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Project 1:
Illuminated Letter




Portfolio Design
Your
  Challenge:
     cREATE AN
ILLUMINATED LETTER
  THAT REPRESENTS
YOU, IN THE STYLE OF
     A MEDIEVAL
   ILLUMINATION
Step one
        IDEA
BRAINSTORM IMAGES TO
INCLUDE ON YOUR
ILLUMINATED LETTER
DESIGN. NO CLICHES! BE
MORE CREATIVE THAN
THAT! sketch A MINIMUM
OF 5 (AIM FOR 8 IMAGES)
MEANINGFUL IMAGES
Don’t draw the design
for your letter
yet….JUST THE IMAGES YOU
WANT TO INCLUDE
Step TWO: plan
TRACE TEMPLATE into sketchbook
   twice FOR THUMBNAIL SIZE.
    Create two completely
   different plans for your
       illuminated letter

pICK A LETTERING STYLE FROM THE
PACKET OR FROM THE BLOG, DRAW
         IN YOUR LETTER

dECIDE ON A BORDER SHAPE/STYLE


  BEGIN TO INTEGRATE IN YOUR
 IMAGES TO YOUR LETTER, ADD IN
PATTERNS, ETC. Everything from
    your requirements list
dESIGN rEQUIREMENTS
-YOUR INITIAL (OF FIRST NAME
OR LAST NAME) (USE THE SITES
LINKED ON THE BLOG FOR FONT
IDEAS)


-A very INTRICATE, DETAILED
BORDER


-different TYPES OF LINE (zig-
zag, curly, curvy, straight,
thick, thin, wavy, erratic,
etc.)
dESIGN rEQUIREMENTS
-at least 3 UNIQUE PATTERNS


-AREAS OF OVERLAP


-Integrate youR
BRAINSTORMED IMAGES INTO
YOUR DESIGN. WRAP THEM
AROUND YOUR INITIAL, TIE
THEM TO THE BORDER, MAKE
THEM INTO A PATTERN, Enlarge
portions of an object, ETC.
Be inventive!!
Illuminated letter rubric
BEFORE YOU GO ON

pLEASE SHOW ME
    YOUR 2
  THUMBNAILS
  BEFORE YOU
 CONTINUE ON
   TO STEP 3.
Materials Workshop
     crayon
Please open to a new half of
a page in your sketchbook,
immediately after the
section where you’ve been
planning your illuminated
letter

Label the area: materials
workshop – crayon
Materials Workshop
     CRAYON
-light value (light
pressure)

-dark value (heavy pressure)

-layered color

-gradation (fade from
light to dark

-Fade (from one color to
another)
Step three
         refine
Choose your best thumbnail
sketch to enlarge and
refine.


 A. trace the template #2 in your
 sketchbook.

 b. ENLARGE YOUR BEST THUMBNAIL
 TO FILL THE SQUARE.

 C. Make it your best drawing
 possible – as you will trace your
 final from this drawing
Step FOUR
         PRACTICE
PLAN FOR THE NEXT STAGES OF
      YOUR DRAWING.
A. CHOOSE A COLOR SCHEME FOR YOUR
DRAWING

B. PLAN YOUR COLORS ON YOUR DRAFT
VERSION. THIS IS A DRAFT SO IT DOESN’T
NEED TO BE PERFECT – SHOW ME YOU
KNOW HOW TO USE DIFFERENT
BLENDING AND SHADING TECHNIQUES
AND PLAN THE LOCATION OF COLORS

c. Keep your colors balanced. Think
about what you want to emphasize!
STEP FIVE
Trace/ trANSFER to
 your final paper

a.  ASK THE TEACHER FOR A
  PIECE OF FINAL PAPER. tRACE
  YOUR DRAFT VERSION USING
  THE LIGHT-TABLE OR THE
  WINDOW

b.  OR re-draw your template
  #2 draft version onto
  final paper. DRAW LIGHTLY!
STEP six
        detailing
Refine your drawing with
those little extras and details
A. Add in extra embellishments,
details, lines, patterns, etc. to
make your drawing extremely
embellished.

b. SHOW HOW ATTENTIVE TO
CRAFTSMANSHIP YOU ARE! EXERCISE
ORIGINALITY AND PRIDE IN YOUR WORK
BY BEING DILIGENT AND PRECISE

c. gO OVER YOUR LINES WITH A
THIN SHARPIE MARKER
STEP seven
          COLORING
Use crayons like paint to ADD IN
COLOR TO TRULY ILLUMINATE YOUR
LETTER
A. REFERENCE YOUR DRAFT VERSION FOR COLORING
YOUR FINAL DRAWING.

b. LAYER AND MIX COLORS ATOP LIGHT Layers of
color to create new colors

C. Use areas of transition, blending and
fading of colors (orange transitioning to
orange yellow transitioning into yellow)

d. inCLUDE VALUE CHANGES (LIGHT GREEN FADING
TO DARK GREEN) AND SHOW DEPTH OF YOUR
OBJECTS THROUGH THE USE OF VALUE TO MAKE
THINGS APPEAR ROUND AND TOUCHABLE
Illuminated letter rubric
reflection
A. Circle what number you think you deserve on the rubric. Circle a number; not a whole
square! Be honest! Make at least one meaningful comment in the appropriate blank box on
the rubric’s right side.
B. Answer the following questions in complete sentences on the back of your rubric!

