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Tom Price
LANDSCAPE PHOTOGRAPHY
TECHNIQUES, COMPOSITION, AND
PROCESSING
LANDSCAPE PHOTOGRAPHY TIPS AND TRICKS
•  Wide angle lens desirable
•  16-18 mm good focal length for APC-C sensor
•  Telephoto also produce excellent opportunities
•  Operate on tripod
•  Lowest practical ISO
•  Lower ISO provides lowest noise
•  Shoot in RAW
•  Make an effort to learn to process RAW files
•  Greater control
WHAT IS A LANDSCAPE IMAGE?
•  Get out in nature and shoot
•  Landscape can take many forms
•  Wide angle expanses – ‘Grand Landscape’
•  Closeup macro views of miniature landscapes
•  Telephoto slices of broader area
•  Urban areas
TECHNIQUES
•  Maintain focus from foreground to background
•  Shoot with maximum aperture of f/11 to f/13
•  Focus about 1/3 into frame to insure no depth of field issues
•  Use tripod and remote
•  Insures sharpest possible image
•  Lowest ISO
•  Shoot RAW!!!
•  Shoot ‘Golden Hours’ when possible
•  Images not necessarily limited to these hours, just more constrained
•  Exposure to the right gives the largest dynamic range in final image
•  Darken later in post
•  Use long lenses as well as wide
•  Look for small vignettes within larger landscape
FARM YOUR LOCATION
ZOOM IN TO FIND NEW PERSPECTIVE
COMPOSITION
•  Standard techniques of leading lines etc. always apply
•  Look to place an object in the foreground to help lead the viewing into the image
•  Provides scale for the viewer
•  Perspective
•  Try to keep sky at approximately 1/3 of the image
•  Closeup view of foreground object with wide angle lens gives different perspective
•  Use different positions
•  Try low to the ground
FOREGROUND OBJECT
ADDS INTEREST, PERSPECTIVE, AND AN ANCHOR FOR THE
IMAGE
WIDE ANGLE LENSES EXAGGERATE THE
FOREGROUND AND PROVIDE NEW PERSPECTIVE
ENHANCEMENTS FOR LANDSCAPE
PHOTOGRAPHY
•  Add depth to images to provide 3D feel
•  Decide on subject for the image and draw viewer to that story
•  Insure viewer doesn’t stop on one part of the image
•  Control luminosity
•  Use contrast and not just brightness to draw the eye
•  Darker areas can also draw the eye when coupled with contrast
•  Use local adjustments to enhance
•  The eye is drawn to contrast as well as bright areas
•  Darkening areas can also be used to draw the eye because of contrast
•  Try not to overuse saturation
•  Darkening areas with some color tends to saturate the colors without adding saturation
•  Vibrance will enhance colors in the midtone range
HOW TO ENHANCE YOUR LANDSCAPE IMAGES
•  People are drawn to certain aspects of an image
•  Brightness
•  Color
•  People
•  Contrast
•  Depth
•  Luminosity
•  Contrast
•  All these can be done globally but more importantly
•  Localized corrections can significantly improve images
BRIGHTNESS DRAWS YOUR EYE
BRIGHTNESS DRAWS YOUR EYE
BRIGHTNESS DRAWS YOUR EYE
PROCESSING
•  Landscape processing can go from simple to complex
•  Darkening an image will enhance saturation in colors
•  Applying simple exposure gradients to the top and bottom can add depth and color
•  Local adjustments can add contrast and interest while leading the eye through the image
the way you want them to see
•  HDR can further expand possibilities
•  Expands dynamic range
•  Enhances contrast
•  Color interest through tone mapping
•  HDR can also flatten an image because of too much contrast applied everywhere
GRADIENT EXPOSURE TO ADD DEPTH
•  A simple trick that can improve you images a great deal and is very quick
•  Especially easy in Lightroom
•  To bring out color and detail in the sky apply a gradient that is brighter towards the center
of the image and darker at the top
•  Leads you out of the frame
•  To add depth to the foreground apply a gradient that is brighter at the bottom and darker
towards the center
•  Leads you into the frame
ACADIA TOWARDS SUNSET
INITIAL IMAGE WITH ONLY DEFAULT LIGHTROOM SETTINGS
•  Rocks have the red granite colors and there is a variety of detail and color in the sky
•  Not being rendered by the exposure
LIGHTROOM SCREEN SHOT: SKY GRADIENT
FOREGROUND GRADIENT
ACADIA TOWARDS SUNSET*
ADDED SKY GRADIENT AND TEMPERATURE ADJUSTMENTS
•  True color in the sky coming out along with the cloud detail
•  Temperature adjustments bringing some of the true reds out of the granite
HANDLING LARGE DYNAMIC RANGES
•  Many times photographer faced with too large a dynamic range in a shot
•  Especially true for landscapes
