SlideShare une entreprise Scribd logo
1  sur  13
Reflective approach
• This approach suggests that representations
are a direct reflection of reality.
Intentional Approach
• This suggests that producers deliberately
shape reality through representation and
suggests an audience’s understanding of the
world is as a result of those representations.
Constructionist Approach
• This is a mixture! It
accepts that
representations
construct meaning, but
that this meaning is
understood through
reference to reality and
the audience’s own
ability to analyse, accept
and reject.
Constructionists believe:
• Representation is a mixture of:
– The actual thing being represented
– The values/attitudes and lifestyle (VALs) of the
people/institutions constructing the
representation
– The reaction of the individual member of the
audience (and their VALs)
– The context of the society in which the
representation is taking place
Ideology
• Media texts convey ideological messages:
• Ideology is a system of ideas, values and
beliefs promoted by dominant groups to
reinforce their power (e.g: governments, state
institutions, corporations).
Theorist - Karl Marx
• Developed the concept of ideology in 1900s.
• Analysed the way those in power protected
their interests by representing their privileged
position as being natural.
• Consider how dominant ideologies are
reinforced/challenged by media texts.
Homework
• Research the following two theorists.
• Provide a brief summary of their theories –
what do the concepts mean?
Theorist
Gramsci
Acland

Year
1971
1995

Concepts
Cultural hegemony
Ideology of protection; deviant youth and
reproduction of social order
Positive/negative representations
• If representations do affect the way in which
we think about particular groups, what does
that suggest about the media audience?
Your task
• In pairs, to research representation of age
from any medium on the next slide.
• Produce a presentation, including
images/footage: saved to the ‘Mac Shared’
Area.
• Make reference to semiotics (visual codes and
audio codes if appropriate).
The choices! Ooh!
•
•
•
•
•
•
•
•
•
•

Soaps
Adverts
Magazines
Films
News
Sitcoms
Cartoons
Comics
Reality TV
TV Drama
Representations of age
• What is the media (form and genre).
• How has the representation been constructed
(visual and audio codes)?
• What reasons are there for the representation?
• How might the representation affect audience?
• Who produced the representation?
• What approach do you think could apply to your
chosen example?
Your presentations!

Contenu connexe

Tendances

Monday 31st complete
Monday 31st completeMonday 31st complete
Monday 31st completeEmma Leslie
 
Representation in the media
Representation in the mediaRepresentation in the media
Representation in the mediaEmma Leslie
 
Pressure - Contextual
Pressure - ContextualPressure - Contextual
Pressure - ContextualBelinda Raji
 
Section 1 b representation
Section 1 b representationSection 1 b representation
Section 1 b representationMsJMcLeod
 
G325 representation (Collective Identities)
G325 representation (Collective Identities)G325 representation (Collective Identities)
G325 representation (Collective Identities)Belinda Raji
 
Collective identity lesson two
Collective identity lesson twoCollective identity lesson two
Collective identity lesson twocigdemkalem
 
Media representation theory
Media representation theoryMedia representation theory
Media representation theoryThomas Griffiths
 
Dominant ideology and practise qs for brexit and immigration
Dominant ideology and practise qs for brexit and immigrationDominant ideology and practise qs for brexit and immigration
Dominant ideology and practise qs for brexit and immigrationCHSGmedia
 
Media & collective identity
Media & collective identityMedia & collective identity
Media & collective identityNatasha Newman
 
1. Collective I.D. lessons
1. Collective I.D. lessons1. Collective I.D. lessons
1. Collective I.D. lessonsBelinda Raji
 
Revise case studies
Revise case studiesRevise case studies
Revise case studiesCHSGmedia
 
Terminology quiz
Terminology quizTerminology quiz
Terminology quizAndy Wallis
 
identity theory
 identity theory identity theory
identity theoryCHSGmedia
 
AS Media: Introduction to the Representation of Women
AS Media: Introduction to the  Representation of WomenAS Media: Introduction to the  Representation of Women
AS Media: Introduction to the Representation of WomenEmma Laing
 
Revision of classic media theorists
Revision of classic media theoristsRevision of classic media theorists
Revision of classic media theoristsAndy Wallis
 
