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Modern Theories of Criticism: An Overview

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Modern Theories of Criticism: An Overview

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Modern Theories of Criticism: An Overview
[Note: This presentation and video recording are of Prof. Dilip Barad's session in the Refresher Course for College / University teachers. The Refresher Course was organised by UGC-HRDC, University of Mumbai.]

Modern Literary Theory and Criticism refers to the examination and interpretation of literature using various theoretical frameworks that emerged in the 20th century. This approach encompasses diverse schools of thought such as Marxist, Feminist, Psychoanalytic, and Deconstructionist theory that offer a critical lens to analyze literary texts and reveal their deeper meanings and societal impact. The purpose of this introduction is to provide a comprehensive overview of the key concepts, influential figures, and historical developments in Modern Literary Theory and Criticism, highlighting its significance and impact in the field of literary studies.

Modern Theories of Criticism: An Overview
[Note: This presentation and video recording are of Prof. Dilip Barad's session in the Refresher Course for College / University teachers. The Refresher Course was organised by UGC-HRDC, University of Mumbai.]

Modern Literary Theory and Criticism refers to the examination and interpretation of literature using various theoretical frameworks that emerged in the 20th century. This approach encompasses diverse schools of thought such as Marxist, Feminist, Psychoanalytic, and Deconstructionist theory that offer a critical lens to analyze literary texts and reveal their deeper meanings and societal impact. The purpose of this introduction is to provide a comprehensive overview of the key concepts, influential figures, and historical developments in Modern Literary Theory and Criticism, highlighting its significance and impact in the field of literary studies.

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Modern Theories of Criticism: An Overview

