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Preserving
Your Family
Papers
Heidi Bamford, Regional Archivist
Documentary Heritage Program
October 24, 2013
1
Collecting & Saving Family History
• A “family story” is more than just dates and names
o There are personal and professional interactions being documented
o There are “older” and “newer” stories to be preserved
o The stories may be of interest to people other than your own family!
2
First Steps:
3
Have a Plan!
Set aside specific times, spaces, and materials for sorting through
collections
Table, gloves, notebooks, folders or envelopes, boxes, pencils
Begin at the Beginning – Look at family history. Start with most recent
materials and work backwards
Create an Inventory
4
• Helps with:
o Locating items and
information
o Cutting down on handling
fragile or sensitive materials
o Assessing time and
resources needed to
address organization and
preservation activities
o Knowing what gaps are in
your stories
o “Weeding”
o Getting Organized!
What to Keep?
Unique Informational
5
• Certificates
• Deeds, Wills
• Awards, Citations
• Memorabilia
• Creative works (poems,
sketches)
• Membership records
• Correspondence
• Diaries and journals
• Scrapbooks
• News clippings and
newsletters
• Photos & slides
• Audio, video, CD, DVD
• Oral histories
What to
Keep?
Also must consider:
Volume
Age
Condition
Authority
Propriety
Uniqueness
Informational
6
Organizing Your Collection
• Resist the Urge to “Reorganize” the Stories!
o Remember, history, including family history is organic – it develops as a
result of day-to-day actions and interactions
• Use archival principles of:
• PROVENANCE – Keep records of each creator together
o Group by creator
• Divide into distinct “series”
• RESPECT DU FONDS – Keep records arranged the way the creator
arranged them
o Organize following lead of creator
7
*For each grouping, you can store & preserve similar types of materials,
Rather than storing all diaries together, all newspapers, etc.
Finding the Right Storage Space
• IDEALLY:
o A room or part of a room not in the attic
or basement
o A stable temperature of 65-70 degrees F
and, relative humidity of 40%
o Minimal light source
 The invisible enemies: pests, dust/dirt, pollutants
 Watch your step – avoid carpeting or linoleum
 Be sure to regularly monitor the space!
6/17/2014 8
6/17/2014Footer Text 9
Storage Supplies – First Tier
• Shelving – for most
materials, this should be
open steel shelving
o Enamel-coated is best
o Lowest unit at least 4-6 inches from
floor; highest unit at least 10-12 inches
from ceiling – avoid pipes!
o Alternatives – paper or board-lined
wood shelving for short term
• Cabinets or cases –
should be steel
o Same positioning as with shelving
(floor to ceiling)
o Do not over or under-fill drawers!
10
11
Storage Supplies – Second Tier
• Boxes – Manufactured
or custom made for
support & protection
• Folders and Envelopes-
for instability or fragility
• Sleeves – for fragile,
single or acidic items
12
6/17/2014Footer Text 13
Storage Supplies - Documents
• Use vertical storage boxes for
stronger, standard size papers and
horizontal storage boxes for fragile,
oversize materials
o Use rolled storage when items are too large for
flat storage
• Boxes should be strong, have
reinforced corners and match size
of materials
o too small will cause mechanical damage from
stuffing;
o too large will cause mechanical damage from
sliding around or drooping.
14
Storage Supplies – Books and
Bound Materials
• Parts of the book to be
protected:
o Text block
o Boards
o Spine
o Flyleaf
o Hinge
o Head/cap
o Tail
6/17/2014 15
• Enclosures:
o Pre-made clamshell
boxes
o Custom size book boxes
o Tying or wrapping
o Polyester book jackets
Storage Supplies – Photos & Negatives
• Three basic parts of
structure include:
o support layer (metal, glass,
paper, plastic),
o image layer (silver,
platinum, dyes, iron) and
o binder (gelatin, albumen,
collodion)
16
• All photo storage
materials should pass
PAT test*
• Use plastic** enclosures
for frequent viewing –
unless flaking occurs
• Use paper for
interleaving if multiple
prints are in folders or
boxes
• Negatives go in paper
enclosures
• Archival binders are
acceptable for prints
Storage Supplies - Other
• Textiles
• Ephemera
• Small Objects
• Works of Art
• Digital
o NPS Conserv-O-Grams
17
• Types of Damage
o Chemical (all organic materials: paper,
textiles, plastics, dyes, leather, fur, etc)
• Chemical change attributed to
location
o Mechanical (Rare books, paintings,
furniture, textiles; any bound or
composite object)
• Temp/humidity
• handling
o Mold decay (All organic materials
(paper, textiles, plastics, dyes, leather,
fur) or inorganic materials with organic
films)
• moisture
o Metal corrosion
• moisture
What If….
