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1	
  Philip	
  Randolph	
  Lilien	
  adam@holocrea3ons.com	
  	
  
New	
  Space	
  changes	
  our	
  Dreams	
  and	
  
Subjec3ve	
  Reality	
  
•  New	
  realiza3ons	
  of	
  Space	
  penetrates	
  into	
  the	
  psyche,	
  
changes	
  our	
  dreams	
  and	
  subjec3ve	
  reality.	
  
•  New	
  space	
  and	
  new	
  geometry	
  express	
  new	
  beauty.	
  
•  Our	
  historic	
  geometries	
  of	
  space	
  are	
  inadequate	
  to	
  express	
  
our	
  contemporary	
  experience.	
  
–  From	
  the	
  Flat	
  space	
  of	
  the	
  Ancients	
  
–  To	
  the	
  Empty	
  rigid	
  space	
  of	
  the	
  renaissance	
  
–  To	
  the	
  Field	
  Filled	
  aggressive	
  space	
  of	
  20th	
  century	
  
–  To	
  the	
  holo’linked	
  space	
  of	
  modern	
  media	
  connec3ng	
  all	
  places	
  
at	
  once.	
  	
  
–  To	
  the	
  space	
  of	
  Coherent	
  Source	
  	
  2	
  
Holo’Space	
  Philosophy	
  	
  
Holo’Space	
  spiritualizes	
  art	
  and	
  science.	
  	
  Holo’Space	
  as	
  a	
  perceptual	
  mode	
  
guides	
  principles	
  of	
  a	
  spiritually	
  unified	
  art-­‐science	
  philosophy.	
  
Holo’Space	
  is	
  a	
  fusion,	
  a	
  new	
  quality	
  of	
  percep3on.	
  	
  
The	
  world	
  as	
  a	
  whole	
  is	
  organized	
  according	
  to	
  cosmic	
  laws	
  and	
  harmonic	
  
aesthe3c	
  principles.	
  
The	
  Holo’Space	
  provides	
  the	
  paradigm	
  organiza3onal	
  understanding	
  of	
  Space	
  	
  
offering	
  path	
  for	
  new	
  technologies.	
  	
  
Holo’Spa3al	
  Beings	
  will	
  learn	
  by	
  these	
  new	
  principles	
  to	
  func3on	
  as	
  terrestrial	
  
antennae	
  to	
  moderate	
  the	
  electroscalar	
  field	
  directly	
  and	
  establish	
  
communica3ons	
  with	
  cosmic	
  civiliza3ons	
  throughout	
  the	
  universe.	
  
Liberated	
  from	
  the	
  mental	
  material	
  concept	
  of	
  space	
  rooted	
  as	
  an	
  arbitrary	
  
point	
  and	
  returned	
  to	
  living	
  wholeness,	
  we	
  can	
  understand	
  space	
  and	
  
3me,	
  ac3on	
  and	
  fields	
  as	
  principled	
  mediums	
  of	
  art.	
  Vistas	
  open	
  beyond	
  
what	
  most	
  ar3sts	
  have	
  begun	
  to	
  consider.	
  	
  
3	
  
4	
  
This	
  Manifesto	
  is	
  a	
  Vision	
  for	
  a	
  new	
  
direc3on	
  in	
  art	
  
Domains	
  of	
  Space	
  
– Bring	
  understanding	
  of	
  Space	
  as	
  Life	
  
– Point	
  to	
  how	
  our	
  understanding	
  of	
  Space	
  is	
  
fundamental	
  to	
  our	
  Subjec3ve	
  Life	
  
– Art	
  as	
  a	
  tool	
  for	
  scien3fic,	
  philosophical,	
  spiritual	
  
and	
  crea3ve	
  realiza3on	
  and	
  evolu3on	
  
5	
  
  	
  	
   	
  
Holo’Space	
  coalesces	
  the	
  random	
  energies	
  of	
  light	
  and	
  
mind	
  to	
  transmit	
  syntropic	
  and	
  negentropic	
  effects.	
  
Color,	
  textures,	
  shapes	
  and	
  rela3onships	
  and	
  
connec3on	
  are	
  portals	
  to	
  the	
  open	
  system	
  of	
  Crea3on.	
  
6	
  
How	
  Art	
  Heals	
  Crea3on	
  
•  Art	
  are	
  Acts	
  designed	
  to	
  bring	
  about	
  healing	
  of	
  
Crea3on	
  
•  We	
  assimilate	
  the	
  lessons	
  of	
  the	
  Coherent	
  
Complexity.	
  They	
  are	
  laws	
  and	
  emergent	
  
proper3es	
  of	
  nature	
  itself.	
  
7	
  
8	
  
Visionary	
  Art	
  
The	
  Post	
  Postmodern	
  Visionary	
  Ar3st	
  expresses	
  images	
  
that	
  embody	
  their	
  vision	
  of	
  the	
  Spiritual	
  and	
  Sacred	
  
Realms.	
  These	
  are	
  found	
  through	
  myriad	
  methods	
  for	
  
enhancing	
  visionary	
  and	
  imagina3ve	
  facili3es.	
  
However,	
  Visionary	
  Art	
  is	
  s3ll	
  an	
  extension	
  of	
  the	
  ar3st’s	
  
subjec3ve	
  experience.	
  They	
  are	
  not	
  engineering	
  Space.	
  
Visionary	
  Language	
  	
  
Visionary	
  language	
  has	
  largely	
  been	
  trapped	
  in	
  
the	
  inadequacy	
  of	
  using	
  material	
  and	
  
subjec3ve	
  space	
  contexts.	
  
Coherent	
  Space	
  is	
  the	
  source	
  of	
  visionary	
  space	
  
Holo’Qubism’s	
  aim	
  is	
  to	
  make	
  coherent	
  space	
  
part	
  of	
  our	
  collec3ve	
  reality.	
  
9	
  
Founda3on	
  Objec3ves	
  
•  Arrive	
  to	
  a	
  broad	
  and	
  general	
  understanding	
  of	
  the	
  Divine	
  Psyche	
  as	
  light,	
  energy,	
  and	
  magne3sm…	
  seeking	
  
expression	
  through	
  The	
  Manifested	
  Whole.	
  
•  The	
  primordial	
  quali3es	
  of	
  Divinity	
  and	
  how	
  to	
  induce	
  their	
  appearance	
  through	
  the	
  Body	
  of	
  Humanity.	
  
•  The	
  rela3onship	
  of	
  these	
  Divine	
  Quali3es	
  understood	
  and	
  developed	
  in	
  man	
  and	
  the	
  responsibility	
  of	
  an	
  
Enlightened	
  Humanity	
  to	
  ground	
  these	
  quali3es	
  as	
  the	
  Founda3on	
  of	
  The	
  New	
  Civiliza3on/Neu	
  Epoch.	
  
•  The	
  Laws	
  and	
  Principles	
  of	
  The	
  Universe	
  and	
  Nature	
  understood	
  to	
  be	
  the	
  immutable	
  Nature	
  of	
  Source.	
  
•  Arriving	
  at	
  a	
  set	
  of	
  characteris3cs	
  which	
  contain	
  The	
  Psyche	
  from	
  THE	
  DIVINE	
  POINT	
  OF	
  VIEW.	
  Then	
  apply	
  	
  these	
  to	
  
understand	
  the	
  nature	
  and	
  development	
  of	
  individual	
  humanity	
  and	
  	
  the	
  func3onal	
  guidelines	
  for	
  the	
  development	
  
of	
  The	
  NEW	
  CIVILIZATION.	
  
•  Not	
  Human	
  alone	
  has	
  Soul,	
  but	
  Soul	
  or	
  Psyche	
  pervades	
  all.	
  So	
  the	
  characteris3cs	
  of	
  Soul	
  must	
  be	
  seen	
  in	
  
opera3on	
  through	
  all	
  aspects	
  	
  of	
  manifesta3on.	
  Doing	
  as	
  serves	
  to	
  reveal	
  the	
  nature	
  and	
  method	
  of	
  ac3vity	
  of	
  
Cosmic	
  Impulse	
  of	
  Love	
  called	
  Cosmic	
  Christ.	
  
•  These	
  characteris3cs	
  when	
  properly	
  understood	
  explain	
  the	
  manifesta3on	
  of	
  consciousness	
  on	
  Earth	
  through	
  
every	
  form.	
  	
  Just	
  as	
  the	
  life	
  purpose	
  of	
  a	
  human	
  being	
  	
  is	
  both	
  limited	
  and	
  condi3oned	
  	
  by	
  his	
  psychological	
  
equipment,	
  so	
  too	
  the	
  Divine	
  in	
  His	
  Psyche	
  	
  is	
  condi3oned	
  by	
  His	
  Ins3nctual	
  Quality	
  of	
  Psyche.	
  In	
  3me	
  the	
  
condi3on	
  of	
  the	
  vehicle	
  limit	
  the	
  expression	
  of	
  the	
  Divine	
  Psyche.	
  	
  
•  The	
  invoca3on,	
  precipita3on	
  and	
  distribu3on	
  of	
  cultural	
  matrices	
  with	
  their	
  impulsive	
  origin	
  from	
  a	
  trans-­‐human	
  
realms	
  of	
  significance;	
  planetary,	
  solar,	
  inter-­‐stellar.	
  These	
  seeds	
  form	
  the	
  basis	
  for	
  New	
  Forms	
  that	
  approximate	
  
the	
  nature	
  of	
  the	
  conceived	
  truths	
  in	
  their	
  quality	
  and	
  appearance.	
  
10	
  
Holo'Space Manifesto part two
12	
  
What	
  is	
  Art	
  in	
  the	
  World?	
  	
  
In	
  our	
  world	
  art	
  is	
  banal	
  drihing	
  without	
  meaning	
  or	
  significance.	
  We	
  have	
  reduced	
  
art	
  to	
  something	
  fundamentally	
  deriva3ve,	
  another	
  commodity	
  to	
  observe	
  and	
  
judge.	
  
Visionary	
  Space	
  
13	
  
Crea3ng	
  Living	
  Art	
  
Powerful	
  crea3ve	
  energe3cs	
  release	
  through	
  Mul3-­‐
Space.	
  
