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Turning Pro by Steven Pressfield

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MainTakeaways: Why you are an amateur and how to become a professional, addictions, how Mr. Pressfield became pro, and the qualities that separate a pro from an amateur.

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Turning Pro by Steven Pressfield

  1. 1. MainTakeaway:Turning ProBy Steven Pressfield
  2. 2. MainTakeaways: Why you are an amateur and how to become a professional, addictions, how Mr. Pressfield became pro, and the qualities that separate a pro from an amateur.
  3. 3. Ambition Ambition is the most primal and sacredfundament of our being. To feel ambition and to act upon it is to embrace the unique calling of our souls. Not to act upon that ambition is to turn our backs on ourselves and on the reason for our existence.
  4. 4. True CallingWhen were terrified of embracing our true calling, wellpursue a shadow calling instead. That shadow career is a metaphor for our real career. Its shape is similar, but ashadow career entails no real risk. If we fail at a shadow career, the consequences are meaningless to us. Likegetting your Ph.D. in Elizabethan studies because youre afraid to write. Ask yourself what your current life is a metaphor for.The longer we cleave to this shadow life, the farther wedrift from our true purpose, and the harder it becomes for us to rally the courage to get back.
  5. 5. Turning ProTo follow a calling requires work. Its hard. It hurts. It demands entering the pain-zone of effort, risk, and exposure. When you turn pro, your life gets very simple. The Zen monk, the artist, the entrepreneur often lead lives so plain theyre practically invisible. The amateur is an egotist. He takes the material of his personal pain and uses it to draw attention to himself. He creates a "life," a "character," a "personality.” When we turn pro, the energy that once went into the Shadow Novel goes into the real novel.
  6. 6. Addiction Addicts are boring because they never do the work. Thedefinition of boring: something thats boring goes nowhere. It travels in a circle. It never arrives at its destination.Addictions embody repetition without progress. They produce incapacity as a payoff. Distraction and displacement seem innocent on the surface. How can we be harming ourselves by having fun, or seeking romance, or enjoying the fruits of this big, beautiful world? But lives go down the tubes one repetition at a time, one deflection at a time, one hundred and forty characters at a time.
  7. 7. Mr. Pressfield Turning ProEvery Monday morning I walked into the village to the Bank of America and took out $25. That sum lasted me for the nextseven days. I didnt talk to anybody during my year of turningpro. I didnt hang out. I just worked. I had a book in mind and I had decided I would finish it or kill myself. I could not run away again, or let people down again, or let myself down again. This was it, do or die. I had no TV, no radio, no music. No sex, no sports. I didnt read the newspaper.That year made me a pro. It gave me, for the first time in mylife, an uninterrupted stretch of month after month that was mine alone, that nobody knew about but me, when I was truly productive, truly facing my demons, and truly working my shit.
  8. 8. The Amateur The amateur is terrified that if the tribe shoulddiscover who he really is, he will be kicked out into the cold to die. The amateurs self-inflation prevents him from acting. He takes himself and the consequences of his actions so seriously that he paralyzes himself.The sure sign of an amateur is he has a million plans and they all start tomorrow.
  9. 9. The Decision When we turn pro, everything becomes simple. Our aim centers onthe ordering of our days in such a way that we overcome the fears that have paralyzed us in the past. We now structure our hours not to flee from fear, but to confront it and overcome it. We plan our activities in order to accomplish an aim. And we bring our will to bear so that we stick to this resolution. Turning pro is like kicking a drug habit or stopping drinking. Its a decision, a decision to which we must re-commit every day. Twelve- step programs say "One Day at a Time." The professional says the same thing. Each day, the professional understands, he will wake upfacing the same demons, the same Resistance, the same self-sabotage, the same tendencies to shadow activities and amateurism that he has always faced. The difference is that now he will not yield to those temptations. He will have mastered them, and he will continue to master them.
  10. 10. Qualities Pros Possess & Amateurs Don’t1. The professional shows up every day2. The professional stays on the job all day3. The professional is committed over the long haul4. For the professional, the stakes are high and realFurther:5. The professional is patient6. The professional seeks order7. The professional demystifies
  11. 11. Qualities Pros Possess & Amateurs Don’t8. The professional acts in the face of fear9. The professional accepts no excuses10. The professional plays it as it lays11. The professional is prepared12. The professional does not show off13. The professional dedicates himself to masteringtechnique14. The professional does not hesitate to ask forhelp
  12. 12. Qualities Pros Possess & Amateurs Don’t15. The professional does not take failure or successpersonally16. The professional does not identify with hisinstrument17. The professional endures adversity18. The professional self-validates19. The professional reinvents herself20. The professional is recognized by otherprofessionals
  13. 13. Practice What is a practice? To follow arigorous, prescribed regimen with the intention of elevating the mind and the spirit to a higherlevel. A practice implies engagement in a ritual. A practice may be defined as the dedicated, daily exercise of commitment, will, and focused intention.A practice has a space, and that space is sacred.
  14. 14. The End Process Krishna said we have the right to our labor, but not to the fruits of our labor. He meant that the piano is its own reward, as is the canvas. When we project a quality or virtue onto another human being, we ourselves almost always already possess that quality, but were afraid to embrace (and to live) that truth. The professional refuses to be iconized. Not for selfishreasons, but because he knows how destructive the dynamic of iconization is to the iconizer. In the end, the enterprise and the sacrifice are all about theaudience. Theyre about the readers, the moviegoers, the site visitors, the listeners.
  15. 15. What’s Your TakeAway? Share This Info w/ Someone Who Needs It Tweet @MainTakeAway Share a Comment
  16. 16. Turning Pro by Steven Pressfield• Click on the Link and Get it!• 4.1/5 Stars by 51 Reviews