• What if you can’t provide this kind of
storage environment for your collection?
o Consider donating your family history collection
to a local repository
• Selecting a repository
• Creating a Deed of Gift
• Supporting your gift with an endowment
18
Donor Deed of Gift Form
Usually includes:
• Name of donor
• Name of recipient
• Date of transfer
• Brief description of materials
• Transfer of physical/intellectual rights
• Restrictions – legal, personal; length of time
• Disposal criteria/authority
• Signatures of donor/recipient – witness
o See sample deed of gift forms
o http://www.archivists.org/publications/deed_of_gift.asp
19
RESOURCES
Where to go for more help:
• Archival Supply Vendors (New York State Archives)
• Gaylord online catalog
• Conservation Online
• Conserve-O-Grams from NPS
• North East Documentation Conservation Center
20
That’s It!
Any Questions?
Good Luck!
Thank you!
hbamford@wnylrc.org
21

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Preserving Family Papers

  • 1. Preserving Your Family Papers Heidi Bamford, Regional Archivist Documentary Heritage Program October 24, 2013 1
  • 2. Collecting & Saving Family History • A “family story” is more than just dates and names o There are personal and professional interactions being documented o There are “older” and “newer” stories to be preserved o The stories may be of interest to people other than your own family! 2
  • 3. First Steps: 3 Have a Plan! Set aside specific times, spaces, and materials for sorting through collections Table, gloves, notebooks, folders or envelopes, boxes, pencils Begin at the Beginning – Look at family history. Start with most recent materials and work backwards
  • 4. Create an Inventory 4 • Helps with: o Locating items and information o Cutting down on handling fragile or sensitive materials o Assessing time and resources needed to address organization and preservation activities o Knowing what gaps are in your stories o “Weeding” o Getting Organized!
  • 5. What to Keep? Unique Informational 5 • Certificates • Deeds, Wills • Awards, Citations • Memorabilia • Creative works (poems, sketches) • Membership records • Correspondence • Diaries and journals • Scrapbooks • News clippings and newsletters • Photos & slides • Audio, video, CD, DVD • Oral histories
  • 6. What to Keep? Also must consider: Volume Age Condition Authority Propriety Uniqueness Informational 6
  • 7. Organizing Your Collection • Resist the Urge to “Reorganize” the Stories! o Remember, history, including family history is organic – it develops as a result of day-to-day actions and interactions • Use archival principles of: • PROVENANCE – Keep records of each creator together o Group by creator • Divide into distinct “series” • RESPECT DU FONDS – Keep records arranged the way the creator arranged them o Organize following lead of creator 7 *For each grouping, you can store & preserve similar types of materials, Rather than storing all diaries together, all newspapers, etc.