A2 Media Studies: Representation Intro
A2 Media Studies: Representation IntroA2 Media Studies: Representation Intro
A2 Media Studies: Representation IntroNicola Naisbett
 
Collective Identity
Collective IdentityCollective Identity
Collective Identitypetefrasers
 

Tendances (20)

Monday 31st complete
Monday 31st completeMonday 31st complete
Monday 31st complete
 
Representation in the media
Representation in the mediaRepresentation in the media
Representation in the media
 
Pressure - Contextual
Pressure - ContextualPressure - Contextual
Pressure - Contextual
 
Representation A2
Representation A2Representation A2
Representation A2
 
Section 1 b representation
Section 1 b representationSection 1 b representation
Section 1 b representation
 
G325 representation (Collective Identities)
G325 representation (Collective Identities)G325 representation (Collective Identities)
G325 representation (Collective Identities)
 
Key media concepts/theories
Key media concepts/theories Key media concepts/theories
Key media concepts/theories
 
Collective identity lesson two
Collective identity lesson twoCollective identity lesson two
Collective identity lesson two
 
Media representation theory
Media representation theoryMedia representation theory
Media representation theory
 
Dominant ideology and practise qs for brexit and immigration
Dominant ideology and practise qs for brexit and immigrationDominant ideology and practise qs for brexit and immigration
Dominant ideology and practise qs for brexit and immigration
 
Media & collective identity
Media & collective identityMedia & collective identity
Media & collective identity
 
1. Collective I.D. lessons
1. Collective I.D. lessons1. Collective I.D. lessons
1. Collective I.D. lessons
 
Revise case studies
Revise case studiesRevise case studies
Revise case studies
 
Terminology quiz
Terminology quizTerminology quiz
Terminology quiz
 
C identity
C identityC identity
C identity
 
identity theory
 identity theory identity theory
identity theory
 
AS Media: Introduction to the Representation of Women
AS Media: Introduction to the  Representation of WomenAS Media: Introduction to the  Representation of Women
AS Media: Introduction to the Representation of Women
 
Revision of classic media theorists
Revision of classic media theoristsRevision of classic media theorists
Revision of classic media theorists
 
A2 Media Studies: Representation Intro
A2 Media Studies: Representation IntroA2 Media Studies: Representation Intro
A2 Media Studies: Representation Intro
 
Collective Identity
Collective IdentityCollective Identity
Collective Identity
 

Similaire à AS Lesson 6 - 3 approaches

AS Lesson 10 - 3 approaches
AS Lesson 10 - 3 approachesAS Lesson 10 - 3 approaches
AS Lesson 10 - 3 approachesElle Sullivan
 
Meaning and Messages.pptx
Meaning and Messages.pptxMeaning and Messages.pptx
Meaning and Messages.pptxraygreen100
 
Exam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamExam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamBelinda Raji
 
Critical perspectives in media
Critical perspectives in mediaCritical perspectives in media
Critical perspectives in mediabearskin_2
 
Preliminary Tasks Planning - Mrs. Turner
Preliminary Tasks Planning - Mrs. TurnerPreliminary Tasks Planning - Mrs. Turner
Preliminary Tasks Planning - Mrs. Turnerrhsmediastudies
 
Section A: Passive Audience Theory
Section A: Passive Audience TheorySection A: Passive Audience Theory
Section A: Passive Audience TheoryMissCTurner
 
G325 Section B Exam Essay
G325 Section B Exam EssayG325 Section B Exam Essay
G325 Section B Exam EssayZoe Lorenz
 
Representation theory
Representation theoryRepresentation theory
Representation theoryAndy Wallis
 
Key concept representation
Key concept representationKey concept representation
Key concept representationlgoodhew
 
M.I.G.R.A.I.N
M.I.G.R.A.I.NM.I.G.R.A.I.N
M.I.G.R.A.I.Ngeehardy
 
Theorist posters with pictures
Theorist posters with picturesTheorist posters with pictures
Theorist posters with picturestwbsmediaconnell
 

Similaire à AS Lesson 6 - 3 approaches (20)

AS Lesson 10 - 3 approaches
AS Lesson 10 - 3 approachesAS Lesson 10 - 3 approaches
AS Lesson 10 - 3 approaches
 
