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Philippine
Folk Dance
Physical EducationPhysical Education
WHAT IS DANCE?WHAT IS DANCE?
- a form ofa form of
expression ofexpression of
oneself throughoneself through
rhythmic movementrhythmic movement
So, what isSo, what is FOLK DANCEFOLK DANCE
- the oldest form ofthe oldest form of
dance and the earliestdance and the earliest
form of communicationform of communication
- the traditional dance ofthe traditional dance of
a given country whicha given country which
evolved naturally andevolved naturally and
spontaneously withspontaneously with
everyday activitieseveryday activities
e.g. occupations,e.g. occupations,
customs, festivals,customs, festivals,
ritualsrituals
So, what isSo, what is FOLK DANCEFOLK DANCE
It is handed downIt is handed down
from generation tofrom generation to
generationgeneration
It has more or less aIt has more or less a
fixed movement infixed movement in
their pattern, buttheir pattern, but
may differ in variousmay differ in various
areas or provincesareas or provinces
5 Major Classifications of5 Major Classifications of
Philippine Folk DancesPhilippine Folk Dances
1.1. Cordillera DancesCordillera Dances
2.2. Spanish Influenced DancesSpanish Influenced Dances
3.3. Muslim DancesMuslim Dances
4.4. Tribal DancesTribal Dances
5.5. Rural DancesRural Dances
Cordillera DancesCordillera Dances
 Bontoc, Ifugao,Bontoc, Ifugao,
Benguet, Apayo, &Benguet, Apayo, &
Kalinga tribesKalinga tribes
 a people whosea people whose
way of life existedway of life existed
long before anylong before any
Spaniard or otherSpaniard or other
foreigners steppedforeigners stepped
foot on thefoot on the
PhilippinesPhilippines
 Gongs, ganzaGongs, ganza
 Dances reflects rituals
which celebrate their
daily lives - a good
harvest, health,
peace, war, and other
symbols of living
Cordillera DancesCordillera Dances
Bontoc – “Pattong”Bontoc – “Pattong”
Kalinga – “Banga”Kalinga – “Banga”
Spanish Influenced Dances
 Dances reflects
Christianity, and
European art and
culture
 Philippine aristocrats
created Filipino
adaptations of
European dances
 jotas, fandanggos,
mazurkas, waltzes
 danced by young
socialites to the
stringed music of the
rondalla
““Habanera”Habanera”
Spanish Influenced Dances
““Jota”Jota”
Muslim DancesMuslim Dances
 Influenced by Malay,
Javanese & Middle
Eastern Traders (Islam)
 mysticism, royalty, andmysticism, royalty, and
beautybeauty
 Uses intricate hand &Uses intricate hand &
arm movementarm movement
 the fingers expressthe fingers express
feelings & emotionsfeelings & emotions
 Uses shimmeringUses shimmering
costumescostumes
Muslim DancesMuslim Dances
Maranao – “Singkil”Maranao – “Singkil”
Tausug – “Pangalay”Tausug – “Pangalay”
 intricateintricate
craftsmanship incraftsmanship in
metal, clothing, andmetal, clothing, and
jewelryjewelry
 reflects rituals &reflects rituals &
animals, belief inanimals, belief in
“spirits” & shamans,“spirits” & shamans,
nature – “anito”nature – “anito”
 animal sounds,animal sounds,
human singing,human singing,
indigenous materialsindigenous materials
Tribal Dances
 Also known as EthnicAlso known as Ethnic
dances; Ethnic minoritiesdances; Ethnic minorities
found in different parts offound in different parts of
the Philippines (T’boli,the Philippines (T’boli,
Bilaan, Manobo, Bagobo,Bilaan, Manobo, Bagobo,
etc.)etc.)
