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But she had a down-to-earth hands-on style: “Her own experiences as a dirt gardener were the
foundation of her art”¹




                                 LAURA S.D. GRELOCH
                                   Project Works Sampling 2005 through 2010
Introduction: Inspiration, Intuition & Realization                                    Slides: 3 - 6




                  Residential Projects: Bell Terre & Chipman House                                    Slides: 7 - 30




                 Sustainable Foot Steps & Restorative Landscapes:                                    Slides: 31 - 36




Bibliography: 1. Robin Karson founding director of the Library of American Landscape History of Ellen Biddle Shipman
               2. Edith Wharton, Italian Villas and Their Gardens
               3. Edith Wharton, Biography
               4./ 4a. Reference Beatrix Farrand : Garden Refuge, Dumbarton Oaks Gardens, Harvard Magazine July-August 2012
               5. David Bennett, Landscape Architect reflects on the work of Beatrix Jones Farrand
She structured the gardens to “devolve” from formal and structured to progressively less
                             so as one moves downhill from the main house. As one enters the “wild,” less landscaped
                             portion, stone paths trail off abruptly into dirt or lawn. BLISS & FARRAND a


INSPIRATION




In Nature, there is detail, character and rhythm. On any given day, I am
reminded by familiar striking beauty where I was the year before. The light,
the air, a flower that has blossomed that was not there the day before, a
fresh fragrance, the soft sounds of life humming, bring me home; ground me
gently. The landscape in nature is to be admired, learned from, repeated.
Indigenous elements fit
without question. Designed
and crafted to create age and
intentionally extend
architecture into the
landscape.
INTUITION

Learning by observation is gradual,
an experiment in practice, patience;
barring results initially
unpredictable.
A journey toward intuitive design is,
life-long in study, hugely gratifying;
satiating an audience with purpose
greater than oneself.
Growing knowledge, as learning how to see, how to listen, thrives in
commitment and in wonder. Talent lies idle with out expression and voice
to a greater audience. Success is realized in opening new doors
and sharing vision.




                                                  REALIZATION
“Gardens should be divided into rooms and planned in
concert with the house and the natural landscape.”²




Belle Terre
Saucon Valley, Pennsylvania

- Benjamin L. Walbert: Architects & Planners
- Laura S.D. Greloch:
   Landscape Architect & Projects Coordinator
- Lewis Brothers Construction:
   Building Contractor & GC
- Creative Landscapes: Flat Work Subcontractor
- The Outdoor Room: Softscapes & Irrigation
Original
                                                                                                 conceptual drawing
                                                                                                 resulting in the award for
                                                                                                 full- service design contract.
                                                                                                 – AD Marker on Sepia–tone Diazo
                                                                                                 Presentation Paper




NOTE: the original plan depicted a first generation pool design with natural features. A ha-ha
wall in lieu of required pool fence enclosure which offered an unobstructed view to the meadow
below and melded the living spaces to the site gracefully.
She used plants to create
                                                                                                    “impressionistic” effects of texture
                                                                                                    and color, and also was known for
                                                                                                    creating outdoor “garden rooms,”
                                                                                                    with “the idea of moving through
                                                                                                    a landscape in a sequence, from
                                                                                                    one space to another, where each
                                                                                                    space has its own character,”
                                                                                                    …“One space may be very shady
                                                                                                    and enclosed, and you pass
                                                                                                    through a hedge or a row of trees
                                                                                                    or through an actual gate in a
                                                                                                    wall to enter a very sunny and
                                                                                                    open space.”³




This working conceptual reveals a European Garden Style with formally aligned multi – level outdoor living
spaces. The heart-shaped garden to the left of the residence was an original 1940’s feature that was the only part
of the original landscape to be renovated as it was originally intended.
Hand selected specimen
Pendulous Norway Spruce is
positioned into planting niche via
crane.
Fragrant culinary herbs are conveniently
incorporated into the landscape along the path just
outside the Manor-House Kitchen & adjacent to
outdoor dining space.
Design-build Detail for grill housing, set out for discussion with the masons.
Receiving Area and Barn Court Pavement Details.
Granite Belgium Block detailing, accents
the receiving area and barn court.
Formal gardens in the European tradition, but
with a distinctively American flavor that
acknowledges their setting—are laid out as a
series of “garden rooms,” with walls formed by
trees in some cases, by terraces in others, with the
result that something new lurks around each twist
of the winding paths. One has the constant feeling
of going where one isn’t supposed to go—a place
this beautiful just can’t be open to the public.
THE DUMBARTON OAKS GARDENS




