What's happening to journalism in the digital age. Lecture by Martin Hirst, AUT University August 2008

1. Journalism in the Age of Youtube The rise of Web2.0 and the death of democracy?

3. Media futurist Dan Gillmor predicts that by 2021, ‘citizens will produce 50 percent of the news peer-to-peer’, however mainstream news media, that we have grown up with, are yet to meaningfully adopt or experiment with these new forms.

7. Network Society

9. Convergence Culture where old and new media collide

11. YouTube and the surveillance society Police and other authorities now surveiling YouTube for “criminal” activity

13. Amfeed – The Daily Me News on demand, tailored to your needs

14. Consumption of news is going mobile Plastic Logic, a developer of plastic electronics, has fabricated the world’s biggest flexible organic active matrix display, which consists of a flexible, high resolution, printed active matrix backplane driving an electronic paper frontplane. December 7 2005. Television or not? Video is now available to mobile phones. News is consumed ‘on the go’

15. Mobile TV – the next platform revolution? It’s television, but not as we (used to) know it.

16. “ Open source” journalism Grassroots journalism is part o the wider phenomenon of citizen-generated media—of a global conversation that is growing in strength, complexity and power. When people can express themselves, they will. When they can do so with powerful yet inexpensive tools, they take the new-media realm quickly. When they an reach a potentially global audience, they literally can change the world. Dan Gillmor, We the media (2006)

18. This is a simple project testing a single idea: Maybe a beat reporter could do a way better job if there was a “live” social network connected to the beat, made up of people who know the territory the beat covers, and want the reporting on that beat to be better. That’s the entire idea—so far. Beat reporting with a social network: can we get it to work? Can reporters bring knowledge, contacts and interests of many different people from around the beat into the production of news, views and information for the beat, by making use of social networking tools that lower the cost of collaboration? Is it viable for dispersed groups to become an editorial force?

20. Escenic Tip Engine In the future, journalists won't be closest to the breaking news.

22. American Carnival The weakening of journalistic professionalism and centrality in this rapidly transforming system not only makes lies and hoaxes more possible but also poses compelling new questions about the quality of news informing democratic society. (p.117) In such a new and still-evolving order, governed less and less by professionalism—or at least incognizant of the need for standards—it becomes far easier for objective truth and basic facts about important issues to become debatable notions in civil society and political discourse. (p.31) Neil Henry, American Carnival (2007)

24. The UGC manifesto We are living in an age that historians will say was characterized by the democratization of expression. Whereas the means of media production and dissemination were once concentrated in a few hands, they are now ubiquitous: everybody can be an entertainer, an educator or a pundit. We believe that this liberation of the means of production is one of the most important things to happen in recent history. It allows anyone to create the next great sitcom, to share the reality of daily life across cultural boundaries, to share political thoughts and educational materials. This is a beautiful thing, and we are dedicated to furthering this democratization in a manner that always respects intellectual property rights in a venue where everyone can feel comfortable . (Blip.tv, 2008)

27. The YouTube effect Welcome to the "YouTube effect." It is the phenomenon whereby video clips, often produced by individuals acting on their own, are rapidly disseminated worldwide on websites such as YouTube and Google Video. YouTube has 34 million monthly visitors, and 65,000 new videos are posted every day. YouTube is a mixed blessing: It is now harder to know what to believe. How do we know that what we see in a video clip posted by a "citizen journalist" is not a manipulated montage? Moises Naim, LA Times , 20 December 2006

28. As a former journalist, I have finally realized what bothers me so much about the notion of citizen journalism. It is the veritable absence of investigative journalism. Why is it missing? Money. Pure and simple. (comment on Flip the Media blog in response to YouTube announcement) In the professional media, there is a firm code of ethics, such as preserving privacy and fairness of the point of view. Cub reporters are supposed to take a lecture about ethical issues I am concerned about the thriving of citizen media without their following a code of ethics , it will be out of control.

29. The observation that some videos actually reveal “truth” is the start of a trend that is changing the way journalists approach stories. Yes, a journalist might have a great clip for a story from YouTube. But the question remains: Is the story legitimate? Even though a video poster has uploaded his or her video for the world to see, the journalists still have to sift through the fact and fiction. They still have to make the phone calls and set up interviews to confirm information. Journalism for the 21 st Century blog January 2007

30. TV to reckon with YouTube BBC does deal to get licensed content on to YouTube On the other hand, Viacom sued Google for copyright infringement Both show that the mainstream media cannot ignore the “YouTube effect” any more

31. Facebook as a news source? Social networks are becoming our first port of call, replacing porn as the biggest attention-grabber on the web

33. What Justin.tv proves is that the juvenile self-broadcast is quickly becoming the dominant artform for today's YouTube generation. Andrew Keen, The Independent 28 July 2008

35. "The journalist of the future is going to be someone who is trained from the beginning to be flexible and work in an environment that mixes digital images, sound, text and the Internet as well as traditional newspapers, magazines and television and radio broadcasts.“ Sybril Bennett, New Century Journalism, Belmont College

36. Now more than ever, we need professional journalists to help distinguish the wheat of reliable news and credible opinion from the chaff of information, rumor and propaganda that clogs the Internet, and to help create the next-generation vehicles for online journalism. Doug Millison, The journalist of tomorrow , 1999