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CHAPTER II
HOWTOTURNNOTHINGINTO
SOMETHINGIN
THREE WAY-TOO-EASY STEPS
IF YOU WERE BEING KIND, YOU WOULD SAY MY JOB IS IN MARKETING
AND PR
Well, I'd say that's a polite veneer to the harsh
truth: I am a media manipulator.
Reaching the national news isn't hard. In fact, the system is
so easy to manipulate, you might be convinced that it's
child's play.
Take it from me. It is.
Now, I’m pulling back the curtain.
I’m going to explain exactly how the media works.
W H A T YOU C H OOSE TOD
O W I TH TH I S I N FORM A TI
ON I S UPTO YOU.
TRADINGUPTHECHAIN
is a strategy that I developed that manipulates the
media through recursion. I can turn nothing into
something by placing a story with a small blog
that has very low standards, which then becomes
the source for a story by a larger blog, and that, in
turn, for a story by larger media outlets. I create,
to use the words of one media scholar, a “self-
reinforcing news wave.”
PEOPLE LIKE ME DO THIS
EVERYDAY
BUT,IWANTTOEXPLAIN
exactly how I manipulated the
media for a good cause,
without any of the negatives
associated with my infamous
clients.
A FRIEND OF MINE
recently used some of my advice on trading up the
chain for a charity he runs. This friend needed to raise
money to cover the costs of a community art project,
and chose to do it through Kickstarter, the
crowdsourced fund- raising platform.
With no advertising budget, no publicist, and no
experience, his little video did nearly a half million
views, and funded his project for the next 2 years. It
went from nothing to something.
FOLLOWING MY INSTRUCTIONS, hemadeaYouTube
video for the Kickstarter page showing off
his charity’s work.
The video contained certain elements aimed
at helping the video spread. Next, he wrote a
short article for a small local blog in Brooklyn and
embedded the video. As expected, the Huffington Post bit,
and ultimately featured the story as local news in both
NYC and LA.
FOLLOWING MYADVICE, hesentanemailfroma
fake address with these links to a reporter at
CBS in LA, who then did a television piece on
it.
When the CBS News piece came out and the
video was up, he was ready to post it all on
Reddit. It made the front page
almost
immediately.
This score on Reddit put the story on the radar
of what I call the major “cool stuff” blogs—
sites like BoingBoing, Laughing
Squid, FFFOUND!, and others—since they
get post ideas from Reddit.
From this final burst of coverage,
money began pouring in, as did
volunteers, recognition, and
new ideas.
SO WAIT…
He turned one amateur video into a news story
that was written about independently by
dozens of outlets in dozens of markets and did
millions of media impressions. It even
registered nationally.
He had created and then manipulated this
attention entirely by himself. This raises a
critical question…
WHAT EXACTLY HAPPENED?
THELAYOFTHELAND
HOW IT ALL WORKS
HERE’S HOW IT ALL
WORKS
BLOGS HAVE ENORMOUS INFLUENCE over other
blogs, making it possible to turn a post on a site
with only a little traffic into posts on much bigger
sites, if the latter happens to read the former. Blogs
compete to get stories first, newspapers compete
to “confirm” it, and then pundits compete for
airtime to opine on it. The smaller sites legitimize
the newsworthiness of the story for the sites with
bigger audiences. Consecutively and concurrently,
this pattern inherently distorts and exaggerates
whatever they
cover.
There are thousands of bloggers scouring the web looking for
things to write about. They must write several times each day.
They search Twitter, Facebook, comments sections, press
releases, rival blogs, and other sources to develop their
material.
Above them are hundreds of mid-level online and offline
journalists on websites and blogs and in magazines and
newspapers who use those bloggers below them as sources and
filters.
“They also have to write constantly—
and engage in the same search for
buzz, only a
little more developed.”
ABOVE THEM are the major national
websites, publications, and
television stations. They in
turn browse the scourers below
them for their material,
grabbing their leads and
turning them into truly
national conversations.
THENEWYORKTIMES,THETODAYSHOW,CNN.
DWINDLING REVENUES OR NOT, THESE OUTLETS HAVEMASSIVE
REACH.
IT’S BLOGGERS INFORMING BLOGGERS
INFORMINGBLOGGERSALLTHEWAYDOWN.
