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Los huertanos.


Los huertanos are the
     most relevant
   dancers from the
   Region of Murcia.
El bando de la huerta is a holiday and
  everybody get dressed in Murcia.
Typical dress.



Female           Male
JOTA DE MURCIA
Their origin remain unclear.

The etymology (origin) of the word could come from the
verb XOTAR (skip).

Quoted for the first time in 1761 in a farce (sainete), but it
seems that already existed from XVII Century.
His compass is to be written in ternary 3 / 4 or 6 / 8.
They are built mostly with major scales
and it consists of two parts:

- One instrumental, as a ritornello
 (chorus).

- Another one is the verse, in which
 the singers try to show off their
 powers.
Jota de Murcia
Malagueña
Its origin seems to be in the eighteenth century.

Sometimes confused with Fandango.

It hasn’t a specified form.

Depends on the singer, it shows a happy or sad
expression on their lyrics.
Retains the merits of
the Andalusian
poetry rooted in
flamenco singing.

It is constructed with
a mixture of major
scales, minor and
flamenco.
Malagueña.
Spanish dance in the Region of Murcia.
      COMENIUS EUROPEAN MUSICAL PORTFOLIO

                JUAN XXIII SCHOOL

                  MARCH 2011

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Spanish dance from Region of Murcia 2011

  • 1.
  • 2. Los huertanos. Los huertanos are the most relevant dancers from the Region of Murcia.
  • 3. El bando de la huerta is a holiday and everybody get dressed in Murcia.
  • 5. JOTA DE MURCIA Their origin remain unclear. The etymology (origin) of the word could come from the verb XOTAR (skip). Quoted for the first time in 1761 in a farce (sainete), but it seems that already existed from XVII Century. His compass is to be written in ternary 3 / 4 or 6 / 8.
  • 6. They are built mostly with major scales and it consists of two parts: - One instrumental, as a ritornello (chorus). - Another one is the verse, in which the singers try to show off their powers.
  • 8. Malagueña Its origin seems to be in the eighteenth century. Sometimes confused with Fandango. It hasn’t a specified form. Depends on the singer, it shows a happy or sad expression on their lyrics.
  • 9. Retains the merits of the Andalusian poetry rooted in flamenco singing. It is constructed with a mixture of major scales, minor and flamenco.
  • 11. Spanish dance in the Region of Murcia. COMENIUS EUROPEAN MUSICAL PORTFOLIO JUAN XXIII SCHOOL MARCH 2011