Hollywood Basics

KINOWORDS presents HOLLYWOOD SNOOPS Exploring Certain Investigative Tendencies in the Cinema of Orson Welles, Alfred Hitchcock, Samuel Fuller and Errol Morris By Alan Taylor, Berlin

HOLLYWOOD SNOOPS Course Leader. Alan Taylor The John F. Kennedy Institute of North American Studies The Freie University of Berlin Fall/Winter 08-09

Introduction Overview ,[object Object],[object Object],[object Object],[object Object]

Narrative Terms – A Sample ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Technical Terms – A Sample ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

The Classic Narrative Paradigm ACT 1 ACT 2 ACT 3 ORDER CHAOS ORDER / 2 HOOK 30 min 60 min 90min 120 min The inciting incident

EARLY DAYS 1912 - 1919 ,[object Object],[object Object]

Opening Rules ,[object Object]

From Silents to the Talkies ( 2 ) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

THE STUDIO SYSTEM ,[object Object],[object Object],[object Object],[object Object],[object Object]

STANDARDISATION ,[object Object],[object Object],[object Object]

TAYLORISM ….(honest!) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Control on the Studio Floor ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

The Auteur Theory ,[object Object],[object Object],[object Object],[object Object]

MISE EN SCENE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

THEMES ,[object Object],[object Object],[object Object],[object Object]

ARTISTIC VISION ,[object Object],[object Object],[object Object],[object Object],[object Object]

CONSEQUENCES ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Or...HITCHCOCK ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

HITCHCOCKS DISAPPEARING WOMEN ,[object Object],[object Object],[object Object],[object Object]

Hitchcock‘s Disappearing Women ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Auteur Theory – Problems ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

GENRE THEORY ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],TEXT

HISTORICAL CYCLE Model One Growth Development Decay Model Two Experimental Classic Elaboration Self-Referential

For the Writers/Directors/Producers ,[object Object],[object Object],[object Object],[object Object]

COMPARATIVE SEQUENCE ANALYSIS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Sequence Analysis - Genre THE SEARCHERS 1955 Similarities & Differences Iconographic Elements Action THE WILD BUNCH 1969 FISTFUL DOLLARS 1964 RIDE THE HIGH COUNTRY 1961 THE MAN FROM UTAH THE WESTERN

The Artist and the Rules ,[object Object],[object Object],[object Object],[object Object]

NEXT UP: STRUCTURALISM [email_address] Berlin, November, 2008

Hollywood Basics

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