Holo’Space	
  answers	
  the	
  mystery	
  of	
  the	
  three-­‐
dimensional	
  appearance	
  of	
  complexity	
  and	
  form	
  
and	
  life.	
  When	
  space	
  breaks	
  poten3alized	
  
hypersymmetry	
  then	
  the	
  infinite,	
  unexpressed,	
  can	
  
show	
  its	
  crea3ve	
  expression	
  through	
  mul3plica3on	
  
of	
  harmonic	
  complexi3es.	
  Breaking	
  the	
  symmetry	
  of	
  
Real	
  Space	
  shihs	
  unity	
  to	
  interdependence,	
  so	
  
consciousness	
  can	
  Emerge.	
  
Life	
  is	
  Holo’dimensional	
  Coherent	
  Space	
  desire-­‐
vortexed	
  through	
  Material	
  Lenses.	
  	
  
14	
  
15	
  
16	
  
Percep3on	
  is	
  organized	
  by	
  Holo’Space.	
  
Syntropic	
  scaling	
  of	
  order	
  increase	
  meaning.	
  
Syntropic	
  images	
  transform	
  the	
  Being	
  from	
  Pure	
  Sensa3on	
  to	
  
Representa3on	
  to	
  Invoca3on	
  of	
  Superconscious	
  Currents	
  of	
  Soul	
  
Reorganiza3on.	
  
Percep3ons	
  via	
  Crea3on	
  are	
  replaced	
  by	
  released	
  vectors	
  
resona3ng	
  	
  Coherence.	
  
Tendencies	
  conserved	
  in	
  the	
  subjec3ve	
  space	
  as	
  mind	
  
respac3alize	
  as	
  distribu3on	
  of	
  non-­‐linear	
  harmonic	
  transients.	
  
Principled	
  Intelligence	
  
•  All	
  forms	
  of	
  energy	
  and	
  maier,	
  life	
  and	
  form	
  
are	
  supported	
  by	
  an	
  implicate	
  domain	
  that	
  is	
  
neither	
  energy	
  or	
  maier,	
  that	
  is	
  everywhere	
  
exis3ng	
  having	
  no	
  physical	
  dimension,	
  the	
  
very	
  root	
  of	
  all	
  that	
  is.	
  	
  
•  Creator's	
  Realm	
  Coherent	
  Space	
  Principled	
  
Intelligence.	
  From	
  out	
  of	
  this	
  arises	
  all	
  that	
  is.	
  
17	
  
18	
  
Life	
  inherent	
  as	
  the	
  very	
  Source	
  of	
  Deep	
  Field	
  Crea3on	
  is	
  Infinitely	
  
Alive	
  and	
  Emerges	
  naturally	
  and	
  spontaneously	
  when	
  condi3ons	
  
are	
  met.	
  	
  	
  
When	
  condi3ons	
  are	
  on	
  the	
  edge	
  of	
  chaos,	
  maximum	
  stability	
  
coupled	
  with	
  maximum	
  novel	
  spontaneity	
  then	
  life	
  as	
  pure	
  
intelligence	
  naturally	
  arises	
  from	
  the	
  very	
  ground	
  of	
  space	
  
through	
  dimensional	
  densifica3on	
  of	
  the	
  Prior.	
  This	
  is	
  Dynamic	
  
Satvic	
  	
  Presence.	
  	
  
The	
  frameless	
  is	
  a	
  projec3on	
  of	
  dimensional	
  space.	
  The	
  denser	
  
the	
  harmonic	
  mass	
  the	
  more	
  conscious	
  the	
  life.	
  	
  
19	
  
Ordering	
  the	
  field	
  of	
  poten3al	
  ini3ates	
  reordering	
  of	
  harmonic	
  wavepairs.	
  
The	
  binding	
  of	
  form	
  is	
  released	
  through	
  Holo’Dimensional	
  expression.	
  
Holo’Space	
  Expression	
  radiates	
  informa3on	
  as	
  Sustained	
  Intelligence.	
  
Poten3al	
  converges	
  from	
  hyperspace	
  complexity	
  while	
  energy	
  flow	
  diverges	
  from	
  
surface	
  space	
  as	
  Shak3	
  negentropic	
  Crea3ve	
  Space	
  as	
  Coherent	
  syntropy	
  
transmutes	
  Subjec3ve	
  Ground.	
  
Harmonic	
  resonant	
  space	
  rela3ons	
  are	
  themselves	
  densifying	
  lifetronic	
  fields.	
  
Holo’Art	
  can	
  help	
  syntropically	
  from	
  Source	
  organize	
  the	
  randomized	
  energies	
  of	
  
the	
  viewer	
  giving	
  rise	
  to	
  coherence	
  effects	
  such	
  as	
  visionary	
  insights	
  and	
  
levita3on.	
  
Gravita3onal	
  effects	
  through	
  Holo’Space	
  airac3on	
  can	
  be	
  engineered	
  as	
  an	
  
induc3on	
  of	
  Coherent-­‐Shak3.	
  	
  Scalar	
  Field	
  propulsion	
  arises	
  without	
  a	
  material	
  
reac3on	
  medium.	
  
Art	
  is	
  about	
  Space	
  
20	
  
Detail	
  of	
  Life	
  Emerging	
  from	
  Art	
  
21	
  
Wheelwork	
  of	
  Crea3on	
  
•  Ar3sts	
  will	
  succeed	
  in	
  aiaching	
  art	
  to	
  the	
  very	
  
wheelwork	
  of	
  Crea3on.	
  Art	
  will	
  access	
  the	
  
power	
  that	
  is	
  obtainable	
  everywhere.	
  
22	
  
Holo’Space	
  Understanding	
  Point	
  to	
  
23	
  
Holo’Dimensional	
  Compared	
  to	
  Fractal	
  Space	
  
Frac3onal	
  Dimension	
  such	
  as	
  
2.34	
  
More	
  than	
  2	
  dimensions	
  and	
  
less	
  than	
  3	
  
Example	
  are	
  the	
  surface	
  of	
  
a	
  cloud	
  
Used	
  in	
  CGI	
  to	
  mimic	
  reality	
  
24	
  
Fractal	
  Form	
  
•  Fractal	
  Space	
  formally	
  did	
  not	
  exist	
  as	
  part	
  of	
  human	
  
consciousness	
  un3l	
  the	
  first	
  images	
  in	
  1975	
  by	
  Mandelbrot.	
  
Since	
  then	
  it	
  has	
  impacted	
  and	
  transformed	
  nearly	
  every	
  
science.	
  Fractal	
  Space	
  has	
  shown	
  up	
  from	
  the	
  cosmic	
  to	
  the	
  
atomic.	
  Fractal	
  complexity	
  is	
  created	
  with	
  only	
  a	
  few	
  bits	
  of	
  
code,	
  z2	
  +	
  C.	
  
•  New	
  Space	
  open	
  new	
  fields	
  of	
  science.	
  
•  Biology	
  for	
  example	
  
–  Bronchial	
  branching	
  
–  Urinary	
  collec3ng	
  system	
  
–  Biliary	
  duct	
  in	
  liver	
  
–  Network	
  of	
  special	
  fibers	
  in	
  the	
  heart	
  to	
  carry	
  electric	
  current	
  
•  Before	
  Fractal	
  geometry	
  it	
  was	
  only	
  Euclidian	
  geometry	
  or	
  
hyperspace	
  Euclidian	
  geometry.	
  Plane	
  and	
  solid	
  geometry.	
  
25	
  
The path of involution of Soul and Evolution of Soul
as Kundalini is its reflection as an Embodied
Evolutionary Field. "
Science	
  is	
  driving	
  a	
  planetary	
  disorder.	
  Art	
  reflects	
  this.	
  
Art	
  has	
  spiraled	
  into	
  devolu3on	
  of	
  disassocia3on	
  and	
  
devalua3on	
  without	
  any	
  clear	
  socially	
  coherent	
  vision.	
  	
  
Modernist	
  and	
  post-­‐modernist	
  art	
  side	
  along	
  with	
  pop-­‐
culture	
  relentlessly	
  descend	
  into	
  ever-­‐greater	
  depths	
  
of	
  vulgarity,	
  mirroring	
  the	
  schizophrenic	
  loss	
  of	
  the	
  
sacred	
  view.	
  
Degenera3on	
  of	
  values	
  based	
  art	
  and	
  science	
  separate	
  
disciplines	
  and	
  value	
  systems	
  not	
  mutually	
  interac3ve.	
  
The	
  reversal	
  of	
  world	
  values	
  toward	
  the	
  Earth	
  as	
  sacred	
  
Source-­‐created	
  will	
  not	
  be	
  halted.	
  A	
  evolu3onary	
  
dialec3c	
  operates	
  by	
  principles	
  of	
  self-­‐transcendence.	
  
26	
  
Hyper’Classical	
  Arts	
  	
  
Hyper’Classical	
  Art	
  originates	
  order	
  through	
  the	
  Reappearance	
  
of	
  Crea3on.	
  Hyper’Classical	
  Tools	
  explore	
  science	
  and	
  
philosophy	
  to	
  gain	
  insight	
  into	
  the	
  nature	
  of	
  Existence.	
  
Hyper’Dimensional	
  Art	
  expresses	
  alchemical	
  living	
  presences	
  
and	
  crea3ve	
  ecologies.	
  Through	
  Space	
  and	
  Poten3al,	
  the	
  
nature	
  of	
  Life	
  and	
  Crea3on.	
  
27	
  
Changing	
  Human	
  Landscape	
  
Vision	
  proceeds	
  Manifesta3on	
  -­‐	
  Art	
  Proceeds	
  Science	
  
The	
  ar3st	
  visions	
  a	
  basis	
  for	
  new	
  sciences	
  and	
  mathema3cs,	
  
philosophy,	
  spirituality,	
  economics	
  and	
  art	
  to	
  the	
  culture	
  
through	
  inhabi3ng	
  new	
  space.	
  Art	
  is	
  space	
  and	
  the	
  feelings	
  
and	
  understandings	
  revealed	
  through	
  space.	
  From	
  new	
  
comprehensions	
  of	
  space	
  come	
  new	
  sciences,	
  economics,	
  
philosophies,	
  technologies.	
  	
  
From	
  fixed	
  view	
  Renascence	
  space	
  came	
  Newton.	
  From	
  
Fractal	
  Space	
  have	
  come	
  thousands	
  of	
  new	
  applica3ons.	
  	
  
True	
  ar3sts	
  absorb	
  and	
  advance	
  scien3fic	
  and	
  mathema3cal	
  
development	
  through	
  revealing	
  new	
  visions	
  of	
  space.	
  They	
  
alter	
  the	
  form	
  of	
  subjec3ve	
  mind	
  causing	
  structural	
  changes	
  
to	
  the	
  cultural	
  commons.	
  