  1.Describe how you integrated at least 3 of your objects into your illuminated
  letter (ex: wrapping them around your letter; as a pattern, etc.)	

              	

Ex: I used my pencil to form the letter C. I also incorporated the
  ribbons to my ballet shoes by having them wrap around the letter C and trailing
  off into the border. My dinner plate was incorporated by enlarging the scale of
  it and having it cropped in the lower right corner, behind the C.	


  2.Describe in detail what 3 of the objects you incorporated represent or
  symbolize to you.	

             	

I chose to incorporate the dinner plate because it represents the
  family dinners that my mom hosts throughout the year when I am able to catch
  up with my brothers and sisters and their families. I also included my teaching
  certificate because that symbolizes all of the hard work I put into becoming a
  teacher, as well as how much I value my job. Another object I included that is
  symbolic to me is my wedding ring which represents the strong bond and
  friendship that I have with my husband. 	


  3.What is really successful about your illuminated letter and why is it so
  successful? Please do not say what you like about it. Nothing is not an answer	

             	

I was really successful at using a gradation of value from light to
  dark. Behind my initial I used red that faded from a light value into a really
  deep, dark value red. This was so successful because it brought emphasis to my
  letter C by contrasting with the cool colors used on the letter.	


  4.What could you improve about illuminated letter? How would this improve
  your design? Do not say what you dislike. Nothing is not an answer.	

             	

I could improve on the patterns I used in my illuminated letter. I
  think they weren’t as intricate and detailed as I could have made them and
  because of that the patterns tend to blend in with the background and do not
  make the drawing as interesting as could be.
accessioning



name of work: title

Description of work: what is it?

Dimensions: sIZE

aRT MEDIUM: WHAT MATERIALS DID YOU USE?

ARTISTIC CONCEPT: WHAT WERE WE LEARNING
WITH THIS PROJECT?

ARTIST’S REFLECTION: ANYTHING YOU WANT
TO SAY ABOUT THE PROJECT, PROCESS OR
OUTCOME
accessioning
Date: 9/27 or 9/28     Course: Studio Art

name of work: Illuminated Letter

Description of work: An Illuminated
Letter incorporating objects that are
personal and meaningful to me

Dimensions: 8” by 8”

aRT MEDIUM: Sharpie Marker and Crayon

ARTISTIC CONCEPT: Value; Emphasis;
Unity; Creativity and Concept Development

ARTIST’S REFLECTION: Anything you want
to say about the process; outcome or
project. Nothing is not an answer!

