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LA STORIA
(Jacob de Haan)
Film music is usually written to match the action in a scenario.
Sometimes the opposite is true as is proved by Jacob de Haan’s piece
La Storia. Written for creative musicians and audiences, the listener is
given the opportunity of making up his own story to fit the music,
without even the restriction of composer’s comments
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Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Clarinet in B 4
Clarinet in B 5
Bass Clarinet






Andante 



    
  
       
    
       

  




       
       
    
       

 


     





       
   

 


       
 


 

 
 









B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
    
  
       
    
       

 




       
    
  
    
       

 


       
       
       
       
 



   
   

  

  
 
molto ritenuto.


  

   

   
       
       


  
Allegro 
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LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de Haan
(Cover of Clarinets, Aragón, S.XXI)
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
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























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B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.



       
       




 



 
    

       
       


 
    

A







     
      
     

     


  

   
   
  
































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
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B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.



 



 
    

       
       


 
    






       
       
       

       


 

   
     
     
 

  




 
 
 




 

       

       



  


2LA STORIA
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































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
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
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
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

 
 




  




  

       

       



  

   
 
 



 



   
   
 



  
 



  



  
        
       



  
   
 
 



 



   
   
 



























































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
  
 



  



  
       
       



  
  
 
 



 



   
   
 



  
 



  


  
        
       



  
   





 



 


    
   
 



3LA STORIA















B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

    
 


 




 




 




 


B






    


    




  


    
   


 




 




 




 








    


    




  







B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

    

    


 




 




 




 








a la CODA 
 
a la CODA 
  
a la CODA 
     
a la CODA 
     
a la CODA 

a la CODA 


 





    

    


 




 




 




 








       
        
   
 
 




 


    
  
  

    

    


 


C






4LA STORIA






B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
     
     
     
    
    


 


    
  
  

    

    


 


       
        
   
 
 




 



    
   
 


   


 




 























B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
    
    

     
     


 




 
  
3 3


   


3 3












3 3












3 3





 





3 3












3 3








  

       


      


      



  



  





   
       
       
       



 
    




 
    

D



5LA STORIA



















































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.


  
   
   
   
 



 


    
        
       
        



 
    




 
    


    
    
   
    
 



 




  
       
       
       



 
    




 
    






















































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.



   
   
   
   
 



 





   
       
       
       



 
    




 
    




   
    
   
    
 



 




     

       

       



     



     



     
E






6LA STORIA





















B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 


 

 

 

  


 

  
  


 

 


 


 

 


 


 

 


 


 












 






 


Larghetto 






 




 

 




 








 
 


 


 
 





 

 


 





 
 



 
 


 

 
 
 





 

 












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 
 
 
 
 


 

 













 

 
 

 





























 









 












  


F
 




 

 




 








 
 


  

 
 
 





  

 
7LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.


 





 
 



 
 


  

 
 
 





  

 
 
 
 
 
 


  

 







  

 
  

  



 
 


  

 

























  

 












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.




 




 





  

 

























  

 




 




 





  

 

























  

 
G




 







 














  

 


 





 








  

 
8LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.




 




 
 


 

 


  

 






 
 





  

 
  

  

  

















  

 




 





 








  

 




 




 
 
 
 


  

 







  

 


















B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 
 
 
 
 
 



















































 


H






 


 
 

 


 
 



























 
 

 


 
 







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




 













 

























 
 


 
 
























 


 


9LA STORIA






B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.




























 
 


I



























 


  
  













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
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

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

 

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






















































 


J
 


 
 

 


 
 

















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


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









 








B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 
 













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






 













 

























 
 


 
 












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










 


 


 
 
























 
 






























 



 


10LA STORIA






B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
  

 
















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
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

 
 











 







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
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
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

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

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

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
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
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
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
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

 



































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


 








B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 


 
 


 







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
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


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







 




 









































 


K
 


 
 


 




































 







 










 


 

























  

 


11LA STORIA










































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.













 


 





 
 












 
molto ritenuto.


  
       


      


      



  



  
Allegro  128



 


 
       
       
       



 
   

 


 




     
     
   
 

     


   
   
   
 
















































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 


 
       
       


      



 
    

 


 



  

 

     
     
   
 

     
  

 



 

 

   
   
    


 


 

 

D.S. al Coda 



  
D.S. al Coda 


  
D.S. al Coda 

   
D.S. al Coda 

       
D.S. al Coda 

       
D.S. al Coda 



  
12LA STORIA
























B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
 a la CODA

    
 a la CODA

    
 a la CODA
   
 a la CODA


 


 a la CODA


 


 a la CODA


 






  

  

  



 



 




 





  


   

  
 


  

 


 


 


 


 


 






  


   

  
 


  

 


 


 


 


 


 







 
 
 

 













rallentando
































B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.