28	
  
Source	
  of	
  Art	
  
The	
  sense	
  of	
  what	
  is	
  actually	
  the	
  source	
  of	
  the	
  
beau3ful	
  has	
  been	
  lost.	
  The	
  essence	
  and	
  
source	
  of	
  art	
  is	
  Love.	
  
Architectural	
  structure	
  and	
  func3on	
  are	
  not	
  the	
  
basis	
  of	
  art.	
  True	
  art	
  is	
  par3cipatory.	
  
29	
  
Holo'Space Manifesto part two
Art	
  as	
  Commodity	
  
31	
  
Roots	
  of	
  Culture	
  Advancement	
  
Unbinding	
  Space	
  Awareness	
  is	
  the	
  basis	
  of	
  cultural	
  
advancement.	
  The	
  more	
  bound	
  the	
  space,	
  the	
  more	
  
bound	
  the	
  mind,	
  the	
  more	
  bound	
  the	
  mind	
  the	
  more	
  
karma	
  binds,	
  the	
  more	
  locked	
  down	
  our	
  current	
  of	
  
spiritual	
  evolu3on,	
  the	
  more	
  bound	
  our	
  crea3ve	
  
freedom,	
  the	
  more	
  bound	
  is	
  our	
  recep3on	
  of	
  the	
  Desire	
  
of	
  Source.	
  
Hyper’Classical	
  Art	
  awakens	
  new	
  energy	
  sources	
  
transduced	
  coherent	
  fields	
  of	
  freeness.	
  We	
  can	
  extract	
  
life	
  energies	
  through	
  the	
  precipita3on	
  of	
  Space.	
  
Hyper’Classical	
  Art	
  expresses	
  principles	
  of	
  non-­‐dual	
  
Coherent	
  Space.	
  	
  
32	
  
History	
  through	
  Parallel	
  Lines	
  
– Romans	
  did	
  not	
  realize	
  that	
  parallel	
  lines	
  converge	
  
in	
  the	
  distance.	
  
– Renaissance	
  Ar3sts/scien3st	
  realized	
  that	
  parallel	
  
lines	
  appear	
  to	
  converge	
  in	
  distance.	
  	
  
– Renaissance	
  Ar3sts/scien3st	
  did	
  not	
  realize	
  that	
  
parallel	
  lines	
  really	
  do	
  converge	
  in	
  infinity.	
  
– Parallel	
  lines	
  are	
  fields	
  that	
  emerge	
  and	
  converge.	
  
– Modern	
  ar3sts	
  do	
  not	
  realize	
  that	
  parallel	
  lines	
  
can	
  converge	
  and	
  diverge	
  through	
  many	
  
dimensions	
  in	
  all	
  direc3ons.	
  
33	
  
Progression	
  of	
  Art	
  
Roman/ancient	
  world	
  -­‐	
  	
  tac3le	
  muscular	
  flat	
  Space	
   	
  
3	
  Dimensional	
  renaissance	
  art	
  Single	
  Space	
  Projec3ve	
  geometric	
  space	
  	
  
4	
  Dimensional	
  –	
  Cubism	
  
Subjec3ve	
  Space	
  –	
  Dadaist,	
  Surrealists,	
  Expressionism	
  
Rela3vity	
  space	
  –	
  Cubism	
  
Visionary	
  –	
  Subjec3ve	
  expression	
  of	
  higher	
  or	
  other	
  dimensions	
  
Monstrous	
  Forms	
  –	
  Koch	
  Etc	
  
Fractal	
  Space	
  –	
  Infinitely	
  Complex	
  FormFractal	
  space	
  was	
  never	
  real	
  to	
  the	
  
culture	
  un3l	
  Mandelbrot	
  produced	
  the	
  first	
  piece	
  of	
  fractal	
  art	
  
inaugura3ng	
  a	
  new	
  comprehension	
  of	
  space.	
  	
  	
  
Holo’Dimensional	
  Space	
  –	
  Mul3ples	
  of	
  Simultaneous	
  Space	
  
Impressionism	
  –	
  Simultaneous	
  Space	
  
Cubism	
  –	
  Subject/Ground	
  Space	
  
Holo’Space	
  –	
  Infinitely	
  Complex	
  Sacred	
  Space	
  	
  	
  
34	
  
Ancient	
  Roman	
  Percep8on	
  of	
  Space	
  
Roman	
  art	
  was	
  muscular	
  
and	
  tac3le.	
  A	
  space	
  	
  
showing	
  a	
  predisposi3on	
  
towards	
  physicality.	
  In	
  
Roman	
  art,	
  objects	
  close	
  
by	
  have	
  dimensionality.	
  
The	
  further	
  away	
  the	
  
space,	
  the	
  flaier	
  the	
  space	
  
becomes.	
  
35	
  
“Three	
  Fates”	
  
36	
  
Renaissance	
  Art	
  	
  
•  The	
  space	
  our	
  minds	
  inhabit	
  was	
  constructed	
  by	
  ar3sts	
  
5	
  hundred	
  years	
  ago.	
  This	
  is	
  single	
  point	
  Euclidean	
  
Space.	
  
•  Space	
  as	
  something	
  exis3ng	
  apart	
  from	
  objects	
  did	
  not	
  
exist	
  before	
  this.	
  Renaissance	
  has	
  become	
  our	
  space.	
  	
  
•  Alber3,	
  Leonbarsta	
  and	
  others	
  saw	
  that	
  triangles	
  are	
  
projec3ons	
  of	
  a	
  single	
  3-­‐D	
  Pyramid	
  according	
  to	
  
Euclidean	
  principles.	
  
•  This	
  led	
  to	
  the	
  physics	
  of	
  Newton	
  and	
  others	
  mapping	
  
the	
  movement	
  of	
  objects	
  through	
  empty	
  space.	
  Ac3on	
  
at	
  a	
  distance	
  is	
  a	
  mystery.	
  
37	
  
Holo'Space Manifesto part two
Tradi3onal	
  Representa3ve	
  Art	
  
Material	
  Space	
  is	
  the	
  basis	
  to	
  express	
  Subjec3ve	
  
Space.	
  This	
  what	
  we	
  in	
  the	
  west	
  consider	
  
proper	
  art	
  for	
  centuries.	
  	
  
39	
  
Monet	
  Realized	
  to	
  Express	
  	
  
•  In	
  his	
  studies	
  of	
  nature	
  he	
  realized	
  that	
  renaissance	
  
space	
  is	
  inadequate	
  to	
  show	
  mul3ple	
  and	
  simultaneous	
  
space.	
  
•  More	
  than	
  one	
  object	
  in	
  the	
  same	
  space	
  at	
  once.	
  
Spa3al	
  layering.	
  
•  Three	
  dimensional	
  Euclidean	
  space	
  is	
  arbitrary	
  and	
  
“corrupted”	
  with	
  point	
  of	
  view.	
  and	
  is	
  inadequate	
  to	
  
express	
  simultaneous	
  rela3vity	
  space	
  and	
  frame.	
  
•  Monet	
  saw	
  the	
  interpenetra3on	
  of	
  mul3ple	
  different	
  
spaces.	
  The	
  surface	
  of	
  the	
  pond,	
  the	
  space	
  below	
  the	
  
surface	
  of	
  the	
  water	
  and	
  the	
  sky	
  with	
  clouds	
  reflected.	
  
More	
  than	
  one	
  space	
  is	
  in	
  the	
  same	
  frame	
  at	
  once.	
  	
  	
  
•  Interpenetra3ng	
  Space	
  was	
  new	
  to	
  the	
  western	
  
experience.	
  	
  
40	
  
Subjec3ve	
  Space	
  Art	
  Movements	
  
“The	
  Scream”	
  
41	
  
Pre-­‐Renaissance	
  Space	
  
S3ll	
  flat	
  in	
  the	
  
distance.	
  Man	
  is	
  the	
  
center	
  of	
  crea3on.	
  
42	
  
Subjec8ve	
  Collec8ve	
  Space	
  of	
  the	
  Social	
  changes	
  of	
  the	
  8me	
  
Van	
  Gogh	
  
Van	
  Gogh	
  rendered	
  collec3ve	
  space.	
  He	
  
rendered	
  the	
  Subjec3ve	
  Space	
  of	
  the	
  
changing	
  age	
  around	
  him:	
  the	
  loosening	
  of	
  
the	
  connec3on	
  to	
  the	
  land	
  and	
  the	
  
movement	
  to	
  a	
  factory	
  mercan3le	
  world	
  
with	
  its	
  hopelessness.	
  In	
  a	
  number	
  of	
  his	
  
works	
  he	
  was	
  trying	
  to	
  render	
  the	
  
subjec3ve	
  space	
  of	
  the	
  changing	
  of	
  the	
  
ages	
  around	
  him.	
  Of	
  especial	
  interest	
  was	
  
the	
  loose	
  of	
  the	
  connect	
  to	
  the	
  land	
  and	
  
the	
  movement	
  to	
  a	
  factory	
  mercan3le	
  
world	
  and	
  the	
  hopelessness	
  that	
  came	
  
with	
  that.	
  
43	
  
Cezanne	
  Landscape	
  
•  Neuro	
  Scien3st	
  	
  
•  What	
  impressions	
  look	
  like	
  before	
  processed	
  
into	
  concept	
  
44	
  
Art	
  Manifestos	
  of	
  the	
  20th	
  century	
  
The	
  first	
  art	
  manifesto	
  of	
  the	
  20th	
  century	
  was	
  
introduced	
  with	
  the	
  Futurists	
  in	
  Italy	
  in	
  1909	
  and	
  
readily	
  taken	
  up	
  by	
  the	
  Vor3cists,	
  Dadaists	
  and	
  
the	
  Surrealists	
  aher	
  them.	
  	
  
The	
  period	
  up	
  to	
  World	
  War	
  II	
  created	
  what	
  are	
  s3ll	
  
the	
  best	
  known	
  manifestos.	
  Although	
  they	
  never	
  
stopped	
  being	
  issued,	
  other	
  media	
  such	
  as	
  the	
  
growth	
  of	
  broadcas3ng	
  tended	
  to	
  sideline	
  such	
  
declara3ons.	
  Due	
  to	
  the	
  internet	
  there	
  has	
  been	
  
a	
  resurgence	
  of	
  the	
  form,	
  and	
  many	
  new	
  
manifestos	
  have	
  appeared	
  to	
  a	
  worldwide	
  
audience.	
  	