Representation exam
Representation examRepresentation exam
Representation exam
 
Meaning and Messages.pptx
Meaning and Messages.pptxMeaning and Messages.pptx
Meaning and Messages.pptx
 
Representation
RepresentationRepresentation
Representation
 
MACS 101 - Representation
MACS 101 - RepresentationMACS 101 - Representation
MACS 101 - Representation
 
Exam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamExam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media Exam
 
Critical perspectives in media
Critical perspectives in mediaCritical perspectives in media
Critical perspectives in media
 
Media key concept research
Media key concept researchMedia key concept research
Media key concept research
 
Preliminary Tasks Planning - Mrs. Turner
Preliminary Tasks Planning - Mrs. TurnerPreliminary Tasks Planning - Mrs. Turner
Preliminary Tasks Planning - Mrs. Turner
 
Section A: Passive Audience Theory
Section A: Passive Audience TheorySection A: Passive Audience Theory
Section A: Passive Audience Theory
 
G325 Section B Exam Essay
G325 Section B Exam EssayG325 Section B Exam Essay
G325 Section B Exam Essay
 
Representation theory
Representation theoryRepresentation theory
Representation theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Youth ppt
Youth pptYouth ppt
Youth ppt
 
Audience
AudienceAudience
Audience
 
L4 media theory
L4 media theoryL4 media theory
L4 media theory
 
Key concept representation
Key concept representationKey concept representation
Key concept representation
 
Frames
FramesFrames
Frames
 
M.I.G.R.A.I.N
M.I.G.R.A.I.NM.I.G.R.A.I.N
M.I.G.R.A.I.N
 
Theorist posters with pictures
Theorist posters with picturesTheorist posters with pictures
Theorist posters with pictures
 

Plus de Elle Sullivan

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationElle Sullivan
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bElle Sullivan
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeElle Sullivan
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeElle Sullivan
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyElle Sullivan
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasuresElle Sullivan
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audienceElle Sullivan
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingElle Sullivan
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsElle Sullivan
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSBElle Sullivan
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceElle Sullivan
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy moviesElle Sullivan
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsElle Sullivan
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationElle Sullivan
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypesElle Sullivan
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysisElle Sullivan
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseElle Sullivan
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresElle Sullivan
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films introElle Sullivan
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirementsElle Sullivan
 

Plus de Elle Sullivan (20)

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and Representation
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4b
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark scheme
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark scheme
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case study
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasures
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audience
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and scheduling
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy idents
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSB
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practice
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy movies
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure films
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure Representation
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypes
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysis
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspense
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genres
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films intro
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirements
 

Dernier

Food processing presentation for bsc agriculture hons
Food processing presentation for bsc agriculture honsFood processing presentation for bsc agriculture hons
Food processing presentation for bsc agriculture honsManeerUddin
 
Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Seán Kennedy
 
Active Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfActive Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfPatidar M
 
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTS
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTSGRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTS
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTSJoshuaGantuangco2
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Celine George
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)lakshayb543
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptxmary850239
 
ROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxVanesaIglesias10
 
Transaction Management in Database Management System
Transaction Management in Database Management SystemTransaction Management in Database Management System
Transaction Management in Database Management SystemChristalin Nelson
 
Integumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptIntegumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptshraddhaparab530
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designMIPLM
 
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdf
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdfGrade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdf
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdfJemuel Francisco
 
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...JojoEDelaCruz
 
4.16.24 21st Century Movements for Black Lives.pptx
4.16.24 21st Century Movements for Black Lives.pptx4.16.24 21st Century Movements for Black Lives.pptx
4.16.24 21st Century Movements for Black Lives.pptxmary850239
 
What is Model Inheritance in Odoo 17 ERP
What is Model Inheritance in Odoo 17 ERPWhat is Model Inheritance in Odoo 17 ERP
What is Model Inheritance in Odoo 17 ERPCeline George
 
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxBarangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxCarlos105
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4JOYLYNSAMANIEGO
 
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITY
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITYISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITY
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITYKayeClaireEstoconing
 

Dernier (20)

Food processing presentation for bsc agriculture hons
Food processing presentation for bsc agriculture honsFood processing presentation for bsc agriculture hons
Food processing presentation for bsc agriculture hons
 
Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...Student Profile Sample - We help schools to connect the data they have, with ...
Student Profile Sample - We help schools to connect the data they have, with ...
 