IN A MEDIA MONITORING study done by Cision and
George Washington University, 89 percent of
journalists reported using blogs for their research for
stories. Roughly half reported using Twitter to find
and research stories, and more than two thirds use
other social networks, such as Facebook or LinkedIn,
in the same way.
The more immediate the nature of their publishing
mediums (blogs, then newspapers, then
magazines), the more heavily a journalist will
depend on sketchy online
sources, like social media, for research.
RECKLESSNESS, LAZINESS,
HOWEVER YOU WANT TO CATEGORIZEIT,
THE ATTITUDE IS OPENLY
TOLERATEDANDACKNOWLEDGED
SO EXPLOIT THIS
I CREATED A STRATEGY CALLED
‘TRADINGUPTHECHAIN’
ALL YOU DO IS FEED THE MONSTER
AND I PROMISE, YOU’LL GET YOUR NIGHTLY NEWS
"TRADINGUPTHECHAIN"
STEP1:THEENTRYPOINT
T URNI NGNOT HI NGI NT
O SOME THING IN
MINUTE S
Atthefirstlevel,smallblogsandhyperlocalwebsitesthat
coveryourneighborhoodorparticularscenearesomeofthe
easiestsitestogettractionon.
Trust is very high here. At the same time, they are cash-
strapped and traffic- hungry, always on the lookout for a
big story that might draw a big spike of new viewers. It
doesn’t have to be local, though; it can be a site about a
subject you know very well, or it can be a site run by a
friend.
What’s important is that the site is small and
understaffed.
This makes it possible to sell
them a story that is only loosely connected to their core
message but really sets you up to
transistion to the next level.
"TRADINGUPTHECHAIN"
STEP#2:THELEGACYMEDIA
GETTING YOUR PRESS FURTHER
UP THE MEDIA CHAIN
Here we begin to see a mix of online and offline sources.
The blogs of newspapers and local television stations are
some of the best targets. For starters, they share the same
URL and often get aggregated in Google News. Places
like the Wall Street Journal, Newsweek, and CBS all
have sister sites like SmartMoney.com, Mainstreet.com,
BNET.com, and others that feature the companies’ logos
but have their own editorial standards not always as
rigorous as their old media counterparts’.
THEY’LL BE YOUR CRITICAL
TURNING POINTS IN BUILDING
UP
MOMENTUM
THE LEGACY MEDIA
The reality is that the bloggers at Forbes.com or the Chicago Tribune do
not operate on the same editorial guidelines as their print counterparts.
However, their final output can be made to carry
the same weight.
These sights won’t write about just anything, though, so you need to
create chatter or a strong story angle to
hook this kind of sucker. Their illusion of
legitimacy comes at the cost of being slightly more selective
when it comes to what they cover.
BUTITISWORTHTHEPRICE,GRANTINGBIGGERWEBSITES
INYOURSIGHTSLATERTHEPRIVILEGEORUSINGMAGICWORDS
LIKE: “NBC IS REPORTING…”
"TRADINGUPTHECHAIN"
STEP#3:THENATIONALPRESS
A STEP AWAY FROM
MILLIONS OF IMPRESSIONS
Having registered multiple stories from
multiple sources firmly onto the radar
of both local and midlevel outlets, you
can now leverage this coverage to
access the highest level of media: the
national press.
Getting to this level
usually involves less direct
pushing and
a lot more massaging.
The sites that have already taken your bait are
now on your side. They desperately want their articles to get as
much traffic as possible, and being linked to or
mentioned on national sites is how
they do that.
THE NATIONAL PRESS
These sites will take care of submitting
your articles to news aggregator sites
like Digg, because making the front
page will drive tens of thousands of
visitors to their article. Mass media
reporters monitor aggregators for
story ideas, and often cover what is
trending there, like they did with the
charity story after it made the front
page of Reddit.
IN TODAY’S WORLD EVEN THESE GUYS HAVE TO THINK LIKE
BLOGGERS—THEY NEED AS MANY PAGEVIEWS AS POSSIBLE
HERE’S HOW YOU DO IT
Taketheoutletwhereyou’dultimatelyliketoreceive
coverageandobserveitforpatterns.
