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You Bought It,
 But Do Y Own
 B t D You O It?
       February 14, 2013
             Bill Rosenblatt
GiantSteps Media Technology Strategies
        www.giantstepsmts.com
billr@giantstepsmts.com 212 956 1045
What happens when you buy a book?
You can…

Read it
Lend it
Sell it
Give it away
            y
Use as doorstop
What happens when you buy an ebook?
You can…

Read it
~ Lend it
Sell it
Give it away
            y
Sync devices
Use as doorstop
What happens when you buy a
      DRM-free
      DRM free ebook?
You can…

Read it
Lend it
Sell it
Give it away
            y
Sync devices
Use as doorstop
You may…*

                 Read it
                 ~ Lend it
                 Sell it
                 Give it away
                             y
                 Sync devices
                 Use as doorstop

*In
*I most cases.
      t
Why?
Sale vs. License

       Physical Products                 Digital Downloads
   Sale                             License (EULA)
   Copyright bundle of rights       Store s
                                      Store’s Terms of Use
   Store is a seller                Store is a licensor
   User is a buyer                  User is a licensee
   Publisher and seller cannot      Publisher and seller can set
    restrict rights                   whatever rights they want
The First Sale Doctrine
                    (17 USC § 109)

 “…the owner of a particular copy or phonorecord
      the
  lawfully made under this title, or any person authorized
  by such owner, is entitled, without the authority of the
    y            ,          ,                     y
  copyright owner, to sell or otherwise dispose of the
  possession of that copy or phonorecord.”
Thanks to First Sale…
Digital First Sale
What Is Digital First Sale?

      Read it
      Lend it
      Sell it
      Give it away
                  y
       Sync devices
      Use as doorstop
Sounds great…
…but do we* really want this?




*Authors,   publishers, distributors, retailers
Disruptive Implications: Retail

  Anyone can resell their files
  Marketplaces will appear
  Big e-retailers will add resale
  Don’t forget eBay
             g      y
  Price will be the only differentiator
  Digital resale will be a must have
                            must-have
Disruptive Implications: Retail
Disruptive Implications: Retail
SELL YOUR EBOOKS. GET GIFT CARDS.
Just click to return them and get up to 70% back
                                            back.

                            JOIN OUR RESELLERS NETWORK TODAY.
                            Get dit f
                            G t credits for returning ebooks. R t th f t f
                                              t i b k Return them faster for
                            more credit. Earn bonuses for returning more!

THE HUNGER GAMES VII NOW AVAILABLE!                        Publisher gets revenue
$9.99 New
$7.99 from our Resellers’ Network, while supplies last
                                                           Publisher gets no revenue
                                                                     g

                            AUTHORS: PUBLISH WITH US.
                            New: earn royalties from our Resellers’ Network!
Frontlist Revenue




$
    Digital First Sale


                    Time
And Now, the Punch Line
Disruptive Implications: Libraries

    Libraries can lend ebooks freely
    Publishers can’t forbid or restrict
    Copies last forever, don’t wear out
    No more confusion & complexity
                                p y
Big 6 Trade Publishers
          Library E l di Policies
          Lib     E-lending P li i
Publisher            Policy                        Pricing
Hachette Book Group Backlist only, published       Higher than consumer
                    April 2010 or earlier
HarperCollins        26 loans per title
Macmillan            Limited catalog, 2 years or
                     52 loans per title
Penguin              1 year per title starting 6
                     months after pub date
Random House
R d H                Full t l
                     F ll catalog, no restrictions Hi h than consumer
                                         t i ti    Higher th
Simon&Schuster       No licensing to libraries
With Digital First Sale

Publisher            Policy                      Pricing
Hachette Book Group Full catalog, no restrictions Same as consumer
HarperCollins        Full catalog, no restrictions Same as consumer
Macmillan            Full catalog, no restrictions Same as consumer
Penguin              Full catalog, no restrictions Same as consumer
Random House         Full catalog, no restrictions Same as consumer
Simon&Schuster       Full catalog, no restrictions Same as consumer
Legal Developments
Litigation: Sale vs. License