•  Multiple techniques to handle this issue
•  Use Neutral Density (ND) gradient filter to darken sky
•  Shoot in raw and generate two exposures that can be blended in Photoshop
•  HDR
GRADIENT ND FILTER
•  Filter can be positioned in front of lens to darken the brighter portions of an image
•  Helps see details that might be present rather than hoping in post
•  Same effect can be obtained with either multiple exposure or two renderings of the
same image
LOCALIZED ADJUSTMENTS
•  Lightroom, Photoshop and other programs have the ability to perform local adjustments to
an image
•  Many times an image is helped by making small changes in a local area
•  Increase contrast
•  Decrease exposure
•  This aids in control the emphasis and showing the viewer the image you see
LOCAL ADJUSTMENTS TO BRING EMPHASIS*
HDR IN THE LANDSCAPE
•  Allows the use of wider dynamic range by the tonemapping of multiple images
•  Best for landscapes with Aperture Priority
•  Fixed f/# means only the shutter speed is changed by the camera
•  Tonemapping gives creative control over the mood of the picture
•  I try to maintain somewhat natural
•  I will use Painterly preset in Photomatix Pro and dial back somewhat
•  I feel further processing required after tonemapping
•  HDR produces detailed, high contrast image over the full image
•  Post processing allows the control of the local contrast to emphasize only what is
desired
ROCKPORT HARBOR IN WINTER
•  Basic exposure with final crop
•  Detail in clouds along with boat colors interest me
TONEMAPPING
•  Basic mapping is good start
•  Your eye stops at the bright blue boat in the foreground without continuing into the image
FINAL IMAGE
•  Contrast added to the buildings at the back and up into the clouds
LIGHTROOM EXAMPLE
SUMMARY
•  Shoot RAW!!!
•  Start with f/11 to f/13 (or smaller) to achieve focus throughout image
•  Smaller aperture will give softer image
•  Don’t be afraid to process the RAW file
•  Decide on your subject and/or the story you want to tell
•  Look for color and details in the image that might be hidden by the exposure
•  Depth adds interest
•  Think about local adjustment to further draw the viewers eye

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landscape pdf

  • 1. Tom Price LANDSCAPE PHOTOGRAPHY TECHNIQUES, COMPOSITION, AND PROCESSING
  • 2. LANDSCAPE PHOTOGRAPHY TIPS AND TRICKS •  Wide angle lens desirable •  16-18 mm good focal length for APC-C sensor •  Telephoto also produce excellent opportunities •  Operate on tripod •  Lowest practical ISO •  Lower ISO provides lowest noise •  Shoot in RAW •  Make an effort to learn to process RAW files •  Greater control
  • 3. WHAT IS A LANDSCAPE IMAGE? •  Get out in nature and shoot •  Landscape can take many forms •  Wide angle expanses – ‘Grand Landscape’ •  Closeup macro views of miniature landscapes •  Telephoto slices of broader area •  Urban areas
  • 4. TECHNIQUES •  Maintain focus from foreground to background •  Shoot with maximum aperture of f/11 to f/13 •  Focus about 1/3 into frame to insure no depth of field issues •  Use tripod and remote •  Insures sharpest possible image •  Lowest ISO •  Shoot RAW!!! •  Shoot ‘Golden Hours’ when possible •  Images not necessarily limited to these hours, just more constrained •  Exposure to the right gives the largest dynamic range in final image •  Darken later in post •  Use long lenses as well as wide •  Look for small vignettes within larger landscape
  • 6. ZOOM IN TO FIND NEW PERSPECTIVE
  • 7. COMPOSITION •  Standard techniques of leading lines etc. always apply •  Look to place an object in the foreground to help lead the viewing into the image •  Provides scale for the viewer •  Perspective •  Try to keep sky at approximately 1/3 of the image •  Closeup view of foreground object with wide angle lens gives different perspective •  Use different positions •  Try low to the ground
  • 8. FOREGROUND OBJECT ADDS INTEREST, PERSPECTIVE, AND AN ANCHOR FOR THE IMAGE
  • 9. WIDE ANGLE LENSES EXAGGERATE THE FOREGROUND AND PROVIDE NEW PERSPECTIVE
  • 10. ENHANCEMENTS FOR LANDSCAPE PHOTOGRAPHY •  Add depth to images to provide 3D feel •  Decide on subject for the image and draw viewer to that story •  Insure viewer doesn’t stop on one part of the image •  Control luminosity •  Use contrast and not just brightness to draw the eye •  Darker areas can also draw the eye when coupled with contrast •  Use local adjustments to enhance •  The eye is drawn to contrast as well as bright areas •  Darkening areas can also be used to draw the eye because of contrast •  Try not to overuse saturation •  Darkening areas with some color tends to saturate the colors without adding saturation •  Vibrance will enhance colors in the midtone range
