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Two-Dimensional Art ,[object Object],[object Object],[object Object],[object Object],0
Printmaking
Printmaking ,[object Object]
PRINTMAKING ,[object Object],[object Object],[object Object],[object Object]
Printmaking ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Importance of Printmaking ,[object Object],[object Object],[object Object]
Printmaking Original Print vs. Reproduction? An  original print  is a work of art created through contact with a matrix such as a stone, block, plate, or screen that was created by the artist; it must have been printed manually by the artist or under the artist's direct supervision and was approved by the artist for quality and excellence.  Printed  reproductions  of drawings or paintings, no matter how aesthetically pleasing, are  not   to be considered original prints.
RELIEF  PRINTING ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Lynd Ward.  woodcut
Printmaking > Relief Woodcut ,[object Object],[object Object],[object Object]
Hokusai.  The Great Wave   color wood-cut
Printmaking > Relief Wood Engraving ,[object Object],[object Object],[object Object],[object Object]
PAUL LANDACRE.  Growing Corn  (1940). Wood engraving. 8   1⁄2 ” x  4   1⁄4 ” .
Printmaking > Relief   INTAGLIO ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Printmaking > Relief   Engraving ,[object Object],[object Object],[object Object],[object Object]
Drypoint ,[object Object],[object Object],[object Object]
REMBRANDT.  Christ Crucified between the Two Thieves  (1653).  Intaglio ,   4th state. 15 ” x  17   1⁄2 ”
Etching ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GIOVANNI DOMENICO TIEPOLO.  A Negro  (1770).  Etching, 2nd state.
HUNG LIU.   Untitled  (1992).   Photo-etching, mixed media.  33 ” x  22   1⁄2 ” .
Mezzotint ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PABLO PICASSO.  The Painter and His Model. (1964).  Etching and aquatint.  12 5/8” x 18 1/2”.
Aquatint ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
JOSEF ALBERS.  Solo V (1958).  Inkless intaglio.  6 5/8” x 8 5/8”.
Other Etching Techniques ,[object Object],[object Object],[object Object]
Lithography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WANG GUANGYI.  Great Criticism: Coca-Cola (1990- 1992).  Lithograph.  73 cm x 69 cm.
Serigraphy ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Monotype ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
EDGAR DEGAS.  The Ballet Master  (c. 1874).  Monotype in black ink.  22 ” x  27   1⁄2 ” .

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Printmaking

  • 1.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7. Printmaking Original Print vs. Reproduction? An original print is a work of art created through contact with a matrix such as a stone, block, plate, or screen that was created by the artist; it must have been printed manually by the artist or under the artist's direct supervision and was approved by the artist for quality and excellence. Printed reproductions of drawings or paintings, no matter how aesthetically pleasing, are not to be considered original prints.
  • 8.
  • 9.  
  • 10. Lynd Ward. woodcut
  • 11.
  • 12. Hokusai. The Great Wave color wood-cut
  • 13.
  • 14. PAUL LANDACRE. Growing Corn (1940). Wood engraving. 8 1⁄2 ” x 4 1⁄4 ” .
  • 15.
  • 16.
  • 17.
  • 18. REMBRANDT. Christ Crucified between the Two Thieves (1653). Intaglio , 4th state. 15 ” x 17 1⁄2 ”
  • 19.
  • 20. GIOVANNI DOMENICO TIEPOLO. A Negro (1770). Etching, 2nd state.
  • 21. HUNG LIU. Untitled (1992). Photo-etching, mixed media. 33 ” x 22 1⁄2 ” .
  • 22.
  • 23. PABLO PICASSO. The Painter and His Model. (1964). Etching and aquatint. 12 5/8” x 18 1/2”.
  • 24.
  • 25. JOSEF ALBERS. Solo V (1958). Inkless intaglio. 6 5/8” x 8 5/8”.
  • 26.
  • 27.
  • 28. WANG GUANGYI. Great Criticism: Coca-Cola (1990- 1992). Lithograph. 73 cm x 69 cm.
  • 29.
  • 30.
  • 31. EDGAR DEGAS. The Ballet Master (c. 1874). Monotype in black ink. 22 ” x 27 1⁄2 ” .

Editor's Notes

  1. Picasso, The Bull Fighter , lino-cut