  
45	
  
Cubism	
  
Around	
  the	
  turn	
  of	
  the	
  20th	
  century,	
  ar3sts	
  
became	
  deeply	
  interested	
  in	
  expressing	
  the	
  
4-­‐dimensional	
  nature	
  of	
  the	
  world	
  and	
  
sought	
  to	
  discover	
  this	
  through	
  the	
  study	
  of	
  
the	
  direct	
  principles	
  of	
  form.	
  	
  
Cubism	
  was	
  at	
  first	
  an	
  inquiry	
  into	
  the	
  
principles	
  behind	
  form	
  and	
  space,	
  fourth	
  
dimensional	
  space	
  as	
  it	
  interfaces	
  with	
  
percep3on.	
  The	
  result	
  of	
  their	
  explora3ons	
  
was	
  a	
  transforma3on	
  of	
  the	
  frame-­‐space.	
  
The	
  structuring	
  of	
  rela3onships	
  between	
  
percep3on	
  and	
  form	
  within	
  the	
  frame-­‐space	
  
was	
  their	
  method	
  of	
  discovery.	
  It	
  was	
  an	
  
explora3on	
  into	
  principles	
  of	
  form,	
  the	
  
structuring	
  of	
  rela3onships	
  exis3ng	
  between	
  
percep3on	
  and	
  form	
  and	
  their	
  rela3onships.	
  
This	
  was	
  a	
  discovery	
  and	
  an	
  altering	
  of	
  our	
  
percep3on	
  of	
  form	
  with	
  its	
  space.	
  Like	
  
Buddhis3c	
  Space,	
  form	
  and	
  space	
  are	
  
inseparable.	
  
	
   	
  
46	
  
Futurism	
  
Futurism	
  (Italian:	
  Futurismo)	
  was	
  an	
  ar3s3c	
  and	
  
social	
  movement	
  that	
  originated	
  in	
  Italy	
  in	
  the	
  
early	
  20th	
  century.	
  It	
  emphasized	
  and	
  glorified	
  
themes	
  associated	
  with	
  contemporary	
  
concepts	
  of	
  the	
  future,	
  including	
  speed,	
  
technology,	
  youth	
  and	
  violence,	
  and	
  objects	
  
such	
  as	
  the	
  car,	
  the	
  airplane	
  and	
  the	
  industrial	
  
city.	
  It	
  was	
  largely	
  an	
  Italian	
  phenomenon,	
  
though	
  there	
  were	
  parallel	
  movements	
  in	
  
Russia,	
  England	
  and	
  elsewhere.	
  
47	
  
Holo'Space Manifesto part two
Surface	
  of	
  the	
  Art	
  
49	
  
Surface	
  as	
  Art	
  Movement	
  –	
  No	
  projec3on	
  	
  
Malevich’s	
  Supremacist	
  Composi3on-­‐	
  White	
  on	
  White	
  
50	
  
Post-­‐Modern	
  Art	
  	
  
Post-­‐Modern	
  art	
  expresses	
  and	
  embodies	
  ego-­‐
based	
  society.	
  	
  
51	
  
Visionary	
  Space	
  
•  Visionary	
  language	
  has	
  been	
  trapped	
  in	
  the	
  context	
  
of	
  Material	
  Space.	
  
•  Coherent	
  Space	
  is	
  the	
  fundamental	
  source	
  of	
  
Visionary	
  Space	
  making	
  it	
  part	
  of	
  our	
  collec3ve	
  
reality.	
  
•  True	
  ar3sts	
  absorb	
  and	
  advance	
  scien3fic	
  and	
  
mathema3cal	
  developments	
  through	
  expressions	
  
of	
  space.	
  They	
  render	
  and	
  emit	
  these	
  to	
  the	
  
cultural	
  commons.	
  Structural	
  changes	
  to	
  subjec3ve	
  
space	
  and	
  cultural	
  landscapes	
  occur.	
  
•  They	
  alter	
  our	
  comprehension	
  of	
  space.	
  	
  	
  52	
  
Visionary	
  Art	
  
•  Seeking	
  for	
  an	
  inner	
  vision	
  of	
  a	
  higher	
  world	
  is	
  
largely	
  the	
  purpose	
  of	
  this	
  art.	
  Where	
  a	
  higher	
  
dimension	
  is	
  sought	
  it	
  is	
  s3ll	
  through	
  a	
  subjec3ve	
  
projec3on.	
  
•  The	
  post	
  postmodern	
  visionary	
  ar3st	
  expresses	
  
space	
  that	
  embodies	
  their	
  vision	
  of	
  the	
  spiritual	
  
and	
  sacred	
  realms	
  or	
  service	
  found	
  through	
  
myriad	
  methods	
  for	
  enhancing	
  visionary	
  and	
  
imagina3ve	
  facili3es.	
  	
  
•  The	
  art	
  of	
  the	
  visionary	
  ar3st	
  is	
  s3ll	
  an	
  extension	
  
of	
  the	
  ar3st’s	
  subjec3ve	
  perceptual	
  Space	
  
however	
  super-­‐Consciousness	
  it	
  is.	
  
– 	
  	
  	
  53	
  
Visionary	
  Art	
  Path	
  
•  True	
  Visionary	
  ar3sts	
  seek	
  to	
  discover	
  and	
  express	
  
the	
  greater	
  dimension	
  of	
  existence.	
  
•  Hyper’Classical	
  Art	
  includes	
  the	
  Visionary	
  ar3st’s	
  
path	
  and	
  expands	
  its	
  possibili3es	
  and	
  methods.	
  
•  Qubism	
  is	
  visionary,	
  but	
  the	
  visionary	
  expression	
  
does	
  not	
  arise	
  from	
  the	
  Subjec3ve	
  Space	
  of	
  the	
  
ar3st.	
  From	
  the	
  connec3on	
  of	
  the	
  Subjec3ve	
  
Space	
  of	
  the	
  Viewer	
  to	
  the	
  Coherent	
  Space	
  of	
  
Source.	
  
•  Mul3ple	
  spaces	
  as	
  simultaneous	
  gestalts.	
  	
  
54	
  
First	
  Image	
  of	
  Fractal	
  Space	
  
55	
  
Holo'Space Manifesto part two
Art	
  is	
  a	
  Sacred	
  Ac3vity	
  	
  
Art	
  has	
  become	
  entertainment,	
  a	
  way	
  to	
  express	
  one’s	
  mental	
  
contents.	
  That’s	
  no	
  culture,	
  to	
  glorify	
  and	
  gorify	
  the	
  very	
  
source	
  of	
  suffering,	
  the	
  bound	
  mind.	
  With	
  no	
  center,	
  no	
  
society,	
  no	
  necessity	
  for	
  the	
  ar3st.	
  In	
  our	
  3me	
  there’s	
  no	
  
cultural	
  or	
  social	
  order	
  to	
  the	
  arts.	
  They	
  are	
  secondary	
  to	
  
daily	
  living.	
  
Ar3sts	
  embody	
  the	
  failure	
  of	
  the	
  social	
  order	
  to	
  transmit	
  an	
  
inspira3on	
  to	
  transcend	
  one’s	
  toxic	
  mind,	
  to	
  master	
  one’s	
  
wholeness.	
  Providing	
  social	
  order	
  valued	
  by	
  others	
  has	
  
intrinsic	
  fundamental	
  value.	
  	
  
Sacred	
  Art	
  is	
  not	
  just	
  decora3on,	
  but	
  is	
  part	
  of	
  the	
  sacred	
  
purpose	
  of	
  the	
  community.	
  Art	
  was	
  originally	
  a	
  sacred	
  
ac3vity,	
  generated	
  within	
  a	
  sacred	
  culture.	
  
Sacred	
  Art	
  presents	
  something	
  that	
  is	
  beau3ful	
  to	
  people	
  
invoking	
  cultural	
  par3cipa3on.	
  	
  	
  
57	
  
Holo'Space Manifesto part two
Holo’Art	
  
Holo’Art	
  applies	
  to	
  living	
  and	
  non-­‐living,	
  the	
  
micro	
  and	
  macrocosmic	
  levels	
  and	
  the	
  psychic	
  
realm.	
  Qubism	
  can	
  be	
  applied	
  to	
  culture,	
  
economics	
  and	
  poli3cs	
  as	
  an	
  unified	
  whole	
  
with	
  no	
  dividing	
  different	
  fields	
  of	
  ac3vity	
  and	
  
knowledge.	
  
59	
  
Art	
  must	
  Generate	
  Love	
  
Art	
  depends	
  on	
  the	
  ability	
  of	
  the	
  viewer	
  to	
  feel	
  
love	
  rela3ve	
  to	
  the	
  presented	
  expression.	
  	
  
The	
  art	
  must	
  generate	
  love.	
  It	
  must	
  evoke	
  a	
  
par3cipatory	
  feeling.	
  	
  
If	
  it	
  frustrates	
  love,	
  or	
  doesn’t	
  allow	
  it,	
  or	
  does	
  not	
  
even	
  try	
  to	
  invoke	
  it,	
  then	
  it’s	
  not	
  art	
  really.	
  	
  
60	
  
61	
  
The	
  surface	
  of	
  the	
  conduit	
  (art)	
  embodies	
  a	
  frameless	
  field,	
  a	
  projector	
  and	
  
Projec3on	
  of	
  Space.	
  	
  
The	
  viewed	
  surface	
  Is	
  a	
  projector	
  of	
  complex	
  dimensional	
  space.	
  By	
  building	
  and	
  
breaking	
  and	
  evolving	
  the	
  space	
  dimensionally,	
  complex	
  harmonic	
  resonance	
  is	
  
generated	
  and	
  amplified.	
  	
  
The	
  flow	
  of	
  informa3on	
  poten3al	
  Is	
  conserved	
  in	
  the	
  complex	
  space	
  but	
  liberated	
  
through	
  the	
  surface	
  projector	
  viewer	
  transduced	
  ac3va3on.	
  
Holo’Qubism	
  reveals	
  what	
  is	
  Prior.	
  
This	
  is	
  a	
  nega3ve	
  resistor	
  effect,	
  a	
  negentropic	
  AND	
  syntropic	
  reordering	
  of	
  the	
  
surface	
  space	
  poten3al.	
  
