SlideShare utilise les cookies pour améliorer les fonctionnalités et les performances, et également pour vous montrer des publicités pertinentes. Si vous continuez à naviguer sur ce site, vous acceptez l’utilisation de cookies. Consultez nos Conditions d’utilisation et notre Politique de confidentialité.
SlideShare utilise les cookies pour améliorer les fonctionnalités et les performances, et également pour vous montrer des publicités pertinentes. Si vous continuez à naviguer sur ce site, vous acceptez l’utilisation de cookies. Consultez notre Politique de confidentialité et nos Conditions d’utilisation pour en savoir plus.
Wrecked - Hannah Butters - Spring 20121. INT. BEDROOM – EARLY MORNING1.1 Close up – pair of shoes1.2 Close up – a crucifix on the wall1.3 Close up – crucifix necklace hanging from mirror1.4 Wide shot – Mary walking towards/sitting down at the dressing table1.5 Medium shot – side of Mary’s face looking into mirror1.5A Over shoulder shot – Mary’s reflection in mirror, she leans down and puts head in hands1.6 Medium shot (duplicate of 1.5) – side shot of Mary as she comes up from hunched posture and reaches down to drawer.1.7 Over shoulder shot – grabbing a lipstick from the drawer1.8 Close up – crucifix necklace hanging from mirror into pull focus1.8A Close up of Mary’s face (in the mirror) applying the lipstick1.9 Medium shot – (duplicate of 1.5) side shot of Mary pursing her lips, followed by brushing of hair1.10 Over shoulder shot – Mary’s reflection in mirror of her brushing her hair1.11 Close up – tracking of shoes front-on leaving the dressing table1.12 Close up – hand on banister1.13 Wide shot – Mary coming down the stairs1.14 Wide shot – high angled shot of Mary coming off the stairs and walking down hallway TOTAL 14 SHOTS2. INT. KITCHEN – LATER THAT MORNING2.1 Over shoulder shot – tracking Mary into the kitchen from hallway2.2 Medium shot – Ruth standing on chair at the kitchen counter mixing together something in a bowl2.3 Wide shot – From behind Ruth, Mary walking over to her2.4 Medium shot – (duplicate of 2.2) Ruth looks up and Mary grabs to take her off chair2.5 Wide shot – tracking of Mary taking Ruth from the chair, to the floor2.6 Close up – Mary’s hands wiping flour from Ruth’s face2.7 Wide shot – Mary guiding Ruth out the kitchen2.8 Wide shot – Mary returning to the kitchen counter to clean up2.9 Wide shot – (following on form 2.8) Mary going around Kitchen clearing up2.10 Medium shot – integrated within 2.9 through zoom in2.11 Close up – integrated within 2.9 through zoom in and tracking2.12 Close up – Ruth peeking out behind door
2.13 Wide shot – POV from Ruth of Mary cleaning Kitchen2.14 Close up – (duplicate of 2.12) Ruth dashing off2.15 Tracking shots, similar sequence of shots to 2.9, 2.10 and 2.112.16 Close up – Mary looking up and towards the dining room2.17 Wide shot – eyeline match of Ruth climbing onto chair at dining table with a box of crafts2.18 Close up – Ruth empties coloured pens onto table2.19 Close up - (duplicate of 2.16) Mary sighs and returns to cleaning2.20 Close up – Ruth drawing2.21 Wide shot – Mary cleaning2.22 Close up – Ruth humming2.23 Close up – Mary cleaning2.24 Close up – Ruth organising pens2.25 Close up – Mary looks up2.26 Close up – eyeline match of clock2.27 Extreme close up – the second hand ticking2.28 Close up – (duplicate of 2.25) Mary looks alarmed and more effort goes into scrubbing2.29 Close up – Ruth drawing2.30 Wide shot/over shoulder shot – Mary strides over to Ruth2.31 Close up – low angle shot of Mary yelling at Ruth2.32 Close up – high angle shot of Ruth’s reaction2.33 Wide shot – Ruth running out of room crying2.34 Close up – Mary’s reaction goes into a wide shot as she returns to the kitchen2.35 Sequence of close ups, mediums, wide shots of Mary still cleaning2.36 Close up – hand knocking on door2.37 Wide shot – Mary goes to answer door2.38 Wide shot – (duplicate of 1.14) Mary opens door TOTAL 38 SHOTS3. INT. LIVING ROOM – LUNCHTIME3.1 Medium shot – social worker on sofa3.2 Close up – Mary places mugs of tea on a coffee table3.3 Medium shot – Mary sits down on sofa opposite the social worker and takes Ruth’s hand3.4 Medium short – social worker asking Mary a question3.5 Medium shot – Mary’s response
3.6 Medium shot – (duplicate of 3.4) social worker asks another question, this time to Ruth3.7 Medium shot – Ruth responding3.8 Medium shot - (duplicate of 3.4) social worker smiles and writes something down3.9 Close up – Mary looking down at Ruth smiling3.10 Close up – Mary squeezing Ruth’s hand3.11 Medium shot – (duplicate of 3.4) social worker asks another question3.12 Medium shot – (duplicate of 3.5) Mary hesitates3.13 Close up – social worker taps pen on notepad3.14 Close up – (duplicate of 3.5) Mary’s response3.15 Medium shot – (duplicate of 3.4) social worker hands Mary a handkerchief3.16 Medium shot – (duplicate of 3.5) Mary takes handkerchief and dabs her eyes TOTAL 16 SHOTS4 EXT.WINCHELSEA BEACH - EARLY EVENING4.1 Wide shot – pan right to left of landscape, Mary and Ruth walk into shot4.2 Wide shot – Mary and Ruth walking across hilly landscape4.3 Close up – Mary’s face as she walks4.4 Close up – Ruth’s hand holding the handmade card she created earlier4.5 Close up – Holding hands as they walk4.6 Medium shot – Mary and Ruth continue to walk across landscape4.7 Wide shot – they get to the beach, lifeboat house in background4.8 Close up – Ruth breaks away from Mary4.9 Over shoulder shot – Ruth running down to the sea4.10 Wide shot – Mary standing alone amongst the landscape, walks towards the lifeboat house4.11 Close up – Mary leaves a bouquet of flowers against the wall of the building4.12 Wide shot – low angle of Mary walking away from the flowers4.13 Wide shot – Ruth standing at the sea, Mary comes into shot a joins her4.14 Medium shot – Mary hands Ruth a bottle which tilts down to see Ruth placing the card in bottle4.15 Wide shot – low angle of Ruth throwing the bottle into the sea4.16 Close up – bottle lands in the sea4.17 Close up – Mary kisses the top of Ruth’s head4.18 Wide shot – low angle shot of Mary and Ruth walking back up to the lifeboat house TOTAL 18 SHOTS