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Communication and
Consumer Behavior
CHAPTER
NINE
Basic Communication Model
Figure 9.2
2Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
The Source as the Initiator
33Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
The Source -
Impersonal and Interpersonal Communications
• Source Credibility
• Reference Groups
– Normative
– Comparative
– Membership
– Symbolic
44Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
• Informal Sources
– Opinion leaders
• Word of Mouth and
eWOM
– Two-way communication
– Social networks
– Brand communities
– Message boards and
Blogs
5
The Source
Informal Sources and Word of Mouth
5Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
• Buzz Agents
• Viral Marketing
• Tackling negative rumors
6
The Source
Word of Mouth – Strategic Applications
6Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
• Institutional
advertising
• Publicity
• Endorsers
7
The Source
Credibility of Formal Sources
7Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Discussion Questions
• Who do you consider to be a credible
spokesperson(s)?
• Why?
• Can you think of certain ads with credible
spokespeople?
• Ads with spokespeople who are NOT credible?
8Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Credibility of Formal Sources
Endorser Effectiveness
99Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
10
Credibility of Formal Sources
Other Credibility Sources
10Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
The Receivers as the Target Audience
• Personal characteristics and motives
• Involvement and congruency
• Mood
• Barriers to communication
– Selective exposure to messages
– Psychological noise
11Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Overcoming Psychological Noise
1212Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Media (Channel)
• Mass Media
• Nontraditional (New) Media is:
1313Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
The Shift From Traditional
To Nontraditional Advertising Is Growing - Figure 9.5
1414Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Nontraditional Media
• Out-of-home and On-the-go
– Advertising screens in buildings and transit
– Digital billboards on roads
– Ambient advertising (in new places)
• Online and Mobile
– Includes consumer-generated media
– Narrowcast messages
• Interactive TV (iTV)
1515Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Wordplay
• Used to create a double
meaning when used
with a relevant picture
Message Structure
and Presentation
16Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Ads That Show Resonance
1717Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Positive framing
• Negative framing
Message Structure
and Presentation
18Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
Depends on nature of the
audience and nature of
competition
Message Structure
and Presentation
19Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Designing Persuasive Communications
• Resonance
• Message framing
• One-Sided versus Two-
Sided Messages
• Order Effects
• Primacy
• Recency
• Order of benefits
• Brand name
Message Structure
and Presentation
20Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Advertising Appeals
• Comparative
• Fear
• Humor
• Abrasive
• Sex
• Audience participation
• Timely
• Celebrities
2121Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Comparative - It Has Positive Effects On Brand
Attitudes, Purchase Intentions, and Purchases
22Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Two Advertising Appeals Are Shown
in This Ad-Humor and Fear
23Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Types of Celebrity Appeals
Table 9.6
2424Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Feedback
Determining Effectiveness
25Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
Chapter 9
Questions?
26
Chapter 9-1: The Viewer’s Voice
Influences TV Programming
1. Communication Feedback
2. Should programmers and producers consider
the feedback?
3. Source Credibility
4. Compare and contrast Neilsen ratings and
TWOP for a given episode.
27

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Chapter ppt 09 - copy-1

  • 2. Basic Communication Model Figure 9.2 2Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 3. The Source as the Initiator 33Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 4. The Source - Impersonal and Interpersonal Communications • Source Credibility • Reference Groups – Normative – Comparative – Membership – Symbolic 44Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 5. • Informal Sources – Opinion leaders • Word of Mouth and eWOM – Two-way communication – Social networks – Brand communities – Message boards and Blogs 5 The Source Informal Sources and Word of Mouth 5Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 6. • Buzz Agents • Viral Marketing • Tackling negative rumors 6 The Source Word of Mouth – Strategic Applications 6Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 7. • Institutional advertising • Publicity • Endorsers 7 The Source Credibility of Formal Sources 7Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 8. Discussion Questions • Who do you consider to be a credible spokesperson(s)? • Why? • Can you think of certain ads with credible spokespeople? • Ads with spokespeople who are NOT credible? 8Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 9. Credibility of Formal Sources Endorser Effectiveness 99Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 10. 10 Credibility of Formal Sources Other Credibility Sources 10Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 11. The Receivers as the Target Audience • Personal characteristics and motives • Involvement and congruency • Mood • Barriers to communication – Selective exposure to messages – Psychological noise 11Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 12. Overcoming Psychological Noise 1212Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 13. Media (Channel) • Mass Media • Nontraditional (New) Media is: 1313Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 14. The Shift From Traditional To Nontraditional Advertising Is Growing - Figure 9.5 1414Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 15. Nontraditional Media • Out-of-home and On-the-go – Advertising screens in buildings and transit – Digital billboards on roads – Ambient advertising (in new places) • Online and Mobile – Includes consumer-generated media – Narrowcast messages • Interactive TV (iTV) 1515Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 16. Designing Persuasive Communications • Resonance • Message framing • One-Sided versus Two- Sided Messages • Order Effects • Wordplay • Used to create a double meaning when used with a relevant picture Message Structure and Presentation 16Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 17. Ads That Show Resonance 1717Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 18. Designing Persuasive Communications • Resonance • Message framing • One-Sided versus Two- Sided Messages • Order Effects • Positive framing • Negative framing Message Structure and Presentation 18Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 19. Designing Persuasive Communications • Resonance • Message framing • One-Sided versus Two- Sided Messages • Order Effects Depends on nature of the audience and nature of competition Message Structure and Presentation 19Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 20. Designing Persuasive Communications • Resonance • Message framing • One-Sided versus Two- Sided Messages • Order Effects • Primacy • Recency • Order of benefits • Brand name Message Structure and Presentation 20Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 21. Advertising Appeals • Comparative • Fear • Humor • Abrasive • Sex • Audience participation • Timely • Celebrities 2121Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 22. Comparative - It Has Positive Effects On Brand Attitudes, Purchase Intentions, and Purchases 22Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 23. Two Advertising Appeals Are Shown in This Ad-Humor and Fear 23Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 24. Types of Celebrity Appeals Table 9.6 2424Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 25. Feedback Determining Effectiveness 25Copyright 2010 Pearson Education, Inc. Publishing as Prentice Hall Chapter Nine Slide
  • 27. Chapter 9-1: The Viewer’s Voice Influences TV Programming 1. Communication Feedback 2. Should programmers and producers consider the feedback? 3. Source Credibility 4. Compare and contrast Neilsen ratings and TWOP for a given episode. 27