You’ll notice that they tend to get their story ideas
from the same second-level sites, and by tailoring the story
to those smaller sites (or site), it sets
you up to be noticed by the larger one.
The blogs on Gawker and Mediabistro, for
instance, are read very heavily by the New
York City media set.
You can craft the story for those sites that automatically set
yourself up to appeal to the other reporters reading it –
without ever speaking to them directly.
AN EXAMPLE:
Katie Couric claims she gets
many story ideas from her
Twitter followers, which means
that getting a few tweets out of
the seven hundred or so people
she follows is all it takes to get
a shot at the nightly national
news.
It’sasimpleillusion:Createtheperceptionthatthememe
alreadyexistsandallthereporterisdoingispopularizingit.
Theyrarelybothertolookpastthefirstimpressions.
HOWIDIDIT
Trading Up the
Chain
A CASE STUDY
My campaign for I
Hope They Serve Beer
in Hell began by
vandalizing the
billboards. The graffiti
was designed to bait
two specific sites,
CurbedLA and
Mediabistro’s
FishbowlLA. When I
sent them photos of my
work under the fake
name Evan Meyer, they
both quickly
picked it up.
CURBEDLABEGANTHEIRPOSTBYUSINGMYEMAILVERBATIM:
Thanks for the plug!
In creating outrage for the movie, I had a lot of luck getting
local websites to cover or spread the news about protests
of the screenings we had organized through
anonymous tips. We would send them a few offensive quotes
and say something like “This misogynist is coming to our
school and we’re so fucking pissed. Could you help spread the
world” Or I’d email a neighborhood site to say that “a
controversial screening with rumors of a local boycott” was
happening in a few days.
SEX, COLLEGE PROTESTORS, HOLLYWOOD.
It was the kind of story news producers loved. After
reading about the growing controversy on the small
blogs I conned, they would often send camera crews
to the screenings. The video of the story would get
posted on the station’s website, and then get covered
again in the other, larger blogs in that city, like those
hosted by a newspaper or companies like the
Huffington Post. I was able to get the story to
register, however briefly, by using a small site with
low standards.
At this point, I now have something to work
with. Three or four links are the makings of a
trend piece, or even a controversy— that’s all
major outlets and national websites need to
see to get
excited.
The key to getting from the second to the third
level is the soft sell.
Gawker and Mediabistro are very media-
centric, so we tailored stories to them to queue
ourselves up for outrage from their audiences
— which happen to include reporters at places
like the Washington Post.
When I want to be direct, I would send fake emails
with a collection of all links gathered so far and
say, “How have you not done a story
about this yet?” Reporters rarely get
substantial tips or alerts from their readers, so to
get two or even three legitimate tips
about an issue is a strong signal.
So I sent it to them. At this point
something
amazing happened.
“If only they knew we were promoting
the offensive Tucker Max brand for us
just as we planned…”
The coverage my stunts received began helping the 20,000
dollar-a-month publicist the
movie had hired.
REJECTIONS FROM LATE-NIGHT
TELEVISION, NEWSPAPER INTERVIEWS, AND
MORNING RADIO
TURNED INTO CALL-BACKS.
Tucker did Carson Daly’s NBC late-night show for the first
time. By the end of this charade, hundreds or reputable
reporters, producers, and bloggers had been swept up into
participating. Thousands more had eagerly gobbled up news
about it on multiple blogs. Each time they did, views of the
movie trailer spiked, book sales increased, and Tucker became
more famous and more controversial.
JUST LIKE A BUNCH OF ANIMALS
The media gallops in a herd. It takes just one
steer to start a stampede. The first level is your
lead steer. The rest is just pointing everyone’s
attention to the direction it went in.
Remember: Every person (with the exception of a
few at the top layer) in this ecosystem is under
immense pressure to produce content
under the tightest of deadlines. Yes, you have
something to sell. But more than ever they
desperately, desperately need to buy. The flimsiest
of excuses is all it takes.
It freaked me out when I began to see this sort of thing
happen without the deliberate prodding of a promoter
like myself. I saw media conflagrations set off by
internal sparks. In this networked, interdependent
world of blogging, misinformation can spread even
when no one is consciously pushing or manipulating
it. The system is so primed, tuned, and ready that
often it doesn’t need people like me.