Active Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfActive Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdf
 
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTS
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTSGRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTS
GRADE 4 - SUMMATIVE TEST QUARTER 4 ALL SUBJECTS
 
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptxYOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
YOUVE GOT EMAIL_FINALS_EL_DORADO_2024.pptx
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17
 
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
Visit to a blind student's school🧑‍🦯🧑‍🦯(community medicine)
 
YOUVE_GOT_EMAIL_PRELIMS_EL_DORADO_2024.pptx
YOUVE_GOT_EMAIL_PRELIMS_EL_DORADO_2024.pptxYOUVE_GOT_EMAIL_PRELIMS_EL_DORADO_2024.pptx
YOUVE_GOT_EMAIL_PRELIMS_EL_DORADO_2024.pptx
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx
 
ROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptxROLES IN A STAGE PRODUCTION in arts.pptx
ROLES IN A STAGE PRODUCTION in arts.pptx
 
Transaction Management in Database Management System
Transaction Management in Database Management SystemTransaction Management in Database Management System
Transaction Management in Database Management System
 
Integumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.pptIntegumentary System SMP B. Pharm Sem I.ppt
Integumentary System SMP B. Pharm Sem I.ppt
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-design
 
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdf
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdfGrade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdf
Grade 9 Quarter 4 Dll Grade 9 Quarter 4 DLL.pdf
 
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...
ENG 5 Q4 WEEk 1 DAY 1 Restate sentences heard in one’s own words. Use appropr...
 
4.16.24 21st Century Movements for Black Lives.pptx
4.16.24 21st Century Movements for Black Lives.pptx4.16.24 21st Century Movements for Black Lives.pptx
4.16.24 21st Century Movements for Black Lives.pptx
 
What is Model Inheritance in Odoo 17 ERP
What is Model Inheritance in Odoo 17 ERPWhat is Model Inheritance in Odoo 17 ERP
What is Model Inheritance in Odoo 17 ERP
 
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxBarangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4
 
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITY
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITYISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITY
ISYU TUNGKOL SA SEKSWLADIDA (ISSUE ABOUT SEXUALITY
 

AS Lesson 6 - 3 approaches

  • 1.
  • 2. Reflective approach • This approach suggests that representations are a direct reflection of reality.
  • 3. Intentional Approach • This suggests that producers deliberately shape reality through representation and suggests an audience’s understanding of the world is as a result of those representations.
  • 4. Constructionist Approach • This is a mixture! It accepts that representations construct meaning, but that this meaning is understood through reference to reality and the audience’s own ability to analyse, accept and reject.
  • 5. Constructionists believe: • Representation is a mixture of: – The actual thing being represented – The values/attitudes and lifestyle (VALs) of the people/institutions constructing the representation – The reaction of the individual member of the audience (and their VALs) – The context of the society in which the representation is taking place
  • 6. Ideology • Media texts convey ideological messages: • Ideology is a system of ideas, values and beliefs promoted by dominant groups to reinforce their power (e.g: governments, state institutions, corporations).
  • 7. Theorist - Karl Marx • Developed the concept of ideology in 1900s. • Analysed the way those in power protected their interests by representing their privileged position as being natural. • Consider how dominant ideologies are reinforced/challenged by media texts.
  • 8. Homework • Research the following two theorists. • Provide a brief summary of their theories – what do the concepts mean? Theorist Gramsci Acland Year 1971 1995 Concepts Cultural hegemony Ideology of protection; deviant youth and reproduction of social order
  • 9. Positive/negative representations • If representations do affect the way in which we think about particular groups, what does that suggest about the media audience?
  • 10. Your task • In pairs, to research representation of age from any medium on the next slide. • Produce a presentation, including images/footage: saved to the ‘Mac Shared’ Area. • Make reference to semiotics (visual codes and audio codes if appropriate).
  • 12. Representations of age • What is the media (form and genre). • How has the representation been constructed (visual and audio codes)? • What reasons are there for the representation? • How might the representation affect audience? • Who produced the representation? • What approach do you think could apply to your chosen example?