 

 

























 



 



 
Andante expressivo 









 



 



 






 



 



 






 



 



 
13LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.


     



 



 



 
L







 



 



 



 


     



 



 



 



 



 





  





  


      
      


  



 



 














B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

   
  

 

  


 

  





  





  

      
      


  



 



 

   
  

 

  


 

  





  





  

      
      


   



 



 


  
  

  
  


 

  



 



 
14LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

   
  

  
  





  



 



 

    
   

 
 
 





  

 

 

 

 





       
       
    
    
       
 


M


    
  
       
    
  
    
       
















B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
       
       
       
       
       
 

   
   
   
   
 

     



 



 



 


  






 



 



 



 

     


  

     



 



 



 


  


15LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.

  





 







  



 

     

   
  


      
      


  



 



 


 


N


  

 

  


 

  





  





  


   
       
      


  



 









 














B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
  

 

  


 

  





  





  


   
       
      


  



 



 


 


  

  

 

  


 

  



 



 


 


  

  
   
  

  
  



 



 


 


16LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
   
    
   

 
 













 

 


 




       
       
       
    
       


 


O



    
  
       
       
    
       


 


       
       
   

 


   

 


       






















B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.



      
 
      
       
3
       
3
 


  
       
    
  
       
    
       


 







    
  
       
       
    
       


 


       
       
   

 


   

 


   

 












17LA STORIA












B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B. Cl.
    
  
    
  
       
       
      


 


     
        
 
    
      










    


         
3
  
      
3
  
 
molto ritenuto.





















18LA STORIA
 


Andante 

    
                




  
     
  
                   molto ritenuto.


  
Allegro 
 


A

 
      



  

 



 

 
    
 
 










   
    
 
  
    
 
   






    
B

   


       

    

a la CODA 
 

    

       
     
C

                

    

   



 
  
3 3
     

  


   
D




    

   



   


   
     



   

   



   

     E

 


 

 






 

Larghetto 



 




 
   

 
 
       
 






F
 




 
  

 

 
 
        
 





 



  





 



 









G




 


 

 


  


     




 


  


  
LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de HaanClarinet 1ºB
(Cover of Clarinets, Aragón, S.XXI)

  








H

 


 
 
   



 
   

I
    






J
  


 
 
   



 
        
 

 


  


  

 
 

    


  





K
 


 

 
 










 







molto ritenuto.


  
Allegro  128
 


 


        


 

  

 


 

 

D.S. al Coda 



  
 CODA

    

 




 



   

  




  
 





rallentando





Andante expressivo 
  L
  


       M     
            
         
N

                        

  
    

          



       O
    
  
          


              

    
  
              
        
    


molto ritenuto. 
 

2LA STORIA
  
Andante 

         
   

 


 
         
 




       
molto ritenuto.
    
   
Allegro 
 

 
    

A


        

     

 
    
 
         

    



 




    



       


    


 


    


 


    


 

 


B

 
    



 




    



 



a la CODA 
     



 



    
 
    
C


         
 
   















3 3
      


      

       
D
                           
    
           

       
E

 
  


 


Larghetto 







 



 
  

















 
F






  
 


   
 





  





  






G






 

 




  







   
     














H













LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de HaanClarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
























 























I




































J




































 






















 




















































































K
























       
molto ritenuto.


      
Allegro  128

                               
       
D.S. al Coda 

   
 CODA
   

     



 

  



 

 
 

 

 

rallentando
 

 


Andante expressivo 
     
L

           
        

   
             
             
      
  
 
   


 


    
M
    
               


 

  


 



 





 





  
N


 

  


  


 

  
  

  


 

      
         


       
O
             

 

        
3
       

       
 
   

 

        
    
molto ritenuto.
 

2
LA STORIA
 


Andante 

                       
         
 




    
          
molto ritenuto.
   

   
Allegro 
  

A

 
 












 


   
 

 


   



 


   




     


    


 


    


  
B

    


 
    

a la CODA
   
    

          
C

    
 


            

    

   


3 3

       

       D
   
 












                                    
  


       
E

 
  


 








Larghetto 

 




 
   

 
 
    


  
 



 

F
 




 
   

 
 
        









 



  





 



  






G




 


 

 


  


  

   




 


  


    








H

 


 
 
   



 
  
LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de HaanClarinet 2ºB
(Cover of Clarinets, Aragón, S.XXI)
 

I
    






J
 


 
 
   



 
       


 



 
  


  





  


  



 

K
 


  




 


 


 




 
 

molto ritenuto.
             
Allegro  128

                               
        D.S. al Coda 


  
CODA

    


   
 



 
  
 
rallentando
 
 






Andante expressivo 
L
      

   
         
 
   
             
      
       

 


       M
                           


       


 
        
N

   
             
            
  
     
         


       O                
   
           
  

               
      
                     
3
molto ritenuto.
 