The monster can feed itself.
Buy the Bestseller
Today
a : ;on.com· &J!i BARNES&NOBLE
" I
BOUND.orc ooo"'''L£Rs
RYANHOLIDAYisamedia
strategist for notorious clients
such as Tucker Max and Dov
Charney. After dropping out of
college at nineteen to
apprentice under Robert
Greene, author of The 48 Laws
of Power, he went on to advise
many bestselling authors and
multiplatinum musicians. He is
currently the director of
marketing at American Apparel,
where his work is
internationally known. His
campaigns have been used as
case studies by Twitter,
YouTube, and Google and
written about in AdAge, the
New York Times, Gawker and
Fast Company. He currently
lives in New Orleans and writes
at RyanHoliday.net.
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  • 1.
  • 2. GET SMART ABOUT YOUR ENERGY A one-size fits all jolt of energy isn't what your
  • 3. body needs CLICK HERE TO CHECK OUT AMP POWER-DASH
  • 5. IF YOU WERE BEING KIND, YOU WOULD SAY MY JOB IS IN MARKETING AND PR Well, I'd say that's a polite veneer to the harsh truth: I am a media manipulator. Reaching the national news isn't hard. In fact, the system is so easy to manipulate, you might be convinced that it's child's play. Take it from me. It is. Now, I’m pulling back the curtain. I’m going to explain exactly how the media works. W H A T YOU C H OOSE TOD
  • 6. O W I TH TH I S I N FORM A TI ON I S UPTO YOU.
  • 7. TRADINGUPTHECHAIN is a strategy that I developed that manipulates the media through recursion. I can turn nothing into something by placing a story with a small blog that has very low standards, which then becomes the source for a story by a larger blog, and that, in turn, for a story by larger media outlets. I create, to use the words of one media scholar, a “self- reinforcing news wave.”
  • 8. PEOPLE LIKE ME DO THIS EVERYDAY
  • 9. BUT,IWANTTOEXPLAIN exactly how I manipulated the media for a good cause, without any of the negatives associated with my infamous clients.
  • 10. A FRIEND OF MINE recently used some of my advice on trading up the chain for a charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund- raising platform. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next 2 years. It went from nothing to something.
  • 11. FOLLOWING MY INSTRUCTIONS, hemadeaYouTube video for the Kickstarter page showing off his charity’s work. The video contained certain elements aimed at helping the video spread. Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. As expected, the Huffington Post bit, and ultimately featured the story as local news in both NYC and LA.
  • 12. FOLLOWING MYADVICE, hesentanemailfroma fake address with these links to a reporter at CBS in LA, who then did a television piece on it. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately.
  • 13. This score on Reddit put the story on the radar of what I call the major “cool stuff” blogs— sites like BoingBoing, Laughing Squid, FFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and
  • 15. SO WAIT… He turned one amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself. This raises a critical question…
  • 18. HERE’S HOW IT ALL WORKS BLOGS HAVE ENORMOUS INFLUENCE over other blogs, making it possible to turn a post on a site with only a little traffic into posts on much bigger sites, if the latter happens to read the former. Blogs compete to get stories first, newspapers compete to “confirm” it, and then pundits compete for airtime to opine on it. The smaller sites legitimize the newsworthiness of the story for the sites with bigger audiences. Consecutively and concurrently, this pattern inherently distorts and exaggerates
  • 20. There are thousands of bloggers scouring the web looking for things to write about. They must write several times each day. They search Twitter, Facebook, comments sections, press releases, rival blogs, and other sources to develop their material. Above them are hundreds of mid-level online and offline journalists on websites and blogs and in magazines and newspapers who use those bloggers below them as sources and filters. “They also have to write constantly—
  • 21. and engage in the same search for buzz, only a little more developed.”
  • 22. ABOVE THEM are the major national websites, publications, and television stations. They in turn browse the scourers below them for their material, grabbing their leads and turning them into truly national conversations. THENEWYORKTIMES,THETODAYSHOW,CNN.
  • 23. DWINDLING REVENUES OR NOT, THESE OUTLETS HAVEMASSIVE REACH.