 The Duck Test
   –   Looks/quacks/swims like a duck
   –   If license terms are enough like a sale, should it be treated as a sale?
   –   Answer: unclear*
   –   Contrapositive is settled law:
       if it doesn’t look/quack/swim like a duck, it’s not a duck
                          q                       ,
 Recent relevant cases
   – Quality King Distributors v. L’anza (Supreme Court, 1998)
   – Vernor v. Autodesk (9th Circuit, 2010)



                                                   *In United States
Amazon’s Terms of Use
             Kindle b k
             Ki dl ebooks
 “… the Content Provider grants you a non-exclusive
                                         non exclusive
  right to view, use, and display such Kindle Content an
  unlimited number of times, solely on the Kindle or a
                              ,     y
  Reading Application … solely for your personal, non-
  commercial use. Kindle Content is licensed, not sold,
  to you by the Content Provider.”
Amazon’s Terms of Use
                MP3 M i
                     Music
 “…you may not redistribute transmit, assign, sell
      you            redistribute, transmit assign sell,
  broadcast, rent, share, lend, modify, adapt, edit, license
  or otherwise transfer or use the Music Content. We do
  not grant you any synchronization, public performance,
  promotional use, commercial sale, resale, reproduction
  or distribution rights for the Music Content.”
Copyright Office 2001 Report

Copyright Office: copyright advisor to Congress
Asked to provide opinion on Digital First Sale
Can’t trust users to take step of deleting files
Requires universal “forward and delete” scheme
   q
Such mechanism not practical
…so
 so therefore let’s leave well enough alone
                 let s
Technical Implications

Forward-and-Delete
Forward and Delete mechanism
Would have to delete all copies: backups, synced, etc.
Questions about whether copies made during this
 process are “incidental” or infringing
IEEE P1817 standard for “Consumer Ownable Digital
 Personal Property” – a DRM-like scheme
             p y
Business Developments
Digital Resale Businesses

 Lexink
   – UNLODER forward-and-delete technology
 ReDigi
   – Resell MP3s purchased on iTunes & Amazon
 ReKiosk
   – Resell content where owner has given permission
 Failures: Weed, Peer Impact, File-Cash, Bitmunk, Bopaboo
   – All music, some using DRM or watermarking
            i          i            t     ki
 Enables resale of MP3 music files
   – Takes a cut
   – Gives labels or artists a cut
 Detects MP3s user bought from Amazon & iTunes
   – Looks at metadata and watermarks in files
 Implements forward-and-delete
   – Deletes copies on, attached to, or copied to your PC/Mac
   – Probably can’t delete synced copies on your phone
              can t
 Moving into ebooks
ReDigi’s Legal Quandaries

 Being sued by Capitol Records (EMI)
 Seen as test case for Digital First Sale
 Yet even if Digital First Sale holds:
   – Users violate retailers’ Terms of Use*,
     but do copyright rights trump Terms of Use?
   – If label/publisher gets a cut of the resale,
     is it still First Sale?
   – Are copies made to implement forward-and-delete?
                                       forward and delete?
     If so, are they “incidental” or infringing?

*E
 Especially
      i ll    Amazon’s.
              A     ’
Publishers vs. Libraries

 Service providers (OverDrive 3M Baker & Taylor) license
                     (OverDrive, 3M,
  ebooks on libraries’ behalf
 Confusing tangle of licensing restrictions
 War of words between ALA and publishers
 Libraries claim to help sales through discovery
 Publishers skeptical, despite recent OverDrive study
 Libraries probably doomed unless law changes
Strange Bedfellows:
The Owners’ Ri ht Initiative
Th O       ’ Rights I iti ti




     “If you bought it you own it”
      If            it,        it
Strange Bedfellows:
The Owners’ Ri ht Initiative
Th O       ’ Rights I iti ti
Who Wins and Who Loses?
               A First Guess
Winners                                       Losers
                      Users
                     Authors
                         h
                    Publishers
            Retailers that sell “used”
          Retailers that don’t sell “used”
                     Libraries
Questions and Discussion?
                Bill Rosenblatt
  GiantSteps Media Technology Strategies
            www.giantstepsmts.com
  billr@giantstepsmts.com
  billr@giantstepsmts com 212 956 1045
          Twitter: @copyrightandtec
       Blog: copyrightandtechnology.com

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You bought it, but do you own it?