 Chipman House
 Chipman Estate, Bethlehem Township,
 Easton, Pennsylvania
 -1870 Georgian Brick Architecture
 - Penn Contractors, Kitchen Addition
 - Laura S.D. Greloch, Landscape Architect, PM
 - E.L.K. Masonry
 - The Outdoor Room: Flatwork, Planting,
 Irrigation & Lighting
Working through
concepts.
Chipman House post addition, before site work.




Wharton believed that the design of a house should be treated architecturally and should honor the principles of proportion, harmony,
simplicity, and suitability. She thought gardens, too, should be architectural compositions.
Awkwardly sited this home sits a
mere 10’ off the road, is tight to
the property boundary and lacks
cohesiveness to its 3 acre open
landscape. A retaining wall was
necessary to extend architecture
into the property and create a
level outdoor living space
accessible to first floor grade of
the house.
Lighting Plan for Electrical & In-House Low-Voltage Installation
Sample Construction Details Sheet for Chipman House Project
SUSTAINABILITY




Adaptation of sustainable
practices has made a difference
on residential scale projects.
Clients are open-minded where
they can recycle, utilize native
plantings along-side hybrids
and incorporate thorough bed
amendment in order to
conserve water and maximize
organic soil nutrients.
Blue Wonder Cat Mint adjacent to Japanese Golden
Hakon-Grass create a soft foreground to the swing
and twig-sculpted tree in a photographer’s garden.
Invigorating Landscape Design for the Fragrance Manufacturing Company, Inc.
“ She had a strong appreciation for the natural character of the land and the appropriate way of integrating a designed “ DAVID BENNETT




   VARIETAL PLANTINGS
     Herbaceous plantings breath life into and are restorative to an otherwise predominantly static garden. Once
     defined, the landscapes structure plantings may yield to perennials & grasses reflective of the designer’s
     attentiveness to contrast in color, foliage seasonal characteristics. Appropriate spacing offers fast cover with
     little room for weeds.

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2012 Laura S.D. Greloch Portfolio Works v. 9.29.12