2
LA STORIA
  
Andante 
       

                        

 

                   
molto ritenuto.
       
Allegro 

               
A
     
                                 
       
      

                                    
   
             

 


B

 

 



 

 




a la CODA 
     



 



 
    
C

     
     
  


   

        






3 3



      

       
D
   
 













           
                        
  



     
E

 


 


 


Larghetto 

        










F
             

 
 
G
    





      

LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de Haan
Clarinet 4ºB
(Cover of Clarinets, Aragón, S.XXI)
 











H












 






















 























I
 



































J




































 






















 















































 



































K
























molto ritenuto.
 
 















      
Allegro  128

           
      

          
      
   
D.S. al Coda 

       
 CODA


 

 


 


 


 


 


 




rallentando
  





 


 
Andante expressivo 




 



 



 



 
L

  


 



 



 


  


 

  


  


 

  
  

   

  

   




    

 


    
M
    
 
           



 




 



 





  



 
N
 





  



 





  



 



 



 
  
 
    
O

        

 

        
3
    

    
 
   

 

                    
3
molto ritenuto.




2LA STORIA
  
Andante 


    

   
  
molto ritenuto.
   
       
Allegro 

               
A
                 
 









             

       

                   
      
                            

 


B





 



 

 



a la CODA 
 

 



 
    
C

    
 

      

 



      




   
3 3




   


 
    

D

        

 


 
    
  


 

 
    


 

 


 
    

 


 

 


 


     
E

 


 


 


Larghetto 
        


 





 
F
            

 
  
G
     





   
  

 






H



 
 
 
    

  
I


 








 






J
LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de HaanClarinet 5ºB
(Cover of Clarinets, Aragón, S.XXI)
 

 
 
 
    

   

 


 



  







 
 







 


 


 






 






 






K

 
 






   
 






 
 

molto ritenuto.



  
Allegro  128
      


 
  



       
 


 
  



     


 


 




D.S. al Coda 

       
 CODA


 

 


 


 


 


 


 




rallentando
 
 






 


 
Andante expressivo 




 



 



 



 
L

 



 



 





  




  




  



 





  
  


 



 



   

         
M

       
 
           



 



 





 




 

     
 



 
N





  






 




  



 



 



 
 
           
O

                         

 
           

 

                 
molto ritenuto.
 


2
LA STORIA
 
 
Andante 
  


 

 
    
  

 

molto ritenuto.
 





  

  
Allegro 
 

 
    

A


        

     

 
    
 
         

  

 


  




    



       


    


 


    


 


    





 


B




   

 




   

 



a la CODA 


 

 

 


 

 


 

 


C
 

 

 

 

 

 

 

 





 

 





  
3 3

 












   


 
    

D

 

 


 
    
  


 


 
    


 






 

 


 


 
    
  


 


     
E

 


 


 



 


Larghetto 





 

 

 

  

 

  

 

  

 

  

 

  

 






  


F




  

  

  

  

  

  

  

  

  

  

  

  

  

 




  

  

  

  

  

  

  

  

  

 
G


  

  

  

 
LA STORIA
Arr. by Gino Gonçals
©Gino Gonçals
Jacob de HaanClarinet Bass (Cover of Clarinets, Aragón, S.XXI)

 


  

  

  

  

  

  

  

  

  

  

  

 
 

 


H

  

  

  

  

  


I
 

 





  


J
 



 

  

  

  

  

  

  

  

  

  


    
 


K
 

  


 
molto ritenuto.



  
Allegro  128

 


 

 
 










 


 

  

 


 

 

D.S. al Coda 



  
 CODA


 







 

   


 


 


 


 




rallentando




 


 
Andante expressivo 




 
 



 



 



 
L




 



 





  




 
 





  



 





  



 



 



 
 

 
  


M


 
    


  



  



 
  
   
   

 


N


    

 

 

    

 

 

 


 


 












 

 


O



 











 

  
 


 

 

 











 

 











  
molto ritenuto.
 