T’boli – “Madal Tahaw”T’boli – “Madal Tahaw”
Tribal Dances
Manobo – “Bangkakaw”Manobo – “Bangkakaw”
Rural DancesRural Dances
 Shows gaiety &Shows gaiety &
laughter, festivitieslaughter, festivities
 Performed in fiestasPerformed in fiestas
to honor patron saintsto honor patron saints
 give homage to thegive homage to the
barrio's namesake forbarrio's namesake for
a good harvest,a good harvest,
health, &health, &
perseveranceperseverance
 Indigenous materials,Indigenous materials,
clapping, rondalla,clapping, rondalla,
percussionpercussion
instrumentsinstruments
 Reflects the simple life ofReflects the simple life of
the people in the barriothe people in the barrio
 Depicts common work,Depicts common work,
daily activities of thedaily activities of the
peasantspeasants
Rural DancesRural Dances
““Maglalatik”Maglalatik”
““Oasioas”Oasioas”
““Saut sa Rarug”Saut sa Rarug”
COSTUMESCOSTUMES
ININ
PHILIPPINEPHILIPPINE
FOLK DANCEFOLK DANCE
Typical Spanish EliteTypical Spanish Elite
Female:Female:
MARIA CLARAMARIA CLARA
Male:Male:
Barong Tagalog &Barong Tagalog &
Black PantsBlack Pants
Rural (Tagalog)Rural (Tagalog)
Female:Female:
BALINTAWAK withBALINTAWAK with
soft panuelo &soft panuelo &
tapistapis
Male:Male:
Camisa de ChinoCamisa de Chino
& trousers of& trousers of
different colorsdifferent colors
Rural (Visayan)Rural (Visayan)
Female:Female:
Kimona &Kimona &
Patadyong withPatadyong with
soft kerchiefsoft kerchief
Male:Male:
Barong or CamisaBarong or Camisa
de Chino andde Chino and
trousers of anytrousers of any
colorcolor
Male:Male:
- G-string, short- G-string, short
jacket & shoulderjacket & shoulder
band, featheredband, feathered
head dresseshead dresses
- “bahag”- “bahag”
Females:Females:
- Hinabi na telaHinabi na tela
(hablon)(hablon)
- AccessoriesAccessories
(beads)(beads)
Cordillera/Tribal
 ““Sigpit” orSigpit” or
“Sablay”“Sablay”
 patadyongpatadyong
 MalongMalong
 pantspants
Muslim
““Chambra” – blouseChambra” – blouse
““Siesgo” – A-lineSiesgo” – A-line
skirtskirt
Rural (Ilocano)
REFERENCES
 2010. Catacutan, Allen. Fundamentals in Philippine Folk2010. Catacutan, Allen. Fundamentals in Philippine Folk
Dance + Filipino Cultural Communities. 5 October 2010.Dance + Filipino Cultural Communities. 5 October 2010.
http://www.scribd.com/doc/38738236/Fundamentals-in-Philipphttp://www.scribd.com/doc/38738236/Fundamentals-in-Philipp
 2008. Philippine Folk Dance Society, Cultural Center of2008. Philippine Folk Dance Society, Cultural Center of
the Philippines. A Classic Collection of Philippine Folkthe Philippines. A Classic Collection of Philippine Folk
Dances Series III, 28Dances Series III, 28thth
National Folk Dance Workshop.National Folk Dance Workshop.
19 – 23 May 200819 – 23 May 2008

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Philippine Folk Dance Traditions Explored

  • 2. WHAT IS DANCE?WHAT IS DANCE? - a form ofa form of expression ofexpression of oneself throughoneself through rhythmic movementrhythmic movement
  • 3. So, what isSo, what is FOLK DANCEFOLK DANCE - the oldest form ofthe oldest form of dance and the earliestdance and the earliest form of communicationform of communication - the traditional dance ofthe traditional dance of a given country whicha given country which evolved naturally andevolved naturally and spontaneously withspontaneously with everyday activitieseveryday activities e.g. occupations,e.g. occupations, customs, festivals,customs, festivals, ritualsrituals
  • 4. So, what isSo, what is FOLK DANCEFOLK DANCE It is handed downIt is handed down from generation tofrom generation to generationgeneration It has more or less aIt has more or less a fixed movement infixed movement in their pattern, buttheir pattern, but may differ in variousmay differ in various areas or provincesareas or provinces
  • 5. 5 Major Classifications of5 Major Classifications of Philippine Folk DancesPhilippine Folk Dances 1.1. Cordillera DancesCordillera Dances 2.2. Spanish Influenced DancesSpanish Influenced Dances 3.3. Muslim DancesMuslim Dances 4.4. Tribal DancesTribal Dances 5.5. Rural DancesRural Dances
  • 6. Cordillera DancesCordillera Dances  Bontoc, Ifugao,Bontoc, Ifugao, Benguet, Apayo, &Benguet, Apayo, & Kalinga tribesKalinga tribes  a people whosea people whose way of life existedway of life existed long before anylong before any Spaniard or otherSpaniard or other foreigners steppedforeigners stepped foot on thefoot on the PhilippinesPhilippines  Gongs, ganzaGongs, ganza  Dances reflects rituals which celebrate their daily lives - a good harvest, health, peace, war, and other symbols of living