  • 1. You Bought It, But Do Y Own B t D You O It? February 14, 2013 Bill Rosenblatt GiantSteps Media Technology Strategies www.giantstepsmts.com billr@giantstepsmts.com 212 956 1045
  • 2. What happens when you buy a book?
  • 3. You can… Read it Lend it Sell it Give it away y Use as doorstop
  • 4. What happens when you buy an ebook?
  • 5. You can… Read it ~ Lend it Sell it Give it away y Sync devices Use as doorstop
  • 6. What happens when you buy a DRM-free DRM free ebook?
  • 7. You can… Read it Lend it Sell it Give it away y Sync devices Use as doorstop
  • 8. You may…* Read it ~ Lend it Sell it Give it away y Sync devices Use as doorstop *In *I most cases. t
  • 10. Sale vs. License Physical Products Digital Downloads  Sale  License (EULA)  Copyright bundle of rights  Store s Store’s Terms of Use  Store is a seller  Store is a licensor  User is a buyer  User is a licensee  Publisher and seller cannot  Publisher and seller can set restrict rights whatever rights they want
  • 11. The First Sale Doctrine (17 USC § 109)  “…the owner of a particular copy or phonorecord the lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the y , , y copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord.”
  • 12. Thanks to First Sale…
  • 14. What Is Digital First Sale? Read it Lend it Sell it Give it away y Sync devices Use as doorstop
  • 16. …but do we* really want this? *Authors, publishers, distributors, retailers
  • 17. Disruptive Implications: Retail Anyone can resell their files Marketplaces will appear Big e-retailers will add resale Don’t forget eBay g y Price will be the only differentiator Digital resale will be a must have must-have
  • 19. Disruptive Implications: Retail SELL YOUR EBOOKS. GET GIFT CARDS. Just click to return them and get up to 70% back back. JOIN OUR RESELLERS NETWORK TODAY. Get dit f G t credits for returning ebooks. R t th f t f t i b k Return them faster for more credit. Earn bonuses for returning more! THE HUNGER GAMES VII NOW AVAILABLE! Publisher gets revenue $9.99 New $7.99 from our Resellers’ Network, while supplies last Publisher gets no revenue g AUTHORS: PUBLISH WITH US. New: earn royalties from our Resellers’ Network!
  • 20. Frontlist Revenue $ Digital First Sale Time
  • 21. And Now, the Punch Line
  • 22. Disruptive Implications: Libraries Libraries can lend ebooks freely Publishers can’t forbid or restrict Copies last forever, don’t wear out No more confusion & complexity p y
  • 23. Big 6 Trade Publishers Library E l di Policies Lib E-lending P li i Publisher Policy Pricing Hachette Book Group Backlist only, published Higher than consumer April 2010 or earlier HarperCollins 26 loans per title Macmillan Limited catalog, 2 years or 52 loans per title Penguin 1 year per title starting 6 months after pub date Random House R d H Full t l F ll catalog, no restrictions Hi h than consumer t i ti Higher th Simon&Schuster No licensing to libraries
  • 24. With Digital First Sale Publisher Policy Pricing Hachette Book Group Full catalog, no restrictions Same as consumer HarperCollins Full catalog, no restrictions Same as consumer Macmillan Full catalog, no restrictions Same as consumer Penguin Full catalog, no restrictions Same as consumer Random House Full catalog, no restrictions Same as consumer Simon&Schuster Full catalog, no restrictions Same as consumer
  • 26. Litigation: Sale vs. License  The Duck Test – Looks/quacks/swims like a duck – If license terms are enough like a sale, should it be treated as a sale? – Answer: unclear* – Contrapositive is settled law: if it doesn’t look/quack/swim like a duck, it’s not a duck q ,  Recent relevant cases – Quality King Distributors v. L’anza (Supreme Court, 1998) – Vernor v. Autodesk (9th Circuit, 2010) *In United States