  • 24. IT’S BLOGGERS INFORMING BLOGGERS INFORMINGBLOGGERSALLTHEWAYDOWN. IN A MEDIA MONITORING study done by Cision and George Washington University, 89 percent of journalists reported using blogs for their research for stories. Roughly half reported using Twitter to find and research stories, and more than two thirds use other social networks, such as Facebook or LinkedIn, in the same way. The more immediate the nature of their publishing mediums (blogs, then newspapers, then magazines), the more heavily a journalist will depend on sketchy online sources, like social media, for research.
  • 25. RECKLESSNESS, LAZINESS, HOWEVER YOU WANT TO CATEGORIZEIT, THE ATTITUDE IS OPENLY TOLERATEDANDACKNOWLEDGED SO EXPLOIT THIS
  • 26. I CREATED A STRATEGY CALLED ‘TRADINGUPTHECHAIN’
  • 27. ALL YOU DO IS FEED THE MONSTER AND I PROMISE, YOU’LL GET YOUR NIGHTLY NEWS
  • 28. "TRADINGUPTHECHAIN" STEP1:THEENTRYPOINT T URNI NGNOT HI NGI NT O SOME THING IN MINUTE S
  • 29. Atthefirstlevel,smallblogsandhyperlocalwebsitesthat coveryourneighborhoodorparticularscenearesomeofthe easiestsitestogettractionon. Trust is very high here. At the same time, they are cash- strapped and traffic- hungry, always on the lookout for a big story that might draw a big spike of new viewers. It doesn’t have to be local, though; it can be a site about a subject you know very well, or it can be a site run by a friend. What’s important is that the site is small and understaffed. This makes it possible to sell them a story that is only loosely connected to their core
  • 30. message but really sets you up to transistion to the next level.
  • 32. Here we begin to see a mix of online and offline sources. The blogs of newspapers and local television stations are some of the best targets. For starters, they share the same URL and often get aggregated in Google News. Places like the Wall Street Journal, Newsweek, and CBS all have sister sites like SmartMoney.com, Mainstreet.com, BNET.com, and others that feature the companies’ logos but have their own editorial standards not always as rigorous as their old media counterparts’. THEY’LL BE YOUR CRITICAL TURNING POINTS IN BUILDING
  • 34. THE LEGACY MEDIA The reality is that the bloggers at Forbes.com or the Chicago Tribune do not operate on the same editorial guidelines as their print counterparts. However, their final output can be made to carry the same weight. These sights won’t write about just anything, though, so you need to create chatter or a strong story angle to hook this kind of sucker. Their illusion of legitimacy comes at the cost of being slightly more selective when it comes to what they cover. BUTITISWORTHTHEPRICE,GRANTINGBIGGERWEBSITES
  • 37. Having registered multiple stories from multiple sources firmly onto the radar of both local and midlevel outlets, you can now leverage this coverage to access the highest level of media: the national press. Getting to this level usually involves less direct pushing and a lot more massaging.
  • 38. The sites that have already taken your bait are now on your side. They desperately want their articles to get as much traffic as possible, and being linked to or mentioned on national sites is how they do that.
  • 39. THE NATIONAL PRESS These sites will take care of submitting your articles to news aggregator sites like Digg, because making the front page will drive tens of thousands of visitors to their article. Mass media reporters monitor aggregators for story ideas, and often cover what is trending there, like they did with the charity story after it made the front page of Reddit.
  • 40. IN TODAY’S WORLD EVEN THESE GUYS HAVE TO THINK LIKE BLOGGERS—THEY NEED AS MANY PAGEVIEWS AS POSSIBLE
  • 41. HERE’S HOW YOU DO IT Taketheoutletwhereyou’dultimatelyliketoreceive coverageandobserveitforpatterns. You’ll notice that they tend to get their story ideas from the same second-level sites, and by tailoring the story to those smaller sites (or site), it sets you up to be noticed by the larger one. The blogs on Gawker and Mediabistro, for instance, are read very heavily by the New York City media set. You can craft the story for those sites that automatically set
  • 42. yourself up to appeal to the other reporters reading it – without ever speaking to them directly.
  • 43. AN EXAMPLE: Katie Couric claims she gets many story ideas from her Twitter followers, which means that getting a few tweets out of the seven hundred or so people she follows is all it takes to get a shot at the nightly national news. It’sasimpleillusion:Createtheperceptionthatthememe alreadyexistsandallthereporterisdoingispopularizingit.
