This document discusses whether copyright law can or should protect tastes and smells. It begins by outlining what types of works copyright traditionally protects under UK law, such as literary, dramatic, musical or artistic works. It then examines recent CJEU case law indicating copyright protection should extend to any original intellectual creation, without limitations based on categories of work. The document considers whether tastes and smells, especially elaborate or manufactured ones like perfumes, could constitute intellectual creations eligible for copyright. It acknowledges legal obstacles are minimal but debates the merits of extending broad copyright protection to tastes and smells. In the end, it argues copyright could reward investment in developing new smells and tastes, though the scope of protection may be too broad.
2. Contents
• What does copyright law protect?
• Closed vs open-ended subject-matter categorisations
• What is special about tastes, perfumes, etc?
• Is copyright protection available to them? Should it be?
4. In the UK: s1(1) CDPA
Copyright is a property right which subsists in accordance with this Part in
the following descriptions of work—
(a) original literary, dramatic, musical or artistic works,
(b) sound recordings, films or broadcasts, and
(c) the typographical arrangement of published editions.
• Copinger and Skones James on Copyright: “A ‘work’ is a thing which
satisfies the statutory description of a literary, dramatic, etc., work.”
• A work is a work, though of the right kind
6. Still OK? Not really, according to the CJEU
• Protection to vest in subject-matter which is original in the sense that it is its
author’s own intellectual creation (free and creative choices, personality,
etc)
• Case C-5/08 Infopaq, [35]
• Case C-393/09 BSA, [45]-[46]
• Joined Cases C-403/08 and C-429/08 FAPL, [97]
• Case C-145/10 Painer, [87]
8. However …
“The [InfoSoc] Directive envisages the protection of all intellectual creations by
the same reproduction right and distinctions between literary and artistic works
are no longer justified.”
Per Judge Birss QC, Abraham Moon (2012)
→ No longer different rights attached to different works?
“In the light of a number of recent judgments of the CJEU, it may be arguable
that it is not a fatal objection to a claim that copyright subsists in a particular
work that the work is not one of the kinds of work listed in section 1(1)(a)
[CDPA] and defined elsewhere in that Act.”
Per Arnold J, SAS v WPL (2013)
→ Towards open-ended subject-matter categorisation?
10. If not a work of the right kind …
1. A work
“Nevertheless it remains clear that the putative copyright work must be a literary
or artistic work within the meaning of Article 2(1) of the Berne Convention … While
the definition of "literary and artistic works" in Article 2(1) is expansive and open-
ended, it is not unlimited.”
Per Arnold J, SAS v WPL (2013)
2. Original
3. (Fixed in a tangible form)
12. It’s all about your senses
• Mechanical (touch, sight, hearing) vs chemical (taste and smell) senses
• Should copyright be just about mechanics?
• Yes because mechanical sense characterised more objectively
• But is that true?
• Yes because drafters Berne Convention did not think of such subject-matter
• But can one infer it from the wording of Article 2?
13. “A production”
• Idea/expression dichotomy
• Article 9(2) TRIPS
• Input from the author: originality
• This rules out copyright protection for simple/natural tastes, eg the
taste of an orange, and smells, eg the smell of fresh cut grass
14. How about perfumes and ‘elaborate’ tastes?
• A production in the artistic domain?
• Sufficiently original?
16. Is it still a matter of law?
• Legal obstacles virtually non-existent
• Simple/natural tastes/smells vs elaborate smells/perfumes
• A good idea?
• No: copyright long and broad
• Yes: rewarding investment
• TM law virtually (un)available
18. This
4 November 2005 – Dagbladet Arbejderen, page 3:
TDC: 73% “a forthcoming sale of the telecommunications group TDC
which is expected to be bought”