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>>>Fast forward and rewind<<<
Nuove strategie digitali per la Fondazione Torino Musei
carlotta margarone
@carlotta_ma
Fondazione Torino Musei
A great digital museum is simply a
great museum that is designed
around the way people live now.
Nick Poole
2002-2020
Fast forward
2012
OPENDATA
SPARQL JSON API
OPEN –BIG - LINKED
DATA
2014
2018
• MUSEI COME DATA CENTER :
- REPOSITORY DELLA STORIA E DELLA PRODUZIONE ARTISTICA DELL’UMANITA(VALORE
DELLA MEMORIA), INSIEME AD ARCHIVI E BIBLIOTECHE
• BLOCKCHAIN:
- TRACCIAMENTO DELLA COLLEZIONE (REGISTRI DI INGRESSO, USCITA,
MOVIMENTAZIONE)
- MESSA A VALORE DEI PRESTITI E DELLE DONAZIONI
- MESSA A VALORE DELLA PRODUZIONE CONTEMPORANEA
- COSTRUZIONE DI CATALOGHI DIGITALI OLISTICI (OGGETTO, TESTI E DOCUMENTI,
RAPPORTI CON LA CULTURA E LE STORIE DELLE COMUNITÀ DI RIFERIMENTO)
• VR
- IN PRESENZA, A DISTANZA, ESPERIENZA COMUNITARIA
• AI
- CAREGIVING; ACCOMPAGNAMENTO ALLA VISITA; CONTESTUALIZZAZIONE E
MEDIAZIONE (SULLE SPALLE DEI GIGANTI)
2018-2020
Rewind
Il museo è un'istituzione permanente senza scopo di
lucro, al servizio della società e del suo sviluppo. È
aperto al pubblico e compie ricerche che riguardano
le testimonianze materiali e immateriali dell'umanità
e del suo ambiente: le acquisisce, le conserva, le
comunica e, soprattutto, le espone a fini di studio,
educazione e diletto.
International Council of Museums
1989
“LA MISSIONE DELL’ ANACOSTIA MUSEUM È SFIDARE LE PERCEZIONI, AMPLIARE LE PROSPETTIVE,
CREARE NUOVI SAPERI E APPROFONDIRE LA CONOSCENZA DEI CONCETTI IN CONTINUA
EVOLUZIONE E LE REALTÀ DELLA ‘COMUNITÀ’ …” 1966 , ANACOSTIA NEIGHBORHOOD MUSEUM
WASHINGTON DC, (JOHN KINARD)
Social Return Of Investment (S-ROI)
https://www.americansforthearts.org/socialimpact?fbclid=IwAR3lBGMyFdzBF588BhHgZuCrmdpurSUPApzrwMeQ3LJZYIAlvvt2NLWmvbw
'Information', an exhibition at the Museum of Modern
Art in 1970, claimed to be the first conceptual art
exhibition mounted by a U.S. museum. The artist Hans
Haacke posited this SYSTEM as art: a query, a response
algorithm, and its visual feedback.
Question:
Would the fact that Governor Rockefeller has not
denounced President Nixon's Indochina policy be a
reason for you not to vote for him in November ?
Answer:
If 'yes'
please cast your ballot into the left box
if 'no'
into the right box.
'Ballots' were dropped into either of two plexi-glass
ballot boxes [visitors chose "yes" twice as often as
"no"].
New York Governer Nelson Rockefeller was a member of
the board of trustees of MOMA and planning a run for
the U.S. Presidency at the time.
MUSEI COME LUOGHI DELL’AZIONE SOCIALE
We generate culture that moves people.
YBCA believes that culture is an essential catalyst for change.
Therefore, it’s the responsibility of arts institutions to spur and
support societal movement.
Our mission is fulfilled through five key platforms:
1.The presentation of leading edge contemporary art
2.The incubation of game changing creative ideas
3.A commitment to inquiry, and asking the urgent questions of our
time
4.Convenings that bridge people, communities, and sectors
5.Civic coalitions that create lasting change and policy shift
https://www.ybca.org/Yerba Buena Center for the Arts, San Francisco
@derbymuseums
https://www.derbymuseums.org/resources/derby-silk-mill-museum-of-making-executive-summary
Grazie.
(opendata reloaded)