The	
  dipole	
  field	
  of	
  the	
  complex	
  space	
  ini3ates	
  harmonic	
  densifica3on.	
  
Energy	
  organizing	
  is	
  entropic	
  decrease.	
  New	
  Life	
  manifests	
  from	
  the	
  Substrate	
  of	
  
Consciousness.	
  
Holo’Space	
  Reveals	
  What	
  is	
  Prior	
  
Stages	
  of	
  Art	
  
Ins3nc3ve	
  
Subjec3ve	
  Perspec3ve	
  
Representa3onal	
  
Objec3ve	
  Perspec3ve	
  
Forma3ve	
  
	
   Principles	
  of	
  Form	
  
Principle	
  of	
  Dimensionality	
  
Archetypal	
  Qubism	
  
Form	
  of	
  Principle	
  
Meta'Synthe3cal	
  
Dimensions	
  of	
  Principle	
  62	
  
Divine	
  Art	
  	
  
Releases	
  consciousness	
  from	
  iden3fica3on	
  with	
  
differen3ated	
  awareness	
  	
  
Transla3on	
  of	
  the	
  Human	
  Psyche	
  into	
  the	
  state	
  
where	
  self-­‐centeredness	
  as	
  conven3onally	
  
understood,	
  disappears.	
  
63	
  
Real	
  Space	
  in	
  Modern	
  Communica3ons	
  
In	
  Shak3	
  Space	
  all	
  points	
  are	
  connected	
  to	
  every	
  
other	
  point.	
  Modern	
  media	
  are	
  wormholes	
  
connec3ng	
  all	
  points	
  to	
  every	
  other	
  point.	
  	
  
64	
  
Holo'Space Manifesto part two
Holo’Space	
  in	
  Art	
  
– Art	
  can	
  be	
  used	
  for	
  scien3fic,	
  philosophical,	
  spiritual	
  
and	
  crea3ve	
  research	
  and	
  discovery	
  
– Hyper’Classical	
  Art	
  uses	
  tools	
  of	
  art	
  	
  
•  To	
  explore	
  more	
  deeply	
  to	
  understand	
  science	
  and	
  
philosophy	
  
•  To	
  gain	
  insight	
  into	
  the	
  nature	
  of	
  Existence	
  and	
  Space	
  and	
  
Poten3al	
  
•  To	
  explore	
  the	
  nature	
  of	
  life	
  as	
  the	
  nature	
  of	
  Crea3on.	
  
– Space	
  as	
  Life	
  expresses	
  through	
  four	
  domains	
  of	
  
Space.	
  Thus	
  understanding	
  of	
  Space	
  is	
  fundamental	
  to	
  
our	
  understanding	
  of	
  Subjec3ve	
  Life.	
  
66	
  
Seven Ages of Globalizing
Civilization

•  "Classical Age"
•  "Post-Classical Age"
•  "Pre-modern Age"
•  "Modern Age"
•  "Postmodern Age"
•  "Trans'Modern Age"
•  "Hyper'Classical Age"
67	
  
Hyper’Classical	
  Art	
  and	
  Style	
  
Frameless Universal Trans'Globalized Context "
Omni'Scalar Orientation"
Lifetronic Non-relativistic Hyperdimensionality"
Meta-Synthetical Star'Net Imagustry, image industry"
Circuit Structure Energy Ring Temples of Spiralic Resurrection, Spiricles
Flux"
Meraba Grid Vidia Cathedrals"
Syn'Optic Principled Intelligence"
Good of The Whole Syntropic Natural Enlightened Aristocracy "
Isomorphic Mutualization"
Multidimensional and Simultaneous Self Sealed Hermetic Wholeness "
Holo'Graphic Harmonic Fractalism"
Synthesis and Fusion with Open Spontaneous Novelty"
Significance oriented"
Holo'Lectic and Omni'Lectic Logic base"
The 50 Million Year Old Child, Reva-Relational Compassion"
Focus Singularities, Explicate/Inplicate/Transplicate Co'Union"
" " " 	
  
68	
  
Holo'Space Manifesto part two
Cultural Synthesis
" " "
Aesthe3cs	
  is	
  The	
  Merger	
  of	
  Spiritual	
  Materialism	
  as	
  Art-­‐Science	
  Philosophy	
  
	
   	
   Transmuta3onal	
  Transcending	
  Divine	
  Love	
  
	
   	
   Solar	
  Psyddhis	
  
	
   	
   Electronic	
  Tribal	
  Christening	
  
	
   	
   Designs	
  of	
  Sacred	
  Social	
  Context	
  
	
   	
   Regenera3ve	
  Enlightened	
  Co-­‐evolu3on	
  
	
   	
   Nourishing	
  Paierns	
  of	
  Resonance	
  
	
   	
   Holo'Theurgic	
  Fractal	
  Evolu3on	
  
	
   	
   Revealed	
  Eternal	
  Now	
  Hardwire	
  
	
   	
   Beyond	
  Dura3on	
  and	
  Space	
  
	
   	
   Crea3on	
  as	
  Form	
  in	
  Persistence	
  with	
  definite	
  Rhythms	
  that	
  are	
  on-­‐
repe33ve	
  Cyclo-­‐Spiralic	
  in	
  nature	
  
	
   	
   Will	
  of	
  Divine	
  is	
  the	
  Materializing	
  Power.	
  Our	
  goal	
  is	
  to	
  be	
  thus	
  Possessed	
  
	
   	
   Trans’Immanence	
  Changeless	
  Transience	
  	
  
70	
  
Healing	
  Power	
  of	
  Holo’Dimensional	
  Art	
  
•  We	
  don’t	
  experience	
  all	
  that	
  is	
  real.	
  In	
  the	
  
modern	
  conven3onal,	
  the	
  consensus,	
  maier	
  
IS	
  reality.	
  The	
  things	
  that	
  really	
  exist	
  are	
  bits	
  of	
  
maier.	
  Energy	
  exists	
  as	
  it	
  acts	
  on	
  maier	
  but	
  
space	
  itself	
  is	
  not	
  real.	
  It	
  is	
  only	
  the	
  backdrop	
  
to	
  maier	
  
•  Holo’Space	
  realiza3on	
  frees	
  us	
  from	
  the	
  
consensus	
  that	
  maier	
  is	
  Reality	
  or	
  is	
  only	
  
Reality.	
  
71	
  
Holo'Space Manifesto part two
Holo’Space	
  
All	
  that	
  happens	
  in	
  one	
  place	
  happens	
  in	
  all	
  
other	
  places.	
  All	
  that	
  happened	
  in	
  one	
  3me	
  
happens	
  in	
  all	
  3me	
  thereaher.	
  	
  
Nothing	
  and	
  everything	
  is	
  local.	
  All	
  Space	
  is	
  
global	
  and	
  cosmic.	
  The	
  most	
  cosmic	
  is	
  the	
  
most	
  local	
  to	
  Now.	
  
The	
  Mem	
  of	
  All	
  extends	
  to	
  all	
  places	
  and	
  all	
  
3mes.	
  	
  
73	
  
Space	
  Is	
  the	
  Most	
  Fundamental	
  of	
  all	
  Elements	
  
That	
  space	
  is	
  empty	
  and	
  passive	
  is	
  the	
  general	
  
viewpoint	
  contradicted	
  by	
  new	
  science.	
  
New	
  science	
  says	
  that	
  Space	
  is	
  the	
  most	
  
fundamental	
  of	
  all	
  elements.	
  
Maier	
  is	
  semi-­‐stable	
  clumping	
  of	
  energy	
  vortexes	
  
springing	
  from	
  Mother	
  Space,	
  a	
  waveform	
  
disturbance	
  in	
  the	
  connec3ng	
  field,	
  memory	
  of	
  
the	
  metaverse,	
  a	
  cloud	
  of	
  dark	
  light	
  in	
  the	
  
Coherent	
  Sky.	
  	
  
74	
  
Hyper’Classical	
  Art	
  	
  
•  Hyper’Classical	
  art	
  evokes	
  par3cipa3on	
  by	
  the	
  
viewer	
  by	
  involving	
  the	
  observer.	
  	
  
•  Avoiding	
  par3cipation	
  degrades	
  the	
  viewer.	
  	
  
•  Hyper’Classical	
  art	
  heals,	
  restores	
  equilibrium,	
  
regenerates	
  well-­‐being	
  and	
  can	
  trigger	
  spiritual	
  
awakening.	
  	
  
75	
  
Hyper’Classical	
  Ar3st	
  expresses	
  the	
  Sacred	
  
The	
  Hyper’Classical	
  Ar3st	
  expresses	
  the	
  sacred.	
  	
  He	
  
causes	
  others	
  to	
  par3cipate	
  in	
  manifest	
  reality	
  as	
  self-­‐
transcendent	
  ecstasy.	
  Hyper’Classical	
  art	
  invites	
  self-­‐
transcendence	
  enabling	
  the	
  viewer	
  to	
  transcend	
  
themselves.	
  
When	
  the	
  culture	
  and	
  poli3cs	
  are	
  harmonious	
  and	
  in	
  
sacred	
  associa3on	
  true	
  art	
  appears.	
  Where	
  the	
  sacred	
  
is	
  absent,	
  then	
  the	
  best	
  art	
  can	
  do	
  is	
  meditate	
  on	
  the	
  
beau3ful	
  and	
  bring	
  people	
  to	
  feel	
  that.	
  But	
  there	
  is	
  
nothing	
  beau3ful	
  without	
  love.	
  	
  
True	
  art	
  is	
  a	
  sacred	
  performance,	
  an	
  act	
  of	
  love.	
  And	
  the	
  
highest	
  sacred	
  performance	
  can	
  only	
  occur	
  in	
  a	
  sacred	
  
serng	
  with	
  a	
  sacred	
  culture	
  and	
  sacred	
  society,	
  
transcending	
  egoity.	
  	
