5. Ningbo Museum situated on a flat terrain site surrounded by new buildings.
To act as a cultural conservation and landmark.
6. Issue:
The Integration of Sustainable Materials and
Spatial Planning Strategies in Ningbo Museum
based on the Traditional Chinese Architecture
to Achieve Green Architecture
8. Detailing of the Ningbo Museum Wapan Wall –
thin tile wall, linear wall, construction cavity and inner partition wall
Keeps the building cool in summer, warm in winter.
10. Ground Floor Plan
First Floor Plan
Second Floor Plan
The Sunken Courtyard –
A relationship with the vernacular Chinese architecture,
creating an intimate and relaxing place as a focal point
of the museum for human interactions.
11. Conclusion:
The museum built by local artisans and craftsmen is
a way of honouring and preserving vernacular
construction methods. In the meanwhile, it became a
commentary on the Chinese cities’ erasure of the
past in the name of progress. Nonetheless, by
combining the tradition with modern industry, it
enables the urban vernacular to grow and yet, still
keep the area's traditions in innovative ways.
12. References:
1. Brendan, M. (2012). Ningbo History Museum. Retrieved May 18, 2016, from
http://www.domusweb.it/en/from-the-archive/2012/03/03/ningbo-history-museum.html
2. Futagawa, Y. (2010). GA Document 112: China today. Tokyo: A.D.A. Edita.
3. Golden, E. (2008). Managing Materials for a Twenty-first Century Military. 2012 ACSA
International Conference. doi:10.17226/12028
4. Huang, Y., Wang, M., Qiu, H., Xiang, B., & Zhang, Y. (2008). Research and
Preparation Method of Flexible Tactile Sensor Material. Sensors: Focus on Tactile Force
and Stress Sensors. doi:10.5772/6630
5. Till, W. (2010). Ningbo Museum by Pritzker prize winner Wang Shu. Retrieved May
15, 2016, from http://www.architectural-review.com/buildings/ningbo-museum-by-
pritzker-prize-winner-wang-shu/5218020.fullarticle
6. Yan, G. O. (n.d.). The Infinite Spontaneity of Tradition. Retrieved May 18, 2016, from
http://www.pritzkerprize.com/2012/essay