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>>>Fast forward and rewind<<< Nuove strategie digitali per la Fondazione Torino Musei

  • 1. >>>Fast forward and rewind<<< Nuove strategie digitali per la Fondazione Torino Musei carlotta margarone @carlotta_ma Fondazione Torino Musei
  • 2. A great digital museum is simply a great museum that is designed around the way people live now. Nick Poole
  • 5. OPENDATA SPARQL JSON API OPEN –BIG - LINKED DATA 2014
  • 7. • MUSEI COME DATA CENTER : - REPOSITORY DELLA STORIA E DELLA PRODUZIONE ARTISTICA DELL’UMANITA(VALORE DELLA MEMORIA), INSIEME AD ARCHIVI E BIBLIOTECHE • BLOCKCHAIN: - TRACCIAMENTO DELLA COLLEZIONE (REGISTRI DI INGRESSO, USCITA, MOVIMENTAZIONE) - MESSA A VALORE DEI PRESTITI E DELLE DONAZIONI - MESSA A VALORE DELLA PRODUZIONE CONTEMPORANEA - COSTRUZIONE DI CATALOGHI DIGITALI OLISTICI (OGGETTO, TESTI E DOCUMENTI, RAPPORTI CON LA CULTURA E LE STORIE DELLE COMUNITÀ DI RIFERIMENTO) • VR - IN PRESENZA, A DISTANZA, ESPERIENZA COMUNITARIA • AI - CAREGIVING; ACCOMPAGNAMENTO ALLA VISITA; CONTESTUALIZZAZIONE E MEDIAZIONE (SULLE SPALLE DEI GIGANTI)
  • 9. Il museo è un'istituzione permanente senza scopo di lucro, al servizio della società e del suo sviluppo. È aperto al pubblico e compie ricerche che riguardano le testimonianze materiali e immateriali dell'umanità e del suo ambiente: le acquisisce, le conserva, le comunica e, soprattutto, le espone a fini di studio, educazione e diletto. International Council of Museums 1989
  • 10. “LA MISSIONE DELL’ ANACOSTIA MUSEUM È SFIDARE LE PERCEZIONI, AMPLIARE LE PROSPETTIVE, CREARE NUOVI SAPERI E APPROFONDIRE LA CONOSCENZA DEI CONCETTI IN CONTINUA EVOLUZIONE E LE REALTÀ DELLA ‘COMUNITÀ’ …” 1966 , ANACOSTIA NEIGHBORHOOD MUSEUM WASHINGTON DC, (JOHN KINARD)
  • 11. Social Return Of Investment (S-ROI) https://www.americansforthearts.org/socialimpact?fbclid=IwAR3lBGMyFdzBF588BhHgZuCrmdpurSUPApzrwMeQ3LJZYIAlvvt2NLWmvbw
  • 12. 'Information', an exhibition at the Museum of Modern Art in 1970, claimed to be the first conceptual art exhibition mounted by a U.S. museum. The artist Hans Haacke posited this SYSTEM as art: a query, a response algorithm, and its visual feedback. Question: Would the fact that Governor Rockefeller has not denounced President Nixon's Indochina policy be a reason for you not to vote for him in November ? Answer: If 'yes' please cast your ballot into the left box if 'no' into the right box. 'Ballots' were dropped into either of two plexi-glass ballot boxes [visitors chose "yes" twice as often as "no"]. New York Governer Nelson Rockefeller was a member of the board of trustees of MOMA and planning a run for the U.S. Presidency at the time.
  • 13. MUSEI COME LUOGHI DELL’AZIONE SOCIALE We generate culture that moves people. YBCA believes that culture is an essential catalyst for change. Therefore, it’s the responsibility of arts institutions to spur and support societal movement. Our mission is fulfilled through five key platforms: 1.The presentation of leading edge contemporary art 2.The incubation of game changing creative ideas 3.A commitment to inquiry, and asking the urgent questions of our time 4.Convenings that bridge people, communities, and sectors 5.Civic coalitions that create lasting change and policy shift https://www.ybca.org/Yerba Buena Center for the Arts, San Francisco

Editor's Notes

  1. PAUSA H. 15.30