2LA STORIA

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La Storia - Jacob de Haan - Set of Clarinets

  • 1. LA STORIA (Jacob de Haan) Film music is usually written to match the action in a scenario. Sometimes the opposite is true as is proved by Jacob de Haan’s piece La Storia. Written for creative musicians and audiences, the listener is given the opportunity of making up his own story to fit the music, without even the restriction of composer’s comments
  • 2.                  Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet       Andante                                                                                                                                    B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                              molto ritenuto.                                     Allegro    LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de Haan (Cover of Clarinets, Aragón, S.XXI)
  • 3.                                  B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                               A                                                                                        B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                      2LA STORIA
  • 4.                                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                                                       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                           3LA STORIA
  • 5.                B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                 B                                                                                             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                           a la CODA    a la CODA     a la CODA        a la CODA        a la CODA   a la CODA                                                                                                                  C       4LA STORIA
  • 6.       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                    B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                     3 3         3 3             3 3             3 3             3 3             3 3                                                                                                          D    5LA STORIA
  • 7.                                                    B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                                                                     B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                     E       6LA STORIA
  • 8.                      B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                         Larghetto                                                                                                              B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                    F                                                     7LA STORIA
  • 9.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                             G                                                             8LA STORIA
  • 10.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                         B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                    H                                                                                                                                                                              9LA STORIA
  • 11.       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                   I                                                                                                                                  J                                                            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                                          10LA STORIA
  • 12.       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                                                            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                      K                                                                                                             11LA STORIA
  • 13.                                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                           molto ritenuto.                                            Allegro  128                                                                                                                                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                            D.S. al Coda        D.S. al Coda       D.S. al Coda       D.S. al Coda           D.S. al Coda           D.S. al Coda        12LA STORIA
  • 14.                         B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.  a la CODA        a la CODA        a la CODA      a la CODA        a la CODA        a la CODA                                                                                                                                                                    rallentando                                 B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                   Andante expressivo                                                           13LA STORIA
  • 15.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                        L                                                                                                                       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                                             14LA STORIA
  • 16.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                  M                                                        B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                         15LA STORIA
  • 17.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                               N                                                                                             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                        16LA STORIA
  • 18.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                        O                                                                                                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                            3         3                                                                                                                                                        17LA STORIA
  • 19.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                      3           3      molto ritenuto.                      18LA STORIA
  • 20.     Andante                                                            molto ritenuto.      Allegro      A                                                                                   B                       a la CODA                         C                                      3 3                 D                                                           E                    Larghetto                                      F                                                                 G                                           LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de HaanClarinet 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 21.             H                        I            J                                                                K                               molto ritenuto.      Allegro  128                                     D.S. al Coda         CODA                                         rallentando      Andante expressivo    L             M                             N                                                          O                                                                             molto ritenuto.     2LA STORIA
  • 22.    Andante                                                molto ritenuto.          Allegro             A                                                                                                            B                               a la CODA                            C                                  3 3                          D                                                       E             Larghetto                                      F                                          G                                                  H              LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de HaanClarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 23.                                                  I                                     J                                                                                                                                                   K                                 molto ritenuto.          Allegro  128                                          D.S. al Coda        CODA                                      rallentando        Andante expressivo        L                                                                                   M                                                      N                                                             O                            3                                          molto ritenuto.    2 LA STORIA
  • 24.     Andante                                                           molto ritenuto.          Allegro      A                                                                                 B                 a la CODA                      C                                     3 3                  D                                                                     E                   Larghetto                                      F                                                               G                                                       H                      LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de HaanClarinet 2ºB (Cover of Clarinets, Aragón, S.XXI)
  • 25.    I            J                                                              K                               molto ritenuto.               Allegro  128                                          D.S. al Coda       CODA                         rallentando           Andante expressivo  L                                                                      M                                                    N                                                             O                                                                                  3 molto ritenuto.    2 LA STORIA
  • 26.    Andante                                                            molto ritenuto.         Allegro                   A                                                                                                                     B                   a la CODA                       C                                       3 3                    D                                                                     E              Larghetto                      F                    G                   LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de Haan Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 27.              H                                                              I                                      J                                                                                                                                                   K                         molto ritenuto.                           Allegro  128                                            D.S. al Coda            CODA                                rallentando               Andante expressivo                       L                                                                                 M                                                 N                                                 O                        3                                           3 molto ritenuto.     2LA STORIA
  • 28.    Andante                 molto ritenuto.             Allegro                   A                                                                                                                   B                   a la CODA                 C                                      3 3                   D                                                                            E              Larghetto                      F                    G                            H                   I                     J LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de HaanClarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 29.                                                                                   K                             molto ritenuto.       Allegro  128                                                        D.S. al Coda            CODA                                rallentando                 Andante expressivo                       L                                                                               M                                                             N                                                     O                                                                 molto ritenuto.     2 LA STORIA
  • 30.     Andante                        molto ritenuto.               Allegro             A                                                                                                             B                          a la CODA                            C                                          3 3                              D                                                                           E                   Larghetto                                                             F                                                                                                     G                 LA STORIA Arr. by Gino Gonçals ©Gino Gonçals Jacob de HaanClarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 31.                                                           H                       I                J                                                       K           molto ritenuto.       Allegro  128                                            D.S. al Coda         CODA                                       rallentando           Andante expressivo                         L                                                                          M                                          N                                                        O                                                                 molto ritenuto.     2LA STORIA