  1. 1. Modern Theories of Criticism Refresher Course UGC-HRDC, University of Mumbai Dilip Barad Prof. & Head Department of English Maharaja Krishnakumarsinhji Bhavnagar University, Gujarat www.dilipbarad.com
  2. 2. Criticism is application of theories in the reading of literature • Matthew Arnold – A Study of Poetry (1888) • T E Eliot – Tradition and Individual Talent (1919) • I A Richards – Practical Criticism (1929) • William Empson - Seven Types of Ambiguity (1930) • Fallacies - William K. Wimsatt and Monroe Beardsley – ‘Intentional Fallacy’ > Affective Fallacy • Allen Tate – ‘Tension’ in Poetry (1938) > extension (literal meaning) + intension (metaphorical meaning) • Cleanth Brooks – Language of Paradox, The Well Wrought Urn (1947) and Modern Poetry and the Tradition (1939) • Archetypal Criticism – Maud Bodkin (1934) and Northrop Frye (1940-50)
  3. 3. • Structuralism > Semiotics > Stylistics • Derrida and Deconstruction / Poststructuralism • Eco-Criticism / Eco-Feminism • Postcolonialism > Edward Said, Gayatri Spivak, Homi Bhabha > to > Contemporary times {Globalization & Climate Change} • Cultural Studies • Digital Humanities > Generative Literature & Big Data Analysis of Literary Texts Criticism is application of theories in the reading of literature
  4. 4. Matthew Arnold > T.S. Eliot • Touchstone method • Real estimate > Historical fallacy and Personal fallacy • Detachment and disinterestedness > Objective Criticism • Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry. • Poetic process > Depersonalization. • Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.
  5. 5. New Criticism • I A Richards • Practical Criticism • William Empson - Seven Types of Ambiguity (1930) • Fallacies - William K. Wimsatt and Monroe Beardsley – ‘Intentional Fallacy’ > Affective Fallacy • Allen Tate – ‘Tension’ in Poetry (1938) > extension (literal meaning) + intension (metaphorical meaning) • Cleanth Brooks – Language of Paradox, The Well Wrought Urn (1947) and Modern Poetry and the Tradition (1939)
  6. 6. • A health, a ringing health, unto the king • Of all our hearts today! But what proud song • Should follow on the thought, nor do him wrong? • Unless the sea were harp, each mirthful string • Woven of the lightning of the nights of Spring • And Dawn the lonely listener, glad and grave • With colours of the sea-shell and the wave • In brightening eye and cheek, there is none to sing! • Drink to him, as men upon an Alpine peak • Brim one immortal cup of crimson wine, • And into it drop one pure cold crust of snow, • Then hold it up, too rapturously to speak • And drink – to the mountains, line on glittering line, • Surging away into the sunset –glow.
  7. 7. •Climb, cloud, and pencil all the blue •With your miraculous stockade ; •The earth will have her joy of you •And limn your beauty till it fade. •Puzzle the cattle at the grass •And paint your pleasure on their flanks
  8. 8. Archetypal Criticism: Mythos Grid
  9. 9. Psycholinguistics > Jacques Lacan & Julia Kristeva • Reading Kamala Das’s Poems • Deconstructive Reading of Sonnet 18
  10. 10. Eco-Criticism / Eco-Feminism • The Silent Spring – Rachel Carson (1962) • "Is female to male as nature is to culture?“ Sherry B. Ortner (1974)
  11. 11. Postcolonial Studies •Globalization •Climate Change
  12. 12. Amitav Ghosh: Cli-Fi
  13. 13. Cultural Studies • Four Goals: • First, Cultural Studies transcends the confines of particular discipline such as literary criticism or history. • Second, Cultural Studies is politically engaged. The Power dynamics is critiqued as part of this engagement. • Thirdly, Cultural Studies denies the separation of “high’ and “low” or elite and popular culture. • Finally, Cultural Studies analyzes not only the cultural work, but also the means of production.
  14. 14. Digital Humanities •Close Reading of literary texts: •Search Engines •Art Database [eg. https://artsandculture.google.com/ •DT for Data Analysis and Processing •nGram Google Book •Tools for Corpus Linguistics • Collection of such tools > https://corpus-analysis.com/ • CLiC – for Analysis of Literary Texts
  15. 15. Corpus Linguistics in Context •The CLiC web app has been developed as part of the CLiC Dickens project, which demonstrates through corpus stylistics how computer-assisted methods can be used to study literary texts and lead to new insights into how readers perceive fictional characters. • Key Word In Context (KWIC) is the most common format for concordance lines. The term KWIC was first coined by Hans Peter Luhn •The Activity Book
  16. 16. The Poem Solemn and gray, the immense clouds of even Pass on their towering unperturbed way Through the vast whiteness of the rain-swept heaven The moving pageants of the waning day; Heavy with dreams, desires, prognostications, Brooding with sullen and Titanic crests, They surge, whose mantles’ wise imaginations Trail where Earth’s mute and languorous body rests; While below the Hawthorns smile like milk splashed down From Noon’s blue pitcher over mead and hill; The arrased distance is so dim with flowers It seems itself some coloured cloud made still, O how the clouds this dying daylight crown With the tremendous triumph of tall towers!
  17. 17. In fact, Hawthorn shrubs full of white flowers give the impression of splashed milk over meadows and hill, when seen from up above the sky, from cloud’s perspective.
  18. 18. Noon’s blue pitcher is reference to Susan Noon’s painting • This was the most difficult image to connect in the poem. • Thanks to Google Image Search to give this image. • The fallen flowers out side blue pitcher is compared with the way white flowers of Hawthorn were visible to the cloud – like splashed milk over mead and hill.
  19. 19. From Creative Literature to Generative Literature •Generative literature, defined as the production of continuously changing literary texts by means of a specific dictionary, some set of rules and the use of algorithms, is a very specific form of digital literature which is completely changing most of the concepts of classical literature. •Texts being produced by a computer and not written by an author, require indeed a very special way of engrammation and, in consequence, also point to a specific way of reading particularly concerning all the aspects of the literary time. • Principles and Processes of Generative Literature: Questions to Literature: Jean-Pierre Balpe
  20. 20. https://forms.gle/fthgVeDBgw7MLicW8
  21. 21. Poem Generator Machines Generative Literature is text produced through computers with the help of set of rules, dictionaries . . . Algorithm.
  22. 22. Matthew Jockers: Microanalysis
  23. 23. Aiden and Michel Uncharted: Big Data as a Lens on Human Culture
  24. 24. • New Challenges . . . • The Artificial Intelligence & the Unconscious Bias • Kirti Sharma & Robin Hauser • Can we protect AI from human biases? • The Question of Morality - http://moralmachine.mit.edu/
  25. 25. • http://moralmachine.mit.edu/ • A platform for gathering a human perspective on moral decisions made by machine intelligence, such as self-driving cars.
  26. 26. •While the literary project for making humans humane is yet not over, the humanities people have new challenges to make robots humane!
  27. 27. सा विद्या या विमुक्तये । तमसो मा ज्योततर्गमय । Reinventing Human Being.
  28. 28. Conclusion 1888 to the present . . . • Matthew Arnold – A Study of Poetry (1888) • T E Eliot – Tradition and Individual Talent (1919) • I A Richards – Practical Criticism (1929) • William Empson - Seven Types of Ambiguity (1930) • Fallacies - William K. Wimsatt and Monroe Beardsley – ‘Intentional Fallacy’ > Affective Fallacy • Allen Tate – ‘Tension’ in Poetry (1938) > extension (literal meaning) + intension (metaphorical meaning) • Cleanth Brooks – Language of Paradox, The Well Wrought Urn (1947) and Modern Poetry and the Tradition (1939) • Archetypal Criticism – Maud Bodkin (1934) and Northrop Frye (1940-50) • Structuralism > Semiotics > Stylistics • Derrida and Deconstruction / Poststructuralism • Eco-Criticism / Eco-Feminism • Postcolonialism > Edward Said, Gayatri Spivak, Homi Bhabha > to > Contemporary times {Globalization & Climate Change} • Cultural Studies • Digital Humanities > Generative Literature, AI & Big Data Analysis of Literary Texts

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