The slides from my UX Australia 2013 talk. Videos have been removed from the deck, links to the videos are in the slides. Audio is coming soon, and will help these make much more sense.

2. New Media Art,
Interactivity,
21st Century Aesthetics
#newmedia #uxaustralia
Matt Nish-Lapidus / @emenel
UX Australia 2013

3. Matt / @emenel
Canadian
Design, Art, Music, British Comedy

4. http://www.flickr.com/photos/87106931@N00/1432715400/

5. http://www.flickr.com/photos/87106931@N00/1432715400/
László Moholy-Nagy, Composition A.XX (1924)

6. Max Bill, Junghans Clocks (1924) http://www.flickr.com/photos/renespitz/4391184667/

7. http://images.collection.cooperhewitt.org/34741_5b800e8582d93d72_b.jpg

8. http://media2.hpcwire.com/dmr/parc.jpg

9. http://translab.burundi.sk/code/vzx/
A. Michael Noll, Four Computer-Generated Random Patterns Based on the
Composition Criteria Of Mondrian's Composition With Lines, 1964

11. http://stuyspectator.com/2011/09/29/beauty-of-the-gadgets/moma-talk-to-me-by-dennis-rim/

12. What is New Media?

13. “Old Media”

15. Nam Jun Paik, Exposition of Music-Electronic Television (1963)

16. Nam Jun Paik, Exposition of Music-Electronic Television (1963)

17. Cage vs. Duchamp: Toronto Musical Chess Match (1968) http://fluxlist.blogspot.com.au/2011/12/cage-vs-duchamp-toronto-musical-chess.html

18. Five Principles:
Lev Manovich, The Language of New Media (2001)
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding

19. “If culture, in the context of interactive media,
becomes something we ‘do,’ it’s the interface
that defines how we do it and how the ‘doing’
feels.”
David Rokeby, The Construction of Experience: Interface as Content (1998)

20. David Rokeby, Reflexions (1983)
VIDEO - Reflexions
https://vimeo.com/17230919

21. David Rokeby, Very Nervous System (1986 - 1990)

22. VIDEO - Very Nervous System
https://vimeo.com/8120954

24. “The active ingredient of the work is its interface. The
interface is unusual because it is invisible and very
diffuse, occupying a large volume of space, whereas
most interfaces are focussed and definite. Though
diffuse, the interface is vital and strongly textured
through time and space. The interface becomes a zone
of experience, of multi-dimensional encounter. The
language of encounter is initially unclear, but evolves as
one explores and experiences.”
David Rokeby on Very Nervous System

25. David Rokeby, International Language (2011)

26. Norman White, The Helpless Robot (1987 - 1996)

27. Steve Mann, Wearable Computers (1980’s - 1990’s)

28. Steve Mann, SeatSale: License to Sit (2001)

29. Steve Mann, SeatSale: License to Sit (2001)
VIDEO - SeatSale
https://vimeo.com/14379416

30. Steve Mann, SightLicense: License to Look (1998)

31. David Rokeby, The Giver of Names (1990 - Present)

32. David Rokeby, The Giver of Names (1990 - Present)

33. VIDEO - The Giver of Names
https://vimeo.com/17187792

34. David Rokeby, The Giver of Names (1990 - Present)

35. http://www.elfanzine.tv/wp-content/uploads/2011/09/04-1024x666.jpgStelarc, Third Hand (1980 - 1998)

36. http://90.146.8.18/bilderclient/PR_2009_enigma_001_p.jpgEduardo Kac, Natural History of the Enigma (2003 - 2009)

38. Try this at home!

39. Pure-Data (PD)
Processing
Max/MSP
JavaScript
Arduino
Try this at home!

40. http://www.kenleung.ca/portfolio/screenplay-holland-bloorview/Ken Leung, Screenplay (2012)

41. VIDEO - Screenplay
https://vimeo.com/49522133

42. http://www.crainsnewyork.com/apps/pbcsi.dll/storyimage/CN/20121120/TECHNOLOGY/121129985/AR/0/touchscreen-phones.jpg?q=100

43. Think about the voice
of your product.

44. What does it say about
our relationship to culture
and technology?
http://www.hangthebankers.com/wp-content/uploads/2012/11/google-surveillance.jpg

45. How does the design embody
your idea of beauty?
http://www.creativeapplications.net/wp-content/uploads/2010/06/jared10.jpg

46. Does your design begin to
build the future you want to see?
http://dungeonsandcaverns.blogspot.com.au/2013/02/looking-for-good-cyberpunk-game.html

47. “All new media objects, whether created from scratch
on computers or converted from analog media
sources, are composed of digital code...”
http://solidwork.tistory.com/entry/Rosso-Restaurant-SO-Architecture-%EB%86%8D%EC%8B%AC-%EC%8C%80%EB%AC%B8%ED%99%94%EA%B4%80-%EC%B0%B8%EC%A1%B0

48. “... media becomes programmable.”
Lev Manovich, The Language of New Media (2001)
http://bobbyrice.blogspot.ca/2009/11/in-game-scene-art-lotr-silent-hill-5.html

49. Media is everywhere

50. Everything is programmable
http://www.moma.org/interactives/exhibitions/2011/talktome/objects/146358/

51. Everything is New Media
http://www.flickr.com/photos/stuckincustoms/2786154526/

52. Questions?
Matt Nish-Lapidus / @emenel
UX Australia 2013
New Media Art,
Interactivity,
21st Century Aesthetics