  • 8. Finding the Right Storage Space • IDEALLY: o A room or part of a room not in the attic or basement o A stable temperature of 65-70 degrees F and, relative humidity of 40% o Minimal light source  The invisible enemies: pests, dust/dirt, pollutants  Watch your step – avoid carpeting or linoleum  Be sure to regularly monitor the space! 6/17/2014 8
  • 10. Storage Supplies – First Tier • Shelving – for most materials, this should be open steel shelving o Enamel-coated is best o Lowest unit at least 4-6 inches from floor; highest unit at least 10-12 inches from ceiling – avoid pipes! o Alternatives – paper or board-lined wood shelving for short term • Cabinets or cases – should be steel o Same positioning as with shelving (floor to ceiling) o Do not over or under-fill drawers! 10
  • 11. 11
  • 12. Storage Supplies – Second Tier • Boxes – Manufactured or custom made for support & protection • Folders and Envelopes- for instability or fragility • Sleeves – for fragile, single or acidic items 12
  • 14. Storage Supplies - Documents • Use vertical storage boxes for stronger, standard size papers and horizontal storage boxes for fragile, oversize materials o Use rolled storage when items are too large for flat storage • Boxes should be strong, have reinforced corners and match size of materials o too small will cause mechanical damage from stuffing; o too large will cause mechanical damage from sliding around or drooping. 14
  • 15. Storage Supplies – Books and Bound Materials • Parts of the book to be protected: o Text block o Boards o Spine o Flyleaf o Hinge o Head/cap o Tail 6/17/2014 15 • Enclosures: o Pre-made clamshell boxes o Custom size book boxes o Tying or wrapping o Polyester book jackets
  • 16. Storage Supplies – Photos & Negatives • Three basic parts of structure include: o support layer (metal, glass, paper, plastic), o image layer (silver, platinum, dyes, iron) and o binder (gelatin, albumen, collodion) 16 • All photo storage materials should pass PAT test* • Use plastic** enclosures for frequent viewing – unless flaking occurs • Use paper for interleaving if multiple prints are in folders or boxes • Negatives go in paper enclosures • Archival binders are acceptable for prints
  • 17. Storage Supplies - Other • Textiles • Ephemera • Small Objects • Works of Art • Digital o NPS Conserv-O-Grams 17 • Types of Damage o Chemical (all organic materials: paper, textiles, plastics, dyes, leather, fur, etc) • Chemical change attributed to location o Mechanical (Rare books, paintings, furniture, textiles; any bound or composite object) • Temp/humidity • handling o Mold decay (All organic materials (paper, textiles, plastics, dyes, leather, fur) or inorganic materials with organic films) • moisture o Metal corrosion • moisture
  • 18. What If…. • What if you can’t provide this kind of storage environment for your collection? o Consider donating your family history collection to a local repository • Selecting a repository • Creating a Deed of Gift • Supporting your gift with an endowment 18
  • 19. Donor Deed of Gift Form Usually includes: • Name of donor • Name of recipient • Date of transfer • Brief description of materials • Transfer of physical/intellectual rights • Restrictions – legal, personal; length of time • Disposal criteria/authority • Signatures of donor/recipient – witness o See sample deed of gift forms o http://www.archivists.org/publications/deed_of_gift.asp 19
  • 20. RESOURCES Where to go for more help: • Archival Supply Vendors (New York State Archives) • Gaylord online catalog • Conservation Online • Conserve-O-Grams from NPS • North East Documentation Conservation Center 20
  • 21. That’s It! Any Questions? Good Luck! Thank you! hbamford@wnylrc.org 21

Editor's Notes

  1. Historical records provide a link between your family and the wider historical perspective. Also, it is a way to share our common experiences.
  2. Doing family history can be sporadic – try to be organized so you can always pick up where you left off.
  3. Having intellectual control over your collection and information enhances your ability to achieve physical control. Historical records are not distinct bits of materials, but part of the larger record. Appraisal is a function that helps determine not just what to keep, but also where everything belongs – groupings.
  4. These are types of materials you might encounter Each has own specific properties and therefore preservation needs
  5. Reasons to possibly discard some materials: too many items, duplicates, poor physical condition, questionable information source, common, little or no useful information, copy or original Each “type” of material has its own preservation needs – will return to this later ie., newspapers v scrapbooks or diaries v. photos.
  6. We don’t organize family papers by type – as it seems to appear in some archival organizations – for example, National Archives keeps all military pension files grouped together – only because they share the same creator – US Armed Forces! Family history is meant to be a reflection or reconstruction of what people were doing – and where and when and why. Creator can be one person, a family, an organization. Series – records from same creator that share similar characteristics (function, type, person)
  7. For temp and humidity, the lower the better – and stable with no fluctuations!! No windows or fluorescent lights – use UV filters Some items may need special storage conditions apart from the space Avoid other furniture in the space that could be acidic (wood ) or metal (corrosive)
  8. Pre-made clamshell boxes – Custom size book boxes – phase boxes, made from acid free board Tying or wrapping – acid free tissue or paper – or cloth ties Polyester book jackets – for more modern books with dust jackets
  9. *PAT test - **Plastic polypropylene – not poly vinyl chloride