.  Ayala, Tita Lacambra, and Ricardo M. Ungria (2008). Davao Harvest 2.[24] Manila,
Philippines: National Commission for Culture and the Arts. ISBN 9718141162 Search
this book on ..
 Lindall, Terrance. What’s New in the Surreal World,[25] p. 164. March 2006: Art and
Antiques Magazine.
 Ramirez, Eileen Legaspi (2006). Crossbred and Emigre: Visual Art in a
Flux[26] (Commissioned Article). Manila: National Commission for Culture and the Arts.
 Datuin, Flaudette May V. and Alya Honasan (1998) PANANAW: Philippine Journal of
Visual Arts (Vol. 2).[27] Manila, Philippines: National Commission for Culture and the
Arts.
 Index of Painters and Sculptors Biography and Works Around the World[28]
References[edit]
1. ↑ Jump up to:
1.0 1.1 1.2 Gerhard Habarta (2013). Lexikon der phantastischen Künstlerinnen et Künstler:
Surrealisten, Phantasten, Symbolisten, Visionäre. Norderstedt: Books on Demand. ISBN
9783848263073.[unreliable source?]
2. ↑ "Mindanaoan Artist in Lexicon of Surrealism". Filipinas Mag. Retrieved 2014-05-05.
3. ↑ "Bienvenido Bones Bañez, Jr. by Phillip Somozo". James Baldwin Cohen. Retrieved 2014-01-
09.
4. ↑ Revisiting the Art of Victorio Edades., M Magazine: Life and Living in Mindanao, Issue No. 2,
July 2008, p. 44. Margot Marfori writes: "Edades and Aida Ford encouraged talent to flourish
and flower further. Evidence of this is seen in one of the students of the very first group under his
tutelage in the Center. Ben Bañez, for example, who is now based in New York City was recently
conferred as one of the foremost surrealist painters of the world."
5. ↑ "Archive - Thought Gallery, New York". Retrieved 10 December 2017.
6. ↑ "Archive - Gypsy Scholar by Horace Jeffery Hodges". Retrieved 10 December 2017.
7. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
8. ↑ "Society for Art of Imagination Exhibition Phantasten Museum Vienna". Fantastic Visions.
Retrieved 4 October 2014.
9. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
10. ↑ "QCC Art Gallery". Retrieved 4 October 2014.
11. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
12. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
13. ↑ "Member Gallery". Society for Art of Imagination. Retrieved 4 October 2014.
14. ↑ "Great artists exhibit at Museo Dabawenyo". www.sunstar.com.ph. Retrieved 4 October 2014.
15. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
16. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
17. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014.
18. ↑ "ArtSlant - Surrealism in the Philippines (An interview with multidisciplinary artist and writer
Danny Castillones Sillada)". ArtSlant. Retrieved 4 October 2014.
19. ↑ "Visionaries: The Art of the Fantastic - qptv.org". Retrieved 4 October 2014.
20. ↑ "Visionary Art Yearbook 2010 - 2011". Fantastic Visions. Retrieved 4 October 2014.
21. ↑ http://www.filipinasmag.com/webmag/1003/26.swf
22. ↑ http://www.angdabawenyo.com/2009/10/12/mindanaoan-artist-visual-irony-in-lexicon-of-
surrealism/
23. ↑ "Der Autor". Retrieved 4 October 2014.

5. 24. ↑ "The long wait for "Davao Harvest 2" is over". Retrieved 4 October 2014.
25. ↑ http://kellynewcomer.com/pdf/0603Surrealism_Lindall.pdf
26. ↑ "National Commission for Culture and the Arts". Retrieved 4 October 2014.
27. ↑ "PANANAW: Philippine Journal of Visual Arts (Vol. 2) - Asia Art Archive". Retrieved 4
October 2014.
28. ↑ http://www.settemuse.it/pittori_index/B05.htm
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