  • 1. But she had a down-to-earth hands-on style: “Her own experiences as a dirt gardener were the foundation of her art”¹ LAURA S.D. GRELOCH Project Works Sampling 2005 through 2010
  • 2. Introduction: Inspiration, Intuition & Realization Slides: 3 - 6 Residential Projects: Bell Terre & Chipman House Slides: 7 - 30 Sustainable Foot Steps & Restorative Landscapes: Slides: 31 - 36 Bibliography: 1. Robin Karson founding director of the Library of American Landscape History of Ellen Biddle Shipman 2. Edith Wharton, Italian Villas and Their Gardens 3. Edith Wharton, Biography 4./ 4a. Reference Beatrix Farrand : Garden Refuge, Dumbarton Oaks Gardens, Harvard Magazine July-August 2012 5. David Bennett, Landscape Architect reflects on the work of Beatrix Jones Farrand
  • 3. She structured the gardens to “devolve” from formal and structured to progressively less so as one moves downhill from the main house. As one enters the “wild,” less landscaped portion, stone paths trail off abruptly into dirt or lawn. BLISS & FARRAND a INSPIRATION In Nature, there is detail, character and rhythm. On any given day, I am reminded by familiar striking beauty where I was the year before. The light, the air, a flower that has blossomed that was not there the day before, a fresh fragrance, the soft sounds of life humming, bring me home; ground me gently. The landscape in nature is to be admired, learned from, repeated.
  • 4. Indigenous elements fit without question. Designed and crafted to create age and intentionally extend architecture into the landscape.
  • 5. INTUITION Learning by observation is gradual, an experiment in practice, patience; barring results initially unpredictable. A journey toward intuitive design is, life-long in study, hugely gratifying; satiating an audience with purpose greater than oneself.
  • 6. Growing knowledge, as learning how to see, how to listen, thrives in commitment and in wonder. Talent lies idle with out expression and voice to a greater audience. Success is realized in opening new doors and sharing vision. REALIZATION
  • 7. “Gardens should be divided into rooms and planned in concert with the house and the natural landscape.”² Belle Terre Saucon Valley, Pennsylvania - Benjamin L. Walbert: Architects & Planners - Laura S.D. Greloch: Landscape Architect & Projects Coordinator - Lewis Brothers Construction: Building Contractor & GC - Creative Landscapes: Flat Work Subcontractor - The Outdoor Room: Softscapes & Irrigation
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  • 9. Original conceptual drawing resulting in the award for full- service design contract. – AD Marker on Sepia–tone Diazo Presentation Paper NOTE: the original plan depicted a first generation pool design with natural features. A ha-ha wall in lieu of required pool fence enclosure which offered an unobstructed view to the meadow below and melded the living spaces to the site gracefully.
  • 10. She used plants to create “impressionistic” effects of texture and color, and also was known for creating outdoor “garden rooms,” with “the idea of moving through a landscape in a sequence, from one space to another, where each space has its own character,” …“One space may be very shady and enclosed, and you pass through a hedge or a row of trees or through an actual gate in a wall to enter a very sunny and open space.”³ This working conceptual reveals a European Garden Style with formally aligned multi – level outdoor living spaces. The heart-shaped garden to the left of the residence was an original 1940’s feature that was the only part of the original landscape to be renovated as it was originally intended.
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  • 12. Hand selected specimen Pendulous Norway Spruce is positioned into planting niche via crane.
  • 13. Fragrant culinary herbs are conveniently incorporated into the landscape along the path just outside the Manor-House Kitchen & adjacent to outdoor dining space.
  • 14. Design-build Detail for grill housing, set out for discussion with the masons.
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  • 18. Receiving Area and Barn Court Pavement Details.
  • 19. Granite Belgium Block detailing, accents the receiving area and barn court.
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  • 21. Formal gardens in the European tradition, but with a distinctively American flavor that acknowledges their setting—are laid out as a series of “garden rooms,” with walls formed by trees in some cases, by terraces in others, with the result that something new lurks around each twist of the winding paths. One has the constant feeling of going where one isn’t supposed to go—a place this beautiful just can’t be open to the public. THE DUMBARTON OAKS GARDENS Chipman House Chipman Estate, Bethlehem Township, Easton, Pennsylvania -1870 Georgian Brick Architecture - Penn Contractors, Kitchen Addition - Laura S.D. Greloch, Landscape Architect, PM - E.L.K. Masonry - The Outdoor Room: Flatwork, Planting, Irrigation & Lighting
  • 23. Chipman House post addition, before site work. Wharton believed that the design of a house should be treated architecturally and should honor the principles of proportion, harmony, simplicity, and suitability. She thought gardens, too, should be architectural compositions.
  • 24. Awkwardly sited this home sits a mere 10’ off the road, is tight to the property boundary and lacks cohesiveness to its 3 acre open landscape. A retaining wall was necessary to extend architecture into the property and create a level outdoor living space accessible to first floor grade of the house.
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  • 26. Lighting Plan for Electrical & In-House Low-Voltage Installation
  • 27. Sample Construction Details Sheet for Chipman House Project
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  • 31. SUSTAINABILITY Adaptation of sustainable practices has made a difference on residential scale projects. Clients are open-minded where they can recycle, utilize native plantings along-side hybrids and incorporate thorough bed amendment in order to conserve water and maximize organic soil nutrients.
  • 32. Blue Wonder Cat Mint adjacent to Japanese Golden Hakon-Grass create a soft foreground to the swing and twig-sculpted tree in a photographer’s garden.
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  • 35. Invigorating Landscape Design for the Fragrance Manufacturing Company, Inc.
  • 36. “ She had a strong appreciation for the natural character of the land and the appropriate way of integrating a designed “ DAVID BENNETT VARIETAL PLANTINGS Herbaceous plantings breath life into and are restorative to an otherwise predominantly static garden. Once defined, the landscapes structure plantings may yield to perennials & grasses reflective of the designer’s attentiveness to contrast in color, foliage seasonal characteristics. Appropriate spacing offers fast cover with little room for weeds.