  • 7. Cordillera DancesCordillera Dances Bontoc – “Pattong”Bontoc – “Pattong” Kalinga – “Banga”Kalinga – “Banga”
  • 8. Spanish Influenced Dances  Dances reflects Christianity, and European art and culture  Philippine aristocrats created Filipino adaptations of European dances  jotas, fandanggos, mazurkas, waltzes  danced by young socialites to the stringed music of the rondalla
  • 10. Muslim DancesMuslim Dances  Influenced by Malay, Javanese & Middle Eastern Traders (Islam)  mysticism, royalty, andmysticism, royalty, and beautybeauty  Uses intricate hand &Uses intricate hand & arm movementarm movement  the fingers expressthe fingers express feelings & emotionsfeelings & emotions  Uses shimmeringUses shimmering costumescostumes
  • 11. Muslim DancesMuslim Dances Maranao – “Singkil”Maranao – “Singkil” Tausug – “Pangalay”Tausug – “Pangalay”
  • 12.  intricateintricate craftsmanship incraftsmanship in metal, clothing, andmetal, clothing, and jewelryjewelry  reflects rituals &reflects rituals & animals, belief inanimals, belief in “spirits” & shamans,“spirits” & shamans, nature – “anito”nature – “anito”  animal sounds,animal sounds, human singing,human singing, indigenous materialsindigenous materials Tribal Dances  Also known as EthnicAlso known as Ethnic dances; Ethnic minoritiesdances; Ethnic minorities found in different parts offound in different parts of the Philippines (T’boli,the Philippines (T’boli, Bilaan, Manobo, Bagobo,Bilaan, Manobo, Bagobo, etc.)etc.)
  • 13. T’boli – “Madal Tahaw”T’boli – “Madal Tahaw” Tribal Dances Manobo – “Bangkakaw”Manobo – “Bangkakaw”
  • 14. Rural DancesRural Dances  Shows gaiety &Shows gaiety & laughter, festivitieslaughter, festivities  Performed in fiestasPerformed in fiestas to honor patron saintsto honor patron saints  give homage to thegive homage to the barrio's namesake forbarrio's namesake for a good harvest,a good harvest, health, &health, & perseveranceperseverance  Indigenous materials,Indigenous materials, clapping, rondalla,clapping, rondalla, percussionpercussion instrumentsinstruments  Reflects the simple life ofReflects the simple life of the people in the barriothe people in the barrio  Depicts common work,Depicts common work, daily activities of thedaily activities of the peasantspeasants
  • 17. Typical Spanish EliteTypical Spanish Elite Female:Female: MARIA CLARAMARIA CLARA Male:Male: Barong Tagalog &Barong Tagalog & Black PantsBlack Pants
  • 18. Rural (Tagalog)Rural (Tagalog) Female:Female: BALINTAWAK withBALINTAWAK with soft panuelo &soft panuelo & tapistapis Male:Male: Camisa de ChinoCamisa de Chino & trousers of& trousers of different colorsdifferent colors
  • 19. Rural (Visayan)Rural (Visayan) Female:Female: Kimona &Kimona & Patadyong withPatadyong with soft kerchiefsoft kerchief Male:Male: Barong or CamisaBarong or Camisa de Chino andde Chino and trousers of anytrousers of any colorcolor
  • 20. Male:Male: - G-string, short- G-string, short jacket & shoulderjacket & shoulder band, featheredband, feathered head dresseshead dresses - “bahag”- “bahag” Females:Females: - Hinabi na telaHinabi na tela (hablon)(hablon) - AccessoriesAccessories (beads)(beads) Cordillera/Tribal
  • 21.  ““Sigpit” orSigpit” or “Sablay”“Sablay”  patadyongpatadyong  MalongMalong  pantspants Muslim
  • 22. ““Chambra” – blouseChambra” – blouse ““Siesgo” – A-lineSiesgo” – A-line skirtskirt Rural (Ilocano)
  • 23. REFERENCES  2010. Catacutan, Allen. Fundamentals in Philippine Folk2010. Catacutan, Allen. Fundamentals in Philippine Folk Dance + Filipino Cultural Communities. 5 October 2010.Dance + Filipino Cultural Communities. 5 October 2010. http://www.scribd.com/doc/38738236/Fundamentals-in-Philipphttp://www.scribd.com/doc/38738236/Fundamentals-in-Philipp  2008. Philippine Folk Dance Society, Cultural Center of2008. Philippine Folk Dance Society, Cultural Center of the Philippines. A Classic Collection of Philippine Folkthe Philippines. A Classic Collection of Philippine Folk Dances Series III, 28Dances Series III, 28thth National Folk Dance Workshop.National Folk Dance Workshop. 19 – 23 May 200819 – 23 May 2008