  
76	
  

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Holo'Space Manifesto part two

  • 1. 1  Philip  Randolph  Lilien  adam@holocrea3ons.com    
  • 2. New  Space  changes  our  Dreams  and   Subjec3ve  Reality   •  New  realiza3ons  of  Space  penetrates  into  the  psyche,   changes  our  dreams  and  subjec3ve  reality.   •  New  space  and  new  geometry  express  new  beauty.   •  Our  historic  geometries  of  space  are  inadequate  to  express   our  contemporary  experience.   –  From  the  Flat  space  of  the  Ancients   –  To  the  Empty  rigid  space  of  the  renaissance   –  To  the  Field  Filled  aggressive  space  of  20th  century   –  To  the  holo’linked  space  of  modern  media  connec3ng  all  places   at  once.     –  To  the  space  of  Coherent  Source    2  
  • 3. Holo’Space  Philosophy     Holo’Space  spiritualizes  art  and  science.    Holo’Space  as  a  perceptual  mode   guides  principles  of  a  spiritually  unified  art-­‐science  philosophy.   Holo’Space  is  a  fusion,  a  new  quality  of  percep3on.     The  world  as  a  whole  is  organized  according  to  cosmic  laws  and  harmonic   aesthe3c  principles.   The  Holo’Space  provides  the  paradigm  organiza3onal  understanding  of  Space     offering  path  for  new  technologies.     Holo’Spa3al  Beings  will  learn  by  these  new  principles  to  func3on  as  terrestrial   antennae  to  moderate  the  electroscalar  field  directly  and  establish   communica3ons  with  cosmic  civiliza3ons  throughout  the  universe.   Liberated  from  the  mental  material  concept  of  space  rooted  as  an  arbitrary   point  and  returned  to  living  wholeness,  we  can  understand  space  and   3me,  ac3on  and  fields  as  principled  mediums  of  art.  Vistas  open  beyond   what  most  ar3sts  have  begun  to  consider.     3  
  • 5. This  Manifesto  is  a  Vision  for  a  new   direc3on  in  art   Domains  of  Space   – Bring  understanding  of  Space  as  Life   – Point  to  how  our  understanding  of  Space  is   fundamental  to  our  Subjec3ve  Life   – Art  as  a  tool  for  scien3fic,  philosophical,  spiritual   and  crea3ve  realiza3on  and  evolu3on   5  
  • 6.         Holo’Space  coalesces  the  random  energies  of  light  and   mind  to  transmit  syntropic  and  negentropic  effects.   Color,  textures,  shapes  and  rela3onships  and   connec3on  are  portals  to  the  open  system  of  Crea3on.   6  
  • 7. How  Art  Heals  Crea3on   •  Art  are  Acts  designed  to  bring  about  healing  of   Crea3on   •  We  assimilate  the  lessons  of  the  Coherent   Complexity.  They  are  laws  and  emergent   proper3es  of  nature  itself.   7  
  • 8. 8   Visionary  Art   The  Post  Postmodern  Visionary  Ar3st  expresses  images   that  embody  their  vision  of  the  Spiritual  and  Sacred   Realms.  These  are  found  through  myriad  methods  for   enhancing  visionary  and  imagina3ve  facili3es.   However,  Visionary  Art  is  s3ll  an  extension  of  the  ar3st’s   subjec3ve  experience.  They  are  not  engineering  Space.  
  • 9. Visionary  Language     Visionary  language  has  largely  been  trapped  in   the  inadequacy  of  using  material  and   subjec3ve  space  contexts.   Coherent  Space  is  the  source  of  visionary  space   Holo’Qubism’s  aim  is  to  make  coherent  space   part  of  our  collec3ve  reality.   9  
  • 10. Founda3on  Objec3ves   •  Arrive  to  a  broad  and  general  understanding  of  the  Divine  Psyche  as  light,  energy,  and  magne3sm…  seeking   expression  through  The  Manifested  Whole.   •  The  primordial  quali3es  of  Divinity  and  how  to  induce  their  appearance  through  the  Body  of  Humanity.   •  The  rela3onship  of  these  Divine  Quali3es  understood  and  developed  in  man  and  the  responsibility  of  an   Enlightened  Humanity  to  ground  these  quali3es  as  the  Founda3on  of  The  New  Civiliza3on/Neu  Epoch.   •  The  Laws  and  Principles  of  The  Universe  and  Nature  understood  to  be  the  immutable  Nature  of  Source.   •  Arriving  at  a  set  of  characteris3cs  which  contain  The  Psyche  from  THE  DIVINE  POINT  OF  VIEW.  Then  apply    these  to   understand  the  nature  and  development  of  individual  humanity  and    the  func3onal  guidelines  for  the  development   of  The  NEW  CIVILIZATION.   •  Not  Human  alone  has  Soul,  but  Soul  or  Psyche  pervades  all.  So  the  characteris3cs  of  Soul  must  be  seen  in   opera3on  through  all  aspects    of  manifesta3on.  Doing  as  serves  to  reveal  the  nature  and  method  of  ac3vity  of   Cosmic  Impulse  of  Love  called  Cosmic  Christ.   •  These  characteris3cs  when  properly  understood  explain  the  manifesta3on  of  consciousness  on  Earth  through   every  form.    Just  as  the  life  purpose  of  a  human  being    is  both  limited  and  condi3oned    by  his  psychological   equipment,  so  too  the  Divine  in  His  Psyche    is  condi3oned  by  His  Ins3nctual  Quality  of  Psyche.  In  3me  the   condi3on  of  the  vehicle  limit  the  expression  of  the  Divine  Psyche.     •  The  invoca3on,  precipita3on  and  distribu3on  of  cultural  matrices  with  their  impulsive  origin  from  a  trans-­‐human   realms  of  significance;  planetary,  solar,  inter-­‐stellar.  These  seeds  form  the  basis  for  New  Forms  that  approximate   the  nature  of  the  conceived  truths  in  their  quality  and  appearance.   10  
  • 12. 12   What  is  Art  in  the  World?     In  our  world  art  is  banal  drihing  without  meaning  or  significance.  We  have  reduced   art  to  something  fundamentally  deriva3ve,  another  commodity  to  observe  and   judge.  
  • 14. Crea3ng  Living  Art   Powerful  crea3ve  energe3cs  release  through  Mul3-­‐ Space.   Holo’Space  answers  the  mystery  of  the  three-­‐ dimensional  appearance  of  complexity  and  form   and  life.  When  space  breaks  poten3alized   hypersymmetry  then  the  infinite,  unexpressed,  can   show  its  crea3ve  expression  through  mul3plica3on   of  harmonic  complexi3es.  Breaking  the  symmetry  of   Real  Space  shihs  unity  to  interdependence,  so   consciousness  can  Emerge.   Life  is  Holo’dimensional  Coherent  Space  desire-­‐ vortexed  through  Material  Lenses.     14  
  • 15. 15  
  • 16. 16   Percep3on  is  organized  by  Holo’Space.   Syntropic  scaling  of  order  increase  meaning.   Syntropic  images  transform  the  Being  from  Pure  Sensa3on  to   Representa3on  to  Invoca3on  of  Superconscious  Currents  of  Soul   Reorganiza3on.   Percep3ons  via  Crea3on  are  replaced  by  released  vectors   resona3ng    Coherence.   Tendencies  conserved  in  the  subjec3ve  space  as  mind   respac3alize  as  distribu3on  of  non-­‐linear  harmonic  transients.  
  • 17. Principled  Intelligence   •  All  forms  of  energy  and  maier,  life  and  form   are  supported  by  an  implicate  domain  that  is   neither  energy  or  maier,  that  is  everywhere   exis3ng  having  no  physical  dimension,  the   very  root  of  all  that  is.     •  Creator's  Realm  Coherent  Space  Principled   Intelligence.  From  out  of  this  arises  all  that  is.   17  
  • 18. 18   Life  inherent  as  the  very  Source  of  Deep  Field  Crea3on  is  Infinitely   Alive  and  Emerges  naturally  and  spontaneously  when  condi3ons   are  met.       When  condi3ons  are  on  the  edge  of  chaos,  maximum  stability   coupled  with  maximum  novel  spontaneity  then  life  as  pure   intelligence  naturally  arises  from  the  very  ground  of  space   through  dimensional  densifica3on  of  the  Prior.  This  is  Dynamic   Satvic    Presence.     The  frameless  is  a  projec3on  of  dimensional  space.  The  denser   the  harmonic  mass  the  more  conscious  the  life.    
  • 19. 19   Ordering  the  field  of  poten3al  ini3ates  reordering  of  harmonic  wavepairs.   The  binding  of  form  is  released  through  Holo’Dimensional  expression.   Holo’Space  Expression  radiates  informa3on  as  Sustained  Intelligence.   Poten3al  converges  from  hyperspace  complexity  while  energy  flow  diverges  from   surface  space  as  Shak3  negentropic  Crea3ve  Space  as  Coherent  syntropy   transmutes  Subjec3ve  Ground.   Harmonic  resonant  space  rela3ons  are  themselves  densifying  lifetronic  fields.   Holo’Art  can  help  syntropically  from  Source  organize  the  randomized  energies  of   the  viewer  giving  rise  to  coherence  effects  such  as  visionary  insights  and   levita3on.   Gravita3onal  effects  through  Holo’Space  airac3on  can  be  engineered  as  an   induc3on  of  Coherent-­‐Shak3.    Scalar  Field  propulsion  arises  without  a  material   reac3on  medium.  
  • 20. Art  is  about  Space   20  
  • 21. Detail  of  Life  Emerging  from  Art   21  
  • 22. Wheelwork  of  Crea3on   •  Ar3sts  will  succeed  in  aiaching  art  to  the  very   wheelwork  of  Crea3on.  Art  will  access  the   power  that  is  obtainable  everywhere.   22  
  • 24. Holo’Dimensional  Compared  to  Fractal  Space   Frac3onal  Dimension  such  as   2.34   More  than  2  dimensions  and   less  than  3   Example  are  the  surface  of   a  cloud   Used  in  CGI  to  mimic  reality   24  
  • 25. Fractal  Form   •  Fractal  Space  formally  did  not  exist  as  part  of  human   consciousness  un3l  the  first  images  in  1975  by  Mandelbrot.   Since  then  it  has  impacted  and  transformed  nearly  every   science.  Fractal  Space  has  shown  up  from  the  cosmic  to  the   atomic.  Fractal  complexity  is  created  with  only  a  few  bits  of   code,  z2  +  C.   •  New  Space  open  new  fields  of  science.   •  Biology  for  example   –  Bronchial  branching   –  Urinary  collec3ng  system   –  Biliary  duct  in  liver   –  Network  of  special  fibers  in  the  heart  to  carry  electric  current   •  Before  Fractal  geometry  it  was  only  Euclidian  geometry  or   hyperspace  Euclidian  geometry.  Plane  and  solid  geometry.   25  