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Illuminated letter process

  • 2. Your Challenge: cREATE AN ILLUMINATED LETTER THAT REPRESENTS YOU, IN THE STYLE OF A MEDIEVAL ILLUMINATION
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17. Step one IDEA BRAINSTORM IMAGES TO INCLUDE ON YOUR ILLUMINATED LETTER DESIGN. NO CLICHES! BE MORE CREATIVE THAN THAT! sketch A MINIMUM OF 5 (AIM FOR 8 IMAGES) MEANINGFUL IMAGES Don’t draw the design for your letter yet….JUST THE IMAGES YOU WANT TO INCLUDE
  • 18. Step TWO: plan TRACE TEMPLATE into sketchbook twice FOR THUMBNAIL SIZE. Create two completely different plans for your illuminated letter pICK A LETTERING STYLE FROM THE PACKET OR FROM THE BLOG, DRAW IN YOUR LETTER dECIDE ON A BORDER SHAPE/STYLE BEGIN TO INTEGRATE IN YOUR IMAGES TO YOUR LETTER, ADD IN PATTERNS, ETC. Everything from your requirements list
  • 19. dESIGN rEQUIREMENTS -YOUR INITIAL (OF FIRST NAME OR LAST NAME) (USE THE SITES LINKED ON THE BLOG FOR FONT IDEAS) -A very INTRICATE, DETAILED BORDER -different TYPES OF LINE (zig- zag, curly, curvy, straight, thick, thin, wavy, erratic, etc.)
  • 20. dESIGN rEQUIREMENTS -at least 3 UNIQUE PATTERNS -AREAS OF OVERLAP -Integrate youR BRAINSTORMED IMAGES INTO YOUR DESIGN. WRAP THEM AROUND YOUR INITIAL, TIE THEM TO THE BORDER, MAKE THEM INTO A PATTERN, Enlarge portions of an object, ETC. Be inventive!!
  • 21.
  • 22.
  • 23.
  • 24.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31. BEFORE YOU GO ON pLEASE SHOW ME YOUR 2 THUMBNAILS BEFORE YOU CONTINUE ON TO STEP 3.
  • 32. Materials Workshop crayon Please open to a new half of a page in your sketchbook, immediately after the section where you’ve been planning your illuminated letter Label the area: materials workshop – crayon
  • 33. Materials Workshop CRAYON -light value (light pressure) -dark value (heavy pressure) -layered color -gradation (fade from light to dark -Fade (from one color to another)
  • 34. Step three refine Choose your best thumbnail sketch to enlarge and refine. A. trace the template #2 in your sketchbook. b. ENLARGE YOUR BEST THUMBNAIL TO FILL THE SQUARE. C. Make it your best drawing possible – as you will trace your final from this drawing
  • 35. Step FOUR PRACTICE PLAN FOR THE NEXT STAGES OF YOUR DRAWING. A. CHOOSE A COLOR SCHEME FOR YOUR DRAWING B. PLAN YOUR COLORS ON YOUR DRAFT VERSION. THIS IS A DRAFT SO IT DOESN’T NEED TO BE PERFECT – SHOW ME YOU KNOW HOW TO USE DIFFERENT BLENDING AND SHADING TECHNIQUES AND PLAN THE LOCATION OF COLORS c. Keep your colors balanced. Think about what you want to emphasize!
  • 36. STEP FIVE Trace/ trANSFER to your final paper a.  ASK THE TEACHER FOR A PIECE OF FINAL PAPER. tRACE YOUR DRAFT VERSION USING THE LIGHT-TABLE OR THE WINDOW b.  OR re-draw your template #2 draft version onto final paper. DRAW LIGHTLY!
  • 37. STEP six detailing Refine your drawing with those little extras and details A. Add in extra embellishments, details, lines, patterns, etc. to make your drawing extremely embellished. b. SHOW HOW ATTENTIVE TO CRAFTSMANSHIP YOU ARE! EXERCISE ORIGINALITY AND PRIDE IN YOUR WORK BY BEING DILIGENT AND PRECISE c. gO OVER YOUR LINES WITH A THIN SHARPIE MARKER
  • 38.
  • 39. STEP seven COLORING Use crayons like paint to ADD IN COLOR TO TRULY ILLUMINATE YOUR LETTER A. REFERENCE YOUR DRAFT VERSION FOR COLORING YOUR FINAL DRAWING. b. LAYER AND MIX COLORS ATOP LIGHT Layers of color to create new colors C. Use areas of transition, blending and fading of colors (orange transitioning to orange yellow transitioning into yellow) d. inCLUDE VALUE CHANGES (LIGHT GREEN FADING TO DARK GREEN) AND SHOW DEPTH OF YOUR OBJECTS THROUGH THE USE OF VALUE TO MAKE THINGS APPEAR ROUND AND TOUCHABLE
  • 40.
  • 41.
  • 43. reflection A. Circle what number you think you deserve on the rubric. Circle a number; not a whole square! Be honest! Make at least one meaningful comment in the appropriate blank box on the rubric’s right side. B. Answer the following questions in complete sentences on the back of your rubric! 1.Describe how you integrated at least 3 of your objects into your illuminated letter (ex: wrapping them around your letter; as a pattern, etc.) Ex: I used my pencil to form the letter C. I also incorporated the ribbons to my ballet shoes by having them wrap around the letter C and trailing off into the border. My dinner plate was incorporated by enlarging the scale of it and having it cropped in the lower right corner, behind the C. 2.Describe in detail what 3 of the objects you incorporated represent or symbolize to you. I chose to incorporate the dinner plate because it represents the family dinners that my mom hosts throughout the year when I am able to catch up with my brothers and sisters and their families. I also included my teaching certificate because that symbolizes all of the hard work I put into becoming a teacher, as well as how much I value my job. Another object I included that is symbolic to me is my wedding ring which represents the strong bond and friendship that I have with my husband. 3.What is really successful about your illuminated letter and why is it so successful? Please do not say what you like about it. Nothing is not an answer I was really successful at using a gradation of value from light to dark. Behind my initial I used red that faded from a light value into a really deep, dark value red. This was so successful because it brought emphasis to my letter C by contrasting with the cool colors used on the letter. 4.What could you improve about illuminated letter? How would this improve your design? Do not say what you dislike. Nothing is not an answer. I could improve on the patterns I used in my illuminated letter. I think they weren’t as intricate and detailed as I could have made them and because of that the patterns tend to blend in with the background and do not make the drawing as interesting as could be.
  • 44. accessioning name of work: title Description of work: what is it? Dimensions: sIZE aRT MEDIUM: WHAT MATERIALS DID YOU USE? ARTISTIC CONCEPT: WHAT WERE WE LEARNING WITH THIS PROJECT? ARTIST’S REFLECTION: ANYTHING YOU WANT TO SAY ABOUT THE PROJECT, PROCESS OR OUTCOME
  • 45. accessioning Date: 9/27 or 9/28 Course: Studio Art name of work: Illuminated Letter Description of work: An Illuminated Letter incorporating objects that are personal and meaningful to me Dimensions: 8” by 8” aRT MEDIUM: Sharpie Marker and Crayon ARTISTIC CONCEPT: Value; Emphasis; Unity; Creativity and Concept Development ARTIST’S REFLECTION: Anything you want to say about the process; outcome or project. Nothing is not an answer!