Macbeth

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Daniela Zanella

presentation about Shakespeare´s play- Macbeth

Education

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Macbeth em filmes ,[object Object],[object Object]

Atividade com filme MACBETH de Orson Welles Act 1, Scene 7 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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170 Tb Seize the Eanh Infinitely tired, Blas de Irmos moves his hand toward the head of the bed. It would seem that he is trying to touch his temple. But the Francis- can, motionless in his corner, understands. He approaches the deathbed, slides his hand under the pillow. The bundle of papers passes quickly into his sleeve. One last look at the bed where the reddish light of the candle plays; at lJrsula, her arms hanging at her sides; at Cecilia, wiping away her tears with a corner of her white shawl. He leaves the house. Blas has seen nothing, heard nothing. He has returned to his world of alternating light and shadow, the light fading as the shadows deepen. At dawn, something like a cloud or an enonnous wing veils the ir- resolute sky outside the door. Ursula and Cecilia have run to the river bank. If Blas were awake, he would know it was the ships setting sail with the colonists of Santa Maria del Buen Ayre aboard. But Blas de Lemos is lying motionless on the bed. His right hand is reaching down, as if to seize the earth. Tianslated by Catherine Ro drtguez-N ieto Park Cinema Elena Poniatowska Sefrorita: As of today, you will have to strike my name from the list of your admirers. Perhaps I ought not to inform you of this decision, but to do so would be to betray a personal integrity that has never shied away from the exigencies of the Tiuth. By thus divorcing myself from y9u, I am acting in accordance with a profound change in spirit, which leads me to thJ decision never again to number myself among the viewers of your films. This afternoon--{r rather, this evening-you have destroyed me' I do not know whether this matters to you, but I am a man shattered to pieces. Do you understand what I am saying? A devotee who has fol- iowed yout -i-ug" on the screens of first-run houses and neighborhood theateis, a loving critic who would justify the very worst of your moral behavior, I now swear on my knees to renounce you forever, though a mere poster fromForbidden Fruit is enough to shake my resolve. As'you -uy .Le, I am yet a man seduced by appearances' comfortably ensconced in my seat I was one in a multitude, a crea- ture lost in an anonymous darkness, who suddenly felt himself caught up in a personal sadness, bitter and inescapable. It was then that I was truly myself, the loner who suffers and now addresses you. For no broth- erlyhand reached to touch mine. while you were calmly destroying my heirt on the screen, all those around me stayed passionately true. Yes, there was even one scoundrel who laughed shamelessly while I watched you swoon in the arms of that abominable suitor who dragged you to the final extremes of human degradation. And let me ask you this, sefrorita: Is he worthless whose every ideal is suddenlv lost? t77 172 Park Cinema You will say I am a dreamer, an eccentric, one of those meteorites that fall to earth against all calculated odds. You may dispense with your hypotheses: it is I who i.

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“If You Forget Me,” Pablo Neruda I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine. “The Second Coming,” William Butler Yeats Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: a waste of desert sand; A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant desert birds. The darkness drops again but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born? We Are Seven William Wordsworth (1770–1850) A SIMPLE Child, That lightly draws its breath, And feels its life in every limb, What should it know of death? I met a little cottage Girl: 5 She was eight years old, she said; Her hair was thick with many a curl That clustered round her head. She had a rustic, woodland air, And she was wildly clad: 10 Her eyes were fair, and very fair; —Her beauty made me glad. ‘Sisters and brothers, little Maid, How many may you be?’ ‘How many? Seven in all,’ she said, 15 And wondering looked at me. ‘And where are they? I pray you tell.’ She answered, ‘Seven are we; And two of us at Conway dwell, And two are gone to sea. 20 ‘Two of us in the church-yard lie, My sister and my brother; And, in the church-yard cottage, I Dwell near them wi.

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Macbeth

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Macbeth

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