  • 11. HOW TO ENHANCE YOUR LANDSCAPE IMAGES •  People are drawn to certain aspects of an image •  Brightness •  Color •  People •  Contrast •  Depth •  Luminosity •  Contrast •  All these can be done globally but more importantly •  Localized corrections can significantly improve images
  • 15. PROCESSING •  Landscape processing can go from simple to complex •  Darkening an image will enhance saturation in colors •  Applying simple exposure gradients to the top and bottom can add depth and color •  Local adjustments can add contrast and interest while leading the eye through the image the way you want them to see •  HDR can further expand possibilities •  Expands dynamic range •  Enhances contrast •  Color interest through tone mapping •  HDR can also flatten an image because of too much contrast applied everywhere
  • 16. GRADIENT EXPOSURE TO ADD DEPTH •  A simple trick that can improve you images a great deal and is very quick •  Especially easy in Lightroom •  To bring out color and detail in the sky apply a gradient that is brighter towards the center of the image and darker at the top •  Leads you out of the frame •  To add depth to the foreground apply a gradient that is brighter at the bottom and darker towards the center •  Leads you into the frame
  • 17. ACADIA TOWARDS SUNSET INITIAL IMAGE WITH ONLY DEFAULT LIGHTROOM SETTINGS •  Rocks have the red granite colors and there is a variety of detail and color in the sky •  Not being rendered by the exposure
  • 18. LIGHTROOM SCREEN SHOT: SKY GRADIENT
  • 20. ACADIA TOWARDS SUNSET* ADDED SKY GRADIENT AND TEMPERATURE ADJUSTMENTS •  True color in the sky coming out along with the cloud detail •  Temperature adjustments bringing some of the true reds out of the granite
  • 21. HANDLING LARGE DYNAMIC RANGES •  Many times photographer faced with too large a dynamic range in a shot •  Especially true for landscapes •  Multiple techniques to handle this issue •  Use Neutral Density (ND) gradient filter to darken sky •  Shoot in raw and generate two exposures that can be blended in Photoshop •  HDR
  • 22. GRADIENT ND FILTER •  Filter can be positioned in front of lens to darken the brighter portions of an image •  Helps see details that might be present rather than hoping in post •  Same effect can be obtained with either multiple exposure or two renderings of the same image
  • 23. LOCALIZED ADJUSTMENTS •  Lightroom, Photoshop and other programs have the ability to perform local adjustments to an image •  Many times an image is helped by making small changes in a local area •  Increase contrast •  Decrease exposure •  This aids in control the emphasis and showing the viewer the image you see
  • 24. LOCAL ADJUSTMENTS TO BRING EMPHASIS*
  • 25. HDR IN THE LANDSCAPE •  Allows the use of wider dynamic range by the tonemapping of multiple images •  Best for landscapes with Aperture Priority •  Fixed f/# means only the shutter speed is changed by the camera •  Tonemapping gives creative control over the mood of the picture •  I try to maintain somewhat natural •  I will use Painterly preset in Photomatix Pro and dial back somewhat •  I feel further processing required after tonemapping •  HDR produces detailed, high contrast image over the full image •  Post processing allows the control of the local contrast to emphasize only what is desired
  • 26. ROCKPORT HARBOR IN WINTER •  Basic exposure with final crop •  Detail in clouds along with boat colors interest me
  • 27. TONEMAPPING •  Basic mapping is good start •  Your eye stops at the bright blue boat in the foreground without continuing into the image
  • 28. FINAL IMAGE •  Contrast added to the buildings at the back and up into the clouds
  • 30. SUMMARY •  Shoot RAW!!! •  Start with f/11 to f/13 (or smaller) to achieve focus throughout image •  Smaller aperture will give softer image •  Don’t be afraid to process the RAW file •  Decide on your subject and/or the story you want to tell •  Look for color and details in the image that might be hidden by the exposure •  Depth adds interest •  Think about local adjustment to further draw the viewers eye