  • 26. The path of involution of Soul and Evolution of Soul as Kundalini is its reflection as an Embodied Evolutionary Field. " Science  is  driving  a  planetary  disorder.  Art  reflects  this.   Art  has  spiraled  into  devolu3on  of  disassocia3on  and   devalua3on  without  any  clear  socially  coherent  vision.     Modernist  and  post-­‐modernist  art  side  along  with  pop-­‐ culture  relentlessly  descend  into  ever-­‐greater  depths   of  vulgarity,  mirroring  the  schizophrenic  loss  of  the   sacred  view.   Degenera3on  of  values  based  art  and  science  separate   disciplines  and  value  systems  not  mutually  interac3ve.   The  reversal  of  world  values  toward  the  Earth  as  sacred   Source-­‐created  will  not  be  halted.  A  evolu3onary   dialec3c  operates  by  principles  of  self-­‐transcendence.   26  
  • 27. Hyper’Classical  Arts     Hyper’Classical  Art  originates  order  through  the  Reappearance   of  Crea3on.  Hyper’Classical  Tools  explore  science  and   philosophy  to  gain  insight  into  the  nature  of  Existence.   Hyper’Dimensional  Art  expresses  alchemical  living  presences   and  crea3ve  ecologies.  Through  Space  and  Poten3al,  the   nature  of  Life  and  Crea3on.   27  
  • 28. Changing  Human  Landscape   Vision  proceeds  Manifesta3on  -­‐  Art  Proceeds  Science   The  ar3st  visions  a  basis  for  new  sciences  and  mathema3cs,   philosophy,  spirituality,  economics  and  art  to  the  culture   through  inhabi3ng  new  space.  Art  is  space  and  the  feelings   and  understandings  revealed  through  space.  From  new   comprehensions  of  space  come  new  sciences,  economics,   philosophies,  technologies.     From  fixed  view  Renascence  space  came  Newton.  From   Fractal  Space  have  come  thousands  of  new  applica3ons.     True  ar3sts  absorb  and  advance  scien3fic  and  mathema3cal   development  through  revealing  new  visions  of  space.  They   alter  the  form  of  subjec3ve  mind  causing  structural  changes   to  the  cultural  commons.   28  
  • 29. Source  of  Art   The  sense  of  what  is  actually  the  source  of  the   beau3ful  has  been  lost.  The  essence  and   source  of  art  is  Love.   Architectural  structure  and  func3on  are  not  the   basis  of  art.  True  art  is  par3cipatory.   29  
  • 32. Roots  of  Culture  Advancement   Unbinding  Space  Awareness  is  the  basis  of  cultural   advancement.  The  more  bound  the  space,  the  more   bound  the  mind,  the  more  bound  the  mind  the  more   karma  binds,  the  more  locked  down  our  current  of   spiritual  evolu3on,  the  more  bound  our  crea3ve   freedom,  the  more  bound  is  our  recep3on  of  the  Desire   of  Source.   Hyper’Classical  Art  awakens  new  energy  sources   transduced  coherent  fields  of  freeness.  We  can  extract   life  energies  through  the  precipita3on  of  Space.   Hyper’Classical  Art  expresses  principles  of  non-­‐dual   Coherent  Space.     32  
  • 33. History  through  Parallel  Lines   – Romans  did  not  realize  that  parallel  lines  converge   in  the  distance.   – Renaissance  Ar3sts/scien3st  realized  that  parallel   lines  appear  to  converge  in  distance.     – Renaissance  Ar3sts/scien3st  did  not  realize  that   parallel  lines  really  do  converge  in  infinity.   – Parallel  lines  are  fields  that  emerge  and  converge.   – Modern  ar3sts  do  not  realize  that  parallel  lines   can  converge  and  diverge  through  many   dimensions  in  all  direc3ons.   33  
  • 34. Progression  of  Art   Roman/ancient  world  -­‐    tac3le  muscular  flat  Space     3  Dimensional  renaissance  art  Single  Space  Projec3ve  geometric  space     4  Dimensional  –  Cubism   Subjec3ve  Space  –  Dadaist,  Surrealists,  Expressionism   Rela3vity  space  –  Cubism   Visionary  –  Subjec3ve  expression  of  higher  or  other  dimensions   Monstrous  Forms  –  Koch  Etc   Fractal  Space  –  Infinitely  Complex  FormFractal  space  was  never  real  to  the   culture  un3l  Mandelbrot  produced  the  first  piece  of  fractal  art   inaugura3ng  a  new  comprehension  of  space.       Holo’Dimensional  Space  –  Mul3ples  of  Simultaneous  Space   Impressionism  –  Simultaneous  Space   Cubism  –  Subject/Ground  Space   Holo’Space  –  Infinitely  Complex  Sacred  Space       34  
  • 35. Ancient  Roman  Percep8on  of  Space   Roman  art  was  muscular   and  tac3le.  A  space     showing  a  predisposi3on   towards  physicality.  In   Roman  art,  objects  close   by  have  dimensionality.   The  further  away  the   space,  the  flaier  the  space   becomes.   35  
  • 37. Renaissance  Art     •  The  space  our  minds  inhabit  was  constructed  by  ar3sts   5  hundred  years  ago.  This  is  single  point  Euclidean   Space.   •  Space  as  something  exis3ng  apart  from  objects  did  not   exist  before  this.  Renaissance  has  become  our  space.     •  Alber3,  Leonbarsta  and  others  saw  that  triangles  are   projec3ons  of  a  single  3-­‐D  Pyramid  according  to   Euclidean  principles.   •  This  led  to  the  physics  of  Newton  and  others  mapping   the  movement  of  objects  through  empty  space.  Ac3on   at  a  distance  is  a  mystery.   37  
  • 39. Tradi3onal  Representa3ve  Art   Material  Space  is  the  basis  to  express  Subjec3ve   Space.  This  what  we  in  the  west  consider   proper  art  for  centuries.     39  
  • 40. Monet  Realized  to  Express     •  In  his  studies  of  nature  he  realized  that  renaissance   space  is  inadequate  to  show  mul3ple  and  simultaneous   space.   •  More  than  one  object  in  the  same  space  at  once.   Spa3al  layering.   •  Three  dimensional  Euclidean  space  is  arbitrary  and   “corrupted”  with  point  of  view.  and  is  inadequate  to   express  simultaneous  rela3vity  space  and  frame.   •  Monet  saw  the  interpenetra3on  of  mul3ple  different   spaces.  The  surface  of  the  pond,  the  space  below  the   surface  of  the  water  and  the  sky  with  clouds  reflected.   More  than  one  space  is  in  the  same  frame  at  once.       •  Interpenetra3ng  Space  was  new  to  the  western   experience.     40  
  • 41. Subjec3ve  Space  Art  Movements   “The  Scream”   41  
  • 42. Pre-­‐Renaissance  Space   S3ll  flat  in  the   distance.  Man  is  the   center  of  crea3on.   42  
  • 43. Subjec8ve  Collec8ve  Space  of  the  Social  changes  of  the  8me   Van  Gogh   Van  Gogh  rendered  collec3ve  space.  He   rendered  the  Subjec3ve  Space  of  the   changing  age  around  him:  the  loosening  of   the  connec3on  to  the  land  and  the   movement  to  a  factory  mercan3le  world   with  its  hopelessness.  In  a  number  of  his   works  he  was  trying  to  render  the   subjec3ve  space  of  the  changing  of  the   ages  around  him.  Of  especial  interest  was   the  loose  of  the  connect  to  the  land  and   the  movement  to  a  factory  mercan3le   world  and  the  hopelessness  that  came   with  that.   43  
  • 44. Cezanne  Landscape   •  Neuro  Scien3st     •  What  impressions  look  like  before  processed   into  concept   44  
  • 45. Art  Manifestos  of  the  20th  century   The  first  art  manifesto  of  the  20th  century  was   introduced  with  the  Futurists  in  Italy  in  1909  and   readily  taken  up  by  the  Vor3cists,  Dadaists  and   the  Surrealists  aher  them.     The  period  up  to  World  War  II  created  what  are  s3ll   the  best  known  manifestos.  Although  they  never   stopped  being  issued,  other  media  such  as  the   growth  of  broadcas3ng  tended  to  sideline  such   declara3ons.  Due  to  the  internet  there  has  been   a  resurgence  of  the  form,  and  many  new   manifestos  have  appeared  to  a  worldwide   audience.     45  
  • 46. Cubism   Around  the  turn  of  the  20th  century,  ar3sts   became  deeply  interested  in  expressing  the   4-­‐dimensional  nature  of  the  world  and   sought  to  discover  this  through  the  study  of   the  direct  principles  of  form.     Cubism  was  at  first  an  inquiry  into  the   principles  behind  form  and  space,  fourth   dimensional  space  as  it  interfaces  with   percep3on.  The  result  of  their  explora3ons   was  a  transforma3on  of  the  frame-­‐space.   The  structuring  of  rela3onships  between   percep3on  and  form  within  the  frame-­‐space   was  their  method  of  discovery.  It  was  an   explora3on  into  principles  of  form,  the   structuring  of  rela3onships  exis3ng  between   percep3on  and  form  and  their  rela3onships.   This  was  a  discovery  and  an  altering  of  our   percep3on  of  form  with  its  space.  Like   Buddhis3c  Space,  form  and  space  are   inseparable.       46  
  • 47. Futurism   Futurism  (Italian:  Futurismo)  was  an  ar3s3c  and   social  movement  that  originated  in  Italy  in  the   early  20th  century.  It  emphasized  and  glorified   themes  associated  with  contemporary   concepts  of  the  future,  including  speed,   technology,  youth  and  violence,  and  objects   such  as  the  car,  the  airplane  and  the  industrial   city.  It  was  largely  an  Italian  phenomenon,   though  there  were  parallel  movements  in   Russia,  England  and  elsewhere.   47  
  • 49. Surface  of  the  Art   49  
  • 50. Surface  as  Art  Movement  –  No  projec3on     Malevich’s  Supremacist  Composi3on-­‐  White  on  White   50  
  • 51. Post-­‐Modern  Art     Post-­‐Modern  art  expresses  and  embodies  ego-­‐ based  society.     51  
