3. In What ways does your media product use, develop or challenge forms of real media products? However we don’t find out what is said in the phone call or who it is, so the audience is now trying to catch up with the character as he flees the scene. We also show flashbacks of a previous murder, but this is kept ambiguous to the audience as it could be a flash-forward or an evil fantasy. This challenges a lot of conventions as usually you would be in the same position as the main character. This is one of the main enigma codes set up in the opening sequence along with the phone call and the many questions about the character, who is he and where has he just been.

4. In What ways does your media product use, develop or challenge forms of real media products? I also develop upon ideas within mise en scene as colour has been used to set an atmosphere in a scene in countless films one of them for me is Amelie. In my production I change the colour grade and lighting in each room to show that he is conflicted and also it gives a sense of foreboding within the opening of the film. This room is blue and adds a cold disposition to the scene. This room is more neutral, however has a slight reddish tint giving a feeling of impending doom or dread.