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Thirteen Ways of
Looking at a
Blackbird
McEvilley, Thomas, “Thirteen Ways of Looking at a Blackbird”, Art &
Discontent:The...
Content arising from:
1
REPRESENTATIONAL
Artwork understood as….
Content arising from:
1
REPRESENTATIONAL
Artwork understood as….
Content arising from:
1
REPRESENTATIONAL
Artwork understood as….
Content arising from:
2
Verbal supplements
Content arising from:
2
Verbal supplements
Jan Willem Pieneman, The Battle of Waterloo, 18 June 1815, oil on canvas, 576 c...
Content arising from:
3
Genre
Content arising from:
3
Genre
Paul Cezanne
Mary Heilmann
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4
MATERIALS
Content arising from:
4
MATERIALS
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5
SCALE
Content arising from:
5
SCALE
Damien Hirst
Content arising from:
5
SCALE
Damien Hirst
Content arising from:
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TEMPORALITY
Content arising from:
6
TEMPORALITY
Jim Denevan
Content arising from:
7
CONTEXT
Content arising from:
7
CONTEXT
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8
Relationship w/ Art history
Content arising from:
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Relationship w/ Art history
Content arising from:
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Relationship w/ Art history
Les Demoiselles d’Avignon, Pablo Picasso, 1907 Lege African Mask, Congo
Content arising from:
9
Progressively reveals its
destiny through persisting in time.
Content arising from:
9
Progressively reveals its
destiny through persisting in time.
Leonardo da Vinci, 1503-19 Marcel Du...
Content arising from:
10
ICONOGRAPHIC TRADITION
Content arising from:
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ICONOGRAPHIC TRADITION
The Ascension of Christ ,Salvador Dalí, Oil on canvas / 115 × 123 cm, 1958
Content arising from:
10
ICONOGRAPHIC TRADITION
The Ascension of Christ ,Salvador Dalí, Oil on canvas / 115 × 123 cm, 1958
Content arising from:
11
FORMAL PROPERTIES
Content arising from:
11
FORMAL PROPERTIES
Untitled Number 5, Agnes Martin, synthetic
polymer paint on gesso on canvas, 71...
Content arising from:
12
Parody/irony of content categories
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12
Parody/irony of content categories
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12
Parody/irony of content categories
Leif Parsons
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Parody/irony of content categories
Leif Parsons
Content arising from:
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Biological or Physiological responses
Content arising from:
13
Biological or Physiological responses
Myra, Marcus Harvey, 9’x 11’, 1995
Content arising from:
13
Biological or Physiological responses
Myra, Marcus Harvey, 9’x 11’, 1995
“Far from cynically expl...
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13 Ways of Looking at a Blackbird

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Ways to read meaning in art

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13 Ways of Looking at a Blackbird

  1. 1. Thirteen Ways of Looking at a Blackbird McEvilley, Thomas, “Thirteen Ways of Looking at a Blackbird”, Art & Discontent:Theory at the Millennium. McPherson & Company. 1993.
  2. 2. Content arising from: 1 REPRESENTATIONAL Artwork understood as….
  3. 3. Content arising from: 1 REPRESENTATIONAL Artwork understood as….
  4. 4. Content arising from: 1 REPRESENTATIONAL Artwork understood as….
  5. 5. Content arising from: 2 Verbal supplements
  6. 6. Content arising from: 2 Verbal supplements Jan Willem Pieneman, The Battle of Waterloo, 18 June 1815, oil on canvas, 576 cm x 836 cm, 1824
  7. 7. Content arising from: 3 Genre
  8. 8. Content arising from: 3 Genre Paul Cezanne Mary Heilmann
  9. 9. Content arising from: 4 MATERIALS
  10. 10. Content arising from: 4 MATERIALS
  11. 11. Content arising from: 5 SCALE
  12. 12. Content arising from: 5 SCALE Damien Hirst
  13. 13. Content arising from: 5 SCALE Damien Hirst
  14. 14. Content arising from: 6 TEMPORALITY
  15. 15. Content arising from: 6 TEMPORALITY Jim Denevan
  16. 16. Content arising from: 7 CONTEXT
  17. 17. Content arising from: 7 CONTEXT
  18. 18. Content arising from: 8 Relationship w/ Art history
  19. 19. Content arising from: 8 Relationship w/ Art history
  20. 20. Content arising from: 8 Relationship w/ Art history Les Demoiselles d’Avignon, Pablo Picasso, 1907 Lege African Mask, Congo
  21. 21. Content arising from: 9 Progressively reveals its destiny through persisting in time.
  22. 22. Content arising from: 9 Progressively reveals its destiny through persisting in time. Leonardo da Vinci, 1503-19 Marcel Duchamp, 1919
  23. 23. Content arising from: 10 ICONOGRAPHIC TRADITION
  24. 24. Content arising from: 10 ICONOGRAPHIC TRADITION The Ascension of Christ ,Salvador Dalí, Oil on canvas / 115 × 123 cm, 1958
  25. 25. Content arising from: 10 ICONOGRAPHIC TRADITION The Ascension of Christ ,Salvador Dalí, Oil on canvas / 115 × 123 cm, 1958
  26. 26. Content arising from: 11 FORMAL PROPERTIES
  27. 27. Content arising from: 11 FORMAL PROPERTIES Untitled Number 5, Agnes Martin, synthetic polymer paint on gesso on canvas, 71” x 6’, 1975Woman, I, Willem de Kooning, Oil on canvas, 6’ x 58”, 1950-52
  28. 28. Content arising from: 12 Parody/irony of content categories
  29. 29. Content arising from: 12 Parody/irony of content categories
  30. 30. Content arising from: 12 Parody/irony of content categories Leif Parsons
  31. 31. Content arising from: 12 Parody/irony of content categories Leif Parsons
  32. 32. Content arising from: 13 Biological or Physiological responses
  33. 33. Content arising from: 13 Biological or Physiological responses Myra, Marcus Harvey, 9’x 11’, 1995
  34. 34. Content arising from: 13 Biological or Physiological responses Myra, Marcus Harvey, 9’x 11’, 1995 “Far from cynically exploiting her notoriety, Harvey's grave and monumental canvas succeeds in conveying the enormity of the crime she committed. Seen from afar, through several doorways, Hindley's face looms at us like an apparition. By the time we get close enough to realise that it is spattered with children's handprints, the sense of menace becomes overwhelming.” Cork, Richard (16 September 1997), "The Establishment clubbed", The Times, retrieved 30 September 2009
  35. 35. The End

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