Presentation given by Paul Keller (kennisland) and Harry Verwayen (Europeana) at the culture jam conference, Vienna July 9 2015. It explains the concept of the new publishing framework that supports cultural institutions participating in Europeana to share their material more openly and in higher quality.

2. 1.Changes in technology
Insects and Fruit
c. 1660 - c. 1665
Rijksmuseum
Public Domain

3. apple promo image (5120*2880px) on retina 5k imac

4. detail from the nightwatch (14K * 13K pixels)

5. downloaded image from Thyssen-Bornemisza Museum (1000*997 px)

6. same image relied to fit Europeana thumbnail size (200*150px)

7. same image resized to 800*600px (very common image size)

8. compared with non retina iPad screen

9. compared with high end android telefoon screen (1920*1080px - full HD TV)

10. compared with screen of a macbook air

11. compared with retina macbook screen

12. compared with retina iPad screen

13. 2048px
1536px
The screen size of a retina iPad is probably a good
departure point for determining what “good enough” means
when providing images that you want others to enjoy and
possibly to re-use your content.

14. 2.Change in expectations
Insects and Fruit
c. 1660 - c. 1665
Rijksmuseum
Public Domain

15. “love this! Can I use it?”
* 1960s ‘lantern’ interval slide used in cinemas (courtesy National Library of Scotland)

16. Melissa Terras, Director of UCL Centre for Digital Humanities @melissaterras

17. http://melissaterras.blogspot.dk/2014/10/reuse-of-digitised-content-2-heres-one.html
‘What do we want? Curated bundles of 300 dpi
images of cultural heritage content, freely and
easily available with clear licensing and
attribution guidelines! When do we want it?
Yesteryear!’

18. 3.Current situation
Insects and Fruit
c. 1660 - c. 1665
Rijksmuseum
Public Domain

19. Enumerate report

23. Zelfportret met baret
1630 - 1700.
Rijksmuseum
Public Domain
3.A new approach

24. Taskforce members
Paul Keller (Kennisland ) Merete Sanderhoff (National Gallery of
Denmark) Max Kaiser (Austrian National Library) Matilda Karlsson
(Swedish National Heritage Board) Maarten Brinkerink (Netherlands
Institute for Sound and Vision / EUscreenXL) Stephan Bartholmei
(German National Library/Deutsche Digitale Bibliothek) Maria Theresa
Natale MUSEU - MICHAEL) Nienke van Schaverbeke (The European
Library) Vera Kriezi (Music Library of Greece) Wietske van den Heuvel
(DEN Foundation Charlotte Waelde (Exter University) Fred Truyen (KU
Leuven) Breandan Knowlton (HistoryPin) Lars Lundqvist (Swedish
National Heritage Board) Monika Lechner (DEN Foundation) Richard
Ranft (The British Library / Europeana Sounds Harry Verwayen
(Europeana) Jill Cousins (Europeana) Henning Scholz (Europeana)
Joris Pekel (Europeana) David Haskiya (Europeana) James Morley
(Europeana )
Deliverable: Europeana Creative D3.3 Extension of the Europeana Licensing Framework

25. <animation>

26. Tier 1:
Europeana as a
search engine

27. Any Europeana rights statement and a preview > 400 px wide

29. Tier 2:
Europeana
Publication
platform

30. Direct link to an image >800 px wide

33. Tier 3:
Europeana as a
distribution
platform for non-
commercial use

34. Re-usable license and image >1200 px wide

36. Tier 4:
Europeana as a
distribution
platform for free
re- use

37. Open license and image >1200 px wide

40. Concours de cycles nautiques,
1914.
BNF
Public Domain
4. The campaign

41. Europeana has more than 2500 contributing partners

43. Q1: we need to set (and
regularly update) minimum
requirements for the 4 tiers
(like 400 pl wide for previews).
Are you ok with that?

44. Q2: In order for Europeana
to create visibility for you, we
need to be able to do
everything that your rights
statement allows.
Are you ok with that?

45. Q3: In order for Europeana to
provide a solid user
experience (and not crash
your servers) we need to
cache content.
Are you ok with that?

46. July Aug Sep Oct Nov
Culture Jam (july 8 Vienna)
AGM
(nov 2 amsterdam)
Aggregator Forum
(Oct 23, Rome)
Consultation

47. Thank you!

48. Toolbox (white)
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