  • 27. Amazon’s Terms of Use Kindle b k Ki dl ebooks  “… the Content Provider grants you a non-exclusive non exclusive right to view, use, and display such Kindle Content an unlimited number of times, solely on the Kindle or a , y Reading Application … solely for your personal, non- commercial use. Kindle Content is licensed, not sold, to you by the Content Provider.”
  • 28. Amazon’s Terms of Use MP3 M i Music  “…you may not redistribute transmit, assign, sell you redistribute, transmit assign sell, broadcast, rent, share, lend, modify, adapt, edit, license or otherwise transfer or use the Music Content. We do not grant you any synchronization, public performance, promotional use, commercial sale, resale, reproduction or distribution rights for the Music Content.”
  • 29. Copyright Office 2001 Report Copyright Office: copyright advisor to Congress Asked to provide opinion on Digital First Sale Can’t trust users to take step of deleting files Requires universal “forward and delete” scheme q Such mechanism not practical …so  so therefore let’s leave well enough alone let s
  • 30. Technical Implications Forward-and-Delete Forward and Delete mechanism Would have to delete all copies: backups, synced, etc. Questions about whether copies made during this process are “incidental” or infringing IEEE P1817 standard for “Consumer Ownable Digital Personal Property” – a DRM-like scheme p y
  • 32. Digital Resale Businesses  Lexink – UNLODER forward-and-delete technology  ReDigi – Resell MP3s purchased on iTunes & Amazon  ReKiosk – Resell content where owner has given permission  Failures: Weed, Peer Impact, File-Cash, Bitmunk, Bopaboo – All music, some using DRM or watermarking i i t ki
  • 33.  Enables resale of MP3 music files – Takes a cut – Gives labels or artists a cut  Detects MP3s user bought from Amazon & iTunes – Looks at metadata and watermarks in files  Implements forward-and-delete – Deletes copies on, attached to, or copied to your PC/Mac – Probably can’t delete synced copies on your phone can t  Moving into ebooks
  • 34. ReDigi’s Legal Quandaries  Being sued by Capitol Records (EMI)  Seen as test case for Digital First Sale  Yet even if Digital First Sale holds: – Users violate retailers’ Terms of Use*, but do copyright rights trump Terms of Use? – If label/publisher gets a cut of the resale, is it still First Sale? – Are copies made to implement forward-and-delete? forward and delete? If so, are they “incidental” or infringing? *E Especially i ll Amazon’s. A ’
  • 35. Publishers vs. Libraries  Service providers (OverDrive 3M Baker & Taylor) license (OverDrive, 3M, ebooks on libraries’ behalf  Confusing tangle of licensing restrictions  War of words between ALA and publishers  Libraries claim to help sales through discovery  Publishers skeptical, despite recent OverDrive study  Libraries probably doomed unless law changes
  • 36. Strange Bedfellows: The Owners’ Ri ht Initiative Th O ’ Rights I iti ti “If you bought it you own it” If it, it
  • 37. Strange Bedfellows: The Owners’ Ri ht Initiative Th O ’ Rights I iti ti
  • 38. Who Wins and Who Loses? A First Guess Winners Losers Users Authors h Publishers Retailers that sell “used” Retailers that don’t sell “used” Libraries
  • 39. Questions and Discussion? Bill Rosenblatt GiantSteps Media Technology Strategies www.giantstepsmts.com billr@giantstepsmts.com billr@giantstepsmts com 212 956 1045 Twitter: @copyrightandtec Blog: copyrightandtechnology.com