  • 47. My campaign for I Hope They Serve Beer in Hell began by vandalizing the billboards. The graffiti was designed to bait two specific sites, CurbedLA and Mediabistro’s FishbowlLA. When I sent them photos of my work under the fake
  • 48. name Evan Meyer, they both quickly picked it up.
  • 49. CURBEDLABEGANTHEIRPOSTBYUSINGMYEMAILVERBATIM: Thanks for the plug! In creating outrage for the movie, I had a lot of luck getting local websites to cover or spread the news about protests of the screenings we had organized through anonymous tips. We would send them a few offensive quotes and say something like “This misogynist is coming to our school and we’re so fucking pissed. Could you help spread the world” Or I’d email a neighborhood site to say that “a
  • 50. controversial screening with rumors of a local boycott” was happening in a few days.
  • 51. SEX, COLLEGE PROTESTORS, HOLLYWOOD. It was the kind of story news producers loved. After reading about the growing controversy on the small blogs I conned, they would often send camera crews to the screenings. The video of the story would get posted on the station’s website, and then get covered again in the other, larger blogs in that city, like those hosted by a newspaper or companies like the Huffington Post. I was able to get the story to register, however briefly, by using a small site with
  • 53. At this point, I now have something to work with. Three or four links are the makings of a trend piece, or even a controversy— that’s all major outlets and national websites need to see to get excited. The key to getting from the second to the third level is the soft sell. Gawker and Mediabistro are very media- centric, so we tailored stories to them to queue ourselves up for outrage from their audiences
  • 54. — which happen to include reporters at places like the Washington Post.
  • 55. When I want to be direct, I would send fake emails with a collection of all links gathered so far and say, “How have you not done a story about this yet?” Reporters rarely get substantial tips or alerts from their readers, so to get two or even three legitimate tips about an issue is a strong signal. So I sent it to them. At this point something amazing happened.
  • 56. “If only they knew we were promoting the offensive Tucker Max brand for us just as we planned…” The coverage my stunts received began helping the 20,000 dollar-a-month publicist the movie had hired. REJECTIONS FROM LATE-NIGHT TELEVISION, NEWSPAPER INTERVIEWS, AND MORNING RADIO TURNED INTO CALL-BACKS. Tucker did Carson Daly’s NBC late-night show for the first time. By the end of this charade, hundreds or reputable
  • 57. reporters, producers, and bloggers had been swept up into participating. Thousands more had eagerly gobbled up news about it on multiple blogs. Each time they did, views of the movie trailer spiked, book sales increased, and Tucker became more famous and more controversial.
  • 58. JUST LIKE A BUNCH OF ANIMALS The media gallops in a herd. It takes just one steer to start a stampede. The first level is your lead steer. The rest is just pointing everyone’s attention to the direction it went in. Remember: Every person (with the exception of a few at the top layer) in this ecosystem is under immense pressure to produce content under the tightest of deadlines. Yes, you have something to sell. But more than ever they desperately, desperately need to buy. The flimsiest
  • 59. of excuses is all it takes.
  • 60. It freaked me out when I began to see this sort of thing happen without the deliberate prodding of a promoter like myself. I saw media conflagrations set off by internal sparks. In this networked, interdependent world of blogging, misinformation can spread even when no one is consciously pushing or manipulating it. The system is so primed, tuned, and ready that often it doesn’t need people like me. The monster can feed itself.
  • 61. Buy the Bestseller Today a : ;on.com· &J!i BARNES&NOBLE " I BOUND.orc ooo"'''L£Rs
  • 62.
  • 63. RYANHOLIDAYisamedia strategist for notorious clients such as Tucker Max and Dov Charney. After dropping out of college at nineteen to apprentice under Robert Greene, author of The 48 Laws of Power, he went on to advise many bestselling authors and multiplatinum musicians. He is currently the director of marketing at American Apparel, where his work is internationally known. His campaigns have been used as case studies by Twitter, YouTube, and Google and
  • 64. written about in AdAge, the New York Times, Gawker and Fast Company. He currently lives in New Orleans and writes at RyanHoliday.net.
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