  • 52. Visionary  Space   •  Visionary  language  has  been  trapped  in  the  context   of  Material  Space.   •  Coherent  Space  is  the  fundamental  source  of   Visionary  Space  making  it  part  of  our  collec3ve   reality.   •  True  ar3sts  absorb  and  advance  scien3fic  and   mathema3cal  developments  through  expressions   of  space.  They  render  and  emit  these  to  the   cultural  commons.  Structural  changes  to  subjec3ve   space  and  cultural  landscapes  occur.   •  They  alter  our  comprehension  of  space.      52  
  • 53. Visionary  Art   •  Seeking  for  an  inner  vision  of  a  higher  world  is   largely  the  purpose  of  this  art.  Where  a  higher   dimension  is  sought  it  is  s3ll  through  a  subjec3ve   projec3on.   •  The  post  postmodern  visionary  ar3st  expresses   space  that  embodies  their  vision  of  the  spiritual   and  sacred  realms  or  service  found  through   myriad  methods  for  enhancing  visionary  and   imagina3ve  facili3es.     •  The  art  of  the  visionary  ar3st  is  s3ll  an  extension   of  the  ar3st’s  subjec3ve  perceptual  Space   however  super-­‐Consciousness  it  is.   –       53  
  • 54. Visionary  Art  Path   •  True  Visionary  ar3sts  seek  to  discover  and  express   the  greater  dimension  of  existence.   •  Hyper’Classical  Art  includes  the  Visionary  ar3st’s   path  and  expands  its  possibili3es  and  methods.   •  Qubism  is  visionary,  but  the  visionary  expression   does  not  arise  from  the  Subjec3ve  Space  of  the   ar3st.  From  the  connec3on  of  the  Subjec3ve   Space  of  the  Viewer  to  the  Coherent  Space  of   Source.   •  Mul3ple  spaces  as  simultaneous  gestalts.     54  
  • 55. First  Image  of  Fractal  Space   55  
  • 57. Art  is  a  Sacred  Ac3vity     Art  has  become  entertainment,  a  way  to  express  one’s  mental   contents.  That’s  no  culture,  to  glorify  and  gorify  the  very   source  of  suffering,  the  bound  mind.  With  no  center,  no   society,  no  necessity  for  the  ar3st.  In  our  3me  there’s  no   cultural  or  social  order  to  the  arts.  They  are  secondary  to   daily  living.   Ar3sts  embody  the  failure  of  the  social  order  to  transmit  an   inspira3on  to  transcend  one’s  toxic  mind,  to  master  one’s   wholeness.  Providing  social  order  valued  by  others  has   intrinsic  fundamental  value.     Sacred  Art  is  not  just  decora3on,  but  is  part  of  the  sacred   purpose  of  the  community.  Art  was  originally  a  sacred   ac3vity,  generated  within  a  sacred  culture.   Sacred  Art  presents  something  that  is  beau3ful  to  people   invoking  cultural  par3cipa3on.       57  
  • 59. Holo’Art   Holo’Art  applies  to  living  and  non-­‐living,  the   micro  and  macrocosmic  levels  and  the  psychic   realm.  Qubism  can  be  applied  to  culture,   economics  and  poli3cs  as  an  unified  whole   with  no  dividing  different  fields  of  ac3vity  and   knowledge.   59  
  • 60. Art  must  Generate  Love   Art  depends  on  the  ability  of  the  viewer  to  feel   love  rela3ve  to  the  presented  expression.     The  art  must  generate  love.  It  must  evoke  a   par3cipatory  feeling.     If  it  frustrates  love,  or  doesn’t  allow  it,  or  does  not   even  try  to  invoke  it,  then  it’s  not  art  really.     60  
  • 61. 61   The  surface  of  the  conduit  (art)  embodies  a  frameless  field,  a  projector  and   Projec3on  of  Space.     The  viewed  surface  Is  a  projector  of  complex  dimensional  space.  By  building  and   breaking  and  evolving  the  space  dimensionally,  complex  harmonic  resonance  is   generated  and  amplified.     The  flow  of  informa3on  poten3al  Is  conserved  in  the  complex  space  but  liberated   through  the  surface  projector  viewer  transduced  ac3va3on.   Holo’Qubism  reveals  what  is  Prior.   This  is  a  nega3ve  resistor  effect,  a  negentropic  AND  syntropic  reordering  of  the   surface  space  poten3al.   The  dipole  field  of  the  complex  space  ini3ates  harmonic  densifica3on.   Energy  organizing  is  entropic  decrease.  New  Life  manifests  from  the  Substrate  of   Consciousness.   Holo’Space  Reveals  What  is  Prior  
  • 62. Stages  of  Art   Ins3nc3ve   Subjec3ve  Perspec3ve   Representa3onal   Objec3ve  Perspec3ve   Forma3ve     Principles  of  Form   Principle  of  Dimensionality   Archetypal  Qubism   Form  of  Principle   Meta'Synthe3cal   Dimensions  of  Principle  62  
  • 63. Divine  Art     Releases  consciousness  from  iden3fica3on  with   differen3ated  awareness     Transla3on  of  the  Human  Psyche  into  the  state   where  self-­‐centeredness  as  conven3onally   understood,  disappears.   63  
  • 64. Real  Space  in  Modern  Communica3ons   In  Shak3  Space  all  points  are  connected  to  every   other  point.  Modern  media  are  wormholes   connec3ng  all  points  to  every  other  point.     64  
  • 66. Holo’Space  in  Art   – Art  can  be  used  for  scien3fic,  philosophical,  spiritual   and  crea3ve  research  and  discovery   – Hyper’Classical  Art  uses  tools  of  art     •  To  explore  more  deeply  to  understand  science  and   philosophy   •  To  gain  insight  into  the  nature  of  Existence  and  Space  and   Poten3al   •  To  explore  the  nature  of  life  as  the  nature  of  Crea3on.   – Space  as  Life  expresses  through  four  domains  of   Space.  Thus  understanding  of  Space  is  fundamental  to   our  understanding  of  Subjec3ve  Life.   66  
  • 67. Seven Ages of Globalizing Civilization
 •  "Classical Age" •  "Post-Classical Age" •  "Pre-modern Age" •  "Modern Age" •  "Postmodern Age" •  "Trans'Modern Age" •  "Hyper'Classical Age" 67  
  • 68. Hyper’Classical  Art  and  Style   Frameless Universal Trans'Globalized Context " Omni'Scalar Orientation" Lifetronic Non-relativistic Hyperdimensionality" Meta-Synthetical Star'Net Imagustry, image industry" Circuit Structure Energy Ring Temples of Spiralic Resurrection, Spiricles Flux" Meraba Grid Vidia Cathedrals" Syn'Optic Principled Intelligence" Good of The Whole Syntropic Natural Enlightened Aristocracy " Isomorphic Mutualization" Multidimensional and Simultaneous Self Sealed Hermetic Wholeness " Holo'Graphic Harmonic Fractalism" Synthesis and Fusion with Open Spontaneous Novelty" Significance oriented" Holo'Lectic and Omni'Lectic Logic base" The 50 Million Year Old Child, Reva-Relational Compassion" Focus Singularities, Explicate/Inplicate/Transplicate Co'Union" " " "   68  
  • 70. Cultural Synthesis
" " " Aesthe3cs  is  The  Merger  of  Spiritual  Materialism  as  Art-­‐Science  Philosophy       Transmuta3onal  Transcending  Divine  Love       Solar  Psyddhis       Electronic  Tribal  Christening       Designs  of  Sacred  Social  Context       Regenera3ve  Enlightened  Co-­‐evolu3on       Nourishing  Paierns  of  Resonance       Holo'Theurgic  Fractal  Evolu3on       Revealed  Eternal  Now  Hardwire       Beyond  Dura3on  and  Space       Crea3on  as  Form  in  Persistence  with  definite  Rhythms  that  are  on-­‐ repe33ve  Cyclo-­‐Spiralic  in  nature       Will  of  Divine  is  the  Materializing  Power.  Our  goal  is  to  be  thus  Possessed       Trans’Immanence  Changeless  Transience     70  
  • 71. Healing  Power  of  Holo’Dimensional  Art   •  We  don’t  experience  all  that  is  real.  In  the   modern  conven3onal,  the  consensus,  maier   IS  reality.  The  things  that  really  exist  are  bits  of   maier.  Energy  exists  as  it  acts  on  maier  but   space  itself  is  not  real.  It  is  only  the  backdrop   to  maier   •  Holo’Space  realiza3on  frees  us  from  the   consensus  that  maier  is  Reality  or  is  only   Reality.   71  
  • 73. Holo’Space   All  that  happens  in  one  place  happens  in  all   other  places.  All  that  happened  in  one  3me   happens  in  all  3me  thereaher.     Nothing  and  everything  is  local.  All  Space  is   global  and  cosmic.  The  most  cosmic  is  the   most  local  to  Now.   The  Mem  of  All  extends  to  all  places  and  all   3mes.     73  
  • 74. Space  Is  the  Most  Fundamental  of  all  Elements   That  space  is  empty  and  passive  is  the  general   viewpoint  contradicted  by  new  science.   New  science  says  that  Space  is  the  most   fundamental  of  all  elements.   Maier  is  semi-­‐stable  clumping  of  energy  vortexes   springing  from  Mother  Space,  a  waveform   disturbance  in  the  connec3ng  field,  memory  of   the  metaverse,  a  cloud  of  dark  light  in  the   Coherent  Sky.     74  
  • 75. Hyper’Classical  Art     •  Hyper’Classical  art  evokes  par3cipa3on  by  the   viewer  by  involving  the  observer.     •  Avoiding  par3cipation  degrades  the  viewer.     •  Hyper’Classical  art  heals,  restores  equilibrium,   regenerates  well-­‐being  and  can  trigger  spiritual   awakening.     75  
  • 76. Hyper’Classical  Ar3st  expresses  the  Sacred   The  Hyper’Classical  Ar3st  expresses  the  sacred.    He   causes  others  to  par3cipate  in  manifest  reality  as  self-­‐ transcendent  ecstasy.  Hyper’Classical  art  invites  self-­‐ transcendence  enabling  the  viewer  to  transcend   themselves.   When  the  culture  and  poli3cs  are  harmonious  and  in   sacred  associa3on  true  art  appears.  Where  the  sacred   is  absent,  then  the  best  art  can  do  is  meditate  on  the   beau3ful  and  bring  people  to  feel  that.  But  there  is   nothing  beau3ful  without  love.     True  art  is  a  sacred  performance,  an  act  of  love.  And  the   highest  sacred  performance  can  only  occur  in  a  sacred   serng  with  a  sacred  culture  and  